Tag Archives: britain

The British Embassy Joins Forces with the Baltimore Comic-Con to Celebrate ‘The British Invasion’

2012 is Great Britain Comic-Con With so many British creators lined up for Baltimore Comic Con, it’s not a surprise (but might be a first for any convention) that the British Embassy will also be present at the show. The British Embassy in Washington will be celebrating the “British Invasion” theme at this weekend’s convention by showcasing what is great about the comic book, science-fiction, and creative industries in Great Britain and Northern Ireland. The UK has the largest creative sector per head in the world, and British artists have excelled in the areas of music, computer games, fine art, and film, and it’s showing at this convention with so many British comic creators attending as well as Scottish comic book artist Frank Quitely and Northern Irish writer Garth Ennis. Embassy posts have numerous roles including political, commercial, security and economic issues, but also promoting their citizens and country in their host nation.

The team from the British Embassy will be exhibiting in the lobby of the Baltimore Comic-Con, and its booth will feature images of characters portrayed during the long history of creativity in the UK – from the early days of Doctor Who to the present, to Game of Thrones and British contributions to American creative arts. So not only do you get to check out some of your favorite comic creators but you can also get a bit of an education by experiencing why Creativity is great in the UK and to take a fresh look at the longstanding British Invasion of American comics.

James Barbour, Press Secretary, British Embassy commented:

Comic books have long been a part of our culture. We are thrilled that a “British Invasion” theme was chosen for this year’s Baltimore Comic-Con, adding to the excitement that the Queen’s Jubilee and the London Olympics have brought to the UK this year. Spider-Man, which was one of my favourite comics growing up, is currently and has previously been drawn by British artists, adding to the celebration of American and British comics this weekend.

In the 1980s, a number of British writers and artists started producing work for American comics and brought a fresh take that appealed to fans and critics alike. This has been coined the ‘British Invasion’. British creativity in the industry is kept alive today by creators including Brian Bolland, Mark Buckingham, and Barry Kitson. All three will speak on a panel themed around the ‘British Invasion.’

Coroners & Justice Act 2009 Kicks in Today


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If you’re in Britain you might want to be careful as to what comprises your comic book collection.  Today marks the start of the Coroners & Justice Act 2009, a law Britain’s legal system staff were caught up on this past week.  The law extends what falls into prohibited images of children.

Below is the relevant piece of the legislation:

Chapter 2 Images of children

Prohibited images

62 Possession of prohibited images of children Show EN

(1) It is an offence for a person to be in possession of a prohibited image of a child.

(2) A prohibited image is an image which—

(a) is pornographic,

(b) falls within subsection (6), and

(c) is grossly offensive, disgusting or otherwise of an obscene character.

(3) An image is “pornographic” if it is of such a nature that it must reasonably be assumed to have been produced solely or principally for the purpose of sexual arousal.

(4) Where (as found in the person’s possession) an image forms part of a series of images, the question whether the image is of such a nature as is mentioned in subsection (3) is to be determined by reference to—

(a) the image itself, and

(b) (if the series of images is such as to be capable of providing a context for the image) the context in which it occurs in the series of images.

(5) So, for example, where—

(a) an image forms an integral part of a narrative constituted by a series of images, and

(b) having regard to those images as a whole, they are not of such a nature that they must reasonably be assumed to have been produced solely or principally for the purpose of sexual arousal,

the image may, by virtue of being part of that narrative, be found not to be pornographic, even though it might have been found to be pornographic if taken by itself.

(6) An image falls within this subsection if it—

(a) is an image which focuses solely or principally on a child’s genitals or anal region, or

(b) portrays any of the acts mentioned in subsection (7).

(7) Those acts are—

(a) the performance by a person of an act of intercourse or oral sex with or in the presence of a child;

(b) an act of masturbation by, of, involving or in the presence of a child;

(c) an act which involves penetration of the vagina or anus of a child with a part of a person’s body or with anything else;

(d) an act of penetration, in the presence of a child, of the vagina or anus of a person with a part of a person’s body or with anything else;

(e) the performance by a child of an act of intercourse or oral sex with an animal (whether dead or alive or imaginary);

(f) the performance by a person of an act of intercourse or oral sex with an animal (whether dead or alive or imaginary) in the presence of a child.

(8) For the purposes of subsection (7), penetration is a continuing act from entry to withdrawal.

(9) Proceedings for an offence under subsection (1) may not be instituted—

(a) in England and Wales, except by or with the consent of the Director of Public Prosecutions;

(b) in Northern Ireland, except by or with the consent of the Director of Public Prosecutions for Northern Ireland.

63 Exclusion of classified film etc Show EN

(1) Section 62(1) does not apply to excluded images.

(2) An “excluded image” is an image which forms part of a series of images contained in a recording of the whole or part of a classified work.

(3) But such an image is not an “excluded image” if—

(a) it is contained in a recording of an extract from a classified work, and

(b) it is of such a nature that it must reasonably be assumed to have been extracted (whether with or without other images) solely or principally for the purpose of sexual arousal.

(4) Where an extracted image is one of a series of images contained in the recording, the question whether the image is of such a nature as is mentioned in subsection (3)(b) is to be determined by reference to—

(a) the image itself, and

(b) (if the series of images is such as to be capable of providing a context for the image) the context in which it occurs in the series of images;

and section 62(5) applies in connection with determining that question as it applies in connection with determining whether an image is pornographic.

(5) In determining for the purposes of this section whether a recording is a recording of the whole or part of a classified work, any alteration attributable to—

(a) a defect caused for technical reasons or by inadvertence on the part of any person, or

(b) the inclusion in the recording of any extraneous material (such as advertisements),

is to be disregarded.

(6) Nothing in this section is to be taken as affecting any duty of a designated authority to have regard to section 62 (along with other enactments creating criminal offences) in determining whether a video work is suitable for a classification certificate to be issued in respect of it.

(7) In this section—

  • “classified work” means (subject to subsection (8)) a video work in respect of which a classification certificate has been issued by a designated authority (whether before or after the commencement of this section);
  • “classification certificate” and “video work” have the same meaning as in the Video Recordings Act 1984 (c. 39);
  • “designated authority” means an authority which has been designated by the Secretary of State under section 4 of that Act;
  • “extract” includes an extract consisting of a single image;
  • “pornographic” has the same meaning as in section 62;
  • “recording” means any disc, tape or other device capable of storing data electronically and from which images may be produced (by any means).

(8) Section 22(3) of the Video Recordings Act 1984 (effect of alterations) applies for the purposes of this section as it applies for the purposes of that Act.

64 Defences Show EN

(1) Where a person is charged with an offence under section 62(1), it is a defence for the person to prove any of the following matters—

(a) that the person had a legitimate reason for being in possession of the image concerned;

(b) that the person had not seen the image concerned and did not know, nor had any cause to suspect, it to be a prohibited image of a child;

(c) that the person—

(i) was sent the image concerned without any prior request having been made by or on behalf of the person, and

(ii) did not keep it for an unreasonable time.

(2) In this section “prohibited image” has the same meaning as in section 62.

65 Meaning of “image” and “child” Show EN

(1) The following apply for the purposes of sections 62 to 64.

(2) “Image” includes—

(a) a moving or still image (produced by any means), or

(b) data (stored by any means) which is capable of conversion into an image within paragraph (a).

(3) “Image” does not include an indecent photograph, or indecent pseudo-photograph, of a child.

(4) In subsection (3) “indecent photograph” and “indecent pseudo-photograph” are to be construed—

(a) in relation to England and Wales, in accordance with the Protection of Children Act 1978 (c. 37), and

(b) in relation to Northern Ireland, in accordance with the Protection of Children (Northern Ireland) Order 1978 (S.I. 1978/1047 (N.I. 17)).

(5) “Child”, subject to subsection (6), means a person under the age of 18.

(6) Where an image shows a person the image is to be treated as an image of a child if—

(a) the impression conveyed by the image is that the person shown is a child, or

(b) the predominant impression conveyed is that the person shown is a child despite the fact that some of the physical characteristics shown are not those of a child.

(7) References to an image of a person include references to an image of an imaginary person.

(8) References to an image of a child include references to an image of an imaginary child.

66 Penalties Show EN

(1) This section has effect where a person is guilty of an offence under section 62(1).

(2) The offender is liable—

(a) on summary conviction, to imprisonment for a term not exceeding the relevant period or a fine not exceeding the statutory maximum, or both;

(b) on conviction on indictment, to imprisonment for a term not exceeding 3 years or a fine, or both.

(3) “The relevant period” means—

(a) in relation to England and Wales, 12 months;

(b) in relation to Northern Ireland, 6 months.

67 Entry, search, seizure and forfeiture Show EN

(1) The following provisions of the Protection of Children Act 1978 (c. 37) apply in relation to prohibited images of children as they apply in relation to indecent photographs of children (within the meaning of that Act)—

(a) section 4 (entry, search and seizure);

(b) the Schedule (forfeiture of photographs).

(2) The following provisions of the Protection of Children (Northern Ireland) Order 1978 (S.I. 1978/1047 (N.I. 17)) apply in relation to prohibited images of children as they apply in relation to indecent photographs of children (within the meaning of that Order)—

(a) Article 4 (entry, search and seizure);

(b) the Schedule (forfeiture of photographs).

(3) In this section “prohibited image of a child” means a prohibited image of a child to which section 62(1) applies.

68 Special rules relating to providers of information society services Show EN

Schedule 13 makes special provision in connection with the operation of section 62(1) in relation to persons providing information society services within the meaning of that Schedule.

Indecent pseudo-photographs of children

69 Indecent pseudo-photographs of children: marriage etc Show EN

(1) In section 1A of the Protection of Children Act 1978 (c. 37) (making of indecent photograph of child etc: marriage and other relationships), after “photograph”, in each place it occurs, insert “or pseudo-photograph”.

(2) In section 160A of the Criminal Justice Act 1988 (c. 33) (possession of indecent photograph of child etc: marriage and other relationships), after “photograph”, in each place it occurs, insert “or pseudo-photograph”.

(3) In Article 15A of the Criminal Justice (Evidence, etc) (Northern Ireland) Order 1988 (S.I. 1988/1847 (N.I. 17)) (marriage and other relationships), after “photograph”, in each place it occurs, insert “or pseudo-photograph”.

(4) In Article 3B of the Protection of Children (Northern Ireland) Order 1978 (S.I. 1978/1047 (N.I. 17)) (marriage and other relationships), after “photograph”, in each place it occurs, insert “or pseudo-photograph”.

It’s up in the air as to how this will impact various comic books but if you’re a fan of lolicon Manga, you might want to think twice about possessing it in Britain.