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Restraining Order Granted in Paramount Skydance/Warner Bros. Discovery Merger

Warner Bros. logo

It’s an early win for a dozen State Attorneys General in their lawsuit attempting to stop the merger between Paramount Skydance and Warner Bros. Discovery. The temporary restraining order pauses the merger for 14 days and in response to a lawsuit filed July 13 by California, Arizona, Colorado, Connecticut, Massachusetts, Minnesota, Nevada, New Jersey, New Mexico, New York, Oregon, and Washington.

The lawsuit was filed in the U.S. District for the Northern District of California and alleges the deal violates Section 7 of the Clayton Act. That focuses on lessening competition through mergers and is an attempt to prevent monopolies.

U.S. District Judge Araceli Martinez-Olguin wrote that the AG’s:

…present compelling evidence that the combined firm resulting from the transaction will possess substantial market share in the wide-release theatrical distribution market.

On this combined firm market share alone, the Court is persuaded that it can presume the proposed merger is likely to violate antitrust laws.

The order prevents the deal from “closing” or “consummating” or taking any steps that would integrate or consolidate the operations.

Attorney General Bonta said in a statement:

My office and attorneys general nationwide have secured an emergency order blocking the unlawful merger of Warner Bros. and Paramount. This is a critical first win in our case to ensure this megamerger never sees the light of day. History tells the tale of what happens when a few people have great power over markets that are central to Americans’ lives: fewer opportunities for more people, worse products and services for all people. With our lawsuit, we’re fighting for a free and fair market and a thriving film and television industry that serves creatives and audiences alike. We have a full tank of gas, the law on our side, and look forward to continuing to make our case.

The AGs argued the temporary restraining order was needed because Paramount had indicated it could possibly close the deal soon. Paramount’s lead attorney, Jeffrey Kessler, said that they were prepared to commit to not closing the merger for the next 28 days.

The decision is important as it delays the closing of the deal for Paramount. Paramount Skydance wants the deal to close before September 1, 2026 or the cost will increase the longer it drags on. The price increases 25 cents per share per quarter it’s not approved. That would add $627 million to the cost of the overall deal each quarter, or roughly $7 million per day. This lawsuit could drag on for months making it unlikely the deal will close by that date. The company has said delays could force it to renegotiate the deal’s financing, cause uncertainty for its stock price, or end the transaction altogether.

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Alan Cumming and Block the Merger UK urge a Stop to the Paramount Skydance/Warner Bros. Discovery Merger

With the acquisition of Warner Bros. Discovery by Paramount Skydance having been approved by some governments, but more to come, organizing against the deal has ramped up. Alan Cumming and Block the Merger UK has been urging individuals to speak out against the deal ahead of a decision by the UK government.

Block the Merger UK is urging people to contact the Department for Culture, Media and Sport or Ofcom and demand the merger is examined in depth.

Cumming and the organization highlight the consolidation leads to “one country” controlling a “massive slice of what we watch in Britain.” This new company would be “beholden to Donald Trump, autocrats and oligarchs.”

Concerns of job cuts are also raised and there’s still time for UK regulators to hear input from citizens.

A website has been set up with an email template and ways, and who, to contact.

Block the Merger was launched in April spinning out of a coalition of Hollywood stars and staff spoke up against the merger.

UK Culture Secretary Lisa Nandy said last month she is “minded to intervene” in the $110 billion takeover. A formal decision has not been made. If there is intervention, it’d trigger investigations by Ofcom and the Competition and Markets Authority, the antitrust watchdog.

But, things are up in the air as the House of Commons has gone into recess with any update by Nandy. That means things are potentially in limbo until September 1 when Parliament returns from its summer break.

Paramount has a deadline of September 30 to close the deal. If it doesn’t the price increases with a “ticking fee” that increases share cost by 25 cents per share, about $650 million, for every quarter beyond the third.

The deal could still close without UK clearance. The CMA though is investigating the merger and intends to issue an update August 7.

The deal between Paramount and Warner Bros. Discovery has come under heavy scrutiny this past week with a dozen attorneys general suing to stop the deal as well as the Writer’s Guild of America suing, and a third lawsuit involving shareholders.

Paramount Shareholders Sue David and Larry Ellison over “Illegal” Deal to acquire Warner Bros. Discovery

It hasn’t been a good week for the Ellisons and Paramount Skydance with multiple lawsuits being filed regarding their attempted takeover of Warner Bros. Discovery. This week, a dozen attorneys general sued claiming antitrust violations and the Writers Guild of America stepped in with a lawsuit of their own. Now, shareholders of Paramount are suing saying the father/son duo cut an “illegal” deal with President Donald Trump to secure the government’s approval of the takeover. Trump’s government approved the deal in June though there’s been some concerns raised about the approval process.

The shareholder lawsuit is attempting to block the $111 billion merger along with unspecified monetary damages. The lawsuit claims that the Ellisons promised “illegal private benefits” to President Trump in exchange for the government approval.

That side deal would include funneling money to Trump by settling his legal claims against CNN as well as firing CNN anchors Trump does not like.

The lawsuit states:

The Ellisons’ actions not only harm the reputations of the news outlets they currently own, which are hemorrhaging viewers, but they are latent liabilities waiting to be triggered by a future administration.

Paramount has responded through a spokesperson:

This lawsuit recycles allegations that have already been reported and already addressed. As we’ve said consistently: no commitments from either David or Larry Ellison have been made to any government body, State AG, or federal agency regarding the future of CNN or any other news property, other than the goal to deliver truth-based journalism.

The Warner Bros. Discovery transaction stands on its own merits. Combining these two libraries and platforms gives consumers more choice, not less — greater investment in original programming, a stronger competitor to streaming rivals, and a more durable footing for journalism and storytelling alike. We remain confident in the merger’s fundamentals and will continue toward closing.

The lawsuit not only names the Ellisons but also includes Paramount Skydance board members: Gerry Cardinale, Safra Catz, Andrew Brandon-Gordon, Paul Marinelli, John Thornton, Barbara Byrne, Andrew Campion, Justin Hamill and Sherry Lansing.

Paramount Skydance also faces a hurdle in the European Commission and the U.K. The company has attempted to address EU competition concerns such as ending a film distribution venture it has with Universe Pictures. The European Commission has extended its deadline for its decision from July 7 to July 22.

Paramount Skydance wants the deal to close before September 1, 2026 or the cost will increase the longer it drags on. The price increases 25 cents per share per quarter it’s not approved. That would add $627 million to the cost of the overall deal each quarter, or roughly $7 million per day. This lawsuit will likely drag on for months if it moves forward making it unlikely the deal will close by that date. The company has said delays could force it to renegotiate the deal’s financing, cause uncertainty for its stock price, or end the the transaction altogether.

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The WGA has filed a lawsuit to Block the Paramount-Warner Bros. Discovery Merger

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Things are heating up when it comes to the Paramount Skydance acquisition of Warner Bros. Discovery. Yesterday, a dozen attorneys general filed a lawsuit to stop the merger. On the same day, the Writers Guild of America West and Writers Guild of America East also filed a lawsuit to block the proposed merger.

In the complaint, the WGA states the merger would reduce opportunities, lower pay, and worsen working conditions for writers. They also state the merger would reduce output as well as suppress competition for writers’ work.

The WGA complaint focuses on the anticompetitive effects of the merger in three markets for writing services: anticipated top grossing films, episodic television and streaming series, and overall deals.

In June, the White House and the Department of Justice approved the mergerOregon has been investigating Paramount Skydance’s “Project Warrior” which was focused on winning approval for the deal. They recently withdrew motions regarding their own lawsuit. It’s unknown if they’ll continue to pursue that as they are a part of antitrust lawsuit by the attorneys general.

Paramount Skydance still faces a hurdle in the European Commission and the U.K. The company has attempted to address EU competition concerns such as ending a film distribution venture it has with Universe Pictures. The European Commission has extended its deadline for its decision from July 7 to July 22.

Paramount Skydance wants the deal to close before September 1, 2026 or the cost will increase the longer it drags on. The price increases 25 cents per share per quarter it’s not approved. That would add $627 million to the cost of the overall deal each quarter, or roughly $7 million per day. This lawsuit will likely drag on for months if it moves forward making it unlikely the deal will close by that date. The company has said delays could force it to renegotiate the deal’s financing, cause uncertainty for its stock price, or end the the transaction altogether.

California leads 11 Other States in Suing to Block Paramount’s Acquisition of Warner Bros. Discovery

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As expected, California and 11 other states have filed a lawsuit to stop Paramount Skydance‘s acquisition of Warner Bros. Discovery. They state that the $110 billion deal would lessen competition in film distribution and television as well as harm theaters and television distributors.

The lawsuit is being lead by California Attorney General Bonta and includes Arizona, Colorado, Connecticut, Massachusetts, Minnesota, Nevada, New Jersey, New Mexico, New York, Oregon, and Washington.

The lawsuit was filed in the U.S. District for the Northern District of California and alleges the deal violates Section 7 of the Clayton Act. That focuses on lessening competition through mergers and is an attempt to prevent monopolies.

In the lawsuit the attorneys general allege:

  • Wide Release Theatrical Film Distribution, where Warner Bros. and Paramount are two of the five major film distributors and would combine for around 27% share of the market. After the merger, only three distributors will control 75% of these films and only four distributors (Defendants, Disney, Universal, and Sony) will control 86% of them.
  • Anticipated Top-Grossing Theatrical Film Distribution, a submarket of theatrical film distribution focused on anticipated blockbuster films with wide audiences and large production budgets. After the merger, Defendants will control more than 30% of these films, and four distributors (Defendants, Disney, Universal, and Sony) will control more than 90% of them.
  • Licensing Basic Cable Television Channels, or the market for distributing basic cable channels to cable and satellite providers. Warner Bros. is the second largest and Paramount is the third largest in this market, and they would combine for a 27% share.

In June, the White House and the Department of Justice approved the merger. Oregon has been investigating Paramount Skydance’s “Project Warrior” which was focused on winning approval for the deal. They recently withdrew motions regarding their own lawsuit. It’s unknown if they’ll continue to pursue that as they are a part of this.

Paramount Skydance still faces a hurdle in the European Commission and the U.K. The company has attempted to address EU competition concerns such as ending a film distribution venture it has with Universe Pictures. The European Commission has extended its deadline for its decision from July 7 to July 22.

Paramount Skydance wants the deal to close before September 1, 2026 or the cost will increase the longer it drags on. The price increases 25 cents per share per quarter it’s not approved. That would add $627 million to the cost of the overall deal each quarter, or roughly $7 million per day. This lawsuit will likely drag on for months if it moves forward making it unlikely the deal will close by that date. The company has said delays could force it to renegotiate the deal’s financing, cause uncertainty for its stock price, or end the the transaction altogether.

Oregon Attorney General investigating Paramount over its Warner Bros. Discovery Deal

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Oregon’s Attorney General Dan Rayfield is stepping into the acquisition of Warner Bros. Discovery by Paramount Skydance. The office had asked for records regarding the deal, in particular its “Project Warrior,” the lobbying of the White House and the Department of Justice, questioning their approval of the merger in June.

The office had asked for records regarding the deal and stated that Paramount Skydance had not been responsive to record requests. The company has responded back that those records are not pertinent to antitrust concerns.

After initially filing multiple motions, the Attorney General’s withdrew the request to delay the closing of the merger as well as the request of records. The $110 billion acquisition could close as early as July 22.

The investigation is not over though, and the office has stated they are considering their next steps. Jenny Hansson, a spokeswoman for the A.G.’s office, said:

Paramount made it clear that they weren’t going to comply with the investigative demand, and that they think they’re above the law. We’re not going to let them waste Oregonians’ resources on these games. We’ve withdrawn the motion to consider our next steps.

Oregon is the first state to step in regarding the deal but more may join as California’s Attorney General has voiced concern over the deal and it is expected a motion will be filed in the next few weeks regarding it.

Paramount Skydance still faces a hurdle in the European Commission and the U.K. The company has attempted to address EU competition concerns such as ending a film distribution venture it has with Universe Pictures. The European Commission has extended its deadline for its decision from July 7 to July 22.

Paramount Skydance wants the deal to close before September 1, 2026 or the cost will increase the longer it drags on. The price increases 25 cents per share per quarter it’s not approved. That would add $627 million to the cost of the overall deal each quarter, or roughly $7 million per day.

British Government Likely to Challenge Paramount Skydance’s Takeover of Warner Bros. Discovery

Warner Bros.

At least one government is stepping up and doing their job as the British government said it will likely challenge Paramount Skydance‘s takeover of Warner Bros. Discovery. In early June, Trump’s Department of Justice approved the merger saying it would “not likely to result in harm to competition or American consumers.” The British government might be coming to a different conclusion.

British culture minister Lisa Nandy said she was “minded to intervene.” In the full statement, Nandy said:

Following engagement with the parties and independent research, my Department has today written to the current and proposed owners of Warner Bros Discovery on my behalf to inform them that I am minded to intervene.

“Minded to” means the government will make a move before legal steps are done. The companies can now respond.

Nandy’s concerns are the consolidation of news media as well as consolidation of control of media enterprises.

If the deal goes through, Paramount Skydance would take over Warner Bros. Studios, CNN, DC Comics, and more. They already control CBS, CBS News, and the Ellisons (who control Paramount Skydance) have a large investment in TikTok which is a popular platform for news.

While the United States federal government has abdicated its role in protecting consumers and competition, a coalition of state attorneys general have stated they believe the Trump administration is failing to enforce antitrust laws and may take action themselves. There are also regulatory concerns over the amount of foreign investment in the deal.

Paramount Skydance wants the deal to close before September 1, 2026 or the cost will increase the longer it drags on. The price increases 25 cents per share per quarter it’s not approved. That would add $627 million to the cost of the overall deal each quarter, or roughly $7 million per day.

The British investigation, and others, could add months before the deal is finally approved, if it is.

Trump’s DOJ Approves Paramount’s Merger with Warner Bros. While States Stepping Up to Actually Scrutinize it Looms

Warner Bros. logo

As expected, Trump’s Department of Justice has approved Paramount Skydance‘s planned merger with Warner Bros. Discovery. The green light was given this Friday and a key step in the acquisition process. Authorities in the Australian Competition and Consumer Commission, New Zealand Commerce Commission, and authorities in Saudi Arabia, Ukraine, Serbia and North Macedonia, Germany, Slovenia, Belgium, Czechia, New Zealand, Italy, France and Romania have all approved the deal in some way.

In the DOJ’s statement, they said:

The transaction is not likely to result in harm to competition or American consumers, including with respect to: (1) streaming video on demand (“SVOD”); (2) linear television; and (3) studio development, production, or distribution of films for theatrical release.

Anyone with two working brain cells and not and administration sycophant know that’s absolutely not going to be the case. The approval is a payoff in the investment the Ellisons, Trump allies, have made in the current President. You need to make your money back somehow and between this and Ellison’s investment in TikTok, their investment is potentially paying off while further burning the United States to the ground.

The $111 billion proposed deal is being pushed through because if it extends past September 1, stockholders will see more paid out to them, thus vastly increasing the cost.

The deal for Warner Bros. Discovery would giver Paramount Skydance control of such assets as CNN, HBO, Warner Bros., HBO Max, and have a major impact on the comic industry as DC ComicsWonder Comics, and Milestone Media, are all owned by Warner Bros. Discovery or have deals with it.

It will be a disaster for consumers on multiple fronts.

After the Ellison takeover of CBS, they appointed Bari Weiss to head up the news division. Weiss has destroyed the credibility of 60 Minutes and decreased the viewership for multiple shows on the broadcast network.

Paramount Skydance also recently merged its video game studios which will eventually lead to layoffs and it’s likely WB Games and all of the video game studios from Warner Bros. Discovery will be folded into the new venture.

The deal is not done yet:

  • Paramount Skydance and Warner Bros. Discovery may face a lawsuit by a coalition of state attorneys general who have stated they believe the Trump administration is failing to enforce antitrust laws.
  • The UK’s competition regulator, the Competition and Markets Authority, said it was initiating an investigation into the proposed deal.
  • The European Commission is investigating the deal under the EU’s Foreign Subsidies Regulation. $24 billion of the deal is coming from the sovereign wealth funds of Saudi Arabia, Qatar, and Abu Dhabi. The merged Paramount-WBD would be 49.5% owned by foreign investors with 38.5% of the equity owned by a trio of Gulf States. That has a deadline if July 14. The irony is TikTok not allowed to be owned by a foreign government but 49.5% of Paramount-WBD can be.

While we don’t expect the deal to impact DC Comics, Milestone Media, or Wonder Comics immediately, we do expect the intellectual property to be quickly used in an attempt to increase revenue for the mega company.

FCC Commissioner Anna M. Gomez sides with Disney in its Battle with the FCC Over Censorship

In late April, the FCC again went on the offensive against Disney and ABC over comments made by Jimmy Kimmel on his late night show. The FCC has ordered its eight owned-and-operated stations to renew their broadcast licenses ahead of schedule. That’s not currently due to at least 2028. It’s another attack by this current administration against free speech and an attempt to further mold the media to be friendly to not just President Trump and his administration but to Republicans and the right as a whole (as if they could be any more).

While there has been some support, a big one has come from FCC Commissioner Anna Gomez, the panel’s lone Democrat. Gomez believes the goal of the FCC under Chairman Brendan Carr is to pressure networks into self-censorship. Disney already has settled with Donald Trump, paying $15 million in a defamation lawsuit that was launched in 2024.

What Disney and ABC are facing is not a series of coincidental regulatory actions but a sustained, coordinated campaign of censorship and control, carried out through the weaponization of the FCC’s authority as a federal regulator and aimed at pressuring a free and independent press and all media into submission,” Commissioner Gomez wrote.

Gomez sent a letter, which you can read below, to Disney Chief Executive Officer Josh D’Amaro on Monday describing her opinion of what’s going on and the pressure campaign against Disney and others.

The letter traces the censorship campaign from its origins in the settlement of a baseless defamation lawsuit brought against ABC, through a series of investigations into ABC’s debate moderation, diversity programs, and The View, and culminating in an unprecedented early license renewal order against all eight ABC-owned stations, which Commissioner Gomez has called the most egregious First Amendment assault this FCC has taken to date. Gomez is calling on Disney to fight the attempted censorship by the FCC.

Gomez goes further calling out a “stark double standard” at the heart of the FCC’s enforcement posture as well as raising serious questions about the FCC’s conduct in other investigations.

Gomez also has concerns over the FCC’s investigation into Disney’s diversity, equity, and inclusion programs, noting that the agency’s own rules on this topic are limited to recruitment outreach and say nothing about internal corporate policies.

Federal Communications Commission
Washington, DC 20554

OFFICE OF
COMMISSIONER GOMEZ

May 11, 2026
Mr. Josh D’Amaro
Chief Executive Officer
The Walt Disney Company
RE: This Administration’s Campaign of Censorship and Control Against Disney and ABC

Dear Mr. D’Amaro,

I am writing because The Walt Disney Company has once again been made a target by this FCC, and the record of its actions against your company demands a clear accounting.

What Disney and ABC are facing is not a series of coincidental regulatory actions but a sustained, coordinated campaign of censorship and control, carried out through the weaponization of the FCC’s authority as a federal regulator and aimed at pressuring a free and independent press and all media into submission.

You are not the first target of this campaign, and you will not be the last. But Disney’s experience is, by now, the most documented, and it is worth laying it out plainly.

This Administration’s campaign against Disney and ABC began in earnest when ABC agreed to pay $15 million to settle a baseless defamation lawsuit brought by the incoming President of the United States. Whatever the legal calculations behind that decision, its effect was immediate and unmistakable. It told this Administration that pressure works. It told every other company watching that capitulation was an option. And it opened the door to every action that has followed.

That settlement did not buy you peace. It only bought you time. Disney’s experience since then has made one thing undeniable for any company facing the same pressure. You cannot buy this Administration’s favor. For the right price, you can only borrow it. And the price always goes up.

Since that settlement, the FCC has pursued your company on multiple fronts, none of which reflect legitimate regulatory enforcement.

In late 2024, a politically motivated outside organization filed a complaint with the FCC alleging that ABC violated the FCC’s news distortion policy in its coverage of the presidential campaign, specifically the presidential debate ABC journalists moderated. Agency staff reviewed that complaint and dismissed it in January 2025, finding it contrary to the First Amendment and that it failed to even assert a set of facts that, if true, would violate FCC rules. See, Preserving the First Amendment, GN Docket No. 25-11, released January 16, 2025.
(https://docs.fcc.gov/public/attachments/DOC-408880A1.pdf)

This FCC revived it anyway, for reasons that have nothing to do with the merits and everything to do with politics. It is unclear to what degree this FCC has even seriously pursued that complaint, and I suspect there will be no end in sight for that investigation because the process is the punishment and keeping it open serves that goal.

Then, in March 2025, the FCC opened an investigation into Disney and ABC’s diversity, equity, and inclusion programs, directing the Enforcement Bureau to demand a full accounting of your company’s diversity policies and practices. The FCC’s broadcaster equal employment opportunity (EEO) rule is limited to requiring broadcasters to conduct broad, inclusive recruitment outreach. 47 C.F.R. § 73.2080.

This narrowly tailored rule resulted from significant and hard fought litigation over years that addressed both the scope of the Commission’s authority and the substantial intrinsic dangers that arise from the Commission using its licensing authority to enforce its views of the “correct” racial or gender balance in employment practices, dangers this FCC’s current course of action exemplifies precisely. As the D.C. Circuit stated when vacating the FCC’s prior EEO rule as unconstitutional, “the FCC is not the Equal Employment Opportunity Commission . . . and a license renewal proceeding is not a Title VII suit” because the agency’s authority is limited by its statutory remit. Lutheran Church-Missouri Synod v. FCC, 141 F.3d, 344, 354 (D.C. Cir. 1998) (citing Bilingual Bicultural Coalition on Mass Media, Inc. v. FCC, 595 F.2d 621, 628 (D.C. Cir. 1978)) (“The only possible statutory justification for the Commission to regulate workplace discrimination would be its obligation to safeguard ‘the public interest,’ and the Supreme Court has held that an agency may pass antidiscrimination measures under its public interest authority only insofar as discrimination relates to the agency’s specific statutory charge.”). See also, Title VII of the Civil Rights Act of 1964, 42 U.S.C. §§ 2000e–2000e1.
And in its subsequent decision vacating the Commission’s revision of its EEO rule, the court went further and described the inherent coercive danger of investigations on alleged discrimination by licensing agencies such as the FCC. MD/DC/DE Broadcasters Ass’n v. FCC, 236 F.3d 13, 19 (D.C. Cir. 2001) (Investigation by the licensing authority is a powerful threat, almost guaranteed to induce the desired conduct. [See Chamber of Commerce v. Department of Labor, 174 F.3d 206, 210 (D.C. Cir. 1999)] (noting that agency “is intentionally using the leverage it has by virtue solely of its power to inspect. The Directive is therefore the practical equivalent of a rule that obliges an employer to comply or suffer the consequences; the voluntary form of the rule is but a veil for the threat it obscures”)).

The FCC’s attempt to usurp control over internal corporate decision-making through its limited authority requires reaching for legal power that the statute, agency rules, and the applicable case law simply do not provide. Courts have repeatedly and decisively determined that actions such as the FCC’s current investigation are unconstitutional. Despite the extraordinary overreach this investigation represents, it is my understanding that Disney has engaged with the agency in good faith and timely responded to the Commission’s Letter of Inquiry and Supplemental Letter of Inquiry by producing over 11,000 pages of responsive documents to date. See, KTRK Television, Inc. and American Broadcasting Companies, Inc, Petition for Declaratory Ruling Under Section 315(a) of the Communications Act of 1934, as Amended, at page 4, fn. 17, filed May 7, 2026 (KTRK Petition). (https://www.fcc.gov/ecfs/document/10507899614175/1)

Last year, this Administration tasked the FCC to escalate its campaign against ABC by targeting Jimmy Kimmel. The goal was clear: use regulatory pressure to force his removal from the air and send a message to every other broadcaster about the cost of critical coverage. Under that pressure, Disney pulled Kimmel off the air. But the public outcry from local communities across the country and democracy watchers around the world was immediate, broad, and impossible to ignore. Viewers and community voices from across the political spectrum and every corner of our great nation, including small towns, large cities and everything in between, made themselves heard, and that pressure forced Disney’s hand to have Kimmel reinstated.

What that moment revealed is something with which this Administration has never fully reckoned. When the government tries to dictate what people can watch and who is allowed to speak, the American public will fiercely defend their First Amendment rights, the most fundamental freedom we have in this country.

Earlier this year, the FCC opened yet another investigation into ABC, this time targeting The View over an alleged equal opportunities violation stemming from an appearance by a political candidate. To facilitate these investigations, this FCC’s Media Bureau issued new interpretive guidance on the equal opportunities rule that upended decades of settled agency precedent, rewriting the rules of the road specifically to create new exposure for broadcasters it wanted to target. See, FCC’s Media Bureau Provides Guidance on Political Equal Opportunities Requirement for Broadcast Television Stations, DA 26-68 (January 16, 2026) (Media Bureau PN).

The pattern by now is familiar: a complaint is filed, an investigation is opened with maximum visibility, and the process itself becomes the pressure.

This Commission has repeated that same pattern across multiple companies it regulates. These investigations are often announced with much fanfare, pursued selectively against perceived critics of this Administration, and most are destined never to be brought to any enforcement conclusion that could face judicial review. That is because the threat is the point. As sitting Supreme Court Justice Neil Gorsuch recently reminded us by invoking Justice Thurgood Marshall: “The value of a sword of Damocles is that it hangs, not that it drops.” First Choice Women’s Res. Ctrs., Inc. v. Davenport, 598 U.S. _ (April 26, 2026), No. 24-781.

And the double standard could not be more glaring. This FCC has trained its enforcement apparatus on ABC while staying conspicuously silent about other broadcasters operating under the exact same rules, in the same markets, that aired interviews with political candidates without filing notices and received no inquiry, no letter, and no investigation whatsoever. See, KTRK Petition at pp. 37-38.

Meanwhile, in what appears to be a form of entrapment, the Commission selectively pressured ABC affiliates in Texas to file late equal opportunities notices while offering them amnesty for doing so, then used the resulting inconsistency that the Commission helped create as evidence against your station, which received no such offer. The facts as described by Disney, if true, are disturbing. In 2002 the FCC’s Media Bureau issued a declaratory ruling that The View is a bona fide news interview program exempt from the equal opportunities provision. See, KTRK Petition at pp. 27-28. This January the FCC’s Media Bureau issued a Public Notice creating confusion over longstanding guidance on how the bona fide news exemption from the Commission’s equal opportunities rule should be applied and included an invitation for shows to file petitions to obtain clarity. See Media Bureau PN at p 4. The Commission appears to have followed this up with actions that helped create the facts on which it relied as a basis for its investigation of KTRK Television (KTRK), the Disney owned and operated ABC broadcast station in Houston Texas. Specifically, it is alleged that on February 11, 2026, following James Talerico’s February 2, 2026, appearance on The View, the FCC sent a Letter of Inquiry to KTRK asking whether it took the position that The View qualified as a bona fide news interview program and had placed a record of James Talerico’s appearance in its political file. See, KTRK Petition at pp. 2-4. KTRK timely responded that The View qualifies as a bona fide news interview program and it had not placed such a record in its political file. Id. The Commission then issued a Supplemental Letter of Inquiry (SLOI) on March 26, 2026, based, at least in part, on the assertion that KTRK’s position was contradicted by the positions taken by 19 of ABC’s affiliated stations in Texas, as they all had placed such records in their political files. Id. The SLOI allegedly failed to note, however, that those filings were made more than two weeks after the appearance at issue and in response to the FCC’s direction that making such filings would protect them from an enforcement action. Id. See also, FCC public inspection files (https://publicfiles.fcc.gov/ ) to view publicly filed records of James Talerico’s February 2, 2026 appearance on The View by ABC Texas affiliates (e.g., WFAA (Dallas–Fort Worth) filed 2/20/2026; KTXS-TV (Abilene/Sweetwater) filed 2/20/2026 and KVII-TV (Amarillo) filed 2/20/2026).

If true, that is a government agency abusing its authority to punish speech it dislikes while protecting speech it favors.

In what is now the most egregious assault on the First Amendment this FCC has taken to date, the agency has directed Disney’s eight ABC-owned local television stations to file for early license renewal, a mechanism that has not been invoked in more than half a century. Some of these licenses were not set to come up for renewal for nearly five years. Using the licenses of individual local stations as leverage against a parent company is an extraordinary and dangerous misapplication of this agency’s authority. The FCC licenses local broadcast stations, not national networks, and every action taken against these stations is, in truth, an action taken against local communities and against press freedom.

Ultimately, this effort to punish and intimidate your company will not succeed. The FCC’s internal process will be lengthy, and should it produce an outcome unfavorable to your stations, Disney will have every right to challenge that outcome in federal court, a process that could take years. Throughout all of it, Disney’s stations keep their licenses.

Disney has been here before. When the state of Florida came after the company with the full weight of its government, Disney fought back and won. The same resolve that carried that fight can carry you in this one. The First Amendment does not belong to this Administration to grant or withhold. It belongs to the public, to the press, and to every broadcaster willing to defend it.

Your stations serve real communities, and the audiences who depend on ABC extend far beyond those eight licenses. Your journalists do work that matters to millions of Americans across the country, and the viewers who rose up to defend Jimmy Kimmel are the same viewers who will stand up again if this FCC follows through with its threat. I am encouraged to see that Disney is choosing courage over capitulation. The fight ahead may not be easy, but the law, the facts, and the public are on your side. This is a fight worth having, and one that I am confident you will win.

I am committed to using every tool available to me as a Commissioner to shine a light on what this FCC is doing to curtail press freedom and to hold this process to account at every step.

Sincerely,

Anna M. Gomez
Commissioner
Federal Communications Commission

The FCC Again Threatens to Censor Disney and ABC over Kimmel while Paramount Retaliates over a Stand Against the Acquisition of Warner Bros. Discovery

Mickey censored

When it comes to journalism, it’s been ominous for a while. Venture capital and private investment has gutted news services, newspapers have shut down and folded, and there’s been attacks coming from all sides in an attempt to censor and reign in their right and duty to report the news freely.

Once again, the FCC and its chair Brendan Carr are attacking Disney and ABC over comments Jimmy Kimmel made on his late night show. It involves a review of Disney’s broadcast licenses, ordering its eight owned-and-operated stations to renew their broadcast licenses ahead of schedule. That’s not currently due to at least 2028. Via Business Insider:

ABC was directed by the FCC to file early renewals for its licensed TV stations by May 28, or within 30 days. This order applies to the eight affiliate stations owned by ABC, including those in New York, Los Angeles, and Chicago.

Disney has confirmed that the company had received the FCC’s order about the accelerated license review.

Kimmel made a joke on his show saying First Lady Melania Trump had the “glow of an expectant widow,” explained as a reference to the age difference between her and her much older husband, President Trump. The comment was made before Saturday’s reported attempted attack during the White House Correspondents Dinner. That failed attack has been used by the right to attack the left claiming their rhetoric incites violence. First Lady Melania Trump took to social media demanding ABC fire Kimmel over the joke that they’re branding a threat and calling it hateful rhetoric. Kimmel defended the joke on Monday’s episode. He stated:

It was a very light roast joke about the fact that he’s almost 80 and she’s younger than I am. It was not by any stretch of the definition a call to assassination.

Business Insider reports that the FCC under Carr is investigating Disney for its DEI practices. From a filing:

The FCC has been investigating Disney’s ABC stations for possible violations of the Communications Act of 1934 and the FCC’s rules, including the agency’s prohibition on unlawful discrimination

The right has made it a mission to further mold the media to fit their worldview. After its purchase by Paramount, CBS News has been scrutinized for its editorial shift right. The current attempt by Paramount to purchase Warner Bros. Discovery would also give it control of CNN, another popular destination for news. Paramount’s David Ellison’s father also has a part of TikTok, a major news source for younger generations.

But beyond what its done to CBS, Paramount has shown its teeth towards individuals willing to scrutinize and speak against its purchase of WBD, teasing a possible era of blacklists and retribution if it succeeds.

The AV Club has a report that a columnist at The Ankler who has spoken out against the acquisition was blacklisted by Paramount. We too have been vocal against the media consolidation, so if there is a blacklist, please add us.

Richard Rushfield recently attended CinemaCon and was handing out swag, a pin that read “Block the Merger.” Paramount didn’t appreciate that and pulled its advertising from The Ankler and talent was instructed to not speak to its reporters. It’s absolutely a canary in the coal mine, and another example of why this merger should not go through.

Is this a future we can expect for sites like ours? We have been vocal against the megamerger but also have written some not flattering news concerning DC Comics which would be owned by Paramount under this deal. Will we see retaliation if another scandal were to hit the publisher and we covered it?

It’s not hard to see all of this as a pattern, and an ominous one for independent journalism, even journalism that focuses on entertainment.

Newsarama has recently seen its final staffer exit, sunsetting what was a major entertainment news site, officially killed off by its parent company Future PLC after initially being folded into GamesRadar.

It’s all reasons for the comic, television, video game, tabletop game, toy, movie industries, and more to support independent journalism that’s not at the mercy of large corporations looking to profit and maximize clicks and views or the mercy of VCs looking to suck money from their investment like the capitalist vampires that they are.

There’s a war being waged against the fourth estate and it’s not just a moment calling for solidarity but a moment to lift up the voices who are free to challenge, criticize, and report, exactly what journalism should be doing.

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