Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.
These are Graphic Policy’s Mini Reviews and Recommendations.
Logan
Alias: Red Band #1 (Marvel) – Sam Humphries and Gerardo Borges‘ Alias: Red Band #1 is like the warm embrace of an old friend. It all starts with the visuals as Borges channels Michael Gaydos in his faded out, noir approach with the assistance of colorist Arthur Hesli. His double page layouts where conversations become fights that look like the newspaper columns of the paparazzi photographer that has it out for “the mayor’s wife” aka Jessica Jones. Alias definitely lives up to its “red band” billing with a grisly murder almost on page one, but the conflict is through debates between following the law and doing what’s right and trusting your gut not fisticuffs. A particularly heated argument between Luke Cage and Jessica particularly shows the powerless of power. Alias: Red Band #1 definitely doesn’t have any new tricks, but it brings the aesthetic of Alias to the current Marvel Universe where Jessica, Luke, and engaging third lead Typhoid Mary are worlds away from who they were in 2001. Overall: 7.9 Verdict: Buy
Die Loaded #5 (Image) – Kieron Gillen and Stephanie Hans expand the world of Die in this consequential, reveal-filled installment of the series. Sophie is still the POV character, but Chuck’s gaming-obsessed daughter Violet takes center stage as the new Master. Die Loaded #5 heads back into the trauma side of Die with Violet dealing with her father’s death through a gorgeous, yet dark island fantasy world. Also, Sophie continues to improve at Die’s mechanics with a side of her maternality as she tries to collect the party and go home. But this is hindered by the aforementioned complex trauma and bleed of Violet, who quickly becomes one of Die Loaded‘s most compelling characters. Throw in a mystery reveal, an Ursula K. LeGuin riff on par with the Tolkien one in Die, and some splendid colors, character designs, and high energy layouts from Hans, and I’m even more hooked on this series. Overall: 8.7 Verdict: Buy
Bleeding Hearts #2 (Vertigo) – Mmm, I love how Deniz Camp and Stipan Morian structure the sophomore issue of Bleeding Hearts. Our lovable zombie protagonist Poke appears in the beginning and the end and has a key moment. However, Bleeding Hearts #2 zeroes in on the potential victims from the end of the previous issue: a mother and her precious daughter named Rabbit. It lays out the difficulty of surviving in this zombified world with unrelenting narration from the mom, who focuses all her energy to giving Rabbit as normal a childhood as possible, including a stuffed animal. However, there are some super disturbing scenes, and Morian captures the trauma seared in Rabbit’s eyes. There’s an old school Frank Miller/John Romita Jr. quality to his figure work that lends the visuals darkness, but also unwavering humanity. By the time Bleeding Hearts #2 wrapped up, I cared deeply about three individuals in this comic and hope against hope for a bond of survival between them. Kudos to Camp and Stipan Morian doing something a little different and switching POVs to give a fuller picture of what this series could be. For old school Vertigo heads, this has Invisibles “Best Man Fall” energy, but with a happier ending. Overall: 9.3 Verdict: Buy
Sirens: Love Hurts #2 (DC/Black Label) – Sirens: Love Hurts continues to be one of the most fun current comics as Black Canary, Catwoman, Harley Quinn, and Poison Ivy encounter a red herring and uncover more evidence about Gotham’s newest killer of women. Tini Howard‘s script is laugh out loud funny (I’m not over “dick dizzy”), and Babs Tarr brings some fierce fits and even fiercer facial expression accentuated by Miquel Muerto’s dynamic color palette. I love seeing how comfortable Dinah is with her new villain/anti-hero friends especially compared with the boredom of pre-wedding activities. (I could read a whole comic where Dick Grayson plays a wedding planner though.) Astrology ends up playing a key role in the plot, but let’s say Sirens: Love Hurts brings more of a girl’s girl approach to the zodiac killer than David Fincher and company. Overall: 9.1 Verdict: Buy
