Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Spider-Man Noir #5 (Marvel) – Erik Larsen, Andrea Broccardo, and Rachelle Rosenberg mix a little bit of Clone saga and a Spider-Man “No More” with a lot of Nazi punching and the pulpy action that is Spider-Man Noir’s signature in the final issue of this miniseries. This could very well be the *last* Spider-Man Noir story as Larsen and Broccardo show the cost that Peter Parker’s alter ego has taken on both his relationships and life in general as he’s caught in the crossfire between Nazis and old school American gangsters. I love the level of maturity that Erik Larsen writes Peter and Gwen’s relationship with as she struggles with the father who she worshiped and idolized being a Nazi. Maybe, Peter Parker will live a relatively quiet life as a 1930s P.I., but a final panel leaves the door open for more masked man adventures. Overall: 8 Verdict: Buy

Die Loaded #4 (Image) – Kieron Gillen and Stephanie Hans introduce a new party member in Die Loaded #4. It’s Chuck’s son, Callum, who is a Fool like his father and probably a bigger one with access to the right wing landscapes of online gaming and anime porn as Sophie resignedly observes. Sophie must balance trying to put Callum in his place and getting the quest started and realizing that one day her son, Stuart, will be a teenager and hopefully won’t be like this misogynist. It’s really fun watching Sophie grow into the role of Godbinder and interface with the world of Die while Gillen and Hans take potshots at Chosen One tropes and Gen Z. There’s a frosted glass flashback that particularly shows her growth as a leader as the new quest begins. Overall: 8.6 Verdict: Buy

Bleeding Hearts #1 (DC/Vertigo) – Vertigo is back with a bang thanks to the reunion of 20th Century Men‘s Deniz Camp and Stipan Morian on the tale of sensitive, ethical zombie Poke in a world that is very much the opposite. Usually, mindless cannon fodder, Camp and Morian humanize the living dead while not giving them the Warm Bodies relationship and much of this issue is dedicated to world-building and a worm’s eye view of zombie society, how their names are constructed, and different cliques and relationships. Fititng the tone of the story, Morian and colorist Matt Hollingsworth’s visuals are gruesome, yet lovable like its protagonist Poke, who is easy to latch onto in a very deep, tortured everyzombie way. Overall: 8.5 Verdict: Buy

The Crown: A Tale of Hell #1 (Dark Horse) – Brother writers Mike and Todd Mignola and artist Warwick Johnson-Cadwell craft a tale of sibling rivalry and literally hellish political wrangling centuries before Hellboy’s birth. It’s a rare peek at the twisted destiny Hellboy was born into and rejected to become a hero. I love how Johnson-Cadwell draws his figures like chess pieces on a board while still imbuing them with a physicality that drives home their arguments about who is worthy to wear the titular crown. However, The Crown #1 isn’t all bitching and moaning, but has some juicy twists towards the end. Let’s say Hellboy had more siblings than two. Overall: 8.1 Verdict: Buy

Star Wars: Jar Jar #1 (Marvel) – Jar Jar Binks (and Beq) actor Ahmed Best, Marc Guggenheim and artists Kieran McKeown, Laura Braga, and Mike Atiyeh complete the Jar Jar redemption in this engaging and socially relevant one-shot. Best and Guggenheim use the metaphor of the mining planet Urubai and the caste of the Unseen to draw attention to the plight of exploited workers like cobalt miners in the Democratic Republic of Congo. It’s all filtered through a pulpy lens, but it’s in the same vein as the Andor television show or the Rebel Alliance being a stand-in for South Vietnam’s National Liberation Front. There’s definitely some silly moments, and Ahmed Best and Marc Guggenheim have Jar Jar’s speaking patterns down to a tee, but it’s offset by showcasing him as a complex figure whose innocence was preyed upon by powerful interests. It’s cool to see Jar Jar, Beq, and Mira Bridger push back against the moment in Episode II that made Jar Jar such a despised character. Also, a cameo from badass bounty hunter Aura Sing doesn’t hurt either. Even if your opinions about Jar Jar Binks have stayed static since 1999, this is the comic to change your mind. Overall: 9.7 Verdict: Buy