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No One Escapes Their Past: Skybound Shares First Look at Super Creepshow #4

Faster than a speeding bullet… straight into your doom. Skybound  and Image Comics have unveiled interior pages and the lineup of variant covers from Super Creepshow #4. The series spins off from the Eisner Award-nominated comic book anthology based on Greg Nicotero’s Shudder TV series produced and licensed by Evoke Entertainment Company. Another stacked creative team delivers the latest batch of twisted heroes and villains when Super Creepshow #4 arrives in comic book shops on June 17, 2026

In the spirit of all iterations of Creepshow in pop culture, every issue of the Super Creepshow comic series comes packed with two stomach-churning stories from your favorite creators. Each issue of the five-part anthology will feature different creative teams from the worlds of comics, books, film, television, and beyond. Every uniquely horrifying standalone story is guaranteed to scare you to death. 

Revenge is the sweetest gift. Sam Humphries and Sean Izaakse showcase a retired super criminal whose past isn’t quite done with him. Plus, Jackson Lanzing, Collin Kelly and Matteo Lolli birth a superhero with the ability to grant life. Yeah, that’s not gonna end well… 

In addition to the main cover by superstar Pye ParrSuper Creepshow #4 comes with a lineup of variant covers, including open to order covers by Sean Izaakse and Adriano Lucas, and Matteo Lolli and Romulo Fajardo Jr. 

Super Creepshow #4

The full list of covers is below: 

  • Super Creepshow #4 Cover A by Pye Parr (Lunar Code: 0426IM0426) 
  • Super Creepshow #4 Cover B by Sean Izaakse & Adriano Lucas (Lunar Code: 0426IM0427) 
  • Super Creepshow #4 Cover C by Matteo Lolli & Romulo Fajardo Jr. (Lunar Code: 0426IM0428)

Star Trek: The Last Starship #7 Reveals the Desperate State of the Federation as the Omega Crew Face a New Horror

Star Trek: The Last Starship #7

The crew of the U.S.S. Omega are desperately trying to hold the Federation’s vision of a united Galaxy together, but they’re failing. The spirit of cooperation is dead, but Starfleet’s mission might not be, thanks to a research station on the aptly named Deep Space Hope. There, one last shining ray of possibility remains in an ever-darkening universe. A way to put everything back in its rightful place…if only Sato and his crew are bold enough to seize it. Star Trek: The Last Starship #7 kicks off a new story arc and delivers a solid jumping on point for new readers.

Written by Jackson Lanzing and Collin Kelly, Star Trek: The Last Starship #7 balances the comic well, not showing the fallout of the opening arc but moving things along not just with the state of the Federation but just generally delivering a solid story. Things are looking grim with just 42 worlds left in the Federation and the Emerald Chain expanding their reach and control.

Lanzing and Kelly sets things out well, focusing on what the Emerald Chain represents and giving glimpses as to what may come of their influence. But, the writers also deliver hurdles to the Federation really expanding. They’re not only outnumbered but their leadership is dwindling. The Omega is a different type of ship where time may seem short for them, years may pass in real time. They fix an issue and by the time they reach their destination, they can see how those efforts played out. It makes their mission a bit more interesting but also a bit of whack-a-mole, always slightly behind in the major issues faced. And with that reality, there’s a clear frustration felt by the crew and its leadership.

And while all of that might seem enough, Star Trek: The Last Starship #7 takes the story in a new direction with the focus on the research state Deep Space Hope. What lies there isn’t so much hope as it is horror and the comic delivers that when the crew arrives. It’s a tense, strange moment that feels as much Event Horizon (without the gore) as it does Star Trek.

That horror feel is helped by the art of Hernan Gonzalez. Gonzalez is joined by Lee Loughridge on color and Clayton Cowles on lettering. There’s a scratchy feel and look to the comic which adds to the concepts within. It makes the comic feel like a dream, but really a nightmare, as the crew goes from the issues they face to another issue entirely. The style, much like the opening six issues, isn’t a clean look and like those issues feels like it reflects the chaos the Federation and crew are experiencing.

Star Trek: The Last Starship #7 continues to deliver and this issue not only makes it clear what hurdles the crew faces with the new order but also what hurdles they face to help rebuild the Federation. Add in a discovery that goes in an unexpected direction and you have a series that keeps surprising and exciting with every issue.

Story: Jackson Lanzing, Collin Kelly Art: Hernan Gonzalez
Color: Lee Loughridge Letter: Clayton Cowles
Story: 8.5 Art: 8.25 Overall: 8.5 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Preview: Star Trek: The Last Starship #7

Star Trek: The Last Starship #7

(W) Collin Kelly, Jackson Lanzing (A) Hernan Gonzalez

The crew of the U.S.S. Omega are desperately trying to hold the Federation’s vision of a united Galaxy together, but they’re failing. The spirit of cooperation is dead, but Starfleet’s mission might not be, thanks to a research station on the aptly named Deep Space Hope. There, one last shining ray of possibility remains in an ever-darkening universe. A way to put everything back in its rightful place… if only Sato and his crew are bold enough to seize it.

Star Trek: The Last Starship #7

The Federation dies in Star Trek: The Last Starship #6 with a Bang and a Whimper

Star Trek: The Last Starship #6

In the shadow of the Burn, the Federation was left fractured, vulnerable, and nearly lost. Now, its fate hangs in the balance. As the Babel Conference unravels, Captain Sato must protect Starfleet’s ideals while enemies close in on every side. Meanwhile, James T. Kirk embarks on a dangerous mission that will test the limits of loyalty, courage, and sacrifice… Star Trek: The Last Starship #6 delivers a dramatic finale to the opening chapter as the Federation’s promise of peace and stability is threatened to be upended.

Star Trek as a whole has done an amazing job of examining our reality, politics, social issues, and society as a whole. It’s strongest when its stories are thinly veiled discussions about our lives. Star Trek: The Last Starship #6 delivers exactly that in an excellent finale to the opening chapter.

Written by Jackson Lanzing and Collin Kelly, the previous issue revealed the Babel Conference was about to collapse as a new order is proposed that would replace the Federation. Star Trek: The Last Starship #6 dives right into that, focusing on this new reality and potentially what it means, ending on a down note. While the series as a whole has had a theme of hope and fighting for what’s right, the issue absolutely ends with the death of the promise of the Federation.

It’s hard to not read this first six issues, especially this final issue, and not see its commentary on the reality of today as a fascist order upends the flimsy rules and reality that has guided the world for decades. Much like our world, this new order is guided by wealth and “capitalism,” instead of the more socialist ideals of the Federation and previously of Earth.

This new order also comes at the end of a threat, an attack by technology on technology, again something we’re seeing play out in our real world as the tech bro oligarchs march lock in step with their jackbooted buddies, all to gain wealth and power and attempt to install a new world order.

The art by Adrian Bonilla continues to be interesting with a style that’s hard to describe but really intriguing to look at. With color by Lee Loughridge and lettering by Clayton Cowles, the comic shines as James Kirk struggles to save the day. We get a better idea of the struggle he’s going through as we can physically see his new body impacted by the weapon deployed against the crew. There’s something visually interesting going on as the pages turn and we see Kirk torn apart as the dream of the Federation is torn apart, giving us a a perfect match of art and theme.

Star Trek: The Last Starship #6 is an issue full of action and drama that is both a low point but also doesn’t miss the hope and dream that drives the concept of Star Trek. The series has been fantastic so far and with this being the opening chapter, I’m excited to see what comes next.

Story: Jackson Lanzing, Collin Kelly Art: Adrian Bonilla
Color: Lee Loughrdige Letterer: Clayton Cowles
Story: 8.25 Art: 8.25 Overall: 8.25 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Preview: Star Trek: The Last Starship #6

Star Trek: The Last Starship #6

(W) Jackson Lanzing, Collin Kelly (A) Adrián Bonilla

In the shadow of the Burn, the Federation was left fractured, vulnerable, and nearly lost. Now, its fate hangs in the balance.

As the Babel Conference unravels, Captain Sato must protect Starfleet’s ideals while enemies close in on every side. Meanwhile, James T. Kirk embarks on a dangerous mission that will test the limits of loyalty, courage, and sacrifice…

Star Trek: The Last Starship #6

Star Trek: The Last Starship #5 Debates What’s Next for the Federation

Star Trek: The Last Starship #5

The Federation’s delegates have gathered. The Babel conference is on. Together, they aim to save Starfleet and bring peace to all quadrants. But while Captain Sato and the crew of the U.S.S. Omega have only experienced the passage of time as four months within their transwarp bubble, for the rest of the galaxy, it’s been 23 years. For 23 years, the delegates have been left to their own devices, to stew in their own machinations and to make new allegiances…and while the U.S.S. Omega may have brought them all together, the Burn has forced them apart. Not all want to broker peace, and someone who was once closest to Starfleet may become its greatest adversary… Star Trek: The Last Starship #5 starts the rebuilding of the Federation… or does it?

The Federation is in tatters after The Burn. Planets are wrecked, ships destroyed, economies barely holding on, famine increasing. The Federation, the status quo that was, held together numerous societies and planets in a mutually beneficial relationship that lifted them all up but it was all built on sand. Star Trek: The Last Starship #5 lays a lot of that out as delegates have gathered to rebuild the Federation after the calamity but makes it clear there’s little chance of it going back to the way it was.

Written by Jackson Lanzing and Collin Kelly, the issue focuses on some political tension as Captain Soto does what he can to help bring things to order and get the discussions moving. It’s clear that this won’t be easy and his rather positive view of the world betrays the reality that exists and the challenges that are now faced.

There are a lot of questions and maybe these only exist for casual Star Trek fans. One society discusses famine which seems odd in a setting where replicators exist and food can just be created. But, that might be answered easily for those more familiar with Star Trek and these societies. But, what’s interesting is the various topics and issues impacting each delegation and the answer to their problems… which isn’t really feasible.

There’s of course twists and turns as the future is debated. The end of the comic and what’s proposed feels like a new direction and proposed future with a vision that feels like it echoes the real world. Our world order has been strained and on the verge of collapse with new proposals and visions proposed. We face what Star Trek faces or is Star Trek doing what it does best in reflecting our real world struggles?

The art by Adrián Bonilla is solid and keeps up the interesting visual style of this series. There’s an almost pop art look with a bit of scratchiness to the look helped by Lee Loughridge‘s colors and Clayton Cowles‘ lettering. The series has a very unique style to it that helps it stand out from what else is out there. The colors pop and designs feel new but familiar. There’s also a sense of dread throughout the comic, just something is off, and that’s emphasized by the art. There’s a strangely ominous feel throughout the issue like something is going to happen and you can see that in the body language of the characters.

Star Trek: The Last Starship #5 is a solid issue that does what sci-fi excels at, examining our world. It also moves the direction of Star Trek forward in a major way and ends with an ominous last page (that probably hits a lot better for long time fans). It’s another great issue for the series that’s redefining the direction of Star Trek.

Story: Jackson Lanzing, Collin Kelly Art: Adrián Bonilla
Color: Lee Loughridge Letterer: Clayton Cowles
Story: 8.25 Art: 8.0 Overall: 8.25 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Preview: Star Trek: The Last Starship #5

Star Trek: The Last Starship #5

(W) Jackson Lanzing, Collin Kelly (A) Adrián Bonilla

The Federation’s delegates have gathered. The Babel conference is on. Together, they aim to save Starfleet and bring peace to all quadrants. But while Captain Sato and the crew of the U.S.S. Omega have only experienced the passage of time as four months within their transwarp bubble, for the rest of the galaxy, it’s been 23 years.

For 23 years, the delegates have been left to their own devices, to stew in their own machinations and to make new allegiances… and while the U.S.S. Omega may have brought them all together, the Burn has forced them apart. Not all want to broker peace, and someone who was once closest to Starfleet may become its greatest adversary…

Star Trek: The Last Starship #5

Star Trek: The Last Starship #4 Explores Isolation and Nationalism post The Burn

Star Trek: The Last Starship #4

First Officer Wowie Carter was once called the child without fear. But with the Federation in freefall and Earth still reeling from a brutal Klingon assault, fear is all that remains—and Wowie is cracking under its weight. The U.S.S. Omega’s mission is clear: Gather the final delegates for the Babel Conference, the Federation’s last, fragile chance at unity. A future of peace still seems possible…on paper. But every time Wowie returns to Earth, the home they once loved slips further into despair. As alliances fracture and chaos spreads, Wowie faces a question no one dares ask: What’s left to save when hope is already gone? Star Trek: The Last Starship #4 does what Star Trek does best, reflect on the issues the world faces today.

Written by Collin Kelly and Jackson Lanzing, Star Trek: The Last Starship has been an interesting series. It’s not a Star Trek about exploration or discovery, but one of rebuilding a society that has collapsed. It’s about building a new order when the past one has collapsed. It’s a series that reflects debate that goes on today as the laws, processes, and agreements that have propped up the function of the world are torched on a daily basis.

Star Trek: The Last Starship #4 is particularly interesting as it focuses its sights in on the regressive politics that have taken over far too many countries today. The United States and more have turned xenophobic, waving the saber, and threatening claims of independence and rejecting the flawed system that has existed. After the Burn and the attack by the Klingons, Star Trek’s Earth has rejected the order of its past. It has become isolationist, fearful of what’s out there, and isolationist. It has closed off its “borders” to others including Starfleet. So, where do things go from there?

The comic explores this in an interesting way jumping through time as the U.S.S. Omega completes its mission to help rebuild the federation but suffers from the issue of time. While it moves slowly on the ship it speeds up elsewhere. A month of their travel on the Omega equals a decade for example. Using that, we see the progression of Earth as it rebuilds rejecting its allies to do so and becoming “self-reliant.” It’s hard to not read the comic and see the echoes of Donald Trump’s vision for the world or recent remarks by Canada’s Mark Carney’s recent speech at Davos about rebuilding new alliances and processes to replace what has been burnt down. It’s eerie timing that this comic was released the same day as that speech.

The art by Adrian Bonilla delivers an an unsettling sense as Wowie revisits his home and we see its progression over time. With color by Lee Loughridge and lettering by Clayton Cowles, the comic has a roughness to it that feels like it reflects that scratched nature of the Federation and its ideals. The art has a sadness to it like a dour memory that you pass through on reflection. It’s haunting in a way and matches Wowie as he takes in what has happened to his home and parents.

Star Trek: The Last Starship #4 is a hell of a comic with a timing of release that’s far too perfect. It does, the series so far has done, an excellent job of what Star Trek has been great at and sci-fi does best, reflect and examine the state of the world and politics of our time. It’s an issue that should be read, examined, and ruminated upon. It highlights what makes Star Trek so great.

Story: Collin Kelly, Jackson Lanzing Art: Adrian Bonilla
Color: Lee Loughridge Letterer: Clayton Cowles
Story: 9.0 Art: 8.5 Overall: 9.0 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Preview: Star Trek: The Last Starship #4

Star Trek: The Last Starship #4

(W) Jackson Lanzing, Collin Kelly (A) Adrián Bonilla

THE BEGINNING OF A NEW CHAPTER!

First Officer Wowie Carter was once called the child without fear. But with the Federation in freefall and Earth still reeling from a brutal Klingon assault, fear is all that remains — and Wowie is cracking under its weight.

The U.S.S. Omega’s mission is clear: Gather the final delegates for the Babel Conference, the Federation’s last, fragile chance at unity. A future of peace still seems possible… on paper. But every time Wowie returns to Earth, the home they once loved slips further into despair.

As alliances fracture and chaos spreads, Wowie faces a question no one dares ask: What’s left to save when hope is already gone?

Star Trek: The Last Starship #4

Star Trek: The Last Starship #3 Mixes a Little Old with a Little New in a Tense Showdown and Shocking Moments

Star Trek: The Last Starship #3

The U.S.S. Omega launches into battle! Its adversary? A chaotic Klingon cult whose bloodred path is focused purely on obliterating the remaining vestiges of Starfleet. What’s left of the Federation is falling apart by the moment. Captain Sato, who once dreamed of uniting the galaxy, is now living his worst nightmare. He was raised in a time of peace…but no progress comes without a fight. While the Klingons might be his enemies after centuries of peace, he has Kirk as his ally…and no one knows how to defeat a Klingon better than the Federation’s greatest hero. Star Trek: The Last Starship #3 ups the shock factor as the Klingon fleet battles the Federation.

When it comes to this take of Star Trek, writers Jackson Lanzing and Collin Kelly seem to be tearing everything down before it can be rebuilt. The series opened with “The Burn,” an event that saw the death of billions. Now, they up that by millions in a shocking Star Trek: The Last Starship #3 that’s full of tension and moments you won’t see coming.

Lanzing and Kelly deliver a little something for every Trek fan with Star Trek: The Last Starship #3. There’s a lot that’s new but also something that feels rather old-school about it all. Captain Sato has to turn to Kirk for advice and as Kirk does his thing, there’s a certain suave factor as he gives orders to try to win the day. Add in a final panel that screams classic Kirk, the comic feels like it attempts to blend various eras in its delivery. There’s something rather old-school in Kirk’s depiction by Sato and others take to battle in a different direction delivering moments that are both cool but also a bit head scratching visually.

The visuals are full of surprises and shocking moments from Adrian Bonilla, colorist Heather Moore, and lettering by Clayton Cowles. There’s some aspects that feel on part with the first issue’s meltdown of so much delivering moments that I have never seen in Star Trek. A battle to the death feels epic and leaves you guessing as to how it’ll end. There’s some visuals that are a bit muddled like some actions in space that might be references to other things but for new readers isn’t explained quite enough. Even reading the dialogue multiple times, I wasn’t quite sure what characters were doing, though could make some guesses. It’s not a major negative and doesn’t take away from the overall experience of the issue.

Star Trek: The Last Starship #3 takes some big swings in the narrative with moments that’ll make readers gasp. It further shakes things up keeping everyone on their toes as far as what comes next. If you thought the first issue brought chaos, this third issue delivers even more. Will future issue deliver even more unexpected bomb drops that further reshape the Star Trek universe? This issue will leave you guessing.

Story: Jackson Lanzing, Collin Kelly Art: Adrian Bonilla
Color: Heather Moore Letterer: Clayton Cowles
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

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