Category Archives: Reviews

Six of Us #2 puts the spotlight on the dirt of stardom

Cover of the comic book 'Six of Us' issue 2, featuring a stylized illustration of a person lying on the ground with shadowy figures in the background.

Chapter 2: “The Thing About Killing That Guy” Before the funeral, before the reunion, before the fall—there was a hit sitcom. America loved The Six of Us. Six young stars. Endless laughs. Perfect chemistry. But behind the scenes, a different story was unfolding. Told between the bright glow of a ‘90s laugh track and the darkness just off-camera, this issue reveals the moment the cast crossed a line they can’t undo. Six of Us #2 takes the series in unexpected directions as it builds motives for the death of a star.

Written by Tom King, Six of Us is a murder mystery but one that examines the tragedy that is stardom. King gives us a riff on Friends and the careers many of the individuals had once the popular show went off the air. It’s the type of story that leaves you guessing what’s real and what’s not and has readers attempting to remember what happened to each cast member.

Six of Us #2 does a solid job of diving into that history and while doing so, giving readers a possible motive as far as who is the murderer. But, King does it in a way that it’s not obvious that’s what’s happening, the comic taking us through the careers and history, almost like an interview with a star reflecting on their career. It’s not until the end it’s clear that’s what’s been going on and even then, there’s so much revealed, it creates multiple motives from multiple suspects.

There’s a tragedy to it all. The story isn’t just another detective whodunnit. Six of Us #2 makes it clear this is also about the rot that is Hollywood and the struggles of the stars who the audiences adore. Friends, while successful during its run, also spun out disaster and struggles for many of its actors, much like the characters of Six of Us. There’s been a tragic death, a terrible spin-off, and uneven movie careers, and what feels like an unknown path to recapturing the stardom or what to even do with it.

Joining King is artist Gabriel Hernandez Walta who continues to give a style that feels like it’s part tragedy and part detective noir mystery. Joining Walta is Jordie Bellaire on color and Clayton Cowles on letters. The style is an interesting one giving a look of a comic that feels like it has fun with the sun of Hollywood but mixed with the more muted feel of a detective story. The look of the characters nails down the personalities and tells some of what we need to know about their careers.

Six of Us #2 is a solid second issue that builds the mystery and focusing on a few of the potential suspects. It lets the reader play detective to figure out who the killer is and why they did it. It also plays off of pop culture with a subtle jab at the ups and downs of fame and fortune.

Story: Tom King Art: Gabriel Hernandez Walta
Color: Jordie Bellaire Letterer: Clayton Cowles
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy

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Filthy Lambs! #1 delivers a nice dysfunctional twist on dark pacts

Filthy Lambs! #1 cover

In the basement of Grimaldi Manor, the family patriarch says a prayer and stabs himself in the throat. Blood falls. The demon watches. A woman tries to scream. Upstairs, three generations of the Grimaldi family and a snapping turtle fill the house with unfulfilled promise and joyful childhood shrieks. These are tremendous, terrible times for the lineage! The Grimaldis hold a contract with Their Lord Below for ten more years of prodigious wealth and glory. But old contracts can sour. Monsters can misbehave. And a filthy little lamb can still have teeth. Filthy Lambs! #1 builds things nicely until all hell breaks loose and defies your expectations.

Written by Pallie Paul Allor, Filthy Lambs! #1 sets up a concept we’ve seen many times before. A group has made a pact with a dark force and in return they get wealth and power. But, Allor has a lot of fun with that simple concept by focusing on a group of characters who are all kind of assholes. That emphasis on bad people doing bad sets up for the twist to the comic and really enhances what’s to come.

But more importantly, Filthy Lambs! #1 defies where you think it’s going to go. It breaks the conventional direction and flips the script. And, with such terrible people front and center, the comic also allows the reader to not just enjoy the chaos to come but cheer it on. Allor does it so well, there’s deaths that don’t even hit the reader. There’s little as far as redeeming that has been shown so when the blood starts flowing and bodies start piling up, no matter who it is, the reader doesn’t mind.

But, there’s an underlying theme and concept of Filthy Lambs! #1 that captures the moment. Here, we have a group of individuals who have done terrible things to gain power. They have little care for others and show little care for each other. Those rich, broken individuals, are presented with payment for their deeds, reciprocation that tumbles their ivory tower.

The art by Chris Evenhuis is solid and captures the concept and characters quite well. There’s a punchable quality to everyone and with color by Sjan Weijers and letters by Allor, the comic’s visuals really builds on the negative that Allor focuses on in setting up these characters. But, where the comic really excels is when the shit hits the fan and chaos ensues. It takes a horrific moment and turns it into an almost comical experience as the blood splatters. It’s over the top but done so in a way that doesn’t distract.

Filthy Lambs! #1 is terrible things happening to terrible people. With that terrible happenings focused on rich individuals with little care for others, it’s something that captures the frustration from so many today. It gives us the guillotine so many of us are cheering for and want to see. The debut issue teases what could be a cathartic body count readers can cheer for.

Story: Pallie Paul Allor Art: Chris Evenhuis
Color: Sjan Weijers Letters: Pallie Paul Allor
Story: 8.0 Art: 8.0 Overall: 8.0 Recommendation: Buy

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Avengers: Armageddon #5 sets the stage for what comes next for the Marvel Universe

Avengers: Armageddon #5

The point of no return! After the cataclysmic events of Avengers: Armageddon #4, the world is torn asunder. Humanity turns against super heroes. And for David Colton, what is the price of all that great power? Avengers: Armageddon #5 wraps up the event and shakes up the Marvel Universe’s status-quo.

With events, they often deliver a summer popcorn story but leave little lasting impact beyond the launch of new series’. Recent Marvel events might have changed up some small details or resulted in a new focus, but they rarely have really driven massive change to the entire Marvel Universe. Avengers: Armageddon has done that, not just with the introduction of Miracleman but also how the world looks at its superheroes and the superheroes see themselves and their future.

Written by Chip Zdarsky, Avengers: Armageddon #5 reflects on the fallout of the fourth issue. A nuclear explosion has gone off resulting in the death of many and a world who has had enough of the destruction due to the action of superheroes. Though they may have saved the world, enough is enough with the fallout. It again addresses the elephant in the room, with so many abilities and such brilliance, why haven’t they focused on truly improving the world instead of just fighting? Avengers: Armageddon has given us the groundwork and a riff on the Superhuman Registration Act on a global scale.

It’s very much an end chapter, an almost epilogue, that sets up the new status-quo and the thoughts of various characters. We see reactions from the Fantastic Four, Iron Man, Captain America, and Spider-Man while finding out the status of Captain Marvel. There’s also a key discussion between Wolverine and Colton about what’s next. Each is clear what’s on their mind and where things may go. Spider-Man sees the superheroes’ purpose while Colton wants to atone. Tony wants to answer the challenge of why don’t superheroes do more good while presented with an opportunity to do bad and rejecting it. S.H.I.E.L.D. is back with a new mission and focus. And while all of that makes things clear as to where things are going, Zdarsky still throws out a teaser with the “return” of two character who must “save the Earth.” From what? We don’t know.

The art is handle by the trio of Delio Diaz, Frank Alpizar, and Ario Anindito. They’re joined by Jesus Aburtov on color and Cory Petit handling the lettering. The comic looks fantastic. The art captures the guilt, sadness, and shock of events. Spider-Man, even with his mask, feels lost and sputtering for answers and a direction along with the guilt of not being there. The meeting between Colton and Wolverine is not just intense but you feel the weight of it all on Colton who feels broken from recent events along with the massive guilt of what he’s done. Wolverine, while threatening, gives off the wise grizzled teacher vibe he’s run with. Carol, who took the brunt of the blast and survived, feels weaken just in how she’s presented in the panels. Overall, it’s a somber issue whose art amplifies it all.

It’s not too hard to figure out how this new status-quo will play out. There’ll be a massive threat and the superheroes will need to band together to save humanity after the Earth’s nations fail to do so. There’ll be a renewed call for the need of superheroes though there will likely be a finer balance from the Carte Blanche of the past to the restriction Avengers: Armageddon sets up. Still, Avengers: Armageddon #5 and the event as a whole will have lasting repercussions for an unknown amount of time and gives us an intriguing direction for the Marvel Universe and its heroes.

Story: Chip Zdarsky Art: Delio Diaz, Frank Alpizar, Ario Anindito
Color: Jesus Aburtov Letters: Cory Petit
Story: 8.25 Art: 8.25 Overall: 8.25 Recommendation: Buy

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Did You Hear About Mimi Green? #4 concludes in a fashion resembling the third act of The Substance, or honestly your average GWAR tour stop

Comic book cover featuring stylized illustrations of characters, digital elements, and text elements like 'Did You Hear About Mimi Green?' and 'TRENDING L.A. Influencers'. The design includes vibrant colors and a blend of modern and abstract themes.

Did You Hear About Mimi Green? concludes in a fashion resembling the third act of The Substance, or honestly your average GWAR tour stop. Mimi battles the seemingly immortal and definitely not friendly Tyler for her body and soul as well as the lives and general existence of her partner Natalie and roommate Ashley. It’s a full body/mind/psyche fusion that comments on the manipulative nature of the entertainment industry, and how it ruins folks’ self-image. But Connor Goldsmith and Josh Cornillon never lose sight of Naomi/Mara/Mimi’s arc and using horrific, red-stained imagery, they have her clawing back to sanity and finding stability through the love that Natalie, Ashley, and eventually herself shows her.

The decline and fall and rise of a showbiz figure is a common story in American popular fiction, especially film and television with takes on the topic ranging from sleazy Behind the Music type documentaries (At least, those had decent production values ; now we’ve got AI-slop on celebrity scandals.) to great works of art like Sunset Boulevard and most recently HBO’s Hacks. Goldsmith and Cornillon use the infinite potential of the comic book medium to tell this story using exec-frightening gore and bodily twist and turns. On the surface, Did You Hear About Mimi Green? #4 seems like a final act superhero fight scene between good and evil with loved ones hanging in the balance. Josh Cornillon gives Mimi Wolverine claws that break against Tyler’s unbreakable body and also throws in some fun imagery like Tyler being a TV screen monster. The layouts that he uses also look like different body organs with the black gutters like veins or arteries flowing through the meat of this story. Using horror imagery as a metaphor for body dysmorphia is a no-brainer, and I like that not everyone comes out of the story 100% on the body positivity train. (Let’s just say there’s a GLP-1 reference in here.)

Along with Mimi Green #4’s pure viscerality, it has some fascinating intertextuality. Brain pathways that lay dormant since elementary Sunday school fired when Mimi walks through a door with “Ruth 1:20” on it, and Goldsmith and Josh Cornillon reveal that the Naomi/Mara duality is straight from the Hebrew Bible where the woman Naomi changed her name to Mara, or “bitter”, because she lost her husband and two sons in a famine and had no one to care for her except her widowed daughter-in-law Ruth. In the comic, Mara is a therapist figure that lays bare the harshest truths about Mimi including her previous name Naomi before she lost weight and changed her entire image to become a “hot” (In both senses.) public figure. Of course, Mimi wants herself and the world around her to forget about this previous part of her life, but it holds the key to her self-actualization and freeing her from the fucked up reality of the Answers wellness center. Goldsmith uses one of the first great stories of female friendship to liberate his protagonist and continue to the echo truth that’s okay to sit in grief for the person you used to be while being open to new connections and (in this case literally) devouring your past life.

Did You Hear About Mimi Green? uses extreme, trippy visuals to take us on a journey of self-discovery and maybe becoming less of an asshole along the way. I enjoyed seeing deuteragonist Ashley come into her throughout the series culminating in her becoming a blue-tinged badass and saving Natalie from Tyler although let’s just say that her actual ending is very L.A. Mimi eating the corpse of her old self/therapist is disgusting on a surface level, but it’s a call to be authentically kinder and gentler to our past, present, and future selves. Plus I’ll take a horror comic over a self-help book and definitely a wellness retreat any day, especially one that doesn’t have easy answers about tough body stuff.

Story: Connor Goldsmith Art: Josh Cornillon Letters: Ariana Maher
Story: 8.4 Art: 9.0 Overall: 8.7 Recommendation: Buy

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Nirvana is Here is a fantastic crime thriller that touches upon real world issues and social issues

A chance encounter in a flea market parking lot and a severed finger embroil two Vietnamese German siblings ― and a vividly drawn cast of eccentric neighbors, a tough teen biker with a crush, a rollerblading girl gang, and many others ― on a mission to save a desperate young Vietnamese woman from her pursuer.

Two German siblings, 12-year-old Tâm and 14-year-old Dennis Nguyen, encounter a young Vietnamese woman in trouble in a flea market parking lot. When Tâm’s spy movie-obsessed schoolmate, Alex, discovers an abandoned backpack with a photo of a happy couple with Tâm’s address on the back, it will lead the two to discover a severed finger. Worried, Tâm searches for the desperate woman, aided by her reluctant brother, and eventually finds Hoa Bin, who escaped from her kidnapper ― who’s still tracking her down. Drawn to Hoa Bin, Tâm vows to save her ― even if she has to break her stern-but-loving mom’s rules, dodge the bad guys in wild chases through the Berlin streets, and combine the forces of Marina, the Nguyens’ tough-chick neighbor, Jutta, an elderly retired actress, a rollerblading girl gang, and many others to do so.

In Ross’s empathetic, loose-but-controlled lines, cartoonishly expressive kids interact against and within the realistically depicted urban environments, given texture and grit by screen-tones. Nirvana Is Here is a contemporary crime thriller that has adventure, diasporic, coming-of-age, and love story elements, set in Berlin’s working-class Lichtenberg district against a backdrop of very current social issues.

by: Mikael Ross
Translation: Nika Beauchamp

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Stagtown Vol. 1 has a lot of potential and is interesting but leaves too many questions

A young woman investigates the strange events terrorizing her hometown in this heart-pounding horror graphic novel.

Something mysterious is happening all around Stagtown: Cameras are appearing everywhere on the streets, and even in the corners of apartments and homes. Cutting one down only spawns more in its place. Someone is surveilling the residents and now that Frankie is back home from college, she is going to discover who—or what—is behind this.

After the shocking death of her neighbor Jeremy, Frankie becomes obsessed with uncovering the truth behind these occurrences. Armed with Jeremy’s box of cryptic clues, a loyal cat companion, and the help of Jeremy’s friend Felix, Frankie embarks on a perilous journey through town. Her quest leads her to a sinister marble house, a blood-stained carousel, a dark underground cellar filled with traps, and more. Each encounter brings her closer to the horrifying truth, culminating in a desperate attempt to escape Stagtown once and for all.

With beautifully haunting illustrations and a terror-filled story, Stagtown is a masterpiece of psychological horror. This volume includes the complete first season of the Webtoon comic, along with a bonus mini-comic.

by: Punko

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My Name is Benny Vol. 1 has a few laughs… just a few

Follow the adventures of quirky preteen Benny in this slice-of-life middle grade series from Webtoon that combines outlandish humor of Regular Show with the grounded setting and wacky characters of The Loud House for an irresistible reading experience.

Follow the adventures of precocious preteen tomboy Benny, who is never seen without their trusty gasmask (don’t ask), and her fellow latchkey kids as they discover increasingly creative ways to stave off boredom in their suburban neighborhood. From waging war on insect home invaders to going all out for Halloween, Benny is down for weirdo adventures all day every day. Told through a series of short comic stories illustrated using digital watercolors, My Name is Benny is equal parts hilarious, awesome, and fun!

by: Sokomin

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Delusion Vol. 1 is a hell of a start with some fantastic tension building

It’s 1935 in Seoul, Korea, and struggling artist Yun Iho has been commissioned by the elderly, reclusive Madam Song Jeonghwa to paint an updated portrait of her. When Iho goes to pick up the art supplies from the previous artist’s room, he finds an ominous note tucked between paint tubes: “Do not finish the portrait.”

When he actually meets Madam Song, he finds her to be startlingly young and beautiful, yet she asks him to paint her as though she were eighty. What could it all mean? Listening to her seemingly unrelated stories about a spate of unsolved murders in Shanghai that happened long before Iho was born does little to allay his confusion.

In a slowly unfolding revelation, each panel drenched in more dread than the last, Iho learns that no artist has ever left Madam Song’s hotel alive. He starts to suspect the horrifying truth of what she is, and what, exactly, she might be capable of. . . .

Volume 1 collects episodes 1-20 of the Webtoon comic Delusion.

by: Hongjacga

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Mini Reviews: Doom Patrol #2, Sicko #3, Legion of Super-Heroes #2

Doom Patrol #2 cover

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Doom Patrol #2 (DC) – Darcy Van Poelgeest and Niko Henrichon continue to put the World’s Strangest Heroes through the wringer in a frantic issue of Doom Patrol. But underneath the quirky hijinks, there’s an emotional texture that comes out in Van Poelgeest’s prose and Henrichon’s linework. I feel Larry Trainor’s pain and even more surprisingly Niles Caulder’s after reading this book. Also, the scene where the team fights over a Neil Diamond tape in their van on the way to a mission is a master class in character development. Overall: 8 Verdict: Buy

Sicko #3 (Ignition) – Three issues in, Sicko has settled into its, and Tini Howard and Amilcar Pinna have started fleshing out Valentine and her fellow Breton’s disease patients along with a potential love interest. Valentine’s current reality (Pun intended), but she actually has something to live for. Pinna’s art highlights her vibrancy compared to her fellow patients, many of whom don’t “pass” in the outside world. Sicko is a surreal conspiracy thriller, but also has important commentary on people with disabilities, healthcare systems, and other systems of control. I can’t wait to see what cool ideas Howard and Pinna throw at the proverbial dart board in future issues of Sicko, which has real Grant Morrison’s Invisibles energy. Overall: 9.2 Verdict: Buy

Legion of Superheroes #2 (DC) – Legion of Super-Heroes continues to be one of the best looking books on the stands with Hayden Sherman’s futuristic layouts and Tamra Bonvillain’s pops of color. Joshua Williamson also starts to weave together the various threads in this story of hope and heroism vs manipulation and authoritarianism. There is something primal about the villain too and his faux hero vibes. Matter Eating Lad continues to be my fave though. Overall: 8.2 Verdict: Buy

Gigs is a graphic novel that captures the moment and maybe predicts our sad future

A.I. took the work. Gigs replaced jobs. Ordinary people are left to scrape together lives in a world that’s no longer built for them. These are their stories.

In a frighteningly near future where Basic Income is supplemented by gig work assigned by “the app”…an octogenarian punk and a lonely young worker seek escape through music. A street artist makes art by night and paints over it by day. A has-been detective chases a case into a forgotten world. A drug runner makes a long, strange delivery. A writer marks her days on a decaying space station she can’t leave. And a refugee asks for help in the last free place.

With a hard-won blend of biting satire and humanistic passion, two creators from the North of England weave together six divergent chapters into an extraordinary graphic novel. Gigs is both a powerful warning about the oppressive world to come and a defiant celebration of the humanity that will sprout up in the cracks.

Story: Mark Mosedale
Art: Si Smith

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