Tag Archives: clayton cowles

Absolute Batman #18 teases a lot of what’s to come as Batman’s battle with Ivy ends

After the explosive reveal ending last issue, and Batman continues to fight Poison Ivy’s mutated monsters and winds up uncovering an even more gruesome horror that has embedded itself in the city’s very foundations. All while the Joker’s machinations start to coalesce in a partnership with a new ally.

Story: Scott Snyder
Art: Eric Canete
Colors: Frank Martin
Letters: Clayton Cowles

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle

This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Absolute Batman #17 introduces Absolute Poison Ivy with a Nice Dose of Horror

Dr. Pamela Isley has been unleashed from the Ark-M facility with an unending hate and burning fire for revenge on Gotham City, and those who put her in the belly of the beast. When Batman hunts her down, he must survive a labyrinth of leveled horrors, one more gruesome after the next, as he tries to save the city from a monster it created.

Story: Scott Snyder
Art: Eric Canete
Colors: Frank Martin
Letters: Clayton Cowles

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Star Trek: The Last Starship #5 Debates What’s Next for the Federation

Star Trek: The Last Starship #5

The Federation’s delegates have gathered. The Babel conference is on. Together, they aim to save Starfleet and bring peace to all quadrants. But while Captain Sato and the crew of the U.S.S. Omega have only experienced the passage of time as four months within their transwarp bubble, for the rest of the galaxy, it’s been 23 years. For 23 years, the delegates have been left to their own devices, to stew in their own machinations and to make new allegiances…and while the U.S.S. Omega may have brought them all together, the Burn has forced them apart. Not all want to broker peace, and someone who was once closest to Starfleet may become its greatest adversary… Star Trek: The Last Starship #5 starts the rebuilding of the Federation… or does it?

The Federation is in tatters after The Burn. Planets are wrecked, ships destroyed, economies barely holding on, famine increasing. The Federation, the status quo that was, held together numerous societies and planets in a mutually beneficial relationship that lifted them all up but it was all built on sand. Star Trek: The Last Starship #5 lays a lot of that out as delegates have gathered to rebuild the Federation after the calamity but makes it clear there’s little chance of it going back to the way it was.

Written by Jackson Lanzing and Collin Kelly, the issue focuses on some political tension as Captain Soto does what he can to help bring things to order and get the discussions moving. It’s clear that this won’t be easy and his rather positive view of the world betrays the reality that exists and the challenges that are now faced.

There are a lot of questions and maybe these only exist for casual Star Trek fans. One society discusses famine which seems odd in a setting where replicators exist and food can just be created. But, that might be answered easily for those more familiar with Star Trek and these societies. But, what’s interesting is the various topics and issues impacting each delegation and the answer to their problems… which isn’t really feasible.

There’s of course twists and turns as the future is debated. The end of the comic and what’s proposed feels like a new direction and proposed future with a vision that feels like it echoes the real world. Our world order has been strained and on the verge of collapse with new proposals and visions proposed. We face what Star Trek faces or is Star Trek doing what it does best in reflecting our real world struggles?

The art by Adrián Bonilla is solid and keeps up the interesting visual style of this series. There’s an almost pop art look with a bit of scratchiness to the look helped by Lee Loughridge‘s colors and Clayton Cowles‘ lettering. The series has a very unique style to it that helps it stand out from what else is out there. The colors pop and designs feel new but familiar. There’s also a sense of dread throughout the comic, just something is off, and that’s emphasized by the art. There’s a strangely ominous feel throughout the issue like something is going to happen and you can see that in the body language of the characters.

Star Trek: The Last Starship #5 is a solid issue that does what sci-fi excels at, examining our world. It also moves the direction of Star Trek forward in a major way and ends with an ominous last page (that probably hits a lot better for long time fans). It’s another great issue for the series that’s redefining the direction of Star Trek.

Story: Jackson Lanzing, Collin Kelly Art: Adrián Bonilla
Color: Lee Loughridge Letterer: Clayton Cowles
Story: 8.25 Art: 8.0 Overall: 8.25 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review


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Absolute Batman #16 adds some depth to Batman and is just a hell of a lot of fun

Bruce Wayne is on a desperate hunt to help his friend Waylon, now transformed into a monstrous crocodile roaming the sewers, consumed with a deadly hunger. Batman’s last option for a cure is to turn to a god for help…but will he have to descend into the depths of hell to get it?

Story: Scott Snyder, Nick Dragotta
Art: Nick Dragotta
Colors: Frank Martin
Letters: Clayton Cowles

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Star Trek: The Last Starship #4 Explores Isolation and Nationalism post The Burn

Star Trek: The Last Starship #4

First Officer Wowie Carter was once called the child without fear. But with the Federation in freefall and Earth still reeling from a brutal Klingon assault, fear is all that remains—and Wowie is cracking under its weight. The U.S.S. Omega’s mission is clear: Gather the final delegates for the Babel Conference, the Federation’s last, fragile chance at unity. A future of peace still seems possible…on paper. But every time Wowie returns to Earth, the home they once loved slips further into despair. As alliances fracture and chaos spreads, Wowie faces a question no one dares ask: What’s left to save when hope is already gone? Star Trek: The Last Starship #4 does what Star Trek does best, reflect on the issues the world faces today.

Written by Collin Kelly and Jackson Lanzing, Star Trek: The Last Starship has been an interesting series. It’s not a Star Trek about exploration or discovery, but one of rebuilding a society that has collapsed. It’s about building a new order when the past one has collapsed. It’s a series that reflects debate that goes on today as the laws, processes, and agreements that have propped up the function of the world are torched on a daily basis.

Star Trek: The Last Starship #4 is particularly interesting as it focuses its sights in on the regressive politics that have taken over far too many countries today. The United States and more have turned xenophobic, waving the saber, and threatening claims of independence and rejecting the flawed system that has existed. After the Burn and the attack by the Klingons, Star Trek’s Earth has rejected the order of its past. It has become isolationist, fearful of what’s out there, and isolationist. It has closed off its “borders” to others including Starfleet. So, where do things go from there?

The comic explores this in an interesting way jumping through time as the U.S.S. Omega completes its mission to help rebuild the federation but suffers from the issue of time. While it moves slowly on the ship it speeds up elsewhere. A month of their travel on the Omega equals a decade for example. Using that, we see the progression of Earth as it rebuilds rejecting its allies to do so and becoming “self-reliant.” It’s hard to not read the comic and see the echoes of Donald Trump’s vision for the world or recent remarks by Canada’s Mark Carney’s recent speech at Davos about rebuilding new alliances and processes to replace what has been burnt down. It’s eerie timing that this comic was released the same day as that speech.

The art by Adrian Bonilla delivers an an unsettling sense as Wowie revisits his home and we see its progression over time. With color by Lee Loughridge and lettering by Clayton Cowles, the comic has a roughness to it that feels like it reflects that scratched nature of the Federation and its ideals. The art has a sadness to it like a dour memory that you pass through on reflection. It’s haunting in a way and matches Wowie as he takes in what has happened to his home and parents.

Star Trek: The Last Starship #4 is a hell of a comic with a timing of release that’s far too perfect. It does, the series so far has done, an excellent job of what Star Trek has been great at and sci-fi does best, reflect and examine the state of the world and politics of our time. It’s an issue that should be read, examined, and ruminated upon. It highlights what makes Star Trek so great.

Story: Collin Kelly, Jackson Lanzing Art: Adrian Bonilla
Color: Lee Loughridge Letterer: Clayton Cowles
Story: 9.0 Art: 8.5 Overall: 9.0 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

X-Men #24 Spotlights 3K after the Age of Revelation

X-Men #24

Bring on the bad guys! In the wake of the Age of Revelation, the gene-terrorist group 3K has been revitalized. But will their internal schemes undo them? X-Men #24 puts the spotlight on the villains after the events of the “Age of Revelation.”

While I read the first few issues of the latest X-Men run, I quickly dropped off. It wasn’t bad but it also didn’t hook me like it did when I was a regular reader. So, when it comes to groups like 3K, I’m fairly in the dark as to their history and motivations. But, X-Men #24 delivers enough you don’t need to know any of that. After the previous issue focused on Cyclops’ return to the present after being flung into the future, X-Men #24 focuses on the impact of the event for 3K.

Writer Jed MacKay delivers an interesting issue that shows a group of villains in disarray and sniping at each other as leadership vacuum is present. In just one issue, you get a sense of personalities and motivations, but most importantly the conflict within the group. This is one that will be its own undoing with attacks on each other as they each try to take control. You don’t get the full history, but the issue catches readers up and then charts a path forward.

The art by Tony Daniel is good with interesting character designs and some nice action as the situation plays out. With ink by Mark Morales, color by Fer Sifuentes-Sujo, and lettering by Clayton Cowles, this isn’t an issue of flash, full page spreads, and memorable art. It plays out more like a focused play with a few sets and mainly about characters interacting with each other.

X-Men #24 is good in that it catches up readers, reflects on the recent event, and then moves the story forward. It shows off a group of villains that are flawed and interesting in their dysfunction. They don’t come off as major threats though, overall they feel like the villains who are constantly defeated due to some minor detail they missed. Still, the issue answers some questions and sets things up for what’s to come.

Story: Jed MacKay Art: Tony Daniel
Ink: Mark Morales Color: Fer Sifuentes-Sujo Letterer: Clayton Cowles
Story: 7.75 Art: 7.75 Overall: 7.75 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

The War of Jokes & Riddles delivers nice details and an entertaining battle between Joker & Riddler

Fanhome has launched The Legends of Batman, an expansive series of hardcover graphic novels featuring the greatest adventures of DC’s legendary Caped Crusader.

This incredible series of stories brings Batman’s life story together in an epic full-color collection.

We check out The War of Jokes & Riddles, collecting Batman #25-#32.

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Story: Tom King
Art: Mikel Janin, Clay Mann
Ink: Mikel Janin, Danny Miki, John Livesay, Clay Mann, Hugo Petrus, Seth Mann
Color: June Chung, Gabe Eltaeb, Jordie Bellaire
Letterer: Clayton Cowles

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
Amazon
Amazon


Fanhome provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Absolute Batman: Ark M dives into the history of the mysterious facility and teases what’s to come

The origins of the enigmatic Ark M are explored! What terrible secrets lie within its walls, and just who is assigned to protect it from discovery?!

Story: Scott Snyder, Frank Tieri
Art: Joshua Hixson
Colors: Roman Stephens
Letters: Clayton Cowles

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Exclusive Preview: Knull #1

Knull #1

(W) Al Ewing, Tom Waltz (A) Juanan Ramírez
(C) Erick Arciniega (L) Clayton Cowles
(CA) Ryan Stegman, Frank Martin (VCA) Iban Coello and Jesus Aburtov, Michael Walsh, Clayton Crain, Rafael Albuquerque and Yen Nitro, Kyle Hotz and Dan Brown

RETURN OF THE KING! Weakened from his last death, trapped by the enemy he never expected, the God of the Void waits in a cage once again. His captors think Knull has nothing to fight back with — but in Knull’s hands, nothing is a weapon. And there’s a greater weapon out there, waiting for the King in Black to take it… and take his revenge.

Knull #1
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