(W) Rob Liefeld, Chad Bowers (A/CA) Rob Liefeld In Shops: Nov 25, 2020 SRP: $4.99
Superstar creator Rob Liefeld takes on fan-favorite Snake Eyes! Snake Eyes is caught in the crosshairs. Will he be able to escape this lethal challenge? Or will he, like others before him, fall to the power of… the Deadgame?
(W) Rob Liefeld, Chad Bowers (A/CA) Rob Liefeld In Shops: Oct 07, 2020 SRP: $4.99
Superstar creator Rob Liefeld’s action epic hits a new high! Snake Eyes and Storm Shadow race against time… and each other. There can be only one winner, but no limit on those who fall to-the Deadgame!
Rob Liefeld shows that he can still draw one hell of an action sequence in Snake Eyes: Deadgame #1, which is non-stop guns, blades, and ninjas with guest appearances from other G.I. Joe characters like Scarlett and Roadblock. I’m not super familiar with the G.I. Joe franchise except for catching the first Channing Tatum movie on cable a while ago. However, that isn’t a problem as Liefeld and scripter Chad Bowers set up all the life vs death, immortal vs mortal, good vs. evil, and best of all, ninja vs ninja context and fixings you need throughout the story. Throw in Adelso Corona’s enhancements to Liefeld’s disciplined linework and bulky, yet restrained figures, and Federico Blee’s spot-on colors, and Snake Eyes is a popcorn action flick in a summer sadly bereft of them because of the Covid-19 pandemic.
But back to the comic! People shit on Rob Liefeld’s art style (Especially his anatomy) everywhere from Tumblr to fly-by-night YouTube channels, but they forgot that comics aren’t about photorealism or perfectly rendering the human form: they’re about storytelling. And Liefeld is one hell of a storyteller, especially when it comes to dynamic, boisterous action layouts. (See his collaboration with Mike Mignola on X-Force #8.) This is evident from the first page of Snake Eyes where two immortal beings face each other with Blee using a scarlet background to hint at the mayhem to come. Utilizing a single page, Liefeld and Chad Bowers establish the main thrust of the plot and the MacGuffin before getting to the good stuff: Snake Eyes wordlessly infiltrating a secret base. Liefeld uses a variety of types of shots to show him breaking in before unleashing his inner martial arts filmmaker and using tight close-ups as Snake Eyes takes down the baddies using a full page pin-up shot to let the story breathe and give some the old Wizard reading fans something to smile at.
Rob Liefeld doesn’t use double page spreads until later in the story when Snake Eyes fights against the series’ Big Bad. Everything has been a walk in the park up to this point, and the wide screen layouts coupled with Federico Blee’s red and black and Bowers’ taunting dialogue raise the stakes for Snake Eyes. Also, Snake Eyes whips out his dual pistols for the first time giving his enemy a little taste of the 21st century. The variety of combat techniques keeps the fights interesting as Snake Eyes’ opponent shows a little bit of a horror side to go with the bloody katanas, guns a-fucking-kimbo action of the majority of the comic. He’s connected to Snake Eyes’ past, but not in an annoying way, and mostly his purpose is to show that this badass ninja might need a little help from his bros, er, the Joes moving forward.
In a reversal from a lot of comic book reviews, I feel like I’ve focused a lot on the Snake Eyes’ visuals and want to discuss Chad Bowers’ skill at capturing the voice of a character, who doesn’t have vocal cords. Bowers’ captions never overwhelm Liefeld, Corona, and Blee’s art adding just the right amount of flavor and context to Snake Eyes’ actions. In fact, they remind of a less verbose Chris Claremont in the first Wolverine miniseries that with Frank Miller and Joe Rubinstein’s art truly established him as both a force of nature and a noble warrior. Snake Eyes has a mission to fulfill (That might be connected to destiny and all that fun stuff.), and he only commits acts of violence in service of that mission, which is actually a rescue to start out with. The full balaclava and visor get-up that he wears reinforces this efficient, non-sadistic approach as Snake Eyes is a smooth killer and not raging out all over the place. In contrast, Bowers writes quippier dialogue for the other Joe’s more in line with a traditional action movie.
In the final analysis, Snake Eyes: Deadgame #1 is a damn good ninja comic, a showcase for Rob Liefeld’s action storytelling, and in my case, a strong introduction to the G.I. Joe universe. This first issue shows Snake Eyes’ strength as a solo act, and I’m interested to see what Liefeld, Chad Bowers, Adelso Corona, and Federico Blee do with an ensemble cast in subsequent issues.
(W) Rob Liefeld, Chad Bowers (A/CA) Rob Liefeld In Shops: Jul 15, 2020 SRP: $4.99
Snake Eyes has long been the most mysterious member of the Joes, but how long can he keep his past classified when he’s forced to play his hand? Will he get a lucky roll? Or will the deadgame finally catch up to him?
writers: Chad Bowers, Chris Sims artist: Ruairí Coleman cover: Ken Haeser FC | 128 pages | $19.99 | Teen+
KISS is on top of the world and rocking faces until the night disciples of The Destroyer show up and the band disappears. Now, with the KISS tour canceled, a young Ash misses one of the most important events of his life that will change his destiny. Now the Chosen One has to get back on the right path and join the KISS/ARMY OF DARKNESS!
Eccentric soldiers dominating bizarre terrorists are showcased in this bombastic account of G.I. Joe’s quintessential mission against Cobra! Through a beachside ambush, a compromised manhunt, and a revenge plan that backfires, America’s fighting elite risk life, love, and honor in this brutal globe-spanning adventure.
When I see Michel Fiffe‘s name on a comic property from my childhood, I immediately know it’s going to be a story that feels like it sprung from my childhood. Fiffe has a knack for putting together stories that feel like they’re a fan playing with the toys and just seeing where it goes. G.I. Joe: Sierra Muerte #1 is an example of that as the Joes take on Cobra in an over the top and at times humorous adventure.
Fiffe brings his usual enthusiasm to the story creating his own take that you can feel his love of the material. There are the usual ticks of Fiffe that includes a storytelling style that at times can be a bit choppy and action that can be as well. Again, this adds to the charm in a way making it feel like a child full of enthusiasm telling a story.
On top of Fiffe’s entertaining story, Chad Bowers delivers some history of G.I. Joe, in this case the varied geography of the fictional world.
It all comes together for a comic for those that love G.I. Joe and have fond memories creating battles of their own with their imagination.
Story: Michel Fiffe Art: Michel Fiffe Story: 7.25 Art: 7.5 Overall: 7.40 Recommendation: Read
IDW Publishing provided Graphic Policy with a FREE copy for review
(W) Chad Bowers, Chris Sims (A/CA) Todd Nauck Rated T+ In Shops: Dec 12, 2018 SRP: $3.99
Lost in the Warped reality Requiem has left in her wake, Sleepwalker is desperately trying to save the Mindscape from being devastated by the chaos in Soul World. Can his warp vision even make sense of this madness?
writers: Chad Bowers, Chris Sims, Benito Cereno
artists: Eoin Marron, Sam Lotfi
cover: Reilly Brown
FC | 40 pages | $4.99 | Teen+
When a crazed tour guide raises the spectral remains of the galleon that brought the Necronomicon to America, Ash finally meets the one thing he hates more than Deadites – ghost pirates! It’s chainsaws and boomsticks against cutlasses and muskets, and if Blackbeard’s men can’t have their treasure, the Promised One’s head will have to do!
(W) Chris Sims, Chad Bowers (A/CA) Todd Nauck
In Shops: Oct 24, 2018
Deep in the mind of man, in the ephemeral land of dreams, he lurks! The Sleepwalker – a guardian of the Mindscape, a realm threatened by the disruptive power of the Infinity Stones! But when all of reality becomes warped in INFINITY WARS, can Sleepwalker find the help he needs to save us all?