Image Comics and Skybound have revealed a stunning set of all-new The Walking Dead Deluxeconnecting variant covers from the acclaimed Birthright art team of Andrei Bressan and Adriano Lucas depicting the unforgettable events of Rick and Glenn venturing outside the prison… and discovering something that changed their lives forever.
It’s time to meet… The Governor.
These all-new covers will appear as variants to The Walking Dead Deluxe #25-30, with each issue presenting the iconic series in full color format for the first time from creator Robert Kirkman, with art by Charlie Adlard,and colors by Dave McCaig. Fans will also receive a new look at the worldwide pop culture phenomenon like never before with exclusive “Cutting Room Floor” commentary, revelations, pinups and more from Kirkman celebrating the secret history of the series.
The Walking Dead Deluxe #25 will be will be available at comic book shops and digital platforms including Amazon Kindle, Apple Books, and Google Play on Wednesday, October 20.
A full list of the connecting covers is below:
The Walking Dead Deluxe #25 Cover E by Bressan & Lucas – Diamond Code JUL219585
The Walking Dead Deluxe #26 Cover C by Bressan & Lucas – Diamond Code SEP210216
The Walking Dead Deluxe #27 Cover C by Bressan & Lucas – Diamond Code SEP210219
The Walking Dead Deluxe #28 Cover C by Bressan & Lucas – Diamond Code OCT210190
The Walking Dead Deluxe #29 Cover C by Bressan & Lucas – Diamond Code OCT210194
The Walking Dead Deluxe #30 Cover C by Bressan & Lucas (look for information in the January on-sale PREVIEWS catalogue)
Jackson Hyde finally has it all. Mentors who support him, a community that loves him, an honest relationship with his mother, a cute new guy in Amnesty Bay who’s caught his eye, and access to Aquaman’s private training facility in Atlantis. Well, he had it all—until that training facility and half of the Atlantean palace got blown to kingdom come with Jackson in them. Now Jackson stands accused of wrecking the life he worked so hard to build. Aqualad’s going to need all of his skills, wit, and cunning just to prove his own innocence, let alone graduate from sidekick to Aquaman!
Written by Brandon Thomas and drawn by Diego Olortegui, along with artists Wade von Grawbadger, Scott Koblish, Skylar Patridge, and Adriano Lucas, Aquaman: The Becoming is a six-issue miniseries that will shine the spotlight on the DC Universe’s newest Aqualad for the very first time! Take a look into the first issue and, to be sure you get a copy at launch, preorder Aquaman: The Becoming from your local comic shop before August 29! Aquaman: The Becoming #1arrives wherever comic books are sold on September 21.
Throughout the new series Jackson will have to confront his past (including a visit to the destroyed and abandoned West Coast Titans Tower!), survive the fight of his life with the mysterious new villain DELUGE, and much more! Is this Aqualad ready to become Aquaman?
Jackson Hyde officially arrives and will headline Aquaman: The Becoming #1 on September 21, but before his big first issue hits shelves, his journey will kick off in Aquaman 80th Anniversary 100-Page Super-Spectacular #1 on August 31 with a short story by Thomas, Olortegui, von Grawbadger and Lucas! Stay tuned!
Aquaman: The Becoming by Brandon Thomas, Diego Olortegui, Wade von Grawbadger, Scott Koblish, Skylar Patridge and Adriano Lucas will be available in print and as a digital comic book. Lettering for the series will be by AndWorld Design’s Deron Bennett. Covers are by David Talaski and variant covers are by Khary Randolph and Emilio Lopez. Francis Manapul’s variant cover for Aquaman: The Becoming #1 connects to his variant cover for Black Manta #1 (on sale September 7).
Celebrating 10 years of Skybound, this anthology celebrates the past, present, and future. And… will definitely become collectibles due to the debuts.
Story: Robert Kirkman, Joshua Williamson, Tri Vuong, Irma Kniivila, Chip Zdarsky Art: Ryan Ottley, Andrei Bressan, Tri Vuong, Ramón K. Perez Ink: Cliff Rathburn Color: Dave McCaig, Adriano Lucas, Irma Kniivila, Mike Spicer Letterer: Rus Wooton, Pat Brosseau, Aditya Bidikar
Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.
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On June 29, join DC in celebrating eight decades of emerald-clad swashbuckling, crime-fighting, and trick arrows of every kind when the Green Arrow 80th Anniversary 100-Page Super Spectacular #1! Honoring Green Arrow and his allies across his 80-year history, from the Golden Age to now, the anniversary special includes 12 stories from some of DC’s most esteemed writers and artists who have contributed to the legacy of Oliver Queen. The title will also include 8-decade variant covers depicting the Emerald Archer through the ages.
This anthology not only features a “who’s – who” of comic book storytellers but also includes a unique and heartfelt tribute to the career of iconic DC and Green Arrow scribe Denny O’Neil. “Tap, Tap, Tap” is a silent, wordless story from Denny O’Neil’s son Larry, Jorge Fornes, and Dave Stewart. The story chronicles the challenges and victories in Denny’s life both in and out of comics, from his childhood, raising a family, his stellar career as a writer, until his passing in 2020
Additional stories in this anthology include:
“The Disappearing Bandit” Written by Mariko Tamaki, Art by Javier Rodriguez It’s the Golden Age of Green Arrow and Speedy, brought to humorous and loving life by New York Times bestselling writer Mariko Tamaki (Harley Quinn: Breaking Glass) and acclaimed artist Javier Rodriguez (Batgirl: Year One). A lot of people attempt to affectionately show the silliness of the first age of super heroes, but few have done it as exceptionally as Mariko and Javier. Trick arrows for everyone!
“Punching Evil” Written by Tom Taylor, Art by Nicola Scott, Colors by Annette Kwok To become a more adept superhero and fighter, Green Arrow goes to train with the Golden Age superhero Wildcat at his gym. In true Wildcat fashion, he shows Ollie the hard way of what it takes to be your own hero. Tom Taylor (Nightwing, Suicide Squad, Injustice) brings this story to life, with incredible artwork from Nicola Scott (Wonder Woman 75th Anniversary Special) and Annette Kwok (Joker/Harley: Criminal Sanity).
“Who Watches the Watchtower?” Written by Stephanie Phillips, Art by Chris Mooneyham, Colors by Mike Spicer The Green Arrow is left behind on the Justice League Satellite while the rest of the team goes on an important mission. Oliver is less than thrilled, and righteously indignant about the situation as usual until an alien armada invades the Satellite. Can Ollie stand alone against an alien onslaught before it reaches earth? Acclaimed writer Stephanie Phillips (Harley Quinn) captures that “Denny O’Neil Green Arrow”-voice, and this story is brought to life in gorgeous fashion by Christopher Mooneyham’s (Nightwing) retro/modern bronze age aesthetic.
“Out of the Shadows” Written and Art by Mike Grell, Colors by Lovern Kindzerski Legendary Green Arrow writer and artist Mike Grell return to the 1980’s era of The Longbow Hunters. The Green Arrow must team up with the legendary anti-hero Shado to stop a shipment of smuggled guns from making it into Seattle. Depicting The Emerald Archer as only he can, Grell will remind readers why his take on Ollie Queen is still a Green standard.
“The Arrow and the Song” Written by Ram V, Art by Christopher Mitten, Colors by Ivan Plascencia This tale is a beautiful meditation on the love between Green Arrow and Black Canary through the years and the found family that they’ve created. Writer Ram V (Catwoman) puts together this beautiful story of love and how life takes turns you don’t expect. Gloriously brought to life by the work of Christopher Mitten (Batman: Arkham Unhinged) and Ivan Plascencia (The Flash).
“One” Written by Brandon Thomas, Art by Jorge Corona, Colors by Matheus Lopes We go right back to the mid-90s with this story. Oliver Queen is dead. Connor Hawke is Green Arrow and he has to save the main Queen Industries building in Star City, the home of a business and family he was never part of, from a group of terrorists. Brought to you by Infinite Frontier and Future State writer Brandon Thomas (Future State: Aquaman) and amazingly drawn by Jorge Corona (We Are Robin).
“Green Man and Autumn Son” Written by Devin Grayson, Art by Max Fiumara Catwoman writer Devin Grayson and artist Max Fiumara shine a spotlight on Roy Harper, a.k.a Red Arrow, as he continues to manage his transition from “sidekick” to adult hero, along with single parenthood and his struggles with addiction and recovery.
“Star City Star” Written and Art by Phil Hester, Inks by Ande Parks, Colors by Trish Mulvihill Phil Hester drew nearly fifty issues of Green Arrow in the early 2000s, working with popular writers like Kevin Smith, Brad Meltzer, and Judd Winnick. Here, Phil synthesizes what was so great about his run into a tremendous eight-page story. Green Arrow tries to save a young girl named Star who has been kidnapped but has to run through a gauntlet of his greatest villains and allies to get to her. Including: Onomatopoeia, Speedy (Mia Dearden), Green Lantern (Hal Jordan), Black Canary, Arsenal, Connor Hawke, and Count Vertigo.
“Happy Anniversary” Written by Vita Ayala, Art by Laura Braga, Colors by Adriano Lucas This story focuses on the point in time where Green Arrow and Black Canary were married right before the New 52. On the day of their anniversary, the two are at each other’s throats and then Green Arrow gets kidnapped. Black Canary thinks the kidnapping is part of an anniversary game/present but quickly discovers that Green Arrow has REALLY been kidnapped by DEATHSTROKE and she has to save him. Vita Ayala (Future State: The Next Batman) writes a wonderful Mr. and Mrs. Smith-style action rom-com brought to life by Laura Braga (DC Comics Bombshells).
“The Sympathy of the Woods” Written by Ben Percy, Art by Otto Schmidt It’s the DC Rebirth Era, Green Arrow is feeling lost, the world is getting worse, and he doesn’t feel like he’s making enough of a difference. To cheer him up, Black Canary, Red Arrow (Emiko Queen), Diggle, and Henry Fyffe try to throw him a party to remind him of the beautiful community he’s built. But what starts as a celebration will become a rescue mission as Green Arrow is hunted down by the Dark Archer known as MERLYN. From DC talents Ben Percy (Nightwing) and Otto Schmidt (Harley Quinn).
“The Last Green Arrow Story” Written by Jeff Lemire, Art by Andrea Sorrentino, Colors by Jordie Bellaire The acclaimed Green Arrow creative team from the New 52, New York Times Bestselling author Jeff Lemire (Sweet Tooth) and Andrea Sorrentino (Joker: Killer Smile) tell a transcendent final tale of Oliver Queen. In his older years, he requests to be left alone on the island where he was stranded so many decades ago. He’s gone there to connect to his own myth, his legacy, and to die in peace. But is it ever that simple for The Green Arrow?
The variant covers for this must-have collector’s item come from some of the most prolific artists in comics:
1940’s Variant: Michael Cho
1950’s Variant: Daniel Warren Johnson
1960’s Variant: Neal Adams
1970’s Variant: Derrick Chew
1980’s Variant: Gary Frank
1990’s Variant: Howard Porter
2000’s Variant: Jen Bartel
2010’s Variant: Simone Di Meo
Green Arrow 80th Anniversary 100-Page Super Spectacular #1 arrives in participating comic book stores and digitally on Tuesday, June 29, 2020, for $9.99.
The demand for Tom Taylor and Bruno Redondo‘s Nightwing run has already pushed both Nightwing #78 and Nightwing #79 to second printings! New copies of their first issue—Nightwing #78—will arrive on April 27 and more copies of Nightwing #79 will arrive on May 25, both with new covers by Bruno Redondo, Nightwing #79 also features Adriano Lucas on the cover!
Longtime Nightwing readers will know that Dick Grayson’s always had a big heart. From protecting those persecuted by bullies in his youth, to combating evil alongside Batman as Robin, to pledging his newly inherited wealth to enriching Blüdhaven as Nightwing—his kindness and generosity have always guided his life. But looking ahead to Nightwing #80’s “Leaping into the Light” part 3 on May 18, a new villain stalks the back alleys of Blüdhaven, removing the hearts of the city’s most vulnerable. Who is this terrifying new menace named Heartless, and will he be able to resist plucking out the biggest heart in all of Blüdhaven? You’ll need to read this (literally) heart-wrenching issue to find out!
On top of all that, creators Tom Taylor, Bruno Redondo, Adriano Lucas, and Wes Abbott are delivering the heart and soul of the DC Universe in every issue! Check out a Robins reunion in Nightwing #80, due to hit shelves on May 18! What is Tim Drake doing in Blüdhaven?
Then in Nightwing #81 on Jun 15, Dick Grayson trades out his escrima sticks for a magnifying glass and a sleuth hat to investigate Blüdhaven’s new mayor, Melinda Zucco, and find out how the daughter of the man who murdered Dick’s parents came to power in Nightwing’s city. But his investigative adventure is cut short when he comes face to face with the most horrendous villain in the history of Blüdhaven—HEARTLESS.
And in Nightwing #82 on July 20, Melinda Zucco’s connection to the man who killed Dick Grayson’s parents wasn’t a surprise to the Blüdhaven hero, but what the former Robin discovers about Melinda’s ties to the Flying Graysons leaves the usually upbeat detective speechless!
Every issue of Nightwing, written by Tom Taylor with art and covers by Bruno Redondo, color by Adriano Lucas, lettering by Wes Abbott, edited by Jessica Chen, has Nightwing “Leaping into the Light!”
Coming up in Nightwing #79, in addition to the first appearance of new character Heartless, Dick Grayson has inherited Alfred’s fortune, a puppy, and a whole lot of questions. Who is Mayor Zucco, and what is her relation to the man who murdered Dick’s parents? What sinister plans does Blockbuster have for Blüdhaven? What kind of dog food is best for a three-legged puppy? To answer these questions, Dick’s going to need a little help from his friends—past and present. Take a look at the first few pages of Nightwing #79, due to hit shelves on April 20.
Nightwing #79, written by Tom Taylor with art and cover by Bruno Redondo, color by Adriano Lucas, lettering by Wes Abbott, edited by Jessica Chen, featuring a card stock variant cover by Jamal Campbell, continues the next stage of Nightwing’s evolution as a hero!
Tom Taylor, Bruno Redondo, and Adriano Lucas begin their run on Nightwingwith a heart-render of a first issue that really shows what makes Dick Grayson tick as a person and a hero. It also sets up some train tracks for future developments in the title and has a cute puppy to boot. Opening with a six page flashback featuring a young Dick and Barbara Gordon, Nightwing #78 pays tribute to the character’s past, but it’s also forward-thinking as well with our protagonist getting an opportunity to improve life in Bludhaven on a larger scale than beating up Orca, Blockbuster, or whatever Metropolis or Gotham villains decide to pay a visit to his city.
Taylor and Redondo wisely sidestep yet another re-tread of Dick Grayson’s origin, but they do spend Nightwing #78 showing how trauma has shaped his life. But, instead of turning him angry or isolated like certain other heroes, Dick Grayson is all about building and maintaining relationships with the people (or animals) he comes into contact with whether he’s dressed up in his Nightwing or Robin costume or just going about his day. We see this in the flashback where he protects one of his classmates from a bully and also gets to duck and weave a little bit and knock the teeth out of the son of one of Gotham’s most corrupt insurance company owners. There’s definitely a little bit of the hero who’s not afraid to stand up against in corruption in young Dick, and Taylor and Redondo even make certain fans happy by having a young Barbara Gordon show up to help. This scene is really sweet and re-establishes the friendships Dick has with Barbara and had with Alfred Pennyworth (He helps him do the dishes!) as well as his generally altruistic attitude. He’s always ready to help out whether that’s standing up to a school bully or punching someone in a killer whale costume.
Tom Taylor structures Nightwing #78 as a study in contrasts between Dick Grayson and Melinda Zucco. Dick is the scion of two good men, Alfred Pennyworth and Bruce Wayne, while Melinda is the daughter of a corrupt murderer, Tony Zucco, who also killed Dick’s parents. She has two scenes in the book, and for now, she looks just like a pawn/yes person for the jacked up crime lord Blockbuster, who is the real power in Bludhaven and totally cool with squashing the heads of public officials that don’t play ball with him. Colorist Adriano Lucas bathes her scenes with shadow and dim light while Bruno Redondo draws Blockbuster towering over her while she takes direction from him and doesn’t even react when his henchman disposes of the old mayor’s body like a candy wrapper. However, the whole passive thing might just be an act, and Melinda’s final scene in the comic hints at a character with a thirst for revenge and finishing what her dad started. She’s definitely smarter than the old mayor.
While Melinda Zucco works within the corrupt system of Bludhaven in Nightwing #78, Dick Grayson wants to dismantle it in both big and small ways. He rescues a puppy that is being kicked around by some sadistic men while also trying to figure out how to keep the rent in his apartment complex affordable after losing access to his Wayne Enterprises funds during the events of “Joker War”. This macro/micro approach to Nightwing’s extends to how the comic is written and drawn. During action scenes, Bruno Redondo’s art is super kinetic with all kinds of speed lines and silhouettes while Tom Taylor’s narrative captions add context and look at the bigger picture of what Nightwing is trying to accomplish. We don’t just get him trying to sniff out an intruder in his apartment: Taylor gives the whole backstory behind where he has decided to live. He’s always drawing parallels throughout the events the story like Dick thinking back to how he acted after his parents passed away when his new puppy bites him.
In Nightwing #78, Tom Taylor, Bruno Redondo, and Adriano Lucas plot out a familiar, yet new path for Dick Grayson. He’s in Bludhaven and eventually going up against Blockbuster, but Taylor and Redondo add all kinds of lovely bits of characterization like pausing to let him finally grieve over Alfred and bond with a new puppy. From this issue, it seems that they care about Dick as a person just as much as a superhero, and they also start to craft an antagonist that is a shattered mirror of him without being cheesy and putting her in a “Dark Nightwing” costume or something. All in all, this issue is a charming read and worth checking out whether this is your first or 201st Nightwing comic
Story: Tom TaylorArt: Bruno Redondo Colors: Adriano LucasLetters: Wes Abbott Story: 9.0 Art: 8.8 Overall: 8.9 Recommendation: Buy
DC Comics provided Graphic Policy with a FREE copy for review
As seen in TheLego Batman Movie, the Arkham video games, and the Batman comics of the 1990s and early 2000s, Batman’s strength is in the world and characters that he creates access to. Whether that’s his allies, villains, nooks and crannies of Gotham, or even police officers that he either works with or against, these personalities and settings are why I continue to return to the Batman side of the DC Universe. The creators of Batman: Urban Legends #1 understand this and flesh out different Batman-adjacent characters and even sometimes explore their relationship to the Dark Knight while also telling action, romance, and crime stories.
First up in this Gotham-themed anthology is the beginning of a six part Batman and Red Hood serial where Batman and his former protege-turned-killer vigilante (He’s switched to rubber bullets for the moment.) investigate a source of a hallucinatory street drug tackily called Cheerdrops. Writer Chip Zdarsky has a firm grasp on Jason Todd’s voice, including the darkness inside his soul and his hunger for justice, especially for Gotham’s beleaguered working class. Artists Eddy Barrows and Eber Ferreira and colorist Adriano Lucas nail the grit of the city with explosive linework and jagged layouts to go with a color palette that has had all the light sucked out of it. However, Excalibur’s MarcusTo does the art in the flashbacks, which features brighter colors as well as simpler, cleaner lines with a more traditional superhero feel even though one of the scenes is set during “Under the Red Hood” when Jason Todd came back from the dead and started killing criminals.
“Batman and Red Hood” is also a study in contrasts in how two very different crime fighters deal with the same crisis. Batman is the World’s Greatest Detective and is super methodical with Barrows and Ferreria drawing him looking at the chemical makeup of Cheerdrops CSI-style, and his All-Star Superman-esque moment with a jumper is less feel-good and more evidence collection. On the other hand, Jason fights crime with his guts and heart and even admits in a wry line from Zdarsky that he’s not a great detective as he struggles to find a Cheerdrop stash house. However, he does find a boy named Tyler, and of course, Jason is great with kids and even lets him wear part of his mask while he looks for his dad in a dodgy part of Gotham. Zdarsky, Barrows, and Ferreira create something truly heartwarming between Jason Todd and Tyler.
There’s a throughline between this and the flashbacks where Batman (Portrayed as more of an action figure than man by To) struggles being a father figure to Jason, and Alfred does the job perfectly because he sees him as a human being and not an obstacle in his war on crime. Chip Zdarsky writes Alfred Pennyworth as the perfect parent to the Bat-family, who isn’t afraid to tell Batman that he’s full of shit and chooses compassion over a closed fist. And speaking of Batman, I love how Zdarsky doesn’t give him an inner monologue and depicts him more as a force of nature than a gun toting, broken man like Jason Todd, who agonizes over every decision and whose interaction with Tyler bring back memories of his mom who died of a drug overdose. Also, he’s not afraid to go a little dark, and Eddy Barrows and Eber Ferreira jagged layouts and emotional poses are along for the ride.
The second story in Batman: Urban Legends #1 is an eight page Harley Quinn and Poison Ivy one-off from writer Stephanie Phillips, artist Laura Braga, and colorist Ivan Plascencia. Plascencia is this story’s secret weapon that shows the happy, hilarious times of Harley and Ivy’s first dates and the bleak current times for Harley as she has moved back to Gotham in her solo title and as a recurring character in Batman. Braga’s art is expressive and high energy for both the good times (Harley and Ivy smooching and snapping selfies) and bad times (A sudden bolt of lightning shattering their pictures), and she is a good fit for a story that isn’t centered around a heist or fight against a superhero, but a relationship. She and Phillips tap into the depth of feelings that Harley has for Ivy, and through some handy plant symbolism, they create hope for the relationship that has become very popular for fans in the past decade. “Harley and Ivy” is a nice, nearly slice of life oasis in the midst of the three other stories, which have more moving parts.
The third story in this comic is a 10 page “Outsiders” feature by Brandon Thomas, Max Dunbar, and Luis Guerrero starring Black Lightning, Katana, and an interesting take on Metamorpho. Thomas turns in kind of a mystery plot with the story starting with Black Lightning and an unseen Metamorpho in a Japanese prison before cutting to a bonkers, two page spread of a speedboat chase. Unlike the previous two stories in Batman: Urban Legends #1, Thomas and Dunbar go for a action over character focus, and honestly, I’m here for it. Dunbar uses arrows from their pursuers to act as eye-lines to follow the high speed chase, and he and Thomas have a clever moment or two up their sleeve, especially in regards to Metamorpho’s first appearance. The story isn’t particularly deep, but it has the vibe of a James Bond cold open with superpowers as Guerrero really makes Black Lightning’s abilities sizzle. Finally, Brandon Thomas’ plotting really kept me engaged with thinking about why characters were acting a certain way, and the the mini mystery box structure has me intrigued for the upcoming issue.
Grifter is a character I didn’t really know a lot about except for some random comics like the New 52 Team 7 and JLA/WildCATs, but Matthew Rosenberg, Ryan Benjamin, and Antonio Fabela have made this anti-hero/rapscallion and his various pratfalls quite lovable and hilarious Batman: Urban Legends #1’s final story. Grifter is like that guy who bluffs at poker, but never has a good hand. And until maybe the penultimate page of the comic, he’s either screwing up or making a joke about it beginning with his mad rush towards supervillain fire during his Team 6 days with a lot of characters with familiar names from Wildstorm comics. (I’m not an expert on these characters, and you don’t have to be to enjoy the story.) Grifter uses his sense of humor to detract from his mediocre performance as Lucius Fox’s bodyguard or to avoid getting his ass kicked by Batman, but he also has a mystery side that is revealed when he has a “date” at one of Penguin’s bars. The mystery starts to really unfold towards the end of the comic, but Rosenberg hints at every time, he talks on a headset with what I assume is his older brother.
The comedy in “Grifter” isn’t just limited to Matthew Rosenberg’s delightfully smartass dialogue. It shows up a lot in Ryan Benjamin’s visuals, which range from G.I. Joe or Authority homages (When the superheroes clean up Team 6’s mess.) in the flashback to pure slapstick. For example, Grifter spills a drink at a party Lucius Fox is meeting a client at and spills a drink on a woman. In this situation, Benjamin doesn’t just show a simple facial expression, but throws in some growlixes and makes you know that she’s furious that the soaking wet guy in Converse and blue jeans is even in the same room with her. This playfulness extends to the fight between Batman and Grifter, which starts as a serious throwdown and ends up in a total cat and mouse situation with Grifter finally getting enough self-awareness to call it quits. However, their paths will cross, and you can tell that Batman understands he’s a wildcard with his connections to Lucius Fox, the criminal underworld, and probably those Wildstorm guys. All in all, Matthew Rosenberg, Ryan Benjamin, and Antonio Fabela turn in a hilarious action-comedy set in DC’s weirdest and (sometimes) dourest city and also slowly unveil what seems to be a master plan to merge the worlds of Wildstorm and Gotham.
Batman: Urban Legends #1 is an absolute win for the anthology format that DC Comics has been trying out with all of the four stories in the comic being entertaining and shedding light on a unique cast of characters. The longer stories that bookend the comic are especially noteworthy thanks to Chip Zdarsky’s pitch-perfect handle on the fascinating character of Jason Todd in “Batman and Red Hood” and Matthew Rosenberg and Ryan Benjamin’s skill with verbal and visual humor in “Grifter”.
Story: Chip Zdarsky, Stephanie Phillips, Brandon Thomas, Matthew Rosenberg Art: Eddy Barrows, Eber Ferreira, Marcus To, Laura Braga, Max Dunbar, Ryan Benjamin Colors: Adriano Lucas, Ivan Plascencia, Luis Guerrero, Antonio Fabela Letters: Becca Carey, Deron Bennett, Steve Wands, Saida Temofonte Story: 8.0 Art: 8.6 Overall: 8.3 Recommendation: Buy
DC Comics provided Graphic Policy with a FREE copy for review
Story: Tom Taylor Art: Bruno Redondo Color: Adriano Lucas Letterer: Wes Abbott Cover: Bruno Redondo Variant Cover: Skan On Sale: March 16
Nightwing, with Batgirl by his side, returns to Blüdhaven! Dick Grayson is back after DC’s Future State event—and his drive to keep Blüdhaven safe has never been stronger!
In Taylor and Redondo’s Nightwing run, Blüdhaven has elected a new mayor with the last name Zucco, which can’t be good for DC’s first sidekick and former Robin—but is it good for Blüdhaven? When Nightwing enlists Batgirl’s help in investigating the politician bearing the same name as the man who murdered his parents, she unearths details that will shock and fundamentally change the hero.
And appearing is a potential new sidekick for Dick Grayson—a three-legged puppy that he shields from harm in Blüdhaven’s alleys! Will Nightwing adopt this nameless mutt? And will she warm fan’s hearts as fast as Nightwing kicks her tormentor’s butts? Meet her for the first time on March 16 in Nightwing #78!