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Abbott, Black Panther, Monstress, On a Sunbeam, Paper Girls, and Saga Nominated for the 2019 Hugo Awards

Hugo Award

Today, the finalists for the 2019 Hugo Awards, Lodestar Award for Best Young Adult Book, and John W. Campbell Award for Best New Writer and for the 1944 Retrospective Hugo Awards were announced online today by Dublin 2019.

Below are the nominees for “Best Graphic Story” and you can get the full list of nominees here. Three Image Comics series were nominated while BOOM!, Marvel, and First Second all received one nomination.

Congrats to all those nominated!

  • Abbott, written by Saladin Ahmed, art by Sami Kivelä, colours by Jason Wordie, letters by Jim Campbell (BOOM! Studios)
  • Black Panther: Long Live the King, written by Nnedi Okorafor and Aaron Covington, art by André Lima Araújo, Mario Del Pennino and Tana Ford (Marvel)
  • Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics)
  • On a Sunbeam, by Tillie Walden (First Second)
  • Paper Girls, Volume 4, written by Brian K. Vaughan, art by Cliff Chiang, colours by Matt Wilson, letters by Jared K. Fletcher (Image Comics)
  • Saga, Volume 9, written by Brian K. Vaughan, art by Fiona Staples (Image Comics)

Below are the finalists for the 1944 Retrospective Hugo Awards for “Best Graphic Story.”

  • Buck Rogers: Martians Invade Jupiter, by Philip Nowlan and Dick Calkins (National Newspaper Service)
  • Flash Gordon: Fiery Desert of Mongo, by Alex Raymond (King Features Syndicate)
  • Garth, by Steve Dowling (Daily Mirror)
  • Plastic Man #1: The Game of Death, by Jack Cole (Vital Publications)
  • Le Secret de la Licorne [The Secret of the Unicorn], by Hergé (Le Soir)
  • Wonder Woman #5: Battle for Womanhood, written by William Moulton Marsden, art by Harry G. Peter (DC Comics)

Exit Stage Left: The Snagglepuss Chronicles Wins the GLAAD Media Award for Outstanding Comic Book

Exit Stage Left

Exit Stage Left: The Snagglepuss Chronicles won the 2019 GLAAD Media Award for “Outstanding Comic Book.”

The GLAAD Media Awards recognize and honor media for their fair, accurate and inclusive representations of the lesbian, gay, bisexual, transgender and queer community and the issues that affect their lives.

It crosses media recognizing film, television, blogs, journalism, comics, and video games.

Published by DC Comics, Exit Stage Left is by Mark Russell, Mike Feehan, Mark Morales, Sean Parsons, José Marzan Jr., Paul Mounts, and Dave Sharpe.

Check out the comic nominees below and the full set of winners here.

Batwoman, by Marguerite Bennett, K. Perkins, Scott Godlewski, Fernando Blanco, John Rauch, Deron Bennett – DC Comics

Bingo Love, by Tee Franklin, Jenn St-onge, Joy San, Cardinal Rae – Image Comics

Exit Stage Left: The Snagglepuss Chronicles, by Mark Russell, Mike Feehan, Mark Morales, Sean Parsons, José Marzan Jr., Paul Mounts, Dave Sharpe – DC Comics

Fence, by C.S. Pacat, Johanna the Mad, Joana LaFuente, Jim Campbell – BOOM! Studios

Iceman, by Sina Grace, Robert Gill, Nathan Stockman, Ed Tadeo, Rachelle Rosenberg, Federico Blee, Joe Sabino – Marvel Comics

Lumberjanes: The Infernal Compass, by Lilah Sturges, Polterink, Jim Campbell – BOOM! Studios

Oh S#!t It’s Kim & Kim, by Magdalene Visaggio, Eva Cabrera, Claudia Aguirre, Zakk Saam – Black Mask Comics

Runaways, by Rainbow Rowell, Kris Anka, David Lafuente, Takeshi Miyazawa, Matthew Wilson, Triona Tree Farrell, Jim Campbell, Michael Garland, Joe Caramagna –Marvel Comics

Star Wars: Doctor Aphra, by Kieron Gillen, Simon Spurrier, Emilio Laiso, Kev Walker, Marc Deering, Rachelle Rosenberg, Java Tartaglia, Joe Caramagna, Travis Lanham – Marvel Comics

Strangers in Paradise XXV, by Terry Moore – Abstract Studio

It was a Great Night at the Oscars for Black Panther and Spider-Man: Into the Spider-Verse

Black Panther

Black Panther can call itself an Oscar winning film… a multiple winning Oscar film.

Ruth Carter won for “Costume Design.” The film also won for “Production Design” with Hannah Beachler being honored for production design and Jay Hary being honored for set decoration. The film’s third win of the night was “Original Score” for Ludwig Goransson‘s work.

Black Panther tied with Roma and Green Book for the second most Oscar wins for the night tied. Bohemian Rhapsody won 4 times.

Spider-Man: Into the Spider-Verse

It was a Marvel night with Sony‘s Spider-Man: Into the Spider-Verse taking home best “Animated Feature Film” with Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord, and Christopher Miller sharing the award.

But, Marvel didn’t win for everthing. Avengers: Infinity War lost to First Man for “Visual Effects.” Black Panther also lost out to Green Book for “Best Picture.”

Check out below for Tweets from the show including quotes from the winners.




Archival Quality Wins the 2019 Dwayne McDuffie Award!

Archival Qualityby Ivy Noelle Weir and Christina “Steenz” Stewart has won the 5th Annual Dwayne McDuffie Award for Diversity in Comics! Both former librarians, Weir and Steenz joined forces last year with this hauntingly amazing Oni Press debut which hit shelves early last March. The award was presented last weekend in Long Beach, CA during the Long Beach Comic Expo.

After losing her job at the library, Celeste Walden starts working at the haunting Logan Museum as an archivist. But the job may not be the second chance she was hoping for, and she finds herself confronting her mental health, her relationships, and before long, her grasp on reality as she begins to dream of a young woman she’s never met, but feels strangely drawn to. As Cel attempts to learn more about the woman, she begins losing time, misplacing things, passing out—the job is becoming dangerous, but she can’t let go of this mysterious woman. Who is she? Why is she so fixated on Cel? And does Cel have the power to save her when she’s still trying to save herself?

Philadelphia-based writer Ivy Noelle Weir and St. Louis-based illustrator Steenz have collaborated on numerous comics projects together, including a short for the series Princeless. Steenz’s artwork has been featured in the critically acclaimed and award-winning anthology Elements: Fire, as well as Ham4Pamphlet, a collaborative illustration project inspired by the hit Broadway musical Hamilton, while Weir has written numerous articles for Women Write About ComicsAmerican Librariesmagazine, and NoveList in addition to her fiction writing.

Archival Quality

GLAAD Announces Their 2019 Media Award Nominees

Glaad Media Awards

The GLAAD Media Awards recognize and honor media for their fair, accurate and inclusive representations of the lesbian, gay, bisexual, transgender and queer community and the issues that affect their lives.

It crosses media recognizing film, television, blogs, journalism, comics, and video games.

This year’s nominees have been announced and Marvel leads the pack with three nominations in “Outstanding Comic Book.” DC Comics received two nominations, Image one, BOOM! Studios received two, Black Mask received one, and Abstract Studio also received one.

Below is this year’s comic nominations.

Batwoman, by Marguerite Bennett, K. Perkins, Scott Godlewski, Fernando Blanco, John Rauch, Deron Bennett – DC Comics

Bingo Love, by Tee Franklin, Jenn St-onge, Joy San, Cardinal Rae – Image Comics

Exit Stage Left: The Snagglepuss Chronicles, by Mark Russell, Mike Feehan, Mark Morales, Sean Parsons, José Marzan Jr., Paul Mounts, Dave Sharpe – DC Comics

Fence, by C.S. Pacat, Johanna the Mad, Joana LaFuente, Jim Campbell – BOOM! Studios

Iceman, by Sina Grace, Robert Gill, Nathan Stockman, Ed Tadeo, Rachelle Rosenberg, Federico Blee, Joe Sabino – Marvel Comics

Lumberjanes: The Infernal Compass, by Lilah Sturges, Polterink, Jim Campbell – BOOM! Studios

Oh S#!t It’s Kim & Kim, by Magdalene Visaggio, Eva Cabrera, Claudia Aguirre, Zakk Saam – Black Mask Comics

Runaways, by Rainbow Rowell, Kris Anka, David Lafuente, Takeshi Miyazawa, Matthew Wilson, Triona Tree Farrell, Jim Campbell, Michael Garland, Joe Caramagna  Marvel Comics

Star Wars: Doctor Aphra, by Kieron Gillen, Simon Spurrier, Emilio Laiso, Kev Walker, Marc Deering, Rachelle Rosenberg, Java Tartaglia, Joe Caramagna, Travis Lanham – Marvel Comics

Strangers in Paradise XXV, by Terry Moore – Abstract Studio

When it comes to comic related media…

Deadpool 2 was nominated in “Outstanding Film – Wide Release,” and Black Lightning, Supergirl, and Wynonna Earp were nominated in “Outstanding Drama Series.”

Black Panther and Spider-Man: Into the Spider-Verse Both Win at the Critics’ Choice Awards

Cast of Black Panther

This Sunday the Critics’ Choice Awards were held and both Black Panther and Spider-Man: Into the Spider-Verse walked away winners.

Spider-Man: Into the Spider-Verse won “Best Animated Feature” repeating its Golden Globe win in the same category. The film has momentum going into the Oscars. It beat The Grinch, Incredibles 2, Isle of Dogs, Mirai, and Ralph Breaks the Internet to walk away with the latest win.

Ruth Carter won for “Best Costume Design” for Black Panther besting Alexandra Byrne for Mary Queen of Scots, Julian Day for Bohemian Rhapsody, and Sandy Powell for The Favourite and Mary Poppins Returns.

Black Panther also walked away a winner for “Best Visual Effects” besting Avengers: Infinity War, First Man, Mary Poppins Returns, Mission: Impossible – Fallout, and Ready Player One.

But it wasn’t all celebrations. Black Panther walked away empty handed in numerous categories as well.

Black Panther was nominated for “Best Picture” which it lost to Roma. in “Best Acting Ensemble” this film lost to The Favourite. Michael B. Jordan was nominating for “Best Supporting Actor” for his role as Killmonger in Black Panther. He lost to Mahershala Ali for his role in Green Book. Ryan Coogler and Joe Robert Cole were nominated for “Best Adapted Screenplay” for Black Panther. They lost to Barry Jenkins and If Beale Street Could Talk. Rachel Morrison was nominated for “Best Cinematography” for Black Panther and lost to Alfonso Cuarón and Roma. Black Panther was also nominated for “Best Hair and Makeup” losing to Vice.

Numerous comic films lost in “Best Action Movie” to Mission: Impossible – Fallout. Avengers: Infinity War, Black Panther, and Deadpool 2 were all nominated as well as Ready Player One and Widows.

In “Best Comedy,” Deadpool 2 and The Death of Stalin lost to Crazy Rich Asians. The Favourite, Game Night, and Sorry to Bother You were nominated as well.

Ryan Reynolds lost in “Best Actor in a Comedy” to Christian Bale for his role in Vice. Reynolds starred in the title role in Deadpool 2.

When it comes to music Black Panther came up empty handed as well. “All the Stars” lost to A Star is Born‘s “Shallow” in “Best Song” and and in “Best ScoreLudwig Göransson lost to Justin Hurwitz for First Man.

Comic adaptations were absent from television awards at the show.

Inkwell Awards Changing Host Show Location from HeroesCon to East Coast Comicon

The Inkwell Awards is announcing that their annual live awards ceremony will be relocating to the East Coast Comicon at the Meadowlands Exposition Center in Secaucus, NJ, commencing May 17-19, 2019. Their awards ceremonies for the previous eight years, including 2018, were held at the June HeroesCon in Charlotte, NC.According to Inkwell Awards founder and director Bob Almond, HeroesCon promoter Shelton Drum invited the non-profit organization to his long-running, family-friendly show in 2011. “We had been left hanging by a major convention,” Almond said, “and Shelton, who had endured similar problems, wanted to support a kindred spirit and show that this altruistic, annual event could be done and well-supported.”

Almond added, “Changing venues is both sorrowful and exciting. Our presence at Heroes‘ industry-respected and community-loved show further boosted our credibility and exposure, which helped with fundraising in the long run. We can truly thank HeroesCon for where we are now. But the 16-hour drives and related travel expenses each season would leave our budget almost wiped out.”

When asked about the switch in locations, Almond explained, “When East Coast Comicon promoter Cliff Galbraith offered us his venue and funding support for the expenses, we were thrilled. A mere four-hour drive is a huge relief for us. Cliff‘s event began in 2011 and has grown in reputation and attendance since, from both the celebrity/artist guests and the fans.”

In a statement, Heroes promoter Drum said:

”It‘s been eight years since Bob Almond made Heroes Con the home of The Inkwells. We have been privileged to be host to Bob and his team as they honored the true unsung heroes of comics, the Inkers. The annual Inkwell Awards ceremony– the anchor of our opening day programming– has   spotlighted and awarded many of the greatest inkers in comic‘s history: Mike Royer, Rudy Nebres, Klaus Janson, Bob McLeod, Jerry Ordway and Joe Rubinstein, just to name a few.

“And now Bob is heading to East Coast Comicon and taking the Inkwells with him. They will be missed, but it is wonderful knowing Bob Almond will still be at it making the world a more appreciative place for our black-thumbed brethren. Godspeed, Bob.”

Almond concluded, “Shelton graciously took us in at a low-point for me. Now, as we celebrate The Inkwells‘ 10th anniversary, it‘s like progressing from one chapter of growth to a new one as we boldly embark on our second decade with Cliff.”

The Inkwell Awards is the only existing official 501(c)(3) non-profit organization whose mission is to educate the public and promote the art form of comic-book inking, as well as annually recognize the best ink artists and their work. The organization is overseen by a committee of industry professionals and assisted by various professional ambassadors and contributors. They sponsor the Dave Simons Inkwell Memorial Scholarship Fund for The Kubert School and host the Joe Sinnott Hall of Fame Award.

Stan Sakai is the Recipient of the Inaugural Joe Kubert Distinguished Storyteller Award

Stan Sakai, the acclaimed cartoonist and creator of Usagi Yojimbo, is the recipient of the inaugural Joe Kubert Distinguished Storyteller Award. The announcement was made on Saturday May 19 at a ceremony at the second annual Comic Con Revolution in Ontario, CA. The Joe Kubert Distinguished Storyteller Award is designed to recognize outstanding comic book creators who exemplify both Joe Kubert’s artistic talent and his commitment to nurturing the comic book community.

Sakai began his career by simply lettering comic books as he perfected his art and began working in the industry. He also wrote and illustrated The Adventures of Nilson Groundthumper and Hermy; a comic series with a medieval setting, influenced by Sergio Aragones’s Groo the Wanderer. The characters first appeared in Albedo #1 in 1984, and were subsequently featured in issues of Critters, GrimJack, Amazing Heroes and Furrlough. Stan Sakai became famous with the creation of Usagi Yojimbo, the epic saga of Miyamoto Usagi, a samurai rabbit living in late-sixteenth and early-seventeenth-century Japan. Usagi Yojimbo, first published in 1984, continues to this day. In 2013, Sakai illustrated the limited comic book series 47 Ronin, an adaptation of the famed story of the 47 Ronin written by Dark Horse Comics Publisher Mike Richardson, with Lone Wolf and Cub writer Kazuo Koike as an editorial consultant.

The Joe Kubert Distinguished Storyteller Award, the Joe Kubert Future Storyteller Scholarship, and the Joe Kubert Jumpstart Project Announced

Iconic comic book artist Joe Kubert—and his commitment to teaching the next generation of comic book creators—will be honored with a major new award and two scholarship programs announced today. The first ever Joe Kubert Distinguished Storyteller Award will be awarded at the second annual Comic Con Revolution, to be held May 19 & 20 at the Ontario Convention Center in Ontario, CA.

The Joe Kubert Distinguished Storyteller Award is designed to recognize outstanding comic book creators who exemplify both Joe Kubert’s artistic talent and his commitment to nurturing the comic book community. In addition, the Joe Kubert Future Storyteller Scholarship is being established by Atomic Crush Events for first and second year students of The Kubert School, while the Joe Kubert Jumpstart Project will help graduates begin their career. The Kubert School will determine the recipient of the scholarship and jumpstart project based on merit and honors. The recipient of the Joe Kubert Jumpstart Project will be named by the school at this year’s graduation and the Joe Kubert Future Storyteller Scholarship will go into effect next year, allowing students to apply for the scholarship. The award and scholarship program were announced by The Kubert School in tandem with Atomic Crush Events, which runs Comic Con Revolution and will host the annual Joe Kubert Distinguished Storyteller Award Ceremony.

The recipient of the Joe Kubert Future Storyteller Scholarship will receive a one-time scholarship. Funding for the first annual Joe Kubert Future Storyteller Scholarship is provided by matching contributions from Atomic Crush Events, GeekChic Promotions, Storm King Comics and Superfan Promotions. Interested individuals and companies can also contribute to the scholarship program. The scholarship recipients will be announced later this year.

The recipient of the Joe Kubert Jumpstart Project will receive an artist alley table at any of the Comic Con Revolution events for one year and credit with SGX Print to create a pop-up banner and a limited print run of comic or art books. Storm King Comics’ Sandy King Carpenter will review the winning graduates’ portfolio, and Superfan Promotions will consult the winner of the award on how to best promote their work.

Widely beloved and acknowledged as one of the greatest comic book artists, Joe Kubert is most frequently associated with his work on Hawkman and Sgt Rock for DC Comics, his illustrations of Tarzan, and his gripping war stories. As The New York Times wrote after his death in 2012, “Mr. Kubert was often described as a war artist, but as he made clear in interviews and in his work, it was far more accurate to call him an antiwar artist. His distinctive visual style—raw, powerful and unstinting in emotional immediacy—was ideally suited to capturing the brutality of battle, and capture it he did, over more than a half-century.”

In 1976, Kubert and his wife Muriel established The Joe Kubert School of Cartoon and Graphic Art in Dover, NJ. Today, The Kubert School is the country’s only accredited trade school for comic-book artists, offering students a comprehensive three-year program. The first graduating class of 1978 included bestselling Swamp Thing artist Stephen R. Bissette, Tarzan artist Thomas Yeates, and Rick Veitch, creator of The One. Alumni include artists Kevin Colden, Amanda Conner, Shane Davis, Jan Duursema, Scott Kolins, Steve Lieber, Alex Maleev, Tom Mandrake, Rags Morales, Tom Raney, Bart Sears, Eric Shanower, and Timothy Truman; writer and inker Karl Kesel, Eisner award-nominated Jared K. Fletcher; acclaimed colorist Matt Hollingsworth; DC Comics VP of Manufacturing Administration Nick Napolitano, and Archie Comics President Mike Pellerito. Current faculty include his sons, the bestselling artists Adam and Andy Kubert, Mike Chen, Jan Duursema and others.

The 2018 Eisner Nominations Have Been Announced

The Eisners are the Oscars of comics held at San Diego Comic-Con each year. Today, this year’s nominations have been announced and the list is varied with a diverse group of creators, publishers, and voices. Check out below for this year’s group of nominees.

Congrats to everyone nominated and involved in the creation of these comics.

Best Short Story
  • “Ethel Byrne,” by Cecil Castelluci and Scott Chantler, in Mine: A Celebration of Liberty and Freedom for All Benefiting Planned Parenthood (ComicMix)
  • “Forgotten Princess,” by Phillip Kennedy Johnson and Antonio Sandoval, in Adventure Time Comics #13 (kaboom!)
  • ”A Life in Comics: The Graphic Adventures of Karen Green,” by Nick Sousanis, in Columbia Magazine (Summer 2017), http://magazine.columbia.edu/features/summer-2017/life-comics?page=0,0
  • “Small Mistakes Make Big Problems,” by Sophia Foster-Dimino, in Comics for Choice (Hazel Newlevant)
  • “Trans Plant,” by Megan Rose Gedris, in Enough Space for Everyone Else (Bedside Press)

Best Single Issue/One-Shot
  • Barbara, by Nicole Miles (ShortBox)
  • Hellboy: Krampusnacht, by Mike Mignola and Adam Hughes (Dark Horse)
  • Pope Hats #5, by Ethan Rilly (AdHouse Books)
  • The Spotted Stone, by Rick Veitch (Sun Comics)
  • What Is Left, by Rosemary Valero-O’Connell (ShortBox)

Best Continuing Series
  • Black Hammer, by Jeff Lemire, Dean Ormston, and David Rubín (Dark Horse)
  • Giant Days, by John Allison, Max Sarin, and Liz Fleming (BOOM! Box)
  • Hawkeye, by Kelly Thompson, Leonardo Romero, and Mike Walsh (Marvel)
  • Monstress, by Marjorie Liu and Sana Takeda (Image)
  • The Wicked + The Divine, by Kieron Gillen & Jamie McKelvie (Image)

Best Limited Series
  • Black Panther: World of Wakanda, by Roxane Gay, Ta-Nehisi Coates, and Alitha E. Martinez (Marvel)
  • Extremity, by Daniel Warren Johnson (Image/Skybound)
  • The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC)
  • Mister Miracle, by Tom King and Mitch Gerads (DC)
  • X-Men: Grand Design, by Ed Piskor (Marvel)

Best New Series
  • Black Bolt, by Saladin Ahmed and Christian Ward (Marvel)
  • Grass Kings, by Matt Kindt and Tyler Jenkins (BOOM! Studios)
  • Maestros, by Steve Skroce (Image)
  • Redlands, by Jordie Belaire and Vanesa Del Rey (Image)
  • Royal City, by Jeff Lemire (Image)

Best Publication for Early Readers (up to age 8)
  • Adele in Sand Land, by Claude Ponti, translated by Skeeter Grant and Françoise Mouly (Toon Books)
  • Arthur and the Golden Rope, by Joe Todd-Stanton (Flying Eye/Nobrow)
  • Egg, by Kevin Henkes (Greenwillow Books)
  • Good Night, Planet, by Liniers (Toon Books)
  • Little Tails in the Savannah, by Frederic Brrémaud and Federico Bertolucci, translated by Mike Kennedy (Lion Forge/Magnetic)

Best Publication for Kids (ages 9–12)
  • Bolivar, by Sean Rubin (Archaia)
  • Home Time (Book One): Under the River, by Campbell Whyte (Top Shelf)
  • Nightlights, by Lorena Alvarez (Nobrow)
  • The Tea Dragon Society, by Katie O’Neill (Oni)
  • Wallace the Brave, by Will Henry (Andrews McMeel)

Best Publication for Teens (ages 13-17)
  • The Dam Keeper, by Robert Kondo and Dice Tsutsumi (First Second/Tonko House)
  • Jane, by Aline Brosh McKenna and Ramón K. Pérez (Archaia)
  • Louis Undercover, by Fanny Britt and Isabelle Arsenault, translated by Christelle Morelli and Susan Ouriou (Groundwood Books/House of Anansi)
  • Monstress, by Marjorie Liu and Sana Takeda (Image)
  • Spinning, by Tillie Walden (First Second)

Best Humor Publication
  • Baking with Kafka, by Tom Gauld (Drawn & Quarterly)
  • Batman/Elmer Fudd Special #1, by Tom King, Lee Weeks, and Byron Vaughn (DC)
  • The Flintstones, by Mark Russell, Steve Pugh, Rick Leonardi, and Scott Hanna (DC)
  • Rock Candy Mountain, by Kyle Starks (Image)
  • Wallace the Brave, by Will Henry (Andrews McMeel)

Best Anthology
  • A Bunch of Jews (and Other Stuff): A Minyen Yidn, by Max B. Perlson, Trina Robbins et al. (Bedside Press)
  • A Castle in England, by Jamie Rhodes et al. (Nobrow)
  • Elements: Fire, A Comic Anthology by Creators of Color, edited by Taneka Stotts (Beyond Press)
  • Now #1, edited by Eric Reynolds (Fantagraphics)
  • The Spirit Anthology, edited by Sean Phillips (Lakes International Comic Art Festival)

Best Reality-Based Work
  • Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow)
  • The Best We Could Do, by Thi Bui (Abrams ComicArts)
  • Calamity Jane: The Calamitous Life of Martha Jane Cannary, 1852–1903, by Christian Perrissin and Matthieu Blanchin, translated by Diana Schutz and Brandon Kander (IDW)
  • Lennon: The New York Years, by David Foenkinos, Corbeyran, and Horne, translated by Ivanka Hahnenberger (IDW)
  • Spinning, by Tillie Walden (First Second)

Best Graphic Album—New
  • Crawl Space, by Jesse Jacobs (Koyama Press)
  • Eartha, by Cathy Malkasian (Fantagraphics)
  • My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics)
  • Stages of Rot, by Linnea Sterte (Peow)
  • The Story of Jezebel, by Elijah Brubaker (Uncivilized Books)

Best Graphic Album—Reprint
  • Boundless, by Jillian Tamaki (Drawn & Quarterly)
  • Fantagraphics Studio Edition: Black Hole by Charles Burns, edited by Eric Reynolds (Fantagraphics)
  • Small Favors: The Definitive Girly Porno Collection, by Colleen Coover (Oni/Limerence)
  • Sticks Angelica, Folk Hero, by Michael DeForge (Drawn & Quarterly)
  • Unreal City, by D. J. Bryant (Fantagraphics)

Best Adaptation from Another Medium
  • Beowulf, adapted by Santiago García and David Rubín (Image)
  • H. P. Lovecraft’s The Hound and Other Stories, adapted by Gou Tanabe, translated by Zack Davisson (Dark Horse)
  • Herman Melville’s Moby Dick, adapted by Christophe Chabouté, translated by Laure Dupont (Dark Horse)
  • Kindred, by Octavia Butler, adapted by Damian Duffy and John Jennings (Abrams ComicArts)

Best U.S. Edition of International Material
  • Audubon: On the Wings of the World, by Fabien Grolleau and Jerémie Royer, translated by Etienne Gilfillan (Nobrow)
  • Flight of the Raven, by Jean-Pierre Gibrat, translated by Diana Schutz and Brandon Kander (EuroComics/IDW)
  • FUN, by Paolo Bacilieri, translated by Jamie Richards (SelfMadeHero)
  • Ghost of Gaudi, by El Torres and Jesús Alonso Iglesias, translated by Esther Villardón Grande (Lion Forge/Magnetic)
  • The Ladies-in-Waiting, by Santiago García and Javier Olivares, translated by Erica Mena (Fantagraphics)
  • Run for It: Stories of Slaves Who Fought for the Freedom, by Marcelo D’Salete, translated by Andrea Rosenberg (Fantagraphics)

Best U.S. Edition of International Material—Asia
  • Furari, by Jiro Taniguchi, translated by Kumar Sivasubramanian (Fanfare/Ponent Mon)
  • Golden Kamuy, by Satoru Noda, translated by Eiji Yasuda (VIZ Media)
  • My Brother’s Husband, vol. 1, by Gengoroh Tagame, translated by Anne Ishii (Pantheon)
  • Otherworld Barbara, vol. 2, by Moto Hagio, translated by Matt Thorn (Fantagraphics)
  • Shiver: Junji Ito Selected Stories, by Junji Itotranslated by Jocelyne Allen (VIZ Media)

Best Archival Collection/Project—Strips
  • Celebrating Snoopy, by Charles M. Shulz, edited by Alexis E. Fajardo and Dorothy O’Brien (Andrews McMeel)
  • Crazy Quilt: Scraps and Panels on the Way to Gasoline Alley, by Frank King, edited by Peter Maresca (Sunday Press)
  • Foolish Questions and Other Odd Observations, by Rube Goldberg, edited by Peter Maresca and Paul C. Tumey (Sunday Press Books)
  • Sky Masters of the Space Force: The Complete Dailies, by Jack Kirby, Wally Wood et al., edited by Daniel Herman (Hermes Press)
  • Star Wars: The Classic Newspaper Strips, vol. 1, by Russ Manning et al., edited by Dean Mullaney (LOAC/IDW)

Best Archival Collection/Project—Comic Books
  • Akira 35th Anniversary Edition, by Katsuhiro Otomo, edited by Haruko Hashimoto, Ajani Oloye, and Lauren Scanlan (Kodansha)
  • Behaving MADly, edited by Craig Yoe (Yoe Books/IDW)
  • The Collected Neil the Horse, by Arn Saba/Katherine Collins, edited by Andy Brown (Conundrum)
  • Fantagraphics Studio Edition: Jaime Hernandez, edited by Gary Groth (Fantagraphics)
  • Will Eisner: The Centennial Celebration, 1917-2017, by Paul Gravett, Denis Kitchen, and John Lind (Kitchen Sink/Dark Horse)

Best Writer
  • Tom King, Batman, Batman Annual #2, Batman/Elmer Fudd Special #1, Mister Miracle (DC)
  • Matt Kindt, Grass Kings (BOOM! Studios); Ether (Dark Horse); Eternity, X-O Manowar (Valiant)
  • Jeff Lemire, Black Hammer (Dark Horse); Descender (Image)
  • Marjorie Liu, Monstress (Image)
  • Mark Russell, The Flintstones (DC)

Best Writer/Artist
  • Lorena Alvarez, Night Lights (Nobrow)
  • Chabouté, Moby Dick (Dark Horse); Alone, The Park Bench (Gallery 13/Simon & Schuster)
  • Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)
  • Cathy Malkasian, Eartha (Fantagraphics)
  • Jiro Taniguchi, Furari, Louis Vuitton Travel Guide: Venice (Fanfare/Ponent Mon)

Best Penciller/Inker or Penciller/Inker Team
  • Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi)
  • Mitch Gerads, Mister Miracle (DC)
  • Gary Gianni, Hellboy: Into the Silent Sea (Dark Horse)
  • Ramón K. Perez, Jane (Archaia)
  • David Rubín, Black Hammer #9 & #12, Ether, Sherlock Frankenstein #1–3 (Dark Horse); Beowulf (Image)

Best Painter/Multimedia Artist (interior art)
  • Federico Bertolucci, Love: The Dinosaur, Little Tails (Lion Forge/Magnetic)
  • EFA, Monet: Itinerant of Light (NBM)
  • Jean-Pierre Gibrat, Flight of the Raven (EuroComics/IDW)
  • Cyril Pedrosa, Portugal (NBM)
  • Sana Takeda, Monstress (Image)

Best Cover Artist
  • Jorge Corona, No. 1 with a Bullet (Image)
  • Nick Derington, Mister Miracle (DC); Doom Patrol (DC Young Animal)
  • Brian Stelfreeze, Black Panther (Marvel)
  • Sana Takeda, Monstress (Image)
  • Julian Totino Tedesco, Hawkeye (Marvel)

Best Coloring
  • Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)
  • Mitch Gerads, Mister Miracle (DC)
  • Ed Piskor, X-Men: Grand Design (Marvel)
  • David Rubín, Ether, Black Hammer, Sherlock Frankenstein (Dark Horse); Beowulf (Image)
  • Dave Stewart, Black Hammer, BPRD: Devil You Know, Hellboy: Into the Silent Sea, Sherlock Frankenstein, Shaolin Cowboy (Dark Horse); Maestros (Image)
  • Rosemary Valero-O’Connell, What Is Left (ShortBox)

Best Lettering
  • Isabelle Arsenault, Louis Undercover (Groundwood Books/House of Anansi)
  • Clayton Cowles, Bitch Planet: Triple Feature, Redlands, The Wicked + The Divine (Image); Black Bolt, Spider-Gwen, Astonishing X-Men, Star Wars (Marvel)
  • Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)
  • Stan Sakai, Usagi Yojimbo, Groo: Slay of the Gods (Dark Horse)
  • John Workman, Mother Panic (DC Young Animal); Ragnorak (IDW)

Best Comics-Related Periodical/Journalism
  • Alter Ego, edited by Roy Thomas (TwoMorrows)
  • The Comics Journal, edited by Dan Nadel, Timothy Hodler, and Tucker Stone, tcj.com (Fantagraphics)
  • Hogan’s Alley, edited by Tom Heintjes
  • Jack Kirby Collector, edited by John Morrow (TwoMorrows)
  • PanelXPanel magazine, edited by Hassan Otsmane-Elhaou, panelxpanel.com

Best Comics-Related Book
  • Deconstructing the Incal by Alejandro Jodorowsky and Moebius, by Jean Annestay and Christophe Quillien (Humanoids)
  • How Comics Work, by Dave Gibbons and Tim Pilcher (Wellfleet Press/Quarto Group)
  • How to Read Nancy: The Elements of Comics in Three Easy Panels, by Paul Karasik and Mark Newgarden (Fantagraphics)
  • Line of Beauty: The Art of Wendy Pini, by Richard Pini (Flesk)
  • Monograph, by Chris Ware (Rizzoli)
  • To Laugh That We May Not Weep: The Life and Times of Art Young, by Glenn Bray and Frank M. Young (Fantagraphics)

Best Academic/Scholarly Work
  • The Comics of Charles Schulz: The Good Grief of Modern Life, edited by Jared Gardner and Ian Gordon (University Press of Mississippi)
  • Ethics in the Gutter: Empathy and Historical Fiction in Comics, by Kate Polak (Ohio State University Press)
  • Latinx Superheroes in Mainstream Comics, by Frederick Luis Aldama (University of Arizona Press)
  • Neon Visions: The Comics of Howard Chaykin, by Brannon Costello (LSU Press)
  • Picturing Childhood: Youth in Transnational Comics, edited by Mark Heimermann and Brittany Tullis (University of Texas Press)

Best Publication Design
  • Akira 35th Anniversary Edition, designed by Phil Balsman, Akira Saito (Veia), NORMA Editorial, and MASH•ROOM (Kodansha)
  • Celebrating Snoopy, designed by Spencer Williams and Julie Phillips (Andrews McMeel)
  • Monograph, designed by Chris Ware (Rizzoli)
  • My Favorite Thing Is Monsters, designed by Jacob Covey (Fantagraphics)
  • Will Eisner: The Centennial Celebration, 1917-2017, designed by John Lind (Kitchen Sink/Dark Horse)

Best Digital Comic
  • Bandette, by Paul Tobin and Colleen Coover (Monkeybrain/comiXology)
  • Barrier, by Brian K. Vaughan and Marcos Martin (Panel Syndicate)
  • The Carpet Merchant of Konstaniniyya, by Reimena Yee (reimenayee.com/the-carpet-merchant)
  • Contact High, by James F. Wright and Josh Eckert (gumroad.com/l/YnxSm)
  • Harvey Kurtzman’s Marley’s Ghost, by Harvey Kurtzman, Josh O’Neill, Shannon Wheeler, and Gideo Kendall (comiXology Originals/Kitchen, Lind & Associates)
  • Quince, by Sebastian Kadlecik, Kit Steinkellner, and Emma Steinkellner, translated by Valeria Tranier (Fanbase Press/comiXology)

Best Webcomic
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