Tag Archives: archie

Preview: Archie #26


Script: Mark Waid
Art: Audrey Mok, Kelly Fitzpatrick, Jack Morelli
Cover: Audrey Mok
Variant Covers: Sandy Jarrell, Thomas Pitilli
On Sale Date: 12/6
32-page, full color comic
$3.99 U.S.

HEART OF RIVERDALE, Part 4! Everyone has had a different reaction to Betty’s injury, but Archie’s is unique. He’s finding himself falling in love with her all over again—but where does that leave Veronica?

Graphic Policy’s Top Comic Picks this Week!

Wednesdays are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!

Each week our contributors are choosing up to five books and why they’re choosing the books. In other words, this is what we’re looking forward to and think you should be taking a look!

Find out what folks think below, and what comics you should be looking out for this Wednesday.


Top Pick: Batman/Teenage Mutant Ninja Turtles II #1 (DC Comics/IDW Publishing) – I thoroughly enjoyed the first miniseries featuring these two properties, and while I half expect this to be nothing more than a shameless cash grab I’m oddly excited to see the Dark Knight cross paths with the Turtles again. I would say you don’t see that happen often, but that’s not necessarily the case anymore – and I’m quite happy about that.

Green Arrow #35 (DC Comics) – One of the sleeper hits for me is Green Arrows ongoing series. The art is whimsical and sweepingly beautiful, and the story about one man fighting a giant corporate conspiracy theory is far stronger than it seemed at first. Definitely one to keep on your radar.

Faith’s Winter Wonderland Special #1 (Valiant) – Marguerite Sauvage pulls double duty on this one, and I’m curious as to what she’ll offer – as long as it’s fun (and looks as awesome as she’s proven her self capable of drawing) then I’ll be happy.



Top Pick: Jupiter Jet #1 (Action Lab Entertainment) – The debut issue of this teenaged Robin Hood story with a science fiction twist grabbed my attention immediately. The art, vaguely reminiscent of Squirrel Girl (probably not a mistake), makes early promises of a book with lighthearted romps plastered from cover to cover.

Harley and Ivy Meet Betty and Veronica #3 (DC Comics/Archie Comics) –  I am going to be honest–I didn’t know this title was out already. Time to catch up. Girl power is promised in BUNDLES in a book featuring four iconic women from comics, and the mashup of Good vs. Bad (can we definitively call Harley/Ivy evil?) should be a great time.

Jem and the Holograms Dimensions #1 (IDW Publishing) – More girl power. Step one: put a cat on the cover. Step two, promise some light-hearted hijinx featuring girls from both sides of the tracks (I’m sensing a theme this week…). Step three: throw in a good old-fashioned game of Dungeons and Dragons. What could possibly go wrong?

I Hate Fairyland Deluxe HC Vol. 1 (Image Comics) – A 36 year old woman trapped in a 6 year old’s body isn’t even close to the most grotesque thing going on in Skottie Young’s modern masterpiece. Young’s delightfully vulgar sense of humor truly shines in his first Image title. The Deluxe collection promises plenty of extras which will likely ooze with….something nasty.

Archie #26 (Archie Comics) – What can I say, I’ve been a sucker for the redhead and his bumbling misadventures since I was a kid. Old habits, and all that. But the All-new Archie has taken us some places we’ve never been before, and I for one can’t wait to see where we go next.



Harley & Ivy Meet Betty & Veronica #3 (DC Comics) – Do I really need a reason? It’s like my childhood met my teen hood in a bar and I’m here for it. This might be one of the few times where crossing the streams is a good thing.

Throwaways #10 (Image Comics) – Dean and Abby are still trying to get to the bottom of the conspiracy theory that is their life while dealing with the latest hinderences , like being separated by guards, as the hunt for the truth. The series is hit or miss but, they seem to be getting their bearings so either way this will be interesting.

Hawkeye #13 (Marvel) – Clint and Kate in LA on a case. There will be humor, there will be blood, there will be awesome , in the start of what looks like a killer story arc.



Top Pick: A Small Revolution (Soaring Penguin Press) – A revolution in a small country seen through the yes of an innocent child. If there’s ever been a comic more geared towards me, I don’t know what it is. The concept sounds amazing and I can’t wait to read it.

Black Lightning: Cold Dead Hands #2 (DC Comics) – The first issue was a perfect balance of action, characterization, and social justice. Hope this issue continues that trend.

Captain America #696 (Marvel) – The first issue was good (not great) but Mark Waid and Chris Samnee seem to be exploring what it means to be Captain America. What they have to say should be interesting and both know the character well, so this should be an interesting read no matter what.

The Consultant #1 (Action Lab: Danger Zone) – When superheroes screw up, this is the guy who cleans up the mess. I’ve read the first issue and while there’s some slight issues with characters standing out in design, the story is fantastic and exactly what I hoped for.

Winter War (Caliber Entertainment) – The story of the 100-day war of Finland versus the Soviet Union at the dawk of World War II. Sounds really interesting.

Early Preview: Archie #26


Script: Mark Waid
Art: Audrey Mok, Kelly Fitzpatrick, Jack Morelli
Cover: Audrey Mok
Variant Covers: Sandy Jarrell, Thomas Pitilli
On Sale Date: 12/6
32-page, full color comic
$3.99 U.S.

HEART OF RIVERDALE, Part 4! Everyone has had a different reaction to Betty’s injury, but Archie’s is unique. He’s finding himself falling in love with her all over again—but where does that leave Veronica?

Everything’s Riverdale: S2E4 The Town That Dreaded Sundown

All-Star Serial Killer line-ups loiter in our libraries! Wilbur Wilkins stalks the night! Elbows are being thrown! Actual elbows!

It’s chaos out there. But don’t worry. Reggie’s brought pizza and I’ve brought a recap.

Everything’s Riverdale!



Jughead declares the night of the Town Hall Meeting to be an existential turning point for Riverdale, a change in what the town fundamentally is. Now, to be fair, he’s always saying things like this, he’s an excitable young man, but he’s got a point with this one. The events of this episode see Riverdale changed as it arrives at and consolidates a new unity between its narrative quirks and its content. What’s going on in Riverdale and how stories work in Riverdale come together in a way I’m not sure they have before.   

Here are three things I think are true about this show. Firstly that there is, at the heart of it, an emotional truth about adolescence, namely the pace at which it’s experienced. The tiny windows presented to teenagers in which to make choices on which they’re told their whole lives will depend accelerates everything going on in those already melodramatic years of one’s life. Huge choices are demanded of one in a social space set up to minimise one’s ability to make considered choices, and I think Riverdale does a pretty good job of capturing how fast and dangerous and frustrating that can feel. 

Secondly, that it’s currently exploring how a community that has lost its illusions, and with them its sense of identity, behaves. Everyone in the Town Hall meeting applauds all of Alice’s arguments, and then everyone applauds all of Fred’s counter-arguments, and then everyone applauds all of Alice’s again, and then all of Fred’s. For as long as those two keep care to keep talking, the crowd will keep switching between their contrary positions. Riverdale doesn’t know how Riverdale is meant to behave so has excused itself from having to behave consistently from moment to moment.    

Thirdly, that the writing on this show is erratic. We’ve learned how to watch Riverdale by now and we know what we can and can’t expect in the way of consistency. When we rejoin characters for each week’s episode then we know there’s no reason to assume that they’ll be positioned where we last saw them, neither in terms of their motivations or in terms of their relationships. It might be disappointing seeing Kevin walk in this week and act like last weekend’s character development didn’t happen, but we know that’s in the rules of Riverdale. It might give us whiplash watching the entire football team go from being super-hyped to do some vigilantism, to being very opposed to the whole thing, to being passionately up for it again as soon as they learn that Archie protected one of them from getting into some demonstrably trivial bother, but we know that that’s how Riverdale likes to pop, patch and re-inflate its story-balloons. We know this show is a bit of a mess.

The flashing lightning fuses these three things and illuminates Riverdale as a town in the grip of teenage impulsivity, civic trauma and flailing storylines. As a town in a radical state of flux.

This episode is about Betty and Veronica solving puzzles. Betty’s puzzle is that thing with the code. Veronica’s is more profound. While everyone else is coming to terms with what Riverdale/Riverdale is, she’s on the next level trying to answer the question of how you live a life inside a town/show like that. What can you base your choices on when the people who surround you and the people who write you are a chorus line of jerking knees? What can you hold on to?

“These are fraught times,” she recognises. “No one’s thinking straight,” she further recognises. “We have to hold on to each other,” she concludes.

Her answer is loyalty, the proper application of which has been a theme of this season since its first episode juxtaposed Betty’s resolution to support all of Jughead’s choices with the awful consequences of Jughead’s choices.

Veronica’s not so hasty. She doesn’t arrive at loyalty as her conclusive answer to the Riverdale problem until she’s tested it out from a couple of different approaches and found a way it can work. A way it can be something better than fetching your boyfriend’s gun and designing a fashion line around his attempt at suicide-by-proxy.

Part of what gets her there is a brief scene with her mother that stands out as the most honest we’ve ever seen the two characters have. As Hermione tries to explain that supporting someone cannot mean putting yourself in a position where you cannot criticise them, it’s finally made explicit what Hermione wants. She wants her daughter’s life to be entirely unlike hers.      



The Black Hood leaves messages for Betty in envelopes marked ‘BETTY’ but messages for Alice in envelopes marked ‘COOPER.’

There’s potential for confusion here. The killer needs a more consistent system for how he communicates with this household. If, as seems as likely as anything, the Black Hood is Hal, then the way things are going he’ll be unmasked while sloppily delivering a message labelled ‘ME.’

What does it mean to be a South-sider? The North/South divide is more tangible than ever this episode, partly because it’s a story about people actively working to make that happen, and if this is going to be a thing then it’s a thing that probably needs to be thought about carefully.

Most of the time it appears to be a division based on class and economics. Other times it seems to be a division as arbitrary as the Ghoulie/Serpent battle lines being drawn over whether cars or bikes are best. But one way or another, the show’s now very clear that the South-siders are a group over which the North-siders have privilege, and that privilege is an active force in the narrative. It’s very clear because Toni told us. Riverdale knows it wants to associate Toni with that social justice lingo that the kids have nowadays, but doesn’t yet know if it wants her to be for or against.    

Is this a Batman story? Jughead raises the question in response to the villainous riddle, and it’s weirdly apposite. Telling stories about what happens to a community’s self-perception in the face of catastrophe was the new function that Scott Snyder put the Riddler to in ‘Zero Year’, and that’s to some extent carried through into Tom King’s recent War of ‘Jokes and Riddles.’ The version of the Riddler that’s been prominent in the comics over the past few years would be very at home in this town right now.

While Hiram Lodge sounds like a more cinematic Batman baddie, gloating over all the delicious “chaos and confusion” his dastardly schemes have provoked among the unsuspecting populace. Even then though, his ultimate goal looks like it’s about driving the town towards gentrifying the South Side so he can cash in on the redevelopment. That would be quite a Scott Snyder-ish Batman story too.    



Veronica puts on her cape and makes someone dispose of a gun. Definitely thinks this is a Batman story.  

Betty has more reason to think she’s in Buffy, finding herself an unwilling Chosen One whose best option is to rustle up a study group and a pile of library books.

Jughead is very proud of being the first person to call the Black Hood a serial killer, beating all those cowards who were waiting for him to kill more than one person.

Fred isn’t happy about his son’s choices but acts generally more resigned to them than he did towards the music career.

Archie has an alarming remix of his naff video going round his head. I wonder how his music sounds now? Never mind all this autotuned milkshake, let’s have him up on the stage performing this catchy little number about the B-B-B-B-Black Hood.

The Zodiac Killer is returning some Catherine Cooksons.

The Axeman has come to pay his fines.

The Phantom Killer just dropped in to do a bit of photocopying.

That Librarian seems a likely suspect. Judging by where Juggy plucks his selections from, then at least three stacks of Riverdale’s modest public library are given over to books on serial killers. Who’s stocking this place? She is, I reckon. According to her own murderous interests. This same shady character admits to being afraid of the Red Circle and would have known that Betty always used to take out that Nancy Drew book. She’s the Black Hood, I tell you. Who else could have known that?

Hal just sits there quietly through the episode again.

Weatherbee has no evident sense of embarrassment over supporting the Red Circle last week.  

Sheriff Keller is very gracious not to give him shit about this.

Dilton gets the ever-mobile devil imagery applied to him this week, toying with a shiny red apple while leading Archie into temptation.  

Wilbur Wilkins was a safer bet than Bingo Wilkin.

Reggie speaks for the Bulldog hivemind, brings pizza to the apocalypse. So it is written in the Book of Reg.

Toni is an expert on serial killers because she is from THE DARK SIDE.

Betty’s ponytail flicks against the fourth wall.

Fangs Foggarty appears. Presumably he won’t be Penny Peabody’s boyfriend in this continuity, although actually you never know with Riverdale.  

Cheryl appears.

Adam the Alien does not appear.

Preview: Archie #25


Script: Mark Waid
Art: Audrey Mok, Kelly Fitzpatrick, Jack Morelli
Cover: Audrey Mok, Rafael Albuquerque, Jen Bartel
On Sale Date: 11/1
32-page, full color comic
$3.99 U.S.

HEART OF RIVERDALE, Part 3! Reggie Mantle has nowhere to turn now that the whole town holds him responsible for Betty’s fate. Meanwhile, Betty learns just how true and noble one of her friends is!

Everything’s Riverdale: S2E3 The Watcher in the Woods

At the end of each episode of Riverdale my daughter writes a flurry of texts to her friends, because she’s the intended audience, and I write a recap for a geek culture website, because I’m not. Here’s what you get to read.

It’ll be okay. Everything’s Riverdale.


Sheriff Keller is active or relevant in every single plotline this episode offers; the formation of the vigilante group, the activities of the gangs, the behaviour of his son. In normal television this might serve to centre his character, but normal television isn’t what we’ve got here. We need talk no more about the fellow. Well, not much more more anyway. His name will necessarily come up when we discuss Jingles the Christmas Elf.

Betty, in a departure from her stated policy this season, questions one of Jughead’s stupid choices. He quickly overrules her objections with a snog and the observation that she likes him when he’s reckless. Jughead should know, as he appears equally turned on by the thought of Archie going “all Travis Bickle.” With Veronica’s solitary reference to her boyfriend putting himself in the sights of a murderer being one that suggests she finds this trivial and cute, then the impression is given of a friendship group who find each other’s self-destructive behaviour to be either endearing or arousing. Except in the case of Kevin. The straight kids all agree that he should behave.

Jingles the Christmas Elf has been bringing festive cheer to Archie since 1961, but has never manifested in as surprising a form as he takes in Riverdale.

When Sheriff Keller said the words ‘Jingle Jangles’ in this season’s first episode then I think we all felt sure what was happening; The writers were fondly remembering the “hopped up on goofballs” line from The Simpsons and thought they’d give their own comedy policeman some old-timey drugs speak.

Then when the phrase recurred through the second episode I think we felt equally confident as to what was up; the writers had been tickled by a phrase and couldn’t stop typing it; like ‘waste extraction system’ and ‘self-sealing stem bolt’ on Deep Space Nine.

Now, as of the third episode, the truth is clear. ‘Jingle Jangles’ are how we are to talk about drugs in this show going forward. In the decade where music channels now censor metaphors about clinical use of morphine out of old Pink songs, ‘Jingle Jangles’ is the vocabulary in which the show is permitted to have this conversation.

Veronica alludes to both Audrey Horne and Hamilton in the same conversation. I find this relatable as that’s how I live my life – before this recap is done I’ll allude to Audrey Horne and Hamilton in the same sentence – but I’m not sure Veronica should talk like me.

Kevin. Kevin, oh Kevin. Kevin, my child. I knew you could do it. Sweet Kevin. You’re a real boy now. A whole episode in which you take a week off from reacting archly to the terrible and dangerous choices all the straight kids are making and get to make terrible and dangerous choices of your own. As if you want things! As if the things you want are different to them and as if your opportunities to pursue them are subject to different cultural constraints! Not only this but you get to articulate that effectively. Good Kevin. Best Kevin. But not a Kevin we’ve never seen before. This is the kid who was in the leaked pilot script. Riverdale’s Kevin Keller has finally caught up with where he was before Riverdale was filmed. Hopefully it’s all forwards from here. Oh, Kevin.

The Black Hood has killed 100% of the people he has tried to kill with cello bows and 0% of the people he has tried to kill with guns. Needs to have a rethink.

Cheryl and the lighting department are endgame.

Jughead has remembered which school he goes to and that it is not the one he appears to have been attending for the previous two episodes. “Can’t you just keep going here?” asks Betty. Unclear why he dismisses this plan as he seems to have been getting away with it undetected.

Archie tries rum. Presumably. We never see him take a sip. The scene cuts away at the exact point it would be really weird for him not to.

Fred doesn’t like guns. No wonder he was unsure about Archie having musical instruments in the house last season. Deadlier. Proven.

Hermione’s position becomes clearer and uglier. She knows she’s failing to protect herself and Veronica from Hiram but, since the toothpaste of shame always squirts out of the tube at inconvenient angles, how she feels about this has turned into a sozzled resentment of Veronica.

Polly is also squeezing that tube. It’s unclear how much poor Polly’s belief that she’s “the poster child for sin” comes from self-disgust and how much from an attempt to see through the killer’s eyes. But with her and her newborn twins all off to toil in the fields together then the important thing for the show is that they’ve now got somewhere to park these characters.

Hiram’s reactions to The Matchelorette are unrecorded.

Alice continues to serve as the voice of the press this season, a role I trust she’ll continue to enjoy until one of the two school papers scoops the killer.

Weatherbee is bold to think that “it’s a school club” is sufficient to end all questioning of an armed vigilante gang. Oh! Oh they’ve got a treasurer? Oh, then that’s fine.

Moose gets to talk about his queer identity, but it’s framed by him diminishing the idea that he might be attracted to Midge. Getting frisky in the woods was all her idea. He’s not sure if they’re ‘a good match’. We can’t talk about Moose being into blokes until we’ve cast doubt on the idea that he’s into a girl. Nothing in this show makes me so anxious as where it’s going with its framing of bisexuality.

Toni, our officially licensed bisexual, uses the implication of male homosexual desire to shame Sweetpea, shooing him off with the jibe that Jughead is “not that into” him. The way the character is being positioned is very telling and deliberate. Look! She uses ‘safe space’ and ‘snowflake’ mockingly! So don’t worry everybody, she’s not one of those bisexual teens.

Midge is unhelpful at identifying people. Reports that the killer’s eyes were blank, satanic and devoid of all humanity. Okay, fine, but you just cut off someone who was about to tell us if they were green or not. Let’s get the basics down first.

A Cuddly Toy Moose appears on screen for the first time during Midge’s ‘devil’s eyes!’ speech. Undercuts sense of infernal dread.

The Ghoulies solve a problem. The Serpents are established as a frequently sympathetic organisation. The Serpents are also established as a drugs gang. Morality on this show is exactly as black and white as it keeps telling us it isn’t, so we need these guys; the bad gang who distribute the bad drugs. They are street racers while the serpents are bikers but it remains to be seen if that will be mapped on to the moral schema.

Reggie is immune to these considerations. A free floating ‘bad kid’ unrestricted by consistency of action or facial features. As the comics used to superposition B&V as both best friends and bitterest rivals, Reggie is traditionally both an integral part of the gang and an external bully. Riverdale’s version of the character is an equally adaptable ne’er-do-well. When there are drugs to sell, he’s there selling them. When there are skulls to crack, he’s bought the wrench. He is naughty.

Dilton fits in better with the Bulldogs than you might have thought. That someone who has previously just been ‘dangerous outsider nerd with a gun’ happens to be sat comfortably and confidently in the room with the football team as the Red Circle is no accident. Archie drops the ‘no weapons’ pretence as soon as he gets in the car with Reggie; He wanted Mister Guns invested in this from the start.

Sweetpea is our new voice of young serpenthood in the show, there to articulate the Serpent party line within the apocalyptically lit halls of Southside High. Shame it couldn’t have been Joaquin really. That would have been more fun. Presumably a reimagining of an old Archie Comics character, but I’m going to pretend he’s the baby from Popeye.

Hal appears.

Captain Murder has yet to appear. Suspicious.


Is there a cascade of educational damnation? We know that if you fall from the grace of Riverdale then you plummet down to Southside High. So if you get expelled from Southside High, do you then go to Ghoulie Schoolie?

What is the provenance of the Cuddly Toy Moose? Either it’s a gift from Midge (which would be weird as their relationship seems too far along for “Ha! You’re name is MOOSE! Like a moose!”) or Midge has brought him his favourite Cuddly Toy Moose from home to make his stay in hospital more comfortable.

What is sin? Jughead often packages events up for us in a Manichean “LIGHT VERSUS DARKNESS” narrative where light is an idealised nostalgic fantasy of small town Americana and darkness is pretty much anything else. But the notion of sin that debuts here feels different, like the Al Hartley Archie comics have somehow sneaked in.

Presumably the Black Hood has a conception of what he thinks sin is, but his language is all over the place. Fred’s shot for adultery. Classic. Classic religious taboo, your adultery. Bang to rights there, Fred. Then the Hood identifies his next victim as “the child predator” which isn’t particularly theological language, but okay.

After that though, he says the teenagers got shot at for being “drug and sex addicted.” Whoa, whoa, whoa. Whatcha doing there, Mister Hood? Addiction’s a whole different discourse and one that noticeably manages the concept of attribution differently to a discourse of sin, and noticeably is one that nobody else is applying to Midge and Moose.

What sort of a comics reader is Archie? I feel like the sort of kid who has DC Rebirth posters on their wall and the sort of kid who treasures a stack of ‘80s Red Circle books are at different stages of their journey with the medium. More data is needed.



There are two sorts of agent in this story, two sorts of people that make things happen. People making dangerous choices in pursuit of their goals and people escalating the consequences of those choices to serve goals of their own. Archies and Cheryls.

What Hiram wants is unclear. What Archie wants is very clear. The audience is with Archie, inside his head, as we follow every step that takes him towards the posting of an embarrassing YouTube video that will blight his entire life as much as Michael Rosen’s has been blighted by that one clip from his mashed potato poem. Nice.

We know what he wants and we know where it gets him. But we also know that Archie doesn’t get there, attempting to menace a 25% effective angel of death with his personal exploration of BDSM aesthetics, without being nudged by Hiram. The formation of the Red Circle and their adoption of these tactics are outcomes that Hiram wanted and has brought about to suit his sinister schemes, but there’s no intimation of what these sinister schemes relate to. To be honest, it’s hard to pretend that the writers have settled on what Hiram’s sinister schemes are, isn’t it?

Over in the woods, Cheryl is exploiting Betty’s concern for Kevin to drive a wedge between them. We know which desires motivate Kevin’s choices. We know which desire’s motivate Betty’s. And we also know what desires motivate Cheryl – She’s re-asserting her power over Betty and getting some revenge for last week’s blackmail – but we only know that because we saw last week’s thrilling instalment. None of that stuff is in the recap and no reference is made to it in the episode whatsoever. This is a story about Cheryl taking a shot at Betty that creates a deliberate distance between the viewer and the reasons why Cheryl’s taking a shot at Betty.

Cheryl’s sinister schemes aren’t like Hiram’s, her motives are established while his are [tbd], but their presentation is identical. At this stage in Riverdale there are people who make choices, like Archie and Betty with whom we ride along in their heads as they do, and people who steer those choices like Hiram and Cheryl. Their desires, even if known to us, are positioned at a remove. As Audrey Horne sung in Hamilton, isn’t it too dreamy in the dark?

Review: Archie #24

JUL171404._SX360_QL80_TTD_*Spoilers for the end of “Over the Edge”!*

Riverdale returns to the screen this week and Archie Comics wrapped up their summer drama arc just in time. Archie #24 rounds out the “Over the Edge” event that conveniently spanned the Riverdale hiatus and kept fans new and old on the edges of their seats. Much like a classic Life with Archie, “Over the Edge” dialed everything up to 11, from the stakes (life or death) to the relationships (the entire Andrews family banned from the Cooper household?) to the consequences (Reggie Mantle in HANDCUFFS?).

There were very few laughs to be found in “Over the Edge”, but this issue sets us up for a return to life as usual, or as usual as it gets in Riverdale, with a sigh of relief all the way around.

As it turns out, no one died in the drag race of the century which kicked off the “Over the Edge” storyline. However, it’s fair to say almost everyone involved lost the life they’d grown accustomed to. After driving the car that pushed Betty Cooper over a cliff, Reggie is arrested. Archie sells the Mustang that started it all to help the Coopers make the needed renovations to their home. Renovations made necessary by Betty’s new wheelchair-bound state.

Archie24_09_colLast issue, the gang split up Betty’s enormous responsibilities among the Riverdale community. Now they shift gears to bake sales, Go Fund Me campaigns, and car washes—all to benefit Betty and the causes she holds dear. While Betty is plenty grateful, she’s also not one to let other people get their hands dirty on her behalf. From her friends to her parents to her physical therapist, Betty turns down offers to help, always adding “but thank you”, because she wouldn’t be Betty if she didn’t.

While the cover of Archie #24 teases Reggie in handcuffs as the main event, it’s almost a side-plot that will hopefully hold more weight in future issues. The entire town of Riverdale, unimpressed with Reggie to begin with, has decided to drag his name through the mud. Even his own father capitalizes on the drama surrounding his son to make a catchier headline in his paper.

Archie and Betty

Some things never change…

The real drama, as usual, exists between ol’ Cooper and Andrews. Betty takes a step back from her relationship with Dilton only to head home and shed some tears of frustration over her seemingly irreparable relationship with Archie. Mr. Cooper is having none of it, and actively lies to Betty about why Archie hasn’t been around since she got home from the hospital. In true Archie fashion, however, he finds a way to break the rules and let Betty know he’s still in her corner.

Writer Mark Waid continues capturing the true essence of the Riverdale crew. Archie’s self-awareness, Jughead’s lack thereof, and Betty and Veronica’s undying devotion to one another come through over the course of “Over the Edge.” But the truly remarkable relationship here is the one between Betty and Archie; the relationship that has kept the drama high since long before the first issue of the Archie re-brand, and it seems will keep us on an emotional rollercoaster until the end of time.

Archie #24 is the first for new-to-the-team Audrey Mok, but his art fits the upbeat style of previous issues. Mok’s Betty is particularly impressive, and the sequence with the most power is Betty’s breakdown, which requires no dialogue at all. That sequence alone makes this issue one to keep on the shelf.

Story: Mark Waid Art: Audrey Mok Colors: Kelly Fitzpatrick Letters: Jack Morelli
Story: 7.0 Art: 8.0 Overall: 7.5 Recommendation: Buy

Archie Comics provided Graphic Policy with a FREE copy for review

Preview: Archie #24


Script: Mark Waid
Art: Audrey Mok, Kelly Fitzpatrick, Jack Morelli
Cover: Audrey Mok
Variant Cover: Thomas Pitilli
On Sale Date: 9/27
32-page, full color comic
$3.99 U.S.

The fallout from OVER THE EDGE continues! One of the Riverdale kids has become a pariah in town, so it’s either run or face a life filled with hate and violence! Join us as we welcome new interior artist Audrey Mok (Josie and the Pussycats).

Heart of Riverdale continues in Archie #24!


Script: Mark Waid
Art: Audrey Mok, Kelly Fitzpatrick, Jack Morelli
Cover: Audrey Mok
Variant Cover: Thomas Pitilli
On Sale Date: 9/27
32-page, full color comic
$3.99 U.S.

The fallout from OVER THE EDGE continues! One of the Riverdale kids has become a pariah in town, so it’s either run or face a life filled with hate and violence! Join us as we welcome new interior artist Audrey Mok (Josie and the Pussycats).

Preview: Archie Vol. 4


Script: Mark Waid
Art: Pete Woods, Jack Morelli
Cover: Robert Hack
6 5/8 x 10 3/16”
136 pp, Full Color
Direct Market On-Sale Date: 8/30

The fourth volume of the ARCHIE series features the headline-making comic event “OVER THE EDGE,” where the lives of Archie and his friends are forever changed. Collects Archie issues 18–22.

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