Category Archives: Reviews

Yumi: 00EX #1 delivers Pop Sensibility to Tired Spy Action

Yumi: 00EX #1

Yumi is in love. Yumi is lethal. When her MI6 boyfriend disappears, Yumi storms the agency – hacking their network, dismantling their operatives, and setting everything on fire. There she finds her first ally… a fully AI Lamborghini that’s built less like a car and more like a WMD. The anti-spy thriller begins here. Yumi: 00EX #1 flips the Bond formula with a debut that’s an assault on the senses and MI6.

Written by Doug Wagner, Yumi: 00EX #1 is fun, a hell of a lot of fun. It’s the story of a young women, trained in lethality, trying to figure out what happened to the man she fell in love with. It just so happens that man works for MI6. What occurs in the first issue is over the top action that if it were a film, would shake the theater in explosions, screaming from the death, and a soundtrack blasting everyone in their seat. It’s pop sense in every way.

Wagner keeps things fun with Yumi strolling through MI6 raining down death while chatting with her father and listening to some music at the same time. There’s an air about Yumi, she’s better than her foes and she knows it. But, we the readers are left with the question as to how is she? What’s her story? All of that is teased, with hints to far more in Yumi’s past, which then opens up the question if her love of the MI6 agent Richard is more obsession by a villain? Wagner teases and hints at these things while delivering humor, action, and some solid violence.

Hoyt Silva delivers the action with colors by Kevin Lenertz and lettering by Frank Cvetkovic. The team puts together visuals that force you to pause to catch every little detail and allow you to appreciate even more jokes than the just the absurd premise. When I saw the comic is an assault on the readers, I mean that with love, as the art is packed in every panel, especially the opening battle, and you can “hear” the panels and everything they deliver visually. The comic bounces between styles with cutesy art lulling us into the belief that Yumi and Richard’s “love” is legit and not just Yumi’s exaggerated take (though the stories she tells seem very exaggerated). The overall style of the comic feels like K-Pop with an action bent in choice of design as well as color.

Yumi: 00EX #1 is a hell of a lot of fun. The comic is pure action and humor with a slightly twisted heroine in the spotlight that leaves readers guessing if she’s a narrator that can be trusted. With some fun pop references and flashy action, it delivers something new to the spy action genre and has us excited to see what’s next.

Story: Doug Wagner Art: Hoyt Silva
Color: Kevin Lenertz Letterer: Frank Cvetkovic
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Miles Morales: Spider-Man #1 Delivers an Entertaining but at Times Awkward Debut

Miles Morales: Spider-Man #1

Miles Morales is back in black (and red)! Spider-Man thinks he has it allllll handled: homework, super-villains…a new school crush?? No, no–Miles’ is focused on what matters: helping the good folks of Brooklyn. Friendly. Neighborhood. Spider-Manning at his best! But a vengeful villain from Jeff Morales’ past with SHIELD threatens to destroy not only Spider-Man–but the entire Morales family! Miles Morales: Spider-Man #1 is an interesting debut that feels like a bit of a reset as it charts the next chapter for Miles, his friends, and family.

I’m by no means a Miles Morales expert. He’s a character I’ve read a lot of comics of, but he’s also one I don’t necessarily always follow. I might read an arc or a mini-series, but I’ve rarely regularly read his solo ongoing comics. Like Spider-Man in general, I drop in and out of following his adventures. But, with Miles Morales: Spider-Man #1, I get to start “fresh” with a new first issue and see what I might have missed and where things are going.

Written by Bryan Edward Hill, Miles Morales: Spider-Man #1 is an entertaining start that does a good job of laying the groundwork for what’s to come while also reflecting on Miles’ recent adventures. You don’t need to know everything and Hill expertly rewards long-time readers while also making it new reader friendly. Miles quickly goes over the major changes and adventures in his life while his friend Ganke discusses measuring his powers while listing them off. In one or two panels, new readers quickly get the information they need to do. That allows the comic to really focus on Miles’ current status while introducing a new villain.

And, the new villain is interesting. With ties to Miles’ fathers’ past, this mystery helps build off of what has come before in a natural way and creates a thread that feels organic and not a random new villain. The new baddie also feels like a challenge for Miles making no clear answer to how he can be defeated.

Hill also focuses on Miles’ personal life with him back in school and a possible new love interest. The interactions between Miles and Valentina are nice and cute and there’s potential there but you also know things are going to go sideways at some point. She’ll not be who she says or she’ll become someone that can be threatened to get to Miles. There’s just too many teases things aren’t quite as innocent as they could be and there’s something more coming.

Where the comic stumbles a bit is in some of the dialogue. Miles is a teenager and there’s just some moments that don’t feel like something any current kid would say. It’s small moments but enough for me to pause. (Do kids still say “preach”?). It also could be the awkwardness that is Miles in general and I’m not familiar with. But, I’m not around teenage boys so maybe I’m completely off in that.

The art by Nico Leon is fantastic. With color by Bryan Valenza and lettering by Cory Petit, the pages pop with a bright energy about it. Even when battling a villain, the comic still has a style where it doesn’t seem dark and brooding. The only gripe is Valentina’s eyes are supposed to be really “pretty” and stand out but they don’t really pop on the page. Valentine De Landro also provides art in flashback sequences that tell the connection between Miles’ dad and the new villain that does have a more ominous feel about them. It’s a nice contrast between the two styles and really shifts the tone.

Miles Morales: Spider-Man #1 is an entertaining start and does a solid job of balancing everything it needs to. New readers can hop in while ongoing readers get something new as well. The villain feels natural and like a real threat. It’s a solid debut that’s well worth checking out.

Story: Bryan Edward Hill Art: Nico Leon, Valentine De Landro
Color: Bryan Valenza Letterer: Cory Petit
Story: 7.75 Art: 8.25 Overall: 7.75 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

The Marshal King, Vol. 1 is a pretty good start but some lettering issues dampens the enjoyment

This is the Age of Desperados. For millennia, outlaws, bandits, and varmints have had the run of the wild west’s vast deserts, with only the U.S. Marshals to stand against them. Ride along with Jimmu Godspeed as he searches for the legendary power of the Marshal King to bring these times of chaos to an end!

When Jimmu Godspeed shows up with his infamous father’s body in tow, the whole outlaw world is shaken to its core. But instead of keeping his father’s legacy alive, he decides to enroll in the Western U.S. Marshal Training Institute! Nobody can guess his angle as he steps foot in the halls. But when put to the test, what will he choose—the law or glory?

Story: Boichi
Art: Boichi
Translation: David Evelyn
Touch-up and Lettering: Michelle Pang

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
Amazon


VIZ Media provided Graphic Policy with a FREE copy for review
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Early Review: Jeff Lemire and Dustin Nguyen’s Crowbound #1 has the Vibe of 80s Twisted Children’s Films

Crowbound #1

Rose isn’t special. She works in the Factory just like everyone else — a dark, sprawling monolithic structure that runs along the coast and cuts the world in two. All that’s left now are desolate settlements that exist in its shadow, made up of submerged villages, derelict woods, and deadly swamps. No one knows what’s left of the world on the other side… But when Rose’s young daughter Ava is violently taken from their shanty town home a year before she is meant to join the work force, Rose will come face-to-face with the surreal, harrowing forces outside the Factory’s walls… Crowbound #1 is another fantastic debut from Jeff Lemire and Dustin Nguyen that’d fit right into the traumatic children’s films of the 80s.

When it comes to creative teams in comics, Jeff Lemire and Dustin Nguyen is one where if you see they’re working on a comic together, you buy it. The combination of the two always results in entertaining stories that feature amazing art. Someone needs to back up the truck of money and just lock them in to do whatever they want. Crowbound is a new series that features the creative duo, and you better believe I read the first issue as soon as I could.

Crowbound #1 is the kind of story and debut you’d expect. It teases the grand picture, focusing on an emotional hook of a mother whose daughter has been taken away by those that rule. Interspersed, the issue has a dreamlike aspect to it as Rose and Ava dream, picturing what might be and remembering what was. There’s a haunting feel of it all and the mix between Lemire’s narrative and Nguyen’s art the comic has a feel of the 80s “children’s” movies I grew up with and delivered fantasy and a dose of trauma.

And there’s absolutely trauma here. Violence against women is present and while it’s not over the top in its depiction, it still got me to wince. But, it’s all a set up for what seems like a fantasy revenge tale, where Rose rises up against her oppressive rules to get her daughter back.

Nguyen’s art is his distinctive style and with the narrative, it takes an almost melancholy feel about it. The visuals are interesting telling us so much about the world and the characters, but there’s also a sadness to it all as well. And that feeling extends to the lettering by Steve Wands. It feels like there’s a choice in the lettering to deliver a style that matches the struggling society depicted as well as work with the dreamlike sequences.

Crowbound #1 opens up a lot of questions and the first issue doesn’t give a lot of answers. What it does give is a very focused story with an emotional core many can relate to. It’s a story of a mother who fights to get back her daughter. It’s a story of a parent protecting their child. How that plays out will be the big question and with Lemire and Nguyen at the helm, it’s one I can’t wait to find out the answer to.

Crowbound #1 comes to shops September 2, 2026.

Story: Jeff Lemire Art: Dustin Nguyen Letterer: Steve Wands
Story: 8.5 Art: 10 Overall: 9.0 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review


Pre-Order: Third Eye ComicsKindle

Endeavour #3 wraps things up but feels too much like Lord of the Flies and could use another issue

The storm has passed, but the real horror has only begun. Adrift and starving, the surviving children of the Endeavour are haunted by guilt, paranoia, and the whispering ship beneath their feet.

As the line between reality and madness unravels, they’ll discover the sea isn’t the only thing that wants them.

Story: Stephanie Phillips
Art: Marc Laming, Tony Shasteen
Color: Lee Loughridge
Letterer: Tom Napolitano

Get your copy in comic shops! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics


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Ripcord #5 wraps things up sticking to its grindhouse B-movie vibe

Dillon has come a long way to find her little sister, traversing treacherous terrain and battling it out with bad-guy bikers and relentless Ripcord rejects. Now she must face the final boss Sera and her gang of feral fiends if she wants to take Janelle home alive. But who are we kidding? They don’t stand a chance!

Story: Cullen Bunn
Art: Aneke
Color: Patricia Martin
Letterer: Andworld Design

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Early Review: Star Trek #1 helps launch the franchise into the next 60 years

Star Trek #1

The Enterprise-G is on a desperate mission beyond the known Galaxy to relocate the dying Revlavan people when its crew finds a perfect new home in a region of unknown space called the Epsilon Corridor. Three pristine Class-M worlds—the Trinity—await the refugees. No signs of civilization. No detectable threats. A colonist’s dream. But the dream fractures fast. When Captain Seven of Nine and her divided, fast-tracked crew begin exploring the Trinity, they uncover disturbing contradictions: vanished structures, inexplicable artifacts, time skips, and evidence of a presence Starfleet’s century-old probes never detected. Each world houses a different ecosystem, different physics problems, and different secrets—as if they’ve been curated…or quarantined. But from who? Or what? Star Trek #1 is a hell of a debut with a fantastic story anchored by amazing art.

I’ll admit, I’m not the biggest Star Trek fan. I’ve seen all of the movies multiple times and watched a lot of the television episodes of the various series, but it’s not much watch or must read as far as the comics or books. It wasn’t until Star Trek: The Last Starship that I got invested in a Star Trek franchise where I didn’t want to miss anything. Star Trek #1 might be the start of the second for me. It’s good, really good.

Written by Christopher Cantwell, Star Trek #1 is part of the 60th anniversary celebration of the franchise and balances nostalgia while charting a new course. The Enterprise is back, now with Seven as its Captain and also featuring Jack Crusher, Sidney La Forge, and Lily Sato. It combines an established character like Seven with newer characters that have a legacy that long time Trek fans will appreciate. It celebrates the old and the new and even as a casual fan, I appreciate it and part of the fun, for me, is seeing those names and appreciating the connection. Sato not only has history herself but connects Enterprise and The Last Starship, helping focus this new series on Trek history and a future yet to come.

Beyond the history, even if it wasn’t there, the story itself is engaging and exciting. It takes the Enterprise-G’s crew to a whole new sector to explore, one with new rules and mysteries to discover. The less said, the better as part of the fun is exploring these strange new worlds and anticipating what’s to come. It’s a comic that embraces the idea of Star Trek exploring new worlds, meeting new civilizations, and and underlying theme of the hope the best of humanity can deliver.

The art by Dennis Menheere is jaw-dropping. With lettering by Jodie Troutman that enhances so many moments, the style for the comic is amazing. Great character designs captures the feel of classic Trek but with updates as well. Small updates to uniforms help cement a new flag being planted, the ships look like the next generation of Starfleet while connecting to those of the past. The comic’s action is beautifully rendered even with the destruction depicted. Even simple transportation just looks cool. Menheere does it all and adds in page layouts that are engaging and really enhance Cantwell’s story. Troutman’s lettering adds so much to the comic as well with a style that captures classic Trek in its choices, it helps immerse the reader even more and connects to what has come before.

Star Trek #1 is a hell of a start that delivers a fantastic story with mesmerizing art. It’s a comic that celebrates the past but also charters a new future for the franchise. It shows you can honor what has come while delivering something new. Most importantly, it’s an engaging debut that has us excited to see what comes next.

Star Trek #1 debuts September 23 with pre-orders due August 17.

Story: Christopher Cantwell Art: Dennis Menheere Letterer: Jodie Troutman
Story: 9.0 Art: 10 Overall: 9.5 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review


Purchase: Third Eye Comics

Absolute Green Lantern #17 answers some questions but overall doesn’t explain enough

NO ONE ESCAPES! Sinestro’s might has overwhelmed Jo Mullein and Tomar Re! Can the two anomalies overcome his brutal onslaught, or will they be lost to Oa and become one with Mu?!

Story: Al Ewing
Art: Sid Kotian
Color: Pressy
Letterer: Lucas Gattoni

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

The Walking Dead Deluxe #142 feels like the start of a new chapter and focus

The Walking Dead Deluxe #142 kicks off the fair!

The Walking Dead returns in full color with extras! The Walking Dead Deluxe takes us back to the beginning with each issue now featuring full color. There are also extras of what might have been with notes as part of “The Cutting Room Floor.”

What’s it like to revisit this modern classic? How does it change all these years later… and in color? Find out!

Story: Robert Kirkman
Art: Charlie Adlard
Ink: Stefano Gaudiano
Color: Dave McCaig
Letterer: Rus Wooton

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

100 Bullets: The US of Anger #2 is great writing and art but for long time fans

America has a problem. The streets are burning and a young man is dead–but it sure looks like the only reason Lono’s arrived at the funeral is to pay disrespects…

Story: Brian Azzarello
Art: Eduardo Risso
Letterer: Clem Robins

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

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