Category Archives: Reviews

TV Review: Gotham S3E10 Time Bomb

season_3_posterOn the eve of their rehearsal dinner, a threat to Mario (guest star James Carpinello) and Lee (Morena Baccarin) is exposed, and Falcone (guest star John Doman) looks to Jim for help. Meanwhile, Nygma seeks revenge and Bruce learns more about The Court of Owls.

Gotham is interesting as it’s all forward with the Court of Owls, the mysterious villains who we saw teased at the end of last season and have been in and out of this one. A hell of a lot is put forward and while a lot of it works, all together it’s a bit of a mess and a plot that’s so over the top it’s just laughable.

The reason I peg it as silly is that this episode revolves around that key that was found last episode and that Ivy stole. That has to do with the Owls, so it’s a bunch of coincidences that all comes back to the murder of Bruce’s parents. As I said, a bit silly and a stretch.

But, the episode gets back to some basics which it does really well.

Falcone stands out and we learn even he has something to do with the Owls. There’s some other aspects of Snyder and Capullo’s run added to the comic series. Overall, it gets away from the silly villain with powers and is more focused on the mob like aspect which is where I think the series is strongest.

There’s also Falcone’s son and his marriage and someone trying to kill him… over course the Owls are involved in that too. Again, a stretch.

Nygma gets his revenge for the people he thinks is behind the murder of his girlfriend. That’s pretty twisted and gets Edward back to his crazy self in many ways. Where that goes will be really fascinating, as there’s something about who behind it all that’s discovered by certain someones who are willing to do something with it.

But, what why isn’t Penguin doing more Mayoral things? That seems to have been dropped.

The episode is better than the last few and there’s some really good here. The episode feels like it has an actually vision for once instead of a bunch of different tones mashed all together. Hopefully, this is just the beginning of improvements and these plotlines actually play out in a way that’s not so coincidental and instead are just entertaining.

Overall Rating: 7.20

Rebirth Review: Comics Released on 11/16

Welcome to Graphic Policy’s Rebirth Review where we take a look at the comics released under DC‘s Rebirth banner and try to work out just how accessible they are for new readers.

Each comic will receive a rating of Friendly or Unfriendly based on how easy it was for new readers to pick them up; the ratings are based solely on the issues released in the post-Rebirth ongoing series, with more consideration given for the specific issue being read when it comes to the final rating than the series overall. You may notice that not every comic is covered week to week, and that’s because I have a memory like a sieve and sometimes forget to pick them up. If I have missed an issue, typically I won’t go looking for back issues to to catch up on events – this feature is all about accessibility for new readers, after all.

This week saw a lot of good comics that may not be as accessible as other issues in their respective series, but that’s often par for the course, eh?


aqm_cv11_dsAquaman #11 Thanks in a large part to the flashback sequences in the opening couple of pages, and the expositionary dialogue as the comic progresses, this is a quite Friendly comic that ties up one arc and lays the ground work for the next. The level of accessibility here isn’t something you’re likely to see in a story arc at this point in it’s cycle, which is refreshing.

Batman #11  I’ve read every issue of the series so far and this feels Unfriendly to me. New readers will struggle immensely  if they start here, not least because the issue isn’t all that good.

Cyborg #5 I feel like this is one of DC’s  monthly titles because it feel like a long time since I last read an issue, and I’ve been looking forward to getting my hands on a copy for what feels like awhile. The first half of this comic is very Friendly, and worth the price of the comic alone. The second half… is less friendly, but just as interesting.

Green Arrow #11 Is a beautiful looking comic that uses the double page spread to excellent effect, but it’s not overly accessible for those looking to start reading about the Emerald Archer. Unfriendly, but check back with #12.

gls_cv11_dsGreen Lanterns #11 After ten issues it was bound to happen, but this is the most Unfriendly comic in the Green Lanterns series to date. If you’ve read the last issue or two then you’ll be golden, but starting here may not be as good of an idea. That said, it’s a great read.

Justice League #9 Alright, so here’s the thing. The only way you’ll ever be able to pick up an issue of Justice League is if you have some level of familiarity with the characters on the team. Assuming you do, then you’ll be able to pick up enough clues as to what happened last issue to be able to follow along with the story here. More or less, anyway. A Friendly comic, assuming you’ve half an idea who the members of the League are.

Nightwing #9 A half decent comic that’s an easy read, not too bad to look at, but isn’t all that friendly, or good. You’re better off either waiting for the next issue and reading a synopsis somewhere, or just waiting for the next issue. An Unfriendly place to begin your Nightwing journey.

Raven #3 I find that this is the series that I’ve had the hardest time getting immersed in, and a consequence of that is that I tend to forget the details from the previous issue – ironically enough that’s kind of ideal for this feature. That said, despite not really knowing, or remembering much about Raven, I found this comic surprisingly Friendly, ssquad_cv6_dseven if it isn’t my cup of tea (although I did enjoy it a fair bit).

Suicide Squad #6 There’s two ways of approaching this issue. Either you have no idea who the Suicide Squad is, in which case you’ll be confused as hell here, or you kinda know who they are, which means you’ll be only marginally confused – but  you’ll at least find this to be almost Friendly.

Superman #11 This is the kind of comic that you want to start reading with. It’s not perfect in it’s accessibility (it is part two of a two part story, after all), but it’s more than Friendly  enough to draw new readers into the series. I highly recommend you read this, and maybe even the issue before, as this is one of the better series from DC post Rebirth.

Trinity #3 A fantastic comic that builds on the previous two issues in such a way that leaves new readers scratching their heads. That said, there is a very interesting look into Batman’s psyche and the relationship between DC’s Trinity, but if you’re interested in the series then start with the first issue.

Supergirl S2E6 Changing Review and Recap

ChangingThis past Monday’s episode of Supergirl was one of the least action packed but, one of the most emotional episodes of the season. Kara faced off against Dr. Jones who was taken over by a parasitic, dormant, ancient alien. She also had to come to terms with Alex coming out and a less than heroic Mon-El.

The episode started off with a scientist who just wants to save the planet. After being rescued he discovers that his body has been fused with an alien parasite and using his new found strength and power he goes after those he feels are responsible for the Earth’s decline and shutting down his research.

Jimmy and Winn worked really hard on their secret Guardian mission and Jimmy becomes the hero that he’s always wanted to be with Winn running the show from his van. This episode solidified the more prominent role that I expect these side kicks to take in upcoming episodes.

Alex comes to terms with her sexuality and comes out to Maggie and Kara with the hopes of starting something new with Maggie. The moments between Kara and Alex where Alex explains her feelings to Kara is well written and emotional. The adjustment period forces Alex to be honest with herself and  her sister and while she tries to process her emotions there’s a brief disconnect between the Danver’s sisters. I really enjoyed the realness and the path to acceptance and understanding that Kara takes when coming to terms with her sister’s orientation.

Mon-El is having trouble adjusting to human life and uses his powers as muscle for hire instead of as a hero which leaves a bad taste in Kara’s mouth. By the end of the episode, Mon-El has his “great power coming with great responsibility” moment towards then end  after Kara and J’onn’s defeat and joins the battle against the parasite fight after a whole lot of drinking.

Kara and J’onn J’onzz find themselves drained of power thanks to their run in with the alien enhanced Dr. Jones. After a brief recovery period for Kara and a blood transfusion from Miss Martian for J’onn the team is back together by the end and stronger than ever thanks to the addition of Mon-el and Jimmy and his souped up guardian suit.

Overall this episode was pretty solid and a nice place filler for the Cadmus story line and the action-packed episodes that came before it. There was a sense of humanity and longing for acceptance and genuine connection. The writers handle Alex’s coming out in a realistic and beautiful way and even with Maggie turning Alex down there was a strong feeling of understanding and the writers created a sense of caring and strong character development

Overall Rating: 8.7

The Walking Dead S7E5 Go Getters Review

walking-dead-5 photoSaddled with grief and surrounded by enemies, members of the group try to find safety at the Hilltop before it’s too late.

The Walking Dead‘ changes its focus in this episode from the Savior’s camp and Alexandria to Hilltop where we get to see Maggie, Sasha, and Jesus.

But the episode is so much more than that too.

First, we find out how Maggie is doing and Sasha is by her side the entire way. There’s news about the baby and I’m not a spoiler person so you’ll have to watch the episode or go elsewhere to find out.

But, the episode is really more about Maggie coming in to her own in a way and standing up to Gregory, the spineless current leader of Hilltop.

The community is sent a message by the Saviors which results in Sasha, Maggie and Jesus taking the lead to deal with it all barking out orders and making the situation safe. It’s a stark contrast to Gregory who grovels in front of whatever the Saviors say. And that contrast is the spark of the power play to come. As a comic reader, I know how this ends, but it’ll be interesting to see how the show varies from the source material.

There’s also something with Carl and Enid. They go on a road trip and again I don’t want to ruin it as to where and why. Something happens between them and we’ll just leave it at that.

The episode is an interesting one in many ways but what stands out to me is it wasn’t about how scary or imposing the Saviors are. Instead the focus is on Maggie the badass and her standing up. That is something I’ve been looking forward to and think from here on out it’s as much Maggie’s story as it is Rick’s and hopefully the show will recognize that as well.

Overall rating: 8.15

Mini Reviews For The Week Ending 11/19

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for. These are Graphic Policy‘s Mini Reviews.


Alex

amazing_spider_man__21Amazing Spider-Man #21 (Marvel) I enjoyed this issue more than I expected, almost entirely because of the fact it focused primarily on Kaine – a character I’ve long been fascinated with. Other than that, though, it doesn’t really do much other than provide a bit of background on Kaine and Spider-Gwen’s actions during the second issue of Clone Conspiracy as the issue acts as a prequel to that issue. Overall: 7.5 Recommendation: Read.

Batman #11 (DC) I’ve read worse issues of Batman, but not for a long, long time. The only saving grace is the art, which 90% of the time is great. The other 10%, a double page spread featuring Catwoman and the Ventriloquist, is a confusing mess of jumbled pipes and lettering that is less than ideal. Overall: 5 Recommendation: Pass.

Black Hammer #5 (Dark Horse) You’re either going to love or hate the direction of this issue (well, that may be a bit strong; you’ll either love it or you won’t, let’s say). I enjoyed it quite a bit, as we finally got to see an entirely different side to Colonel Weird, as Jeff Lemire asks the question of whether the character is as crazy as we’ve been led to believe. An intriguing character study that doesn’t really move the plot along too much, but is worth picking up if you’re into the series. Overall: 8 Recommedation: Read

Kill Or Be Killed #3 & #4 (Image) Somehow I missed the third issue untill I saw the fourth was out this week (or forgot I read it and reread it this morning, which basically amounts to the same thing, right?). It didn’t take me long to remember why this is such a gripping comic – the Deal With A Devil angle is well done, and while said deal hangs over Dylan, he – and by extension we – is/are never quite sure whether it actually happened, or if he’s gradually losing his mind. You’re not going to find a better comic from Image right now. Overall: 9 Recommendation: Buy

Old Man Logan #13 (Marvel) A decent conclusion to a solid story. This would be a read for the story alone, but the artwork is absolutely phenomenal and worth buying the comic for on it’s own. The layouts are intricate, simple and so gut punchingly effective that your jaw will hit the proverbial floor – that’s not hyperbole… I actually turned a page and just tared sm_cv11_dsfor a full minute before rereading the page before. This is probably one of the best series that Jeff Lemire is writing right now, and that’s largely down to Andrea Sorrentino and Marcelo Mialo’s artwork. Overall: 9 Recommendation: Buy

Superman #11 (DC) On the surface, a story about Damian Wayne and Jon Kent learning to work together, but there’s a subplot here of Batman and Superman learning, through their sons, to trust each other again. This is a great conclusion to a two issue arc that has one of the best interpretations of the Son Of Batman that we’ve seen in awhile. Overall: 8.5 Recommendtion: Buy

Thanos #1 (Marvel) A well written, beautifully illustrated opening chapter. Although I have no idea where this is going, I’m curious to see where Jeff Lemire takes the Mad Titan. Overall: 8 Recommendation: Read

Vampire Hunter D: Message From Mars #1 (Stranger Comics) This is far from my normal style of comic (Mars colonization and vampires), but I enjoyed it quite a bit nonetheless. I have no idea how this stacks up if you’re a Vampire Hunter D fan, but as a person ignorant of his 33 year history, I thought this was a great read. Overall: 8 Recommendation: Buy

Elana

Mother Panic #1 (DC/Young Animal): The last thing i was looking for was another comic about a millionaire turned vigilante– especially not in Gotham. But Jody Houser is too smart a writer to leave it at that so I just had to take a look at her new Young Animal series.

Look at that costume– real armor! Creating artist Tommy Lee Edwards designed the Mother Panic outfit to look more like a decorative architectural element on the exterior of motherpanic02one of Gotham’s famous Art Deco skyscrapers than a standard female hero in a cape book. It is refreshing to see a female lead who isn’t portrayed as a sex object by any measure– unless your sexual orientation is Chrysler Building and you like getting your head bashed in. And a terrifying tiny white skyscraper fighting really twisted art crimes makes sense thematically. This story is very Gotham.

We don’t learn much in issue 1 but with highly kinetic gothy art and an intriguingly menacing tone I am definitely reading issue 2. I keep getting The Invisibles vibes too and that is usually a good sign. Suggested soundtrack Iggy Pop’s The Idiot. Recommendation: Read

Joe

Thanos #1 (Marvel) – Thanos is a badass. That’s an understatement. In many ways, he’s similar to Darth Vader. He’s a cool villain that you love to hate. He’s very confident. And his power, even without the Infinity Gauntlet, is off the charts. Not only do we get Thanos, but we get a cast of characters that have all been big parts of past stories with the Mad Titan. I enjoyed this book, and it gave me what I was looking for in this series. Thanos destroys a ton of people (and a tank), and we see a group of others band against him, and then we get a big twist at the end. Overall: 8.5 Recommendation: Buy

Black Hammer #5 (Dark Horse) – I am so glad to finally get a Colonel Weird issue. Yes all of our characters are weird in this series, but some how the Colonel makes them look normal. It was nice to see the Para-Zone that he mentions in his ramblings and get a glimpse at how it works. Like most of our cast, he is a tragic character that you really feel thanos_1_coverfor, and you can see he wants to do the right thing. It will be interesting to see how the Para-Zone plays into our story and them being stuck on the farm going forward. This book just keeps getting better, and it is one of the most consistent comics coming out every month. Overall: 9.5 Recommendation: Buy

Briggs Land #4 (Dark Horse) – This issue focuses on Caleb Briggs, Grace’s oldest son and a white supremacist. We see him bully a local business owner into selling, and learn a lot more about his character. Long story short, Caleb is scary. We also get more of Grace, and what she is doing to move quicker than her husband who is trying to stop her from inside prison. This series moves slow, but that isn’t bad. You can see why AMC optioned it, as it would work perfect for their network, and the Walking Dead crowd who are used to a slow burn that builds to chaos. That is most certainly where I expect this story to go after this issue, and I can’t wait. Overall: 8.0 Recommendation: Buy

Moonshine #2 (Image) – After the first set up issue, we get to the meat of the story. But then that meat gets ripped apart by a werewolf. We continue the story of a fish out of water city slicker that needs to get the best moonshine around from a family living in the sticks to his mobster boss in New York City. After things go south in the south, our main character is left in a very interesting place. Overall: 8.5 Recommendation: Buy

Patrick

Black Hammer #5 (Dark Horse)** – In this issue, we go Weird Science for the story of Colonel Weird and his journey through the Para-Zone. As has been the case lately in this series, the plot has been a very slight pretext for what Jeff Lemire is really good at, bkhmr-5-variant-fc-fnl-600x911character studies. Col. Weird being haunted by himself is very nicely done, and Dean Ormiston does a pretty good job at capturing a certain Al Williamson vibe in the science fiction part of the story (though not going nearly far enough into the Ditkosphere for the Para-Zone for my taste). The series doesn’t feel like it’s going anywhere, and if that were truly the intention, then I’d be more okay with it. Overall: 7. Recommendation: Read

Lady Killer #3 (Dark Horse)** – Joëlle Jones knocks this issue out of the park. She has always been great with style and sheer drawing, but this time she lets loose with panel structure and page layouts in a really stunning way. Also: the back story of Mother Schuller and her relationship with “Uncle” Irving is a knockout. Props to colorist Michelle Madsen. Overall: 9 Recommendation: Buy

Cinema Purgatorio #7 (Avatar)** – Alan Moore and Kevin O’Neill take on the Westerns in our first reel – or rather, how the idea of the Western was invented and re-created, from sordid reality to tall tale to legend to myth, as we re-enter the OK Corral over and over again. Alan Moore can do more with 8 pages than most writers can do in 80. On to Code: Pru, Garth Ennis & Raulo Caceres’s series that’s really grown on me. Pru is called in to check out a hooker at a murder scene, and of course finds out that the situation is far more monstrous than she’d thought. Ennis’ juxtaposition of the banal and the profane is, as usual, top-notch, and Caceres’ detailed b&w art is perfect for the material. I’m not actually paying much attention to any of the other three features, but it must be said that this chapter of “The Vast” is a reprint of last issue’s chapter. Overall: Cinema – 9 Pru – 9 Recommendation: read but you can also wait for both of these series to be collected, and probably not worth your $6.99

Kill or Be Killed #4 (Image) – “My imagination was being affected by all the shitty old killorbekilled_04-1movies I was watching.” Dylan starts to work out exactly how he’s going to take on his demonic vigilante mission, and how to live a double life. Meanwhile also trying to figure out his messed-up relationship with his roommate’s girlfriend. Meanwhile also trying to play white knight. Of course, none of these things go right. Brubaker, Phillips and Breitweiser at their best. Overall: 10 Recommendation: Buy

Ryan C

Black Panther #8 (Marvel)** – It may be too little, too late, but Ta-Nehisi Coates is finally starting to show signs of getting a hang on this whole comic-book writing thing — at least when it comes to relaying tales of Wakandan folklore. He still writes T’Challa as a dour, joyless, fairly lifelesss figure literally devoid of personality, but the story feels like it’s creeping back on track after some pointless guest-star-laden issues, and maybe even progressing (or at least lurching) toward a conclusion of some sort. Chris Sprouse does a pretty decent job with the art, but he’s no Stelfreeze, who’s at least on hand to deliver an absolutely amazing cover. Overall: 5. Recommendation: Might as well read it if you’ve come this far, otherwise pass.

The Hunt #4 (Image/Shadowline)** – Nobody seems to be paying much attention to Colin Lorimer’s genuinely creepy Irish horror opus, but that’s their loss. This issue delivers answers to many of the mysteries underpinning the various “big questions” that have been lurking both under the surface and in the foreground of this series, and delivers a genuinely creepy guy-punch of a cliffhanger that borders on the truly unforgettable. briggs-land-4Amazingly well-written and even more amazingly well-drawn, this is a truly killer slice of folklore-inspired terror. Overall: 9. Recommendation: Buy.

Briggs Land #4 (Dark Horse )** – Brian Wood and Mack Chater begin the second arc of their Third-Reich-Meets-“The-Waltons” dysfunctional family drama with another issue more than ready to be adapted for the already-forthcoming TV series.Some bad shit goes down in the mega-hardware-store parking lot that could have serious repercussions for everyone, while Grace continues to play a long game only she seems to understand. Definitely fascinating stuff, even if the political implications of the series (haven’t so-called “White Nationalists” been effectively normalized enough in the age of Trump?) remain dubious at best. Overall: 6.5. Recommendation: Read

Infamous Iron Man #2 (Marvel)** – The point of this series continues to elude me, as do Victor Von Doom’s opaque-at-best reasons for putting on the suit in the first place. Another pointless fight with a second-tier villain gives way to a Ben Grim-centric cliffhanger, so I guess Brian Michael Bendis is looking at this as a way of sneaking the FF back into the Marvel Universe through the back door. We’ll see what happens — or rather, you will, since I’m out. If Alex Maleev’s art were up to his usual standard I might give it another issue or two, but as it’s not, I can’t justify shelling out for bucks a month for a poorly-executed gimmick book. Overall: 3.5. Recommendation: Pass

Shean

uncanny_x_men_annual__1Uncanny Xmen Annual #1 (Marvel): Within this annual, lies two different stories , one in which we see echoes of the Phoenix Saga and the other , a spy op with an unlikely operator. In the first story, we meet a mutant named Elixir, whose power derives from the Dark Riders, Magneto enlists a few other mutants to find him . In this second story, Domino is on an operation to take out Hydra. Overall, as far as annuals go, a strong book.  Overall: 9.4 Recommendation: Buy

She-Wolf TPB (Image): when a young teenager named Gabby gets scratched by a wolf, she starts encountering nightmares. Soon they become all too real, and she finds out , that it was no ordinary wolf.What follows is a lot of teen angst with an unhealthy amount of psychedelic visuals. Truthfully, by the end of this volume, I was struggling to finish, as the alchemy between storytelling and sequential art, never seemed to coalesce. Overall: 6 Recommendation: Borrow

 


Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Review: Alex + Ada: The Complete Collection

alex-ada_hc_coverartAs the world, has enjoyed science fiction, the very existence of robots has had a powerful foothold in our imaginations. The fact that robots can do what we can do and think at a greater rate, is part of what fascinates us about them. Artificial intelligence is what makes our fascination with the robot and overall, technology so engaging. The fact that a robot can learn and then adapt to what it has learned, is what has kept business from pushing those limits, as science fiction has more than showed what would happen if we did.

Fiction’s earliest meanderings with this notion, was Mary Shelley’s Frankenstein, as the scientist endeavored to create a machine who could think like man. This concept became more sophisticated throughout time, as authors such as Karel Capek, Isaac Asimov and Philip K Dick, sought to explore the parallels between human robot. Which brings as to how film and TV has explored the very idea, as Will Smith’s adaptation of I, Robot, showed the world, the dangers. Then there is Bicentennial Man, which starred the late great Robin Williams as well as Westworld and Humans, which asked these questions in several different scenarios.

So when I started reading Alex + Ada, two years ago, I was instantly enthralled as the description reads:

Alex is a young man who is depressed after his fiancée breaks up with him. Tired of seeing him unhappy, Alex’s grandmother sends him Ada, a Tanaka X-5 android which is capable of intelligent human interaction. The robot is initially incapable of self-awareness, as each android has a program that blocks any potential free thought or consciousness.

That is only the beginning, as it starts much like Her, but becomes something more though provoking and political than I believe any initial reader would have thought. As we see Alex struggle with these questions of what makes one human and what makes one robot, and eventually sees that these labels are meaningless. We follow Alex, as a jilted ex-lover reports him to the FBI because he makes Ada, sentient, and gets set free, as he and Ada face a world where though they welcome new technology, they do not want them to have power. By series end, it proves to be powerful sentiment for why discrimination in any form should not exist.

Overall, a resilient view of the future, as this undiscovered country shows the reader how good technology can be, and how human we still would be. The story by Jonathan Luna and Sarah Vaughn more than invades the senses, it lives with the reader. The art by Jonathan Luna elevates the limits of sequential art. Altogether, as xenophobia and racism is more transparent than ever, and though this series ended last year, it still feels as if it was written yesterday.

Story: Jonathan Luna and Sarah Vaughn Art: Jonathan Luna
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review

Supergirl S2E5 Crossfire Review and Recap

supergirl25fiThe fifth episode of Supergirl didn’t pull punches and gave us high stakes, action, and some serious fun. Kara finds herself as Mon-El’s earthly ways tutor and he’s not an apt pupil. His Daxam ways make him a bit of a problem for Kara at her day job. We also see Jimmy get in on the action after some alien weapons, given out by Cadmus, turn some  human criminals into a real problem for the DEO.

We also learned more about Cadmus and the Doctor when we meet Lana Luthor’s mom. It’s not that big of a surprise  that the biggest anti-alien family in the DC universe is behind one of the alien-human relations biggest threats. The Doctor’s ends justify’s the means approach to dealing with the sudden surge in Earth’s alien population is a good way to keep this story line going and another way to give us a Luthor villain. While Lana’s allegiance is unclear now, I’m not so sure how things are going to shake out in future episodes or how complicated things might get when she discovers who her new bestie Kara really is.

Jimmy takes it upon himself to go bad guy hunting and ends up causing a building collapse. His desire to be a hero made me wonder if Crossfire should be renamed Rise of the Guardian. Jimmy has had it with being a sidekick and is all kinds of ready to jump into the fray. There’s something wonderful about the writers not have his motivation be Kara. His desire could have easily put Kara into Manic Pixie Dream Girl territory but, the killer writing and execution made it something more which was very refreshing.

Meanwhile, Alex is having some serious issues with her sexuality and her feelings are all over the place. Maggie serves as a good focus point for her feelings but, her alternate position as the catalyst for Ales’s self discovery adds an interesting twist to the story line. There’s something hella dope about the writers not dropping this part of the show and doing the opposite of bi-erasure which is what most comic book based properties tend to do.

In the end, of course, Kara saves the day and Cadmus lives to fight another day, at least until the end of this season. Overall this was a solid episode with a theme of guardianship and mentoring. It was well written, superbly acted and fun to watch. i look forward to more episodes like this one and it feels as though the switch to The CW was just the jolt the show needed to realize  its full potential.

Overall Rating: 9.4

Review: Slam #1

slam_001_main_pressModern roller derby is a growing phenomenon. In consideration for the 2020 Summer Olympics and the focus of the 2013 film Whip It, it’s not hard to find multiple leagues skating in major cities these days. In fact, one of my roommates has competed as “Halting Problem” in men’s leagues in both Atlanta and Austin.

Which is why it’s surprising that there hasn’t been a comic series with a focus on derby until now. Sure, Harley Quinn has Harley skating derby in Coney Island sometimes and A-Force introduced Dazzler playing derby down in Florida, but there’s been no stories revolving around derby in the sense of Whip It. Lucky for all of us though, Pamela Ribon, Veronica Fish and Brittany Peer have brought us Slam! through BOOM! Studios’ BOOM! Box imprint.

Slam! #1 follows Jennifer Chu and Maisie Huff as they finish up their training for the East Side Roller Girls and get drafted to teams. The issue zips back and forth chronologically, showing how the two were drafted to the league and their individual lives before and after they were drafted to derby. Specifically, how derby has helped their lives. For Jennifer, it’s given her more connections outside of her originally lonely life getting her masters. For Maisie, it’s a sense of life and purpose after being dumped by her fiance, believing her to be “debateable.” Which, of course, doesn’t help when Maisie is put on a probational draft to a different team than Jennifer.

After one issue, I already love Jennifer and Maisie. Their loving and supportive friendship is one that is often hard to find in comics and to see it flourish over the first issue is such a joy, especially when Jen reaches her hand out to Maisie while she’s having pre-first bout anxiety. Friendship between women, especially in terms of competitive sports, is such an important thing to portray and one that should be portrayed more often.

Another breath of fresh air in the first issue is Fish’s art. The variation on athletic bodies is something that can easily be observed in derby and seeing it portrayed in comics form is pretty amazing. She also gets down to the nitty gritty, with bruised muscled backs, wedgies from derby shorts, and shaking nerves. Peer’s colors especially give life to this bright new world of violence and camaraderie in a way that I can’t imagine another colorist doing.

While roller derby is its own world, Slam! #1 gives a glimpse into how that world can have positive effects on the people in it. Following the journey of Maisie and Jen as they first start out and heading into their new lives on teams is absolutely joyful and should absolutely set precedent for how women’s sports comics handle competition and friendships. Of course, now that Jen and Maisie are no longer on the same team, how will they handle flying on their own?

Story by: Pamela Ribon Art by: Veronica Fish and Brittany Peer
Story: 8.0 Art: 8.5 Overall: 8.25 Recommendation: Read

BOOM! Studios provided Graphic Policy with a FREE copy for review.

TV Review: Lucifer S2E8 Trip to Stabby Town

Lucifer TVLucifer links Azrael’s stolen blade to a string of violent stabbings and enlists Ella’s help in locating the sword.

Lucifer is an interesting episode in that it really shakes things up and sets some characters in fascinating directions.

The episode revolves around Azrael’s blade which was used to kill Uriel and it apparently calls out to people and forces them into a murder frenzy that gets worse and worse. The motion of it all is put in place by an interesting person and I’m not going to say who, but the episode really starts pitting various members against God.

We saw that a bit in past episodes and the season seems to be delving more and more into what happened between everyone and where exactly is God through all of this.

But, there’s so much in this episode to unpack. We learn more about this celestial item. We get to see Lucifer interact more with his shrink. There’s some great moments around team Luci. But, I think what’s interesting is we see Lucifer panicking that the knife is out there. And we see him show compassion too.

But, there’s that knife. Who was behind it getting loose and why is interesting and really sets things up in the future as to where the season goes. There’s been a lot of references to Death for example and I’m predicting we’ll see her show up at some point.

The series continues to impress me with fantastic acting and some solid plotting and banter. It’s a show that really entertains, but this season has also delved more into the philosophical end of things. It’s a show you can enjoy as an entertaining show and it’s also a show that looks to challenge our beliefs.

Out of all of the comic adaptations on television currently, Lucifer continuously shows off why it’s one of the best.

Overall Rating: 9.45

Review: Patsy Walker AKA Hellcat #12

hellcat12Patsy Walker, A.K.A. Hellcat #12 is soo much more than a battle between a feline-themed hero and villain (That’s fun too, though.) as writer Kate Leth, artist Brittney Williams, and colorist Rachelle Rosenberg give Patsy’s bisexual Inhuman roommate Ian Soo some time in the spotlight as he has a very personal connection to one of Black Cat’s goons, Zoe. This comic explores toxic relationships, biphobia, and even realizing one’s potential with plenty of cat puns, action, and moody coloring from Rosenberg as most of the issue takes place at night. It’s another fierce, funny read as Jubilee’s transformation into a snarling cloud is worth your $3.99 alone.

There comes a day when a non-powered character in a superpowered universe wants to be a superhero. (See James Olsen in recent episodes of Supergirl as well as the Ur-example Xander from Buffy the Vampire Slayer.) Leth plays with this trope a little bit by making Ian, who has an Inhuman with telekinetic powers and no desire whatsoever to be a hero, think about taking up the profession. His desire to use his powers more actively is connected to being more open with his bisexuality thanks to the support of his new boyfriend Tom Hale and Patsy, who says he’s her best friend in a touching panel. And Leth and Williams aren’t afraid to show his anger that exhibits itself in crushed trash cans as Zoe continues to put him down like she did as the worst girlfriend/roommate ever. Their flashback is one of the top five scariest sequences in comics, and there is all take and no give in how Zoe treats Ian. But Ian channels this rage and negative feelings into one empowering full page spread as he rocks his new costume that’s like Gerard Way’s hellcat12interiorBlack Parade outfit with skull motifs. Now, he just needs a cool name to match his outfit.

Along with Ian’s character development, Hellcat #12 is the full blossoming of Black Cat into the most fabulous and evil crime kingpin. Leth writes Black Cat as obsessed with fulfilling her desires no matter the cost to her subordinates and using them only for what she wants out of them, like Bailey’s bag, which can grab and transport any object. They are utterly expendable, and Williams draws her as an oversized, almost regal presence taking up space on the page with extravagant, yet ridiculous trappings like a throne with cat motifs at her headquarters. (Also, her henchwomen communicate via cat ear headsets, which is kind of adorable in a nefarious way.) She has a similar relationship to her Black Cat gang that Ian used to have with Zoe despite gifting them some pretty cool motorcycles for quick getaways from superheroes.  Her eyes always have a fierce, mysterious glimmer, and Leth keeps her purpose for robbing a costume museum decently secret in its connection to her overall goals of running Brooklyn.

Hellcat #12 has quick, visual laughs (Any time Jubilee shows up.), spends a lot of time looking into Ian’s motivation into becoming a hero, and has quite the theatrical villain. It’s another win for Kate Leth, Brittney Williams, and Rachelle Rosenberg, and an argument for why Ian Soo really needs a miniseries with crop tops and Hamilton references turned up to eleven.

Story: Kate Leth Art: Brittney Williams Colors: Rachelle Rosenberg
Story: 8 Art: 9 Overall: 8.5 Recommendation: Buy

Marvel Comics provided Graphic Policy with a FREE copy for review

« Older Entries Recent Entries »