Tag Archives: Comics

Review: Batman #49

Batman #49 CoverIt is time. Bruce Wayne has reclaimed his true past as Batman. Now he must descend into the cave and face what he once was. Can he truly leave behind a life free from the pain and anguish of the Bat? Can he plunge once more into the madness and purpose that once consumed him? In this special, thrilling issue, watch as the fate of Bruce Wayne, and Batman, is decided once and for all.

We know things have been building to one moment, the return of Bruce Wayne as Batman, and writers Scott Snyder and James Tynion IV have given us that here in an interesting issue that plays with imagery to get us to that point.

Bruce knows his past, and is determined to take the mantel, but it’s Alfred who is the roadblock and that’s what makes the issue rather interesting. There’s something very “comic book” about Batman’s return, we saw that in earlier issues with the mysterious machine, but that’s kind of deus ex machina, the heart of it is about that trigger that made Batman.

Snyder and Tynion really have a hell of a debate in the comic about Bruce Wayne the man, Batman the hero, and where the two meet. We’ve seen for these last 10 or so issues a returned Bruce Wayne, one that’s charitable and not aware of his trauma or past that created Batman. And, if the Batman returns, would the people who make that happen be any better than the man wielding the gun in the alley of Crime Alley? That’s the debate and it’s heartbreaking.

Greg Capullo is off this issue and in his place is Yanick Paquette whose style here reminds me of a mix between Capullo and Francesco Francavilla (at least with the color palette). There’s an interesting mix of looks in the comic as the machine bringing back the memories teaches lessons through different iterations of Batman, each in their own world and with their own look. The art is decent, and gets the job done, but I feel like there’s so many others who could have created a much more impressive visual, especially since we’ve seen some amazing page layouts in Grayson, Batgirl, and elsewhere. Again, it’s not bad, it’s just not as eye catching of other comics we’ve seen do similar visual spreads.

The comic is an interesting one where I go back and forth as to what I think. To me, that’ll get settled in next issue, but I can see what was being attempted here. The emotional aspect is beyond top notch, it’s just the backdrop of which that’s present I’m a bit mixed about.

Story: Scott Snyder, James Tynion IV Art: Yanick Paquette
Story: 7.8 Art: 7.4 Overall: 7.7 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review

Preview: Last Sons of America #3 (of 4)

Last Sons of America #3 (of 4)

Writer: Phillip Kennedy Johnson
Artist: Matthew Dow Smith

Jackie and Julian are held captive by the crime lord Don Carlo. Bad news…especially if you kidnapped his daughter!

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Preview: Lola XOXO: Wasteland Madam #4

LOLA XOXO: WASTELAND MADAM #4

Vince Hernandez – Story / Siya Oum – Art

The action-packed climactic ending sees Madeline fighting for the survival of not only her group of rebels, but also any hope for a future! As the battle for the airport surges to its bloodiest apex, the Wasteland Madam must make a critical choice of whether love is more important than survival—and no matter what choice she makes, someone will pay the price!

LOLA XOXO: WASTELAND MADAM #4 is in stores February 10th, 2015!

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Preview: Jem and the Holograms: Valentine’s Day Special 2016

Jem and the Holograms: Valentine’s Day Special 2016

Kelly Thompson (w) • Corin Howell (a) • Sara Richard (c)

ONE NIGHT ONLY! Tensions run high between JEM AND THE HOLOGRAMS and THE MISFITS as their tour kicks into high gear! And now, the sound buried in Synergy programming—the one that’s been profoundly affecting all those who hear it—has just changed its tune! For one night only—Valentine’s Day—it’s making friends of enemies with sometimes dangerous consequences!

FC • 32 pages • $3.99

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Preview: Doctor Who: The Twelfth Doctor #2.2

DOCTOR WHO: THE TWELFTH DOCTOR #2.2

Writer: Robbie Morrison
Artist: Rachael Stott
Colorist: Ivan Nunes
Letterer: Comicraft
Cover A: Alex Ronald
Cover B: Photo cover by Will Brooks
Cover C: Rachel Stott
Cover D: Freely orderable incentive cover by Question No. 6
Publisher: Titan Comics
Format: Softcover
Price: $3.99
On Sale Date: February 10, 2015

CLARA OSWALD AND THE SCHOOL OF DEATH, Part 1.

The gothic, sprawling Ravenscaur is the top private school in the UK, educator of the children of royalty, politicians and celebrities, and epicentre of generations of power and influence. When an old friend of Clara’s dies at the school under mysterious circumstances, she and the Doctor go undercover to investigate…

12D 2.2 COVER A by Alex Ronald

Preview: James Bond #4

James Bond #4

writer: Warren Ellis
artist: Jason Masters
cover: Dom Reardon
FC • 32 pages • $3.99 • Teen+

James Bond is alone in Berlin, with nothing but the clothes on his back and the gun in his hand.  When help is offered from an unexpected source, Bond has no choice but to accept it – even though it may guarantee that he doesn’t live through the night. Dynamite Entertainment proudly continues the first James Bond comic book series in over 20 years!

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Preview: Welcome Back #5

Welcome Back #5

Writer: Christopher Sebela
Artist: Claire Roe

With Showtime at her side, Lorena sets out to find Mali—but is she still Mali, or has she reincarnated into a new life?

WelcomeBack_005_A_Main

Listen to The Blerdgurl Talk Comics with Graphic Policy Radio on Demand

On demand: iTunes ¦ Sound Cloud ¦ Stitcher

This Monday was a brand new episode of Graphic Policy Radio, the show that mixes comics and politics. For this episode we’re welcoming first time guest Karama Horne, aka “the blerdgurl” to talk comics and more!

Karama Horne (a.k.a. – “the blerdgurl”) is a freelance commercial video editor by day and comic book reading, anime watching, TV live tweeting, K-Pop listening, blog writing, superhero geek gurl by night. On a mission to shine a light on both characters and sequential artists of color, she provides commentary, reviews and interviews on her popular tumblr and official website theblerdgurl.com.

One of her most popular posts, “25 Reasons Why You’re Not Making Money at Comic Cons” went viral in 2015 and received over 23K pageviews in 3 days. She has been quoted on popular media sites like Comics Alliance, Comic Book Resources and The Beat. Her writing has been featured on Black Girl Nerds, The Mary Sue and PeepGame Comix.

When Karama’s not writing or editing, she’s fixing up her century old brownstone in the Bedford Stuyvesant section of Brooklyn that she shares with her two cats who plot her demise daily. You can find the blerdgurl on twitter, facebook, instagram and tumblr.

Marc Tyler Nobleman Talks To Us About His Work In Getting Bill Finger’s Name Recognized

bill-the-boy-wonderLast year, DC finally acknowledged Bill Finger as the co-creator of Batman. If you’ve paid attention to any comics featuring the Dark Knight lately, you’ll have noticed a slight change in the byline. Instead of just one name, it now reads “Batman created by Bob Kane with Bill Finger.” A driving force behind Finger finally being officially acknowledged after so many years was Marc Tyler Nobleman, who wrote Bill The Boy Wonder: The Secret Co-Creator Of Batman, and in the process of researching that book he also uncovered some previously unknown pictures, and descendants, of Bill Finger (and you can read more about that here).

Marc‘s book, and school tours, have introduced an entirely new generation of people to the name of Batman‘s co-creator, and his work is essential reading for those looking to find out more about Milton “Bill” Finger.

I was fortunate enough to be able to talk with Marc Tyler Nobleman about his book, his work to get Bill Finger the official credit he has deserved for more than 75 years.

Graphic Policy: Firstly, I want to say what an honour this is for me, personally. Your efforts to bring Bill Finger the justifiable credit for co-creating Batman have been both fantastic and inspiring. Did you ever think that you would get to see that credit printed in a Batman comic, or on the silver screen?

Marc Tyler Nobleman: Thank you for your kind words, Alex. I campaigned so hard for so long to get Bill’s name on Batman stories because I believe Back to the Future: if you put your mind to it, you can accomplish anything. I default to optimist. However, I’m also a realist so I prepared myself for the possibility that it might not happen. That said, I devoted most of my thought energy to the positive.

GP: During your quest (can I call it a quest?) to have Bill officially recognised you unearthed some previously unknown photographs of Bill. Did you ever expect to find anything like that?

MTN: I did feel confident I could find at least one or two photos, but I don’t think I stopped to consider that I might find as many as I did (at least 13). Early on I realized that the only way I’d have a chance of succeeding is by locating people who were close to Bill but who did not work in comics. If they were in the industry, their photos would most likely already be public.

GP: In your book, Bill The Boy Wonder: The Secret Co-Creator Of Batman you imply that some of the responsibility for Bill’s lack of credit at his own feet. Do you think that if he’d stood up for himself earlier than he did he may have been credited before now?

MTN: I’m not programmed for hypotheticals.

GP: Do you feel that you’ve achieved what you set out to achieve for Bill with the “Batman created by Bob Kane with Bill Finger” credit, or is there still more to do?

MTN: Yes and yes: obtaining official credit was the driving force for me but the cultural obligation to tell Bill’s story is a lifelong job. Also, the man needs a permanent memorial, all the more so because he has no gravestone, and I’ve been working on that since before the book came out. It’s not familiar territory for me but I’m finding my way. Stay tuned!

GP: You visit a lot of schools giving talks about the research involved in two of your books; the already mentioned Bill The Boy Wonder: The Secret Co-Creator Of Batman as well as your biography on Joe Shuster and Jerry Siegel, Boys of Steel: The Creators of Superman. How receptive are the kids to the history of the creators?

MTN: Profoundly so, I’m happy to report. I’ve been to schools where kids have made a board game about Siegel and Shuster and where kids have written letters to Bob Kane as Bill’s son Fred. Hearing Bill’s story, kids reveal the best of humankind—their desire to go out and do good in the world becomes palpable (and hugely inspiring). Kids have asked me questions that have almost brought me to tears.

GP: I think one of the strongest aspects of Bill The Boy Wonder… is its accessibility. I’m guessing that was done to increase awareness of Bill Finger with a younger audience?

MTN: Thank you. Yes, I wrote the book for all ages but with special emphasis on a younger audience. Unlike me, they can learn the truth about this icon before they grow up. We should always pay attention to whoever has created something we love. It’s hard to direct thanks into an abyss.

GP: Any plans to release an updated version of Bill The Boy Wonder now that his name is included in the byline?

MTN: The final words of my book: “Will his name ever be added to every Batman story? Batmanians are keeping their Fingers crossed.” Part of me wants to leave the book that way—it’s an instant time capsule. And it will encourage some readers to do further reading. Another part of me, of course, wants to revise it. Too soon to say which part of me will get his way.

GP: Brett (Graphic Policy’s blogger-in-chief) wanted me to ask: I’ve always wondered if folks knew what they were a part of when they were creating all of these characters and if there was some idea they’d last so long and be so loved?

MTN: I found no documentation of what the Bill and Bob of 1939 (the year of Batman’s debut) thought about posterity, but I think it’s safe to assume neither could have foreseen this character being around in a decade, let alone seven. Comic books were barely considered an art form then.

GP: I think it’s important to recognize the contributions that the early creators had to the comic book and pop culture landscape. How important do you think it is for publishers to acknowledge the men who built their characters? Do you think that we, the fans, have just as much responsibility in asking for that recognition – whether it be in bylines, or an official recognition?

MTN: I think it’s obvious that I feel it is vitally important to credit anyone for anything s/he contributes to society! And yes, now more than ever, fans have the power to share their opinion easily and on the world stage. Take it from me: stating your case sensibly and steadily can make a difference.

GP: After reading through your extensive research notes on your blog, do you have any plans to release another book detailing either the search for Bill, or all of the information you were able t unearth, or will that stay largely  on your blog?

MTN: Given how many people have asked if I will write a longer book on Bill, I should…but too early to say. For now, the material on my blog isn’t going anywhere.

GP: And finally, pirates, ninjas, cowboys or ninjas, and why?

MTN: Of pirates, ninjas, or cowboys, I chose knights, of course. In particular Dark ones.

Review: Howard The Duck #4

howard-the-duck-4She’s obsessed, she’s powerful, she’s ALMOST the new herald of Galactus! And like the rest of the universe, SCOUT is after Howard. But with an eye to ending the hunger of the Devourer of Worlds!

After four issues, we finally get an answer as to what in the blue hell happened to cause the very first scene in this series. The scene, in case you haven’t been reading the comic, was of Howard the Duck surfing through the cosmos chased by innumerable ships (okay, I could probably count them, but the issue is in a long box right now and I’m lazy… so innumerable it is. It also sounds more dramatic, right?) on a certain silver surfboard.

I’m not lying.

Howard The Duck has become easily one of my most anticipated comics currently being released each month, and a large part of that is because of Chip Zdarsky. He’s funny without making this a comedy book – while I’m laughing away each issue, the story would be good without the laughs, there’s an underlying emotional core here that’s exploring the depths you’d go to for a friend that makes each issue a pleasure to read. That it’s funny on top of that is the icing on a very beautiful cake.

I’ve been told that this series couldn’t measure up to Steve Gerber‘s run, and while that may be true, I have no basis for comparison. I’ve never read that run but I have no reason to disbelieve that at all, and so while this volume of Howar the Duck is ongoing I have no intention to pick up the Gerber run on the off chance it ruins my love of Zdarsky‘s Howard.

One day, maybe.

But going back to this issue, another huge plus for me this issue is the fact that there’s no back up strip any more. While I enjoyed the Gwenpool strip – it was a decent story – I’m not unhappy that there isn’t a second new Gwenpool story starting up as I get the feeling that she’s a character to be enjoyed in small doses. I’m also quite happy that the comic has dropped a dollar in price (and with the Canadian dollar where it is right now, that’s not a bad thing).

When all is said and done, there were some great comics released last week, but for my money Howard the Duck #4 was among the best of the bunch.

Story: Chip Zdarsky Art: Joe Quinones & Joe Rivera
Story: 9.5 Art: 9.25 Overall: 9.5 Recommendation: Buy

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