Author Archives: glennmatchett

By The Numbers: August 2019

Like in any industry, comic books and their companies listen most to one thing and that’s your money! What does your money tell them? What does it tell us as fans? What series do people say they adore but can’t seem to catch a break and what books to people hate that sell out? What are the trends? What looks good? What looks rough?

All these questions and more will be answered here, every month in ‘By The Numbers’ by comic writers, editors and fans, Glenn Matchett and Ray Goldfield.

Glenn Matchett is a comic writer and editor. He’s worked in the industry for several years but grew up reading comics. He’s had work published with various small press publishers and has is own comic now available on Comixology in Sparks: The Way I Was from Yellow Bear Comics! He would have read Marvel Comics 1000 but he was washing his hair that day.

Ray Goldfield is a fan of comic books for going on 25 years, starting with the death of Superman. He is a writer and editor and has released his first novel. Ray also does a weekly roundup of DC comic reviews for website Geekdad and they’re brilliantly entertaining. He did buy Marvel Comics 1000, it sure was pretty.

We also do a podcast together with longtime buddy, Brandon James on iTunes with Rabbitt Stew or at the link here! Don’t ask, I didn’t pick the name. If you’d like to hear what me and Ray sound like, give it a listen!

Top 300 in full available here!

Glenn: More crazy sales this month as yes again the decision for DC to have two separate covers as two separate covers does create some confusion with the numbers. Our Rabbitt Stew co-host Brandon James kindly did the math for us on a spreadsheet which myself and Ray will be using as a basis for our analysis the top 500 at the link above will say slightly different. We do this to try to give a more accurate view of where things stand and hope it doesn’t cause too much confusion, enjoy!

This month was a big one for Marvel with them nearly doubling in market share over their biggest competitor in DC comics. This is due to some legit hits and smart moves by the company with only one apparent use of their fancy tricks on show for a change. Is it sustainable? Absolutely not but hey, its something to be commended if not a bit worried about.
Ray: Let’s be real – when you put out nearly double the content, it stands to reason that you’ll have nearly double the market share. But Marvel hasn’t done that for a while, and the fact that they pull it off this month is testament to the fact that they have a pair of creators that have fans genuinely excited and are putting out exciting and unpredictable stories from them. They’re still suffering from the lack of faith they’ve caused retailers to have, but talent could turn the corner for them.
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Glenn: At number one this month is the mini event spinning out of Venom in the form of Absolute Carnage selling over 233,1k is a massive debut. We’ve talked a lot over the last few months how hot Venom is and Cates and Stegman have made the character even hotter. This is the creative teams first chance at the big stage and they’ve certainty made their presence known with this performing stronger than any Marvel main event since Civil War II. The second issue also hits this month and sees a vast drop but still manages to pull in sales over 94k at 9 (using our adjusted numbers). For a mini event,that’s great and this is even better than the much more hyped and seemingly ‘important’ War Of The Realms. However, this second issue is still being outsold by the fourth issue of DC’s silly out of continuity zombie book DCeased and the Batman Who Laughs only got around this level after 5 issues and a Grim Knight one shot. This is still very good but they fact that’s below 100k already indicates retailers are still majorly wary of Marvel events. Still, Cates and Stegman should be more than pleased on this one.
Ray: The numbers for that first issue aren’t far off from what Dark Nights: Metal did last year for DC, so that shows there’s some genuine interest here. But below 100K for the second issue? Oof. That’s what I said above – retailers don’t trust Marvel events at the moment. But I think the demand might surprise and we could see an uptick for the third issue. Like War of the Realms, this one is over in a short time – only four months – which means there isn’t as much time for course correction
Glenn: No need for that pesky buyers remorse but with Absolute Carnage, I doubt that’ll be something retailers will have…for the main mini anyway.
At 2 is the shenanigans that is Marvel Comics 1000, the fake anniversary issue Marvel hopes will catch some of the success Detective Comics and Action Comics have had in recent times. This issue had a ton of variants and a large assembling of top talent and a lot of hype which is good enough to get it over 206.9k which is roughly 1 third of what Detective and Action did. Considering that Marvel cheated and charged us 9.99 for the pleasure of it, you can’t argue with the results. Of course there’s no way to judge how well this will do cause literally nothing is coming of this apart from issue 1001 next month. This is a big blip, no doubt but that’s all it is for now, smoke and mirrors.
Ray: The events of this comic will apparently be spinning off into the upcoming “Incoming” event, but this was a weird comic. Part prelude to an upcoming event, part anthology, part art-jam issue with random cameos from Miracleman and Darth Vader, it was an event comic without an event and I imagine much of the sales are down to the hype and the number of covers, plus the talent involved (for one page each). I think this was overordered and will likely be found in the dollar bin soon enough. 
Glenn: At 3 is the debut of the new Batman/Superman team up book by Josh Williamson selling over 156.6k which is an excellent number and although there would be a lot of interest here anyway is largely due to the presence of the ever popular Batman Who Laughs. How well the title will hold is hard to call but during this ‘infected’ story line where the Batman Who Laughs corrupts other DC characters, it could easily be a top ten staple. On the surface, another long term hit for DC.
Ray: That darn ol’ laughing Bat, man. He’s a powerhouse character like we haven’t seen in a long time – I compared him to Spider-Gwen initially for the way he took off like fire, but I think he might actually be DC’s Venom. Think about it – dark, violent mirror to their most popular hero. So popular he starts getting spinoffs and duplicates himself into other versions. This is the biggest hit of Williamson’s career, and well deserved, but I think TBWL is the main draw here. The long-term success of this title will depend on how long both writer and villain stick around. The past team-up series lost their momentum when the creators left.
Glenn: At 4 as mentioned above is the combined sales of DCCeased which continues to do amazingly well with sales over 119.7k. This continues to be a big hit and seems to be leading to Tom Taylor jumping to DC full time sooner rather than later.
Ray: The sales are basically split down the middle for the two covers on this one, because these horror-themed variants are so popular and people pay the extra dollar. This continues to be an insane out-of-nowhere event and likely sealed the deal for Taylor to jump to DC. How long till Batman who Laughs vs. DCeased Zombies?
Glenn: You should copyright that before its too late!
At 5-8 are the four issues of Jonathan Hickman’s 2 X-Men mini’s leading to his overhaul of the mutant line. The House Of X third issue actually outsells the second issue at spots 5 and 7 with sales over 109.1k and 101.9k while the other mini Powers Of X sells at 6 and 8 with sales over 107.5k and 100.2k respectfully. This is some great stuff with some slowing down but nothing to panic over as this thing will be over soon. The X line will definitely have one big hit out of this with the title Hickman is writing, the others will be a bigger question mark but right now it seems that for the first time in many years, this is the line at Marvel everyone is talking about.
Ray: Very little attrition for these four issues, as the whole wave stays above 100K. Hickman’s return, after so long, and bringing the X-men back to the A-list reminds me a lot of the megahit debut of JMS’ Thor way back when. I think it’s a safe bet that the Hickman/Yu X-Men book will be Marvel’s top ongoing if not the top ongoing overall.
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Glenn: Depends on how well Batman does post King but it has a fair shot to be sure.
Finally at 10 is Batman, DC’s MVP title that keeps some of the sales boost from 75 with sales over 84.8k and 81.2k with the following issue at the spot below it. ITs not the power it once was but Batman has reclaimed its place as the most stable ongoing in the market. These sales will likely be where the title lives until writer Tom King’s exit in 85 which will see an increase before he jumps over to do his Batman/Catwoman spin off. The titles future beyond that is unclear but I doubt DC will let their most stable title slip into the wrong hands.
Ray: The sales for Batman #76 are combined from the two covers, and they put it right above the sales for #77 in the next spot. Batman’s definitely picked up some momentum for the City of Bane storyline, and I suspect #77 was heavily under-ordered due to the massive events within. Look for a top 100 placement for this comic again next month, maybe.
Glenn: Of course! How silly of me. Especially since it seems to something thats sticking…for now.
Ray: Batman: Curse of the White Knight continues to do numbers that would normally be good enough for top ten, landing at #12 with sales of 74K. Picking up right where the previous one left off, although a bit down maybe because Azrael is the focus instead of Joker
Glenn: Still a very stable performer in the upper tier. Sean Murphy has built himself a powerful brand that he can extend to other licenced characters or creator owned down the line should he so choose.
Ray: I would have expected a slightly bigger boost for Venom, which sells just under 67K for its first Absolute Carnage tie-in issue at #13. I think retailers might not have figured out that this one is essentially the second part of Donny Cates’ main story, but obviously normal Venom sales are very healthy.
Glenn: Kind of the opposite effect we saw when Dead No More came out and sales on the companion title were way ahead of the main mini. This is still impressive, no doubt but I feel we’ll see good reorders on this book. Still one of Marvel’s strongest anyway.
Ray: For the first time we see the two Amazing Spider-Man issues settle into a similar range, as the second of the month sells 66K at #14 and the first sells 63K at #17. This is probably about as low as Amazing Spider-Man will regularly go, but it does seem like we’re seeing some real attrition on this ill-regarded book. Not looking good for the 2099 spin-offs.
Glenn: If memory serves this is around as low as sales got on the Brand New Day and dipped briefly towards the first part of Slott’s solo run. This is probably bare bones Amazing, what the title will do on autopilot. Absolute Carnage is on its way to boost things again soon.
Ray: The first three Absolute Carnage tie-in minis have a good start, with all landing in the top twenty. Leading the pack predictably is Absolute Carnage vs. Deadpool, which sells 66K at #15. In the next spot is Absolute Carnage: Scream, which surprises me with sales of 64K. I’m not sure how this one did so much better than the others, but Marvel obviously has faith in the character since they’ve greenlit a spin-off. Plus Cullen Bunn’s name helped, I’m sure. And at #20 is Absolute Carnage: Miles Morales, selling 53K, which is a huge boost from his ongoing series. Definitely better results than we saw for the War of the Realms spin-offs.
Glenn: I’m not sure if it makes sense but I think Scream has a slightly more prominent presence in the mainstream than any of her other symbiote bretherin so that likely helped. This is pretty much where I would have expected the order to go and like you say, the story is paying off in terms of overall performance in the first month.
Ray: Immortal Hulk seems to have settled into a groove, selling 62K this month at #18. Way down from its bizarre highs that started months back, but still one of Marvel’s biggest hits at the moment.
Unlike the Bat-books in Black Label, Superman: Year One isn’t showing the same staying power. The second issue this month sells 59K at #19, down about 1/3rd from its debut. Maybe there just isn’t that much market for a Frank Miller Superman book.
Glenn: I think retailers a bit wary of Miller because of his odd output in the last decade. I think the exception was Dark Knight III cause of the branding, we’ll see how the one shot tying into that universe does in December. I don’t think this will be as well remembered as Miller’s other Year One offering.
Ray: Amid the top books hovering around the 50K range are Detective Comics, Justice League, Avengers, and Savage Avengers – which is quickly turning into a surprise hit for Marvel at #27 with sales of 48K. Conan, Venom, and Wolverine walk into a bar…
This is also where we find the third issue of Event Leviathan, selling just under 50K at #26. Given how disconnected this is from every other title – I think Supergirl and Action are the only titles tying in – I think the fact that it’s leveled out this quickly is actually impressive. Bendis’ fanbase isn’t what it used to be, but I think he still has a loyal audience.
At #28 is the third issue of Black Cat, selling 48K. That’s…slightly closer to reality, I guess? But we’re still in the blind-ordering phase, and next month we see sales adjust to actual demand. I wouldn’t be surprised by a 50% drop.
Glenn: We’re getting there, we’ll see. This is more along where I would have imagined the series to launch. Maybe there’s still smoke and mirrors or people really like those J. Scott Campbell covers.
Image result for black cat issue 3
Ray: At #29 is the first issue of Ghost Spider, selling 47K – but then, this isn’t really a new series at all. This is the same writer, same artist, essentially picking up with a new #1 and a new storyarc. It’s a healthy boost in sales, more than a 100% jump, so they got what they wanted out of it – but clearly the character’s top-selling days are well behind us.
Similarly, Spider-Man: Velocity #1 sells 47K at #30, and that’s essentially just the next arc of Dennis Hallum’s new series set in the Spider-Man game universe. People really love the game, and these numbers are incredibly healthy for a licensed spin-off.
46K people bought Gwenpool Strikes Back at #31. Whether we like it or not, this character seems to have a genuine fanbase and I’m hopeful she winds up in Kelly Thompson’s hands again soon when she launches Deadpool soon.
Glenn: That seems to be a safe bet. Marvel seems to have had a lot of success with this joke character who took the internet by storm.
Ray: This is where we see a bunch of ongoing hit comics in the 40K range, including both Superman books, The Green Lantern, Fantastic Four, Guardians of the Galaxy and its spin-off Silver Surfer: Black, and the final regular issue of Jason Aaron’s Thor. Consistency in comics? *gasp*
Glenn: Shocked Pikachu face!
Ray: Two titles showing some real staying power are Valkyrie: Jane Foster at #35 and History of the Marvel Universe right below it, both selling 43K. The latter only loses 3K from its first issue, while the former GAINS about 1K in sales. That one must have been really under-ordered, but I think we have two hits here.
Glenn: The latter is only a mini so it’ll do well for its short life. Great result for Valkyrie, we’ll see if Aaron sticks around and if he leave what effect it’ll have.
Ray: At #39 is the next Absolute Carnage Spin-Off – Lethal Protectors, which stars Misty Knight and reunites the characters from the 1990s Maximum Carnage event. It sells 43K, which is pretty healthy for a glorified Heroes for Hire spin-off.
Glenn: That’s a really good result based on what this is. I guess retailers linked the subtitle with what I think was the first Venom spin off back in the day and ordered accordingly.
Ray: At #41 we find Future Foundation #1, the quirky FF spin-off written by Unstoppable Wasp’s Jeremy Whitley. It sells 41K, which seems decent enough…but Marvel doesn’t think so, since the series has been cancelled with #5. Depressing. When will Marvel either give Whitley some all-ages OGN work geared towards the bookstore market, or DC clue in and nab this talent for their own fast-rising OGN line?
Glenn: Grim times here. It seems Whitley was as surprised as anyone. Titles below this might wan to watch out. Since Dan Slott has worked his magic on FF, Marvel maybe expected more but they also need to learn how much demand a certain franchise might have without its name creator.
Ray: At #43 we find Age of Conan: Valeria #1, which sells just under 40K. This is a spin-off for a rather obscure female Conan character who Howard created but – unlike Belit – hasn’t been used much in the comics since. The fact that this series by Meredith Finch did so well is a testament to how hot Conan is right now. No wonder Marvel picked up Solomon Kane and the rest too!
At #45 is the lowest-selling Absolute Carnage spin-off, the horror one-shot Separation Anxiety, which sells 39K. For a book not featuring any famous characters and playing on one of the less-well received Venom series from the 90s, that’s still a pretty strong debut.
Glenn: I think this’ll get some good reorders cause of out of all the spin offs, its the best thus far and seems to have some relevance to the overall plot. The rest so far apart from Venom don’t seem to be overly important to the overall story.
Ray: A book that’s been massively increasing in sales recently is IDW’s Teenage Mutant Ninja Turtles, which sells just under 39K at #46 as it counts down to 100 and a creative team change. The title’s introduced a game-changing new character (no spoilers here!) and that’s turned it from a sleeper hit to a genuine smash.
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Amid solid sellers in the 30K range like Flash, Captain Marvel, Star Wars, Captain America, Spider-Man: Life Story (ending its run and heading off to collections where it’ll sell forever), and Daredevil, we’ve got the return of Agents of Atlas for a new miniseries spinning out of War of the Realms. It sells just under 38K at #50, which is pretty much where this series always lived. As it’s only a miniseries, it’ll be fine and should get periodic revivals.
Glenn: Agents Of Atlas has always been a cult favorite and doesn’t seem to be able to move beyond that. The fact that Marvel still rolls it out now and then is a testament to how dedicated the small fan base out there is.
Ray: Vampirella proves it’s not just a one-off fluke after its top ten debut last month, as it sells 35K for its second issue at #54 – easily blowing away anything else Dynamite does and being a pretty big feather in the cap for underappreciated long-time writer Priest. His other title, Deathstroke, is wrapping soon, so either big two company would be smart to offer him a big project if he can make frickin’ Vampirella a hit.
Glenn: Yeah no kidding. Priest came back to comics in a big way only a few years ago and has made himself more relevant than ever. We’ll see who else is quick to click on in the new year.
Ray: At #59 is Major X #0. This is a reprint of a 1990s X-Force issue with about ten pages of new Major X content by Rob Liefeld. It sells 31K. I’m scared, Glenn. The top 100 aren’t supposed to make me feel uneasy.
Glenn: Not sure if this is better than Marvel making money on old content…or worse. I can see more of these types of one shots happening sadly.
Ray: At #61 is the Esad Ribic one-shot Conan the Barbarian: Exodus. It got a lot of hype as an original Conan story, but turned out to be more of a Ribic art book with no dialogue. I’m still surprised it only sold 30K, 10K under what Valeria did. I would have thought Ribic’s name alone would have boosted it.
Glenn: Not sure why this didn’t sell more. Too much Conan? Ribic untested as a writer? Its unclear but at least it looked all purty.
Ray: #66 has the debut of The Once and Future, a new creator-owned book from Boom by Kieron Gillen and Dan Mora. It sells 29K, which blows away pretty much any creator-owned Boom title in recent memory. This clever take on modern Arthurian legend has already been upgraded to an ongoing, and well deserved.
Glenn: This is also considering that BOOM were offering this outside the direct market too in a new sales initiative. This outsells all of Image’s titles which is astonishing in itself, Gillen has suddenly become a force to be reckoned with in creator owned land.
Ray: This month’s Age of Resistance one-shots from the Star Wars line have a pretty big disparity in sales, with the Poe Dameron one landing at #71 with sales of 27K, and the General Hux one down at #86 with sales of 24K. Not surprising, given that one is a beloved fan favorite hero and the other is Hux.
Glenn: Poor Hux. We should prank call him and cheer him up.
Ray: The two Year of the Villain one-shots this month do similar numbers, as Tom Taylor’s Black Mask special is at #74 and Mark Russell’s Sinestro is at #78, both selling 26K about 400 copies apart. We should see bigger numbers next month for villains like Riddler and Lex Luthor.
Glenn: Joker too of course. Still that’s great for Black Mask who hasn’t been relevant in years. I would have expected more from Sinestro but it just shows how long ago the golden age of Johns Green Lantern really was.
Ray: The Deadpool Annual, pitting him against Nightmare as part of the Acts of Evil branding, sells 26K at #75. Pretty standard numbers for a Deadpool side comic.
The second chapter of the Prodigal Sun storyline from Peter David, this one starring Silver Surfer, sells 26K at #77. These are pretty decent numbers for a random cosmic side story.
#79 brings us 25K in sales for Amazing Spider-Man/Venom 3D, which is a reprint of the first Spider-Man vs. Venom fight. In 3D. It’s that time again for Marvel to sell us comics we already own!
Glenn: This sold very well not too long ago in a True Believers one shot! Crazy times! I thought 3D was dead again, makes me sad.
Ray: The second issue of Black Hammer/Justice League: Hammer of Justice sells 23K at #89, blowing all other Dark Horse books out of the water this month. That’s a huge new audience picking up this universe, which bodes well for the future.
Glenn: Double what Hammer books usually do, this is brilliant. I really hope it floats over to the main books. Very cleverly, Lemire is debuting a new maxi series set in this universe the month after this mini ends.
Ray: #90 brings us the debut of Punisher Kill Krew, a War of the Realms spin-off where Frank murders the monsters left behind after the war. It sells 23K, lower than I would have expected. This mini really left behind very little in the way of waves.
Glenn: Punisher seems to flounder with these off beat takes. We’ll see how well Ennis return is received towards the end of the year.
Ray: It’s a relatively gentle slide for Superman’s Pal Jimmy Olsen, as it debuted with 30K this month and sells 21K this month at #95. A Jimmy series was never going to be a hit, but it could gain momentum thanks to good reviews and the crack creative team.
Glenn: It’ll do well in collections and probably be an award darling which will lead to a long healthy collection life. I doubt DC expected much more than this.
Ray: With Walking Dead gone, Saga on break, and Spawn doing a skip month before the big 300, the top Image book of the month is all the way down at #96. It’s the return of Kieron Gillen and Stephanie Hans’ Die, selling 21K and making a good case that it’ll be the new top Image ongoing.
Glenn: That’s fantastic and the book deserves it. We’ll see how life for Spawn is after 300, it’ll probably keep some holdover sales for a few months. I think Undiscovered Country has the best shot of being Image’s new top heavy hitter.
Ray: #100 is the DC Facsimile Edition of Batman #232, the first appearance of Ra’s Al Ghul. It sells 21K, so DC gets into that business of selling us old comics again too!
Glenn: Ra’s himself would approve of the recycling.
Ray: #101 brings us the debut of the very odd Coffin Bound from Image, as this backroads horror story from Dan Watters and Dani sells just under 21K. That’s 21K very confused people.
Glenn: Still, its the highest selling new Image title which is nothing to be sneezed at. I don’t think either of these creators are heavy hitters so we’re seeing another month of Image themselves being able to get faith in new books by default.
Ray: #102 has the debut of Fantastic Four: 4 Yancy Street, as the FF’s quarterly anthology sells 20K. Not a great number, and the second piece of evidence that the FF isn’t really ready for too many spin-offs yet despite the huge success of the parent series. Shame – it was a fun Thing story.
Glenn: Don’t get too attached to this one folks.
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Ray: Next up at #103 is the Sensational Spider-Man: Self-Improvement one-shot, which sells 20K for a pair of anthology tales including an alternate Black Costume story from the vault before the symbiote existed. There’s a lot of these random “from the vault” anthology books coming from Marvel in the coming months, and I might have expected a bit more from this one.
Glenn: Especially given how hot Venom is at the moment even though this isn’t ‘really’ a Venom book. It seems from the sales, retailers were more confused than anything about what to make of this.
Ray: Jeff Lemire goes two-for-two as the author of the top Dark Horse books this month, as the debut of Berserker Unbound sells just under 20K at #112. It’s definitely a healthy number for a creator-owned Dark Horse book, but I wonder if the numbers were blunted a bit by how prominent Conan has been lately. Trying to sell an original inspired by the character is harder when the OG is everywhere.
Glenn:  Yeah I think this is a victim of Conan overkill at the moment. Lemire usually cooks his stories in development for a long time so this could have been stirring longer than Marvel has had the property but these are how things go sometimes. This is a great creative team though so I’m expecting it to stabilize fast and get good collection sales. At the end of the day this is still better than what Dark Horse averages these days.
Behind Batman universe which is at 85 with sales over 24.4k is the second issue of Superman universe at 111 with sales over 19.9k. Given the talent involved these should be selling more on paper but they’re both reprints of existing material and both tales that will perform handsomely in collections. The monthly sales of these two for one monthly offerings are secondary.
At 114 is the second issue of Fearless which sells 18.7k which is very good for a mini which is highlighting female talent and female heroes. Those that say these kind of
things don’t have a place in the market might want to rethink that.
Pretty Violent is a new Image book that seems to blend the concept of popular Image runs likes Hit Girl and I Hate Fairyland and mush them together.  Perhaps the riding of the coattails is why it did well at 115 selling over 18.6k despite it being superheroes (which people aren’t interested in from Image unless its Spawn atm) and two creators I’m not too familiar with. Perhaps having a variant by Scottie Young helped. We’ll see where it drops to next month.
Ray: I’m wondering if many retailers thought this WAS a Skottie Young book based on that cover. We’re almost in Hellicious territory here with this.
Glenn: Despite not having an ongoing at the moment, She-Hulk still gets an annual at 122 selling over 17.1k. This is another installment in the non event, Acts Of Evil. This is decent enough for what is essentially a throwaway one shot with nothing to do with anything.
Ray: Annuals not actually spinning out of an ongoing are so odd. We’re getting another with Moon Knight next month that will probably do a bit better.
Glenn: Second issue of Aero sells over 16.6k at 124 which I think is great considering this is merely translated material. If Marvel makes movement with these titles in other markets like they have done with Moon Girl and Ms. Marvel it’ll be a sleeper hit.
Ray: This is a decent number, but looks worse due to the sales being doubled on the first issue. This is mostly free money for Marvel as a reprint, though.
Glenn: The second issue of the new Doom Patrol sells over 16.2k at 126 which is a good bit ahead of what the previous series was before it ended. The relaunch seems to have benefited here, hopefully this one doesn’t lose its schedule which may kill any renewed momentum.
After 12 issues, Mirka Andolfo’s odd sexy pig comic Unnatural ends with sales over 15.1k at 128 which is great. This has been very consistent despite the apparently odd premise and Andolfo is already working on her next creator owned project which will debut in Europe first. I can’t wait for the undoubtedly lovely hardcover collection.
A Marvel Monsters one shot released to tie in with the 80th anniversary of the company sells over 15k which I think is really good. I think this is largely due to the impressive talent on offer here and some nostalgia for these old school monster stories that kept the lights on at Marvel for two decades or so.
Ray: This was mostly an art book with a wrap-around story by Cullen Bunn. Another odd one-shot in a month full of them.

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Glenn: At 130 is Titans Burning Rage, the latest Walmart repackaging with a new original Teen Titans story by Dan Jurgans which sells over 14.9k. That’s very good considering again this is existing material and the Titans brand has been less than stellar for the last two decades. Perhaps the Wonder Comics line has brought new eyes to stories starring this team.

Ray: This is by far the lowest-selling debut of the Walmart books, but that’s to be expected given the franchise. This is an attempt to create an evergreen version with four of the five core TV Titans for kids, so I think it’s doing what they want.

Glenn: Boom continues to kill it with the Buffy licence at the Chosen Ones one shot lands at 131 selling over 14.8k which is only 4k or so behind the main title. Considering this is priced at 7.99 and really only features one ‘big name’ this is brilliant. We’re going to see more of these every so often if this is any indication.

Ray: That’s easily the best performance for one of these $8 one-shots from Boom. If this can do this well, I think a top twenty debut for Hellmouth might be possible.

Glenn: Top 25 worst case

Another great result at 135 for Power Pack: Growing pains another random one shot tying into Marvel’s 80th. Considering this is a property that hasn’t been popular for like…ever and writer Louise Simonsons output as a writer has been minimal in the modern day I’d call the sales of over 14.1k a big win.

Ray: Especially given this is a direct follow-up, essentially the next issue of a comic that ended decades ago. It was a fun read, but I would like to see more of what the two younger kids are up to now.

Glenn: Oddly low but not disastrous number for Chip Zdarskey’s White Trees at 137 selling over 14k. Fantasy doesn’t have a huge presence in the market so retailers may have been wary here. The mature content label (which this earns in a big way) may have put some off. It’s nothing terrible but considering how good it was and how talented Zdarskey is I thought it would have done a little better.

Ray: I don’t think retailers knew what to make of White Trees. A two-issue miniseries is almost unheard of these days. I suspect we’ll get a lot of reorders in coming months.

Glenn: Especially if what Zdarskey says is true and these two issues will not be collected. You either buy these or miss out, an interesting strategy in the collection age.

I would have thought an Image Comic with Jason Aaron and Dennis Hallum’s names on it would manage more than 13.9k at 139 but there Sea Of Stars is anyway. Perhaps the duel narrative of the story put some off? Again its fine where it is but deserves more based on the names involved on paper. Remember the lesson people, don’t dare be different.

Ray: Only a very select group of Image books manage to get above this level now, so I don’t think they have anything to be worried about.

Glenn: This is true.

Way behind its Batman and Superman brethren is the Walmart repurpose of Wonder Woman: Come Back To Me which sells over 13.3k at 141. This is the team of the mega successful New 52 Harley Quinn run but still…existing material…collection sales…money for nothing…yada yada but the large gap for the third member of DC’s trinity is…odd.

Ray: Honestly, the three Walmart books starring the Trinity are performing pretty much in proportion to where their regular books sell.

Glenn: A good bit behind similar title Aero is Sword Master at 145 selling over 12.9k. Another noticeable difference but this is merely translated material that Marvel is likely willing to take a hit on monthly due to the economics of that and hoping to use these titles to reach groups outside of the direct market.

Two second issue Image books in a row next with Reaver at 146 selling over 12.8k and Space Bandits doing around the same at 147. I’m surprised Space Bandits isn’t doing better since its Mark Millar but we’ve been saying for a while now that since his Netflix deal his star isn’t quite as bright but likely much more profitable. Reaver on the other hand I think is a big win for Jordan and Isaacs.

At 148 is your favorite regular offering from Marvel, old material for more money! This time its Immortal Hulk directors Cut which reprints the start of the now very popular series which sells over 12.7k. Great numbers for material that isn’t that old with only a few bells and whistles added. The second issue in the same month sells over 10.3k at 169 but its just icing on top of the green rage cake.

At 149 is the second issue of Blade Runner 2019 selling over 12.6k. This is a great result for Titan, much higher than their usual licensed properties tend to perform. It just shows how popular Ridley Scott’s 1982 continues to be. Oh and the genius of the 2017 sequel of course…*puts up umbrella for incoming fruit and veg)

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The move from Dark Horse to IDW seems to have done wonders for Usagi Yojimbo which sells over 11.6k at 155 which is miles ahead of where it used to be. With Buffy and now this finding better options as well along with the question mark of some of their former FOX properties now belonging to the mouse, the company has to be worried.

Ray: Great news for Usagi – as a first-time reader, it’s been a great read from IDW. Don’t worry about Dark Horse, Disney will give them more Frozen.

Glenn: I suppose they can’t afford to…let it go *boooooooo*

Good launch under Mags Vissagio for Doctor Mirage for Valiant which sells over 11.3k at 159. A little higher than Valiants default range it’ll likely settle to around 8k where most of their titles live.

Ray: This is a B-list character for Valiant, too, so the strength of the debut is probably down to Mags’ growing profile.

Glenn: This months Hellboy one shot is at 162 selling over 10.9k. This is where Hellboy lives. Its fine. Its all fine.

Surprised Marvel Action Captain Marvel didn’t do better than sales over 10.1k at 171 considering how big the character is now and this issue features a plot invoving a Flerkin. Still, these comics are intended for other markets really and given the delays on the other Marvel action books, retailers may be wary.

Ray: Yeah, these will make their money elsewhere. This is also a three-issue miniseries, so retailers are likely looking ahead to the trade in November. Still, Flerkens!

Glenn: Over 9.9k reorders for Powers Of X 1 at 173, whatever Marvel did to get Hickman back has paid off.

Second issue of former Black Label title Second Coming sells 9.8k at 174. This would be troubling if it was still at DC but this is brilliant for Ahoy so good for them for scooping this up.

Ray: Honestly, this second-issue number is still probably above where it would be at Vertigo! Good for Russell and former Bendis Boarder Richard Pace.

Glenn: Big drop for the second issue of Collapser at 178 with sales over 9.6k. Not great but around where the previous level the Young Animal books largely did. It’ll again depend on what DC expects but I don’t think this will last.

The relaunch of the classic hero the Death Defying Devil from Dynamite sells over 9.1k at 184 which is pretty good for such an obscure character. This is pretty much mostly due to the fact that its written by Gail Simone who always brings her own audience. Should be good for about 5k and decent collection sales to run for as long as she wants to write it.

Ray: Yeah, a good debut for a character few people care about. We’ll see if Max Bemis can do the same for Black Terror in October. 

Glenn: Given it has the involvement of Cullen Bunn I’m surprised Unearth isn’t doing better. It manages to sell over 9k at 185 on the second issue. Not a disaster but again, a title that on paper should be doing better which is becoming the theme of the month.

Ray: This is where Dark Horse creator-owned books live. Both have at least one top name attached, so they’ll probably hold well. Dark Horse has a decent trade program

Glenn: Second issue of Aliens Rescue is at 186, the sales don’t matter because the title is now cancelled because Brian Wood is a horrible person and Dark Horse jettisoned him out an airlock faster than the titular Xenomorph’s.

Strayed, an oddball new mini from Dark Horse debuts at 188 with sales over 8.9k. Pretty good for such an odd concept and really unless its Hellboy or Jeff Lemire, this is the best Dark Horse can seemingly do for new launches with names not well known.

Former Black Bolt writer, Christian Ward comes to Dark Horse with a magic based gangster story in the form of Tommy Gun Wizards which sells over 8.8k. I would have thought it would have done better than this with a known creator but this month is all sorts of odd with that sort of thing so I don’t think its really the fault of Dark Horse.

At 196 is Archie: Married Life 10 years later, the continuation of one of the more popular Archie alternate takes which sells over 8.5k. This is where Archie related material seems to live by and large, like we’ve said the glory days of the initial sales of the Waid relaunch are far behind us.

Ray: This was the very first older-skewing Archie book way back when, even before Afterlife, but it’s sort of been eclipsed since. This is really more for Archie loyalists than anything.

Glenn: Only over 7.5k in sales at 210 for the second issue of Manor Black, the new horror movie from the creative team behind the excellent Harrow County. I think this month needs to go home, its drunk.

Ray: That’s not a bad number for the second issue of a Dark Horse book! Bunn is doing good work with Lemire to keep them afloat.

A very strong debut for The Dark Age from Red 5 Comics at #211. This post-apocalyptic thriller in a world where the bonds of metal stop working sells 7.5K from a company we rarely see in the top 300.
Glenn: Good for them, they should have a little bit of the bubbly.
Ray: More reprints from Marvel with X-Men: Marvel Tales at #212, selling 7.1K.
The new creator-owned thriller Mountainhead from IDW charts at #216, selling 6.8K. This kidnapping thriller got great reviews, but IDW continues to struggle in the creator-owned field – they just canned the Black Crown line.
Glenn: A big change for IDW, one has to wonder what may be happening there behind closed doors.
Ray: An impressive 6.6K in reorders for TMNT #96 at #217, as the debut of a major new character continues to build buzz for the series. I could see #100 breaking into the top 20.
A new Aftershock thriller, Bad Reception written and drawn by Juan Doe, lands at #218 with sales of 6.5K. This is a little lower than they usually live, so a disappointment for the off-the-grid wedding murder mystery despite Doe being a go-to artist on a lot of the company’s titles.
The facsimile edition of X-Factor #87 charges at #221, right after a My Little Pony one-shot, as the acclaimed issue featuring Doc Samson pulls another 6.3K in sales.
Glenn: Just imagine what they would have sold if Doc Samson gave therapy to one of the Pony’s.
Ray: The Gabriel Rodriguez adaptation of The Island of Dr. Moreau sells 6.2K at #222, a not-surprising number for a niche literary adaptation by one of IDW’s brightest stars.
Glenn: This has book store market written all over it. Even Marvel tried that about a decade or so ago. It does look rather lovely.
The Vault post-apocalyptic thriller The Mall lands at #224, selling 6K. This is not to be confused with the Scout comic of the same title, which is essentially Scarface meets The Breakfast Club.
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There’s another 6K in reorders for Canto #2 at #225, as this is one IDW creator-owned series that seems to be taking off. That’s about 2/3rds of what the first printing of the third issue did this month, and another 2K in orders for the first issue are below. A well-deserved hit!
Humanoids Inc continues to stumble out of the gate, as their third ongoing series, Omni, launches with sales of 6K at #226. Much like Catalyst Prime, these original superhero shared universes seem to struggle to gain momentum.
The Star Wars Adventures Annual for the year sells 5.8K at #231. As usual, this is not where the sales are coming from – but I do think the price point on these annuals is deterring people a bit.
Hey, there’s Zombie Tramp at #235, selling 5.7K. Zombie Tramp, official mascot of By the Numbers.
At #241 is the return of Lenore, the undead chibi cartoon from Titan, selling just under 5.5K. This is a cult favorite with a large cross-audience with Invader Zim (right above it), and it’s been gone for a while, so these numbers seem pretty good.
Amid a lot of Image Firsts $1 issues, which sell in the 5K range, we also get 5K in reorders for Aero #1 at #250. There seems to be some genuine interest in this title.
At #254 is the return of Ducktales from IDW, with a new one-shot titled “Science and Silence”. It sells 4.8K, which is pretty typical for a cartoon spinoff that will do most of its sales in IDW’s mini-trades.
At #258 is the latest spin-off of one of my favorite cartoons, Over the Garden Wall. The theater-based thriller “Soulful Symphonies” sells 4.6K at #258. a typical number for Boom cartoon spinoffs that are geared towards the bookstore market.
Glenn: I thought if you liked it so much, you would talk about it more…*puts umbrella back up*
Ray:Formerly known as Songs of the Dead, Necromancer’s Map debuts with 4.3K in sales from Vault at #262. Given that this is more of a second arc than a debut, I’m guessing retailers didn’t order as heavily as they do for launches.
Fairlady wraps up its first arc – and run – at #265, selling 4.2K for its final issue. This is one that got great reviews but never really took off sales-wise. Happens to a lot of good books, and two of my favorites – Gogor and Outpost Zero – are joining it soon.
Glenn: The market is more crowded than ever, its going to mean sadly some great books will get lost in the shuffle.
Ray: 3.9K in reorders for Reaver #1 at #273, so this is a title with some real buzz. Justin Jordan often struggles a bit in single-issue sales, so this is good to see.
Copra is soon to relaunch at Image, so Michael Fiffe’s creator-owned thriller has an Image First issue at #275, selling 3.8K. Odd since the first volume wasn’t Image, but this should raise the series’ profile a lot.
Glenn: Just to raise its profile and get people on board most likely, a good marketing move.
Ray: 3.7K in reorders for Batman: Last Knight on Earth – which increased for its second issue already – at #280, so this is clearly a monster hit.
Glenn: The biggest winner of the Black Label line so far but there’s lots more to come.
Ray: At #281 with sales of 3.7K is Van Helsing vs. Dracula’s Daughter from Zenoscope. I’m sure Dracula’s Daughter has a very practical and not at all exploitative costume.
Glenn: She’s not too bad after a google search but like all Zenescope women she is rather…chesty. I don’t know why Van Helsing is dressed like a hooker cosplaying steampunk Zatanna though.
Ray: It’s a bunch of reorders and low-selling indie books in this section, until we get to #293 where Donny Cates’ Babyteeth returns from an extended hiatus. This book sells 3.4K on its return to Aftershock’s line, which shows the huge difference between their reach and what Cates usually does at bigger companies.
#295 brings us “Grimm Universe Presents Fall 2019“, their latest swimsuit edition selling 3.3K. I’m cold, Glenn.
Glenn: Those girls will be too. They don’t have much to wear.
Ray: At #303 is 3.2K more in reorders for the first issue of Batman: Last Knight on Earth, so we’ll be seeing that for a while on these charts.
#305 brings us 3.1K in reorders for Amazing Spider-Man #25. HEY GLENN, DID YOU KNOW CARLIE COOPER IS BACK IN TOWN?
Glenn: I have wondered about the big neon arrow pointing to her saying ‘I iz Kindred
Ray: #310 brings us 3K in sales for the latest Scout Comics launch, Headless – a book that fuses the sensibilities of concepts like It and Stranger Things with the legend of Sleepy Hollow. This got good reviews, so it could be a sleeper (pun intended) hit.
Glenn: He’s a horseman…headless!

Some reorders for Jane Foster: Valkyrie at 328, Venom 329 and Silver Surfer: Black at 330 all selling around 2.7k. Good signs for all these books.

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Bunch more reorders, mostly for Marvel until we get to 346 and Barack Panther: Barack In Black which sells over 2.4k at 346. Send help.

Ray: I wonder if Barack Panther fights a version of Klaw with yellow hair who wants to make Wakanda great again. This is cutting satire here, folks.

Glenn: They’re going to leave Wakanda by hook or by crook on October 31st.

Three new launches from various small press companies with Dead End Kids at 347 selling over 2.4k, Planet Caravan at 348 doing exactly the same so we get two 347’s but no 348 and Show’s End from Mad Cave Studios selling over 2.3k at 351. This just illustrates how close small press books by unknown talent are all grouped together as they all try to get noticed among the massive amount of noise created by the bigger companies.

Ray: Dead End Kids had the best reception of all of these, selling out quickly and going back to print. Source Point seems to be trending up. Show’s End is a pretty good result for a company that rarely gets into the top 400, as well.

Glenn: Its reorder city combined with small press ongoings until we get to 372 and a Tangled one shot titled Hair It Is (ha, puns) selling over 1.7k. Dark Horse seems to be doing better with their Disney output than IDW but Tangled sadly has been overlooked in favour of the likes of Frozen. This will sell oodles to fans of the animated series outside the direct market. The Disney Princess line makes a lot of coin for the mouse.

Ray: IDW’s Disney things generally do dreadful numbers in single issues and then head to trades, so they’re going for more one-shots and short minis.

Glenn: Source Point Press released an anthology based around Hope in Comic For Flint Hope at 383 selling over 1.5k which was to benefit a charity which supports adults with development issues. The only name attached is a musician named Jonathon Diener but I can’t find any other talent involved which may have made creators wary despite the good cause. Hopefully Diener has a large fanbase outside the industry to support the book the charity can get some additional support.

Ray: This was an odd one – it was to raise money for Flint, but unlike many great projects like Love is Love or Where We Live, it didn’t connect directly to the Flint crisis. The comics were just a collection of random indie stories, and I don’t think it had anything to drive sales despite it being for a worthy cause.

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Glenn: Not much excitement for Exciting Comics Extravaganza from Antartic press and I think the cover pretty much sums them up quite well. It sells over 1.4k at 385.

Small press company T Pub sees some headway in the top 500 for the first time that I remember with a new title in Traveller 1 at 386 which sells over  1.4k.

Ray: Traveler was a Kickstarter comic, so it got a lot of its sales already before this. The company hasn’t really gained much buzz yet, but this book seems to be getting good reviews.

Glenn: We’re usually a lot further down before we get to numbers like this so we’re going to see a lower entry point than usual and probably a lot of tears before we’re done.

Another publisher that doesn’t ring a bell is Blackbox Comics who have a new offering in Psycho List at 395 which sells over 1.3k among a bunch of major company reorders and noise from small press ongoings.

Ray: Blackbox is another company that doesn’t really seem to have a strong identity yet – it’s had books by Chuck Dixon and Kevin Grevioux, two writers who one would not expect to go together.

Glenn: At 399 is this months Dave Sim one shot selling over 1.3k, I’m sure he’s just pleased as punch.

*sighs* Pussycats…Eat Death or…*sighs again* Get Naked at 408 from E-Comix selling over 1.1k. No seriously people, send help.

In what reads as the indie horror comic event of 2018 returning… *looks silently at Gideon Falls* no not that, the first issue of Eternal Thirst Of Dracula sells over 1.1k at 411. This is not the time to be making such sweeping statements about your horror game.

Adventure Finders launches its second volume so there must be a fanbase to warrant such a thing. It sells over 1k at 416. It reads like a generic fantasy adventure by unknowns from Action Lab so…yeah.

Ray: Adventure Finders was originally at Antarctic and the creator left over the Comicgate affair, so he’s got a built-in audience. It’s a small core audience, but Rod Espinosa has a big following from his webcomics.

Glenn: More reorders and small press stuff until we get to Superbabes Starring Femforce which sells 901 copies at 433. This is apparently comics premier female superhero team by a creative team offff *checks* guys I’ve never heard of. Yup that fits.

Some sort of giant monster offering from Antartic Press at 437 in Konnichiwa Kaiju Kun sells 856 copies. Godzilla is not losing sleep here.

Red Range Pirates Of Fireworld from Its Alive (?!??!) sells 825 copies at 437. This is a single issue publication of a Kickstarter book that is written by the original creators son. I’ve never heard of this property so most of the diehard fans probably scooped it up during the campaign.

Ray: Lots of odd Kickstarter launches this month – this is probably a lot of the stuff that slips out of the top 500 in normal months.

Glenn: The market demanded (?) more sexy Cavewoman and by jove, it got it in the form of the Cavewoman Riptide One Shot that sells 824 at 442. USA! USA! USA!

Another offering from Antartic Press in Cookie Kid which sells 819 copies at 443. This one reads as if it might be good for young readers but the company that’s pushing it out will never get the support that the likes of Boom will cause you know…things and stuff.

Then its just reorder city with the exception of one small press launch with Roman Ritual (Vol. 2 again) at 478 selling 593. Its really depressing how low the numbers are this month.

Ray: Roman Ritual is a horror book from cult publisher Amigo Comics. They’re one of those that really has yet to break through at all, but they publish a lot of books.

Glenn: We finish at 500 appropriately enough, a reorder of the first issue of Blade Runner 2019 which sells 488 additional copies. What a month…

Ray: Been a while since we had a book below 500 on these charts.

Looking ahead to next month, I’m sure it’ll be dominated by the regulars as – *gets bowled over as Spawn rampages through the charts* It’s already been confirmed that Spawn #300 will be the top comic of the month, as it came in as the #2 comic of the year so far, only behind Detective #1000. That’s an insane number, and is likely to set an all-time record for Image comics in the modern day. Image also has the former Vertigo title Safe Sex, and the return of cult series Pretty Deadly and Trees.
Over at DC, we’ve got a new pair of Year of the Villain specials featuring Luthor and Riddler, the launch of a Harley Quinn/Poison Ivy team-up mini, a Bendis prelude mini for the Legion, and a Stepan Sejic Harley Quinn Black Label series. There’s also a Wally West miniseries, and an unlikely Jeff Lemire project in Inferior 5.
Over at Marvel, there’s JJ Abrams and Son’s Spider-Man series, plus the launch of War of the Realms spin-off Strikeforce and a looooooot more Absolute Carnage. Add in Jim Zub’s Black Panther and the Agents of Wakanda, Jody Houser’s Black Widow series, and the debut of Aaron and Ribic’s King Thor, and there should be a big fight for the remaining nine spots in the top ten.
What will rise? What will fall? Find out next month on…By the Numbers!
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Liked What You Read? Let us know or throw us any questions or comments here or @glenn_matchett or @raygoldfield

By The Numbers: July 2019

Like in any industry, comic books and their companies listen most to one thing and that’s your money! What does your money tell them? What does it tell us as fans? What series do people say they adore but can’t seem to catch a break and what books to people hate that sell out? What are the trends? What looks good? What looks rough?

All these questions and more will be answered here, every month in ‘By The Numbers’ by comic writers, editors and fans, Glenn Matchett and Ray Goldfield.

Glenn Matchett is a comic writer and editor. He’s worked in the industry for several years but grew up reading comics. He’s had work published with various small press publishers and has is own comic now available on Comixology in Sparks: The Way I Was from Yellow Bear Comics! Burned through the third season of She-Ra and The Princesses Of Power faster than he expected and found that even a show based off a cheesy 80’s cartoon created to sell toys can give all the feels.

Ray Goldfield is a fan of comic books for going on 25 years, starting with the death of Superman. He is a writer and editor and has released his first novel. Ray also does a weekly roundup of DC comic reviews for website Geekdad and they’re brilliantly entertaining. Is off on Summer vacation and is spending it mostly indoors, thank you very much. He also burned through She-Ra and wants Entraptra and Hordak to have their own cafe with fully robotic staff.

We also do a podcast together with longtime buddy, Brandon James on iTunes with Rabbitt Stew or at the link here! Don’t ask, I didn’t pick the name. If you’d like to hear what me and Ray sound like, give it a listen!

Top 300 in full available here!

Glenn: We’re over the halfway point in 2019 and the sales chart has gotten super wacky in the month of July. There’s a lot of curiosity this month, particularly in the top ten with books ranking lower than they should and others ranking higher than they should. There’s a lot of confusion that we’re going to do our best to wade through because we love you. Yes, especially you.

Ray: This is just…wacky this month. Marvel’s sales are suspect in the best of times, as they frequently do incentives and overships that completely change the numbers, but now DC is doing a special month of enhanced covers to tie in with their Year of the Villain event. Because these covers are an extra dollar, they’re counted separately for the purpose of the charts and that essentially cuts the sales on DC books in half. So many titles that are normally top fifty mainstays miss or barely crack the top 100.

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Glenn: This month’s top seller on the surface in the two first issues of the two Jonathan Hickman X-Men mini’s with House Of X selling over 185.6k and Powers Of X selling over 167.8k at 1 and 2 respectfully. After Secret Wars some years back, no one expected Hickman back at Marvel and while we all expected him to maybe do something at DC no one could have foreseen him helming a major property again but here we are. The last few years have told us that there is a decent amount of interest in X-Men but all it needed was a supercharge to launch it back to the top which Hickman more than covers. These two mini’s will likely sell over 100k or close enough to it during the duration and Hickman’s solo X-Men book will undoubtedly become one of Marvel’s heavy hitters. Its a big grab by the company to get him back and its already playing dividends.
Ray: These books definitely had a lot of covers, but I do think the interest here is genuine. This is the first true a-list X-men launch in a while, as neither the Blue/Gold/Red era nor the recent weekly garnered too much buzz. The return of Hickman to the Marvel Universe is a huge development and he’s returning from a high point. I think the flagship book will likely perform similarly to Venom as one of Marvel’s top guns.
Glenn: At 3 is the anniversary issue of Amazing Spider-Man which is oversized and overpriced at 7.99 cover price but once again expensive comics don’t seem to deter retailers with sales over 113.2k for the title. Now that hunted is over though and without a fancy multiple of 25 to support it the next issue is down at 18 selling over 59.6 which still puts it at the top of Marvel’s upper tier but the lowest the title has sold in years. The reaction to writer Nick Spencer’s run has been so-so and without a much hyped event or anything of interest to support it, interest is decreasing. Luckily Venom is coming in the form of Absolute Carnage and some tie-ins so we can all continue pretending that all is fine.
Ray: Overhyped Marvel anniversary issues always get big numbers, even if this one was a little silly coming just a year or so into the run. I think the second number is more significant, as we’re seeing some real attrition for the first time and the upcoming Superior Foes themed arc likely won’t help.
Glenn: At 4 is the final issue of the long running and ridiculously successful Walking Dead which sells over 111.1k which is Image taking some pity on retailers who didn’t know this was the last issue and upping orders a bit. Rumours are legit orders are around 80k but while there are some over shipping shenanigans again this month, in Walking Dead’s case its justified. Had this been made known what it was, this could have cracked anywhere between 200-300k easy and Image will see healthy reorders from this book until the end of the year and maybe even beyond. Will we ever see a runaway success from an indie book like this again? Time will tell but Walking Dead sales will continue to reap rewards for Image long after the corpse is cold but somehow still stirring.
Ray: I think this is going to be like DC Rebirth, Marvel Legacy, and Doomsday Clock in that we’re going to see these last few issues of Walking Dead show up on the charts for months on end as reorders come in. And more on that…lay-tor.
Glenn: At 5 is the second issue of Batman: Last Knight on earth which sees an uptick in sales to deliver over 105k units for DC. It seems the confusion about the future of Black Label has been partly settled in retailers minds and given last months strong reorders, demand for this title is high. Its a great number, still less for what I might have expected from the last Batman tale by Snyder and Capullo but this one will continue to do strong in reorders and well in collection form. Perhaps Black Label’s odd print format is seen as a bit of a potential risk to retailers, its hard to call. Still at 5.99 a pop, its still yet another Batman line hit for DC.
Ray: That’s a pretty significant increase and shows some real momentum for this title, as Snyder and Capullo are probably the closest thing DC has to an absolute gold standard creative team now. The last issue is unfortunately delayed – landing in November rather than October as planned – but I doubt it’ll hurt the sales at all.
Glenn: Delays can be a Black Label tradition!
Following up the mega hit he delivered two years ago, Sean Murphy is back with the follow up in the form of Batman Curse Of The White Knight at 6 which sells over 91.2k which is a strong debut and very close to where the previous mini ended. It seems most retailers have treated this as a straight up continuation but this is another Batman related mini that will deliver great numbers for DC during its run.
Ray: This is really exactly where Batman: White Knight left off, so I’m expecting there’ll be very little attrition here. This is a bona fide alternate universe hit for DC, and they just announced a spin-off focusing on Von Freeze with art by Klaus Janson in November.
Glenn: This one may not be drawn by Murphy but obviously Janson has all the Batman cred it the world and his name will still be there along with the all important branding so this universe looks to be branching out.
Finishing up the run of Batman mini’s is the final issue of Batman Who Laughs at 7 with sales over 88k. The hype died down a little but this was the issue we didn’t know would exist until very recently so retailers may have been caught by surprise but the entire mini was a runaway hit and its clear DC are not letting the character rest any time soon.
Ray:  Yeah, this is a not-insignificant drop for the final issue and I think it’s partially due to the hurried addition of the last issue. But this is a monster hit.
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Glenn: At 8 we either get the indication me and Ray are wrong or Marvel is still messing us all around as the second issue of Black Cat which sells over 82.2k and while I don’t want to say we’re never wrong…we’re not wrong on this one. Its already known some mini debuts which we’ll get to have had their sales bolstered this month and its clear Marvel is wanting this title to be a hit and is just pushing out thousands of unordered copies. How much more? Its unclear but I would be willing to maybe accept this at 50-60k but no…this number for this character and creative team makes no sense. In this case Marvel can’t be trusted but its unclear how much that is the case across the line.
Ray: Yeah, we’ll have to see how this goes in coming months, but something weird is going on here. There is NO reason for this title to be doing so well. The character doesn’t have a mainstream media presence. The event this title spins out of was not well-relieved. The creative team isn’t likely to have strong feelings either way, as they were last on the digital-first Daughters of the Dragon series. This is likely spill-over from the WalMart release and the crash will be coming.
Glenn: At 9 is Immortal Hulk which seems to be selling not due to shenanigans but due to the creative team delivering a high quality book (the horror!). It continues to be a surprise hit with sales over 83k although the following issue drops sharply down to 23 with sales over 54.3k. That still puts it among the upper tier of Marvel’s books and above where it was but its odd the book dropped so suddenly. Is news of the supposed relaunch killing the titles momentum or there something else at play? So many questions this month.
Ray: It doesn’t seem like a relaunch is coming, so it seems like this is just whatever the weird Marvel sales pattern is – the first issue of the month gets a huge jump over the second. I’m assuming the second number is the “Real” one, so that’s still a strong hit for the company as Hulk gets some real buzz for the first time since Loeb/McGuinness.
Glenn: Final part of the top ten is Batman issue 74 trailing behind a lot of shenanigans and successful launches and books also starring Batman. It sells over 78.5k as it continues its slow decend down the charts. Now as always, two Batman issues shipped this month and this might be the first time in 10 years an issue isn’t in the top ten but that seems weird when its the much hyped 75th issue which starts King’s final arc on the title. On first glance the issue is bizarringly at 13 selling over 70.2k which for most ongoings would be pretty solid if not great but for Batman and the start of a major arc and an anniversary issue, its a disaster. However to make this month even more confusing, DC released two covers for a lot of their books and a special variant specifically had a different price point so is charted separately. This issue shows up again on the charts at 74 selling over 29.9k meaning that actually the issue sold over 100.1k which is probably still a little on the low side but makes a hell of a lot more sense. This means that it would be the fifth highest selling book of the month sandwiched between Last Knight and White Knight. King’s run has lost some steam likely due to the news he was leaving being broken early and the incorrect label that he’d been fired off the book being attached to that fact. Momentum on the book has been stalted but I don’t see why the book can’t perform around the 80k mark for this last 10 issue arc with his final issue delivering about the same numbers as 75 did total. Given that this has messed up the entire charts for DC, they have tried to get diamond to make sure this doesn’t happen again because at first glance, it makes them look that they did much worse than they did while their main competitor effortlessly gets away with making themselves look better than they are.

Ray: Yeah…this is where the insanity begins. I think this is a decent number for the anniversary issue of Batman – 100K is always impressive, but I do wonder if the false reports about King being abruptly fired from Batman and his run being unfinished drove down sales a bit. But the decision to do these extra-priced covers has essentially kneecapped DC on the charts this month, making the sales on all their titles look worse than they are. DC kneecaps themselves, Marvel artificially boosts themselves, and here we are. 

#11 is the most unexpected triumph of the month, as Dynamite Comics comes just shy of cracking the top 10 with Vampirella #1, the relaunch by Christopher Priest. It sells just under 77K, an amazing number for Dynamite – but this is largely on the strength of a Boundless-level number of variant covers from top artists. There’ll be a sharp drop next month, but I imagine it’ll still be Dynamite’s top comic long-term.
Glenn: An unexpected hit for sure and I think while the variant’s will have played a part, that’s nothing knew for Dynamite or Vampirella. I think Priest’s name may have garnored some interest as his involvement kind of makes you go ‘this is kind of wtf, I want to check it out.’ It’ll wane when people remember for all the bells and whistles in the world, its still Vampirella but this will definitely be the best selling the title has ever been for a bit.
Ray: #12 brings us the debut of Aero #1, selling 71K for Marvel. Except…it didn’t. This reprint of a Chinese comic featuring a young heroine with air powers (with a Greg Pak-penned backup) had its orders doubled as a promotional technique to spread word of this spinoff from Agents of ATLAS. So it actually sold just under 36K, which seems more realistic.
Glenn: It may be inflated but 36k ain’t bad especially when you consider this is a comic largely already bought and paid for. Much like many of Marvel’s reprint comics that are free money this is probably much the same here so this line of books could work to rules all their own.
Ray: At #14 – and #16 – is the latest example of DC’s cover gimmick backfiring, as we get the regular and specialty covers of DCeased #3 selling 68K and 63K respectively. That’s over 130K, putting this monster hit series at #3 for the month – but DC doesn’t get credit for that because the sales are split.
Glenn: The series at least continues to perform well. Like Morgan Freeman once said, we’re going to see more of these.
Ray: More Marvel games at #15, as Invisible Woman sells 64K – but it also had its sales doubled, which means it sold 32K. I don’t think Reed and Sue really have solo potential yet, since they’re too tied to the Fantastic Four while Johnny and Ben have more ties outside of it.
Glenn: Decent for the real sales as you can expect from a character who like you said has never had much solo success. Most of these sales will be Waid pulling it along but by the end, it will probably remind Marvel that even though Sue is a fantastic character (pun intended) you can’t change a mindset the company has laid into us for 80 years in regards to her sales potential.
Ray: Spawn keeps climbing the charts, as its 299th issue sells 60K at #17. I think the #300 issue, which has a Snyder/Capullo story in it, will easily break into the top ten or even top five.
Glenn: It depends what shenanigans go on next month but until the anniversary issue hype dies down, this will be Image’s new top ongoing all over again. Party like the early 90’s!
Ray: Amid ongoing hit series like Detective Comics (the second issue of the month, which was not split), Savage Avengers, Venom, Justice League, Avengers, and the finale of Uncanny X-Men, we get the second issue of Event Leviathan, selling 53K at #24. That’s definitely not event comic numbers, but given that it’s a mostly self-contained spy comic that’s getting completely overshadowed by Year of the Villain, I think these are fine numbers. Not too far off from Heroes in Crisis.
Glenn: A slightly less successful one, sure. Its going to be interesting how DC do their Events in the future after both this and Heroes underperformed. We know Snyder/Capullo are cooking something Crisis related which is a solid way to rebound.
Ray: Loki gets the best of this month’s War of the Realm tie-ins, with the new series by Daniel Kibblesmith debuting at #25 with sales of 51K. I think this is a sustainable debut number for one of Marvel’s most popular antiheroes.
Glenn: Loki is now one of movies greatest kinda/sorta villains even outside of comic book movies. His profile is higher than ever and he’s had a good run of critically acclaimed books starring him in the last decade or so, people don’t want to miss the boat here. This will likely settle to high 20’s to mid 30’s which should be okay for a decent run.
Ray: Silver Surfer: Black settles down after its blockbuster debut, selling 47K at #30. That’s less than 1K above where the 8th issue of Guardians of the Galaxy by the same writer sells, so I think we can safely say that Cates’ name is going to drive this book’s sales. The Venom tie-in might be good for some reorders down the line.
Glenn:  For sure, this is before people realized what this was. This is still a great number historically for Silver Surfer and a mini especially.
Ray: A strong debut for History of the Marvel Universe by Mark Waid and Javier Rodriguez, selling 46K at #33. This is essentially a sourcebook narrated by Marvel characters and with original art, so that’s a testament to the strength of the creators, I think.
The anthology War of the Realms: Omega sells 45K at #34, so I think retailers got the word that this wasn’t a final issue of the main series but an epilogue teasing spin-offs.
Glenn: That does explain it. Among one of the better tie-ins for that reason.
Ray: Web of Venom: Funeral Pyre sells 45K at #35, a great number for a Cullen Bunn book following up on a supporting character from his Flash Thompson Venom run. It’s a lead-in to Absolute Carnage, so more evidence that’s going to be a monster.
Glenn: I’m scared.
Ray: More Venom at #37, as the annual sells 44K. This has no ties to anything Donny Cates is doing – it’s part of the Acts of Evil mini-events and has a Ryan Cady-penned tale where Venom fights Lady Hellbender. More evidence that anything Venom touches is gold right now.
Amid more strong regulars like Captain America, Thor, The Green Lantern, Fantastic Four, and Symbiote Spider-Man, we get the debut of Valkyrie: Jane Foster, selling 42K at #39. That’s a decent debut given that I don’t think anyone imagined a Jane Foster ongoing would be a thing years ago, but I also think an Aaron/Ewing book and one starring the former Thor should be debuting a little higher.
Image result for Valkyrie: Jane Foster 1
Glenn: Especially with the recent movie news. Why this didn’t get the inflation treatment Black Cat is getting when Jane is about to be the star of a big budget movie is another mystery only Marvel can answer. I think this one will settle fast or be a climber which will give it a healthy life.
Ray: At #41 is Marvels Epilogue, featuring an original 16-page story from Kurt Busiek and Alex Ross plus some backmatter. It sells 42K, not bad for a likely evergreen comic, but given how iconic this book is I would have expected more. I wonder if the price put some people off.
Glenn: I think the same or maybe people were put off by how much comic vs. price there was. Of course this will now be packaged in with all future Marvels collections so it ultimately didn’t matter. I really believed a top ten number for the first Alex Ross interiors in what feels like forever wasn’t out of line but there you go.
Ray: The other Agents of ATLAS spinoff, Sword Master, is at #44 selling 41K. I don’t think this one had its orders doubled, so it actually outsold Aero handily. Both of these are mostly free money for Marvel since the bulk of the comic is translated pre-existing comics, though.
Issues of Detective Comics and Justice League are at #45 and #47 selling about 40K, but there’s 15K in additional copies out of the top 100 for their second covers, so the numbers are deceptive here.
Lois Lane’s first solo series in decades has its debut at #46, selling 40K. I would have expected more from a Rucka/Perkins book, but this twelve-issue series is a slow burn mystery and Rucka’ tends to do very well in trades. This’ll level off quickly, but its sibling book has me worried. (More on that…lay-tor).
Glenn: Rucka books do tend to get a steady audience fast and DC likely have many collection types in mind for this. I don’t think this is a bad number at all for something a bit outside the normal Super family wheelhouse.
Ray: The first of many reorders for The Walking Dead is at #48, as #192 (where THAT happens) gets an additional 38K in sales. The total numbers for these last few issues are going to be massive in a few months.
Glenn: Robert Kirkman, how do you sleep at night?
Kirkman: On a bed of money with many beautiful corpses.
Ray: 37K in sales for Wolverine vs. Blade Special at #51, an oversized one-shot that feels like it could have been a miniseries. This was a rare mature-readers book from Marvel, but the launch of a new Black Label this is not.
Glenn: I think this is really good, Blade hasn’t had a major spotlight in forever (this will sure change soon) and its 5.99, can’t argue with much here.
Ray: Star Wars: Target Vader from Robbie Thompson launches at #52 with sales of 37K. These random Vader miniseries always do dependably but not spectacularly now that the Soule series is over.
#53 brings 37K in orders for New Mutants #98 Facsimile Edition, reprinting the first appearance of Deadpool. This actually outsold Deadpool’s solo series!
Glenn: Another key issue that people go gaga over. More free money.
Ray: 36K in orders for Batman Secret Files #2 at #54. Unlike last year’s edition, this one didn’t really have a clear hook and there was nothing to drive sales higher.
Glenn: I thought maybe the solicited and cover boasting ‘City Of Bane tie-in!’ might have been good for a few more but it ultimately was nothing of the sort. This sold along the lines of what it actually was. If King had been among the writers that could have maybe got it 10-20k more.
Ray: The first of the Walmart originals to get a regular comic release, Batman Universe from Bendis and Nick Derington sells 35K at #58. Given that many people have read these already, this seems to indicate some real interest for this series and it’s the highest-selling of this mini-line so far.
Glenn: Free money for DC this time. This will have made a ton from the Wall Mart thing and will do great in collections land. This is a great number, especially priced at 4.99
Ray: Naomi finishes out its short run for now with sales of 35K at #59, back down a little lower from the last issue but way up from its debut. The implied Legion ties really kicked the sales here up a notch.
X-Men #1 Facsimile Edition sells 35K at #61, as Marvel masters the art of selling us old comics – now at full price!
Glenn: Original ads though Ray. ORIGINAL ADS.
Ray: The Green Lantern Annual is at #62, selling 34K. That’s about 10K down from the regular series, maybe due to the absence of artist Liam Sharp.
Both DC and Dark Horse have to be pretty happy with the sales for their latest crossover, as Black Hammer/Justice League: Hammer of Justice #1 sells 34K at #64. That’s more than a 300% increase from regular sales of Black Hammer, which means DC’s clout just potentially tripled the audience of comics’ best series at the moment.
Glenn: This is brilliant and well deserved for Black Hammer which is probably the best comic out there at the moment. It seemed that this was Lemire’s Coda at DC but he’s sticking around to write some smaller tier characters.
Ray: Lots more of these split issues, which puts titles like Superman, Action, and Wonder Woman down here in the 60s instead of where they should be – but the actual numbers are close or normal to what they should be.
#67 has the Wolverine and Captain America: Weapon Plus special, selling 31K. That’s decent for an oversized one-shot picking up on plotlines from the Morrison X-Men run, but this is definitely one of the lower-selling of Marvel’s many one-shots this month.
Glenn:  Maybe a little on the low side, maybe people just weren’t bothered about the much mined ‘Weapon X project’ connection?
Ray: Even more reprints, as Giant Sized X-Men #1’s Facsimile Edition sells 31K at #70.
30K in sales for Superman’s Pal Jimmy Olsen #1 at #71. That’s way below what I would expect from the return of Matt Fraction to mainstream comics, but then, it is Jimmy Olsen. He hasn’t had a solo series for decades. So if this series will pick up momentum, it’ll have to build it off critical acclaim.
Glenn: This could very much be a Vision job where sales are so-so but it delivers an instant classic that picks up all sorts of awards, builds momentum and does tonnes of collection sales. Fraction hasn’t been at either of the big two for some time and was never one of the tip top sellers so that could be impacting things too. Time will tell.
Ray: A very good Image debut at #76, with Sea of Stars from Aaron and Hallum selling 29K. This is well above most recent Image debuts, but I think Aaron’s name on anything will drive sales.
Glenn: The unique format could have pulled people in too.
Ray: The oddball Marvel book, Death’s Head from Tini Howard, sells 29K at #77. I wonder if marketing it as the Wiccan and Hulkling series it seems to be would have boosted sales a bit?
Glenn: Still very good for a pretty obscure character taking the title but yeah, some sort of more obvious Young Avenger’s connection would have helped.
Ray: The first of the Age of Resistance one-shots from Star Wars, starring Finn, sells 29K at #78. The other that was released, starring Captain Phasma, is down at #85 selling 27K and the anthology special is down at #94 selling 23K.
Glenn: These have lost a bit of momentum it seems. Will do well on reorders closer to the movie perhaps.
Ray: The first of the Carnage-themed True Believers one-shots this month, Absolute Carnage – Carnage, sells 28K at #81, as anything Carnage-related flies off the shelf.
Tom King and Andy Kubert’s Superman story, Up in the Sky, sells 28K at #82 as DC gets more bonus sales from their Walmart books.
Glenn: Lower than expected with the creative team but Superman has the unfortunate disadvantage of not being Batman.
Ray: A surprisingly low debut for a Mark Millar book, as Space Bandits #1 lands at #83 with sales of 27K. Black Science artist Matteo Scalera is wildly talented, but he’s not as much of a “name” as Millar’s other recent artists.
Glenn: Not sure what happened here, I thought Millar’s name would have been enough even if you don’t consider Scalera a superstar (which his talent warrants). These Millar books haven’t been doing so hot since the Netflix deal, perhaps people are content to wait for the inevitable adaption as other comics which could use their money take priority.
Ray: Two more of Marvel’s niche projects that rolled out this month land around here, as Peter David’s sci-fi adventure begins in Fantastic Four: Prodigal Son with sales of 27K at #86 (the story will continue in Silver Surfer and Guardians one-shots), and the anthology Fearless, which spotlights female characters and creators, lands just below it selling 26K. This one may pick up a bit of steam due to a short Kelly Thompson story with an insane last page that went viral.
After a long hiatus, Gerard Way’s Doom Patrol returns with a new series and a new artist, and sells 23K upon its return at #95, which is a boost from the previous run.
The Justice League Dark Annual sells 23K at #97 in the biggest spotlight yet for rising creator Ram V. This would normally be about 10K below the sales of the parent title, but the sales are split this month which puts both of those issues out of the top 100.
Teenage Mutant Ninja Turtles is picking up steam in a hurry as the title heads for #100 and a creative team change, plus a major status quo change. #96 sells 22K this month at #99, a huge increase – and look for reorders to be big.
#102 brings Punisher Annual #1, which was an Acts of Evil tie-in featuring Punisher and JJJ vs. The Brood. 22K people loved this idea just as much as we did.
Glenn: I think this one could see some reorders, it was a lot of fun and a really good surprise of a great read.
Ray: After what seems like forever, Age of X-Man concludes with the Omega issue, which finishes out of the top 100 at #103 with sales of 21K. Not much of an event. It’s okay, Hickman’s here…
Glenn: Everyone like ‘don’t care, Hickman here, bye now’ and you can’t blame them since Marvel is doing that themselves.

At 111 is the next re purpose of Wal-Mart material with Wonder Woman: Come Back to me by the former creative team of Harley Quinn. I would have thought since this is the team that helped propel Quinn into a sales success against all odds this would have been capable of more than the over 20.3k it does. While the main Wonder Woman title is gaining some momentum thanks to G. Willow Wilson, the character has never performed well in spin offs or that. Again the sales here aren’t really a big deal because this material is all bought and paid for.

Ray: The level of talent DC managed to assemble for these books is genuinely impressive, but I think King and Bendis have more name pull than Palmiotti/Conner. And Wonder Woman never sells as well as the Big Two. I think overall these are just bonus sales and DC is obviously very happy with these stories.
Glenn: Right below it at 112 is the debut of a new Young Animal book, Collapser which launches with sales over 20.1k which is pretty good for an original property out of this niche line. We’ll see how we go but sales of around 10k is probably where it’ll end up which DC may be happy enough with, they knew what they were getting with bringing this line back.
Ray: This is co-written by a former member of My Chemical Romance, so it’s got a built-in audience, but the concept (essentially a darker version of books like Blue Beetle and Nova) doesn’t have much sales pull. I think this one might struggle.
Glenn: A strong debut from Titan at 114 with the first issue of Blade Runner 2019 which sells over 19,9k. The original movie still has a large and passionate audiance eager for more stories from this world so this has done better than most of these retro classic movie comic follow ends tend to do, This could easily become Titan’s biggest hit in their roster of never ending licensed properties.
Ray: That’s one of the top Titan debuts ever, impressive. The recent movie sequel disappointed at the box office, but the franchise has very loyal fans.
Glenn: That movie was genius and you’re all mad, ALL OF YOU MAD!
A new debut from Image at 115 in Unearth which sells over 19.8k follows the pattern of name debuts from Image for the last few months. This one has Cullen Bunn as a co-writer which helps but like we’ve been saying, retailers have been willing to order pretty sodily on Image debuts for a good time now showing that the company itself is creating excitement over anything it puts out which is a good thing.
Ray: Bunn on a horror concept will virtually always sell itself. He’s become the go-to guy for disturbing original horror minis from every company under the sun.
Glenn: The final issue of one of Image’s most steady sellers, Paper Girls gets a slight sales boost at 118 selling over 19.3. Its not even an increase over 2k but the series has been a solid performer throughout, is well thought of an is constantly present in high selling collections lists. With an adaption from Amazon on the way, there’s no doubt this will become another major asset to Image’s ever growing library.
Ray: I think Saga is more the case of that but I think Paper Girls is a more traditional tale and that’s saying something considering what wacky stuff this comic had to offer.
This title stayed pretty consistent throughout, and seems to be the Vaughn book that has the most universal fan love with little controversy.
Glenn: I didn’t remember ever seeing Captain America & The Invaders solicited but here it is at 119 selling over 19.2k. Some research tells me this another in a bizarre series of one shots of stories from legendary creators (in this case Roy Thomas and Jerry Ordway) that Marvel fell over one day and decided to release. This is a great number for old school type comics, especially at 4.99.
Ray: Not sure if new content or something they dug up from the vault, but this one-shot made me want more Jerry Ordway comics. 
Glenn: I think we can all agree on that one.
This month’s True Believers theme is Carnage in prep for Absolute Carnage next month with the first two offerings at 120 and 121 both selling over 19.1k. This is a clear indication that this is the event of the year for Marvel when objectively most of the Carnage material from yesteryear has been subpar at best so when retailers can offer the stuff that Cates has masterminded, all bets are off.
Controversy has reaped big benifits for company Ahoy Comics who picked up Second Coming after DC dropped it like a hot potato a while back. The company sees what is most likely its biggest sales ever at 122 with over 18.6k in units. Much like when DC fobbed off the Boys in years gone by and Dynamite scooped it up to big benefit, Ahoy Comics should likely send the editorial over their a fruit basket.
Ray: Yeah, this is well above the debut of Wrong Earth, Ahoy’s previous hit. This also shows Mark Russell’s star keeps on rising. This would have been a good debut for an Image book!
Glenn: The cult hit series, X-Statix returns with a one shot this month with Giant Sized X-Statix at 124 selling over 18.1k. I think that’s pretty good given the series is near 20 years old and a lot has changed in the industry since then. Marvel seem to be happy enough to use this as a launch pad for a new series which may pick up some of the momentum the x-line is getting overall.
Ray: This is another generation of comic readers, so I’ll be interested to see how the sequel series does. Do comic revivals do as well as TV revivals? We shall see!
Glenn: Justin Jordan is a writer of note and artist Rebekka Isaacs did some great work for Dark Horse on their Buffy line and now together they launch Reaver from Image selling over 17.9k at 126 which is another very solid debut from the company. While Marvel and DC have the majority of the top 100 on lockdown, Image seems to be living it up here under the surface.
Ray: Jordan is a name that consistently produces quality work but tends to struggle sales-wise. This is one of his best recent debuts and I hope it keeps that momentum.
Glenn: A bizarre sequal to a bizarre premise at 130 with Archie vs Predator II selling over 17.6k which is much higher than Archie comics tend to do. I can’t wait for Archie and the gang to stumble beneath Riverdale high and for Reggie to get his face way too close to a weird egg looking thing.
Ray: This one is a full-on ultraviolent mature readers comic, so I think it’s picking up a lot of the actual Predator fans from Dark Horse. This is roughly where the franchise’s new series’ land. 
Glenn: The maxi series Adventures Of The Super Sons finishes up its run at 131 selling over 17.6k and I think this one performed really well given the status quo has moved on past its premise. Seeing these two together in a more recognizable state seems to resonate with people and maybe the last chance to see them again like this was enough to keep people sticking around.
Ray: This series had a good concept with a top creative team, but it never really caught on in either run. Both characters grew up too fast, I think.
Glenn: Agreed, this was a duo that could have been rolling for years even before they added a mysterious young girl that could fly and carried a lasso that made people tell the truth to the mix.
The start of the Dark Phoenix Saga way back in X-Men 137 gets a Facsimilie edition meaning more free money from Marvel with sales over 16k. The interesting thing to me is most of these have been reprinted to death in collections all over but people still want them, goes to show what I know.
Some Secret Warps this month with Soldier Supreme, Ghost Panther, Weapon Hex, ArachKnight and Iron Hammer all getting annuals selling over 15.9k at 147, 15.4k at 149, 15.4k at 150, 15.1k at 153 and 13.9k at 165 respectfully. These are odd concepts that retailers almost ordered like for like because they and most likely fans aren’t sure what to make of them. They all perform solidly enough given their weirdness and if Marvel doesn’t overdo the concept they can probably trot it out now and then to get a decent result back. The only one that doesn’t do too hot is Iron Hammer and while its not a big difference it is notable enough when the rest are so packed together, not sure what was different here.
Ray: The drop on Iron Hammer is odd because that had the two most popular combined characters, but it was also the last installment. Either way, this is a spin-off of an event that people forgot five minutes after it ended, so not a big surprise.
Glenn: Among these is the Ms. Marvel annual selling over 15.3k at 152 where Kamala fights the super Skrull as part of the soft non event Acts of Vengeance or whatever its called. Its a good number, nearly outselling Kamala’s main title by about 2k.
Ray: This “Acts of Evil” branding seems like it’s going to be selling based on the direct market popularity of the lead character, aside from anything else.
Glenn: Another Cullen Bunn book, a horror mini series with his Harrow County artist Tyler Crook in the form of Manor Black at 182 selling over 12k which is decent enough from Dark Horse these days. This is about the number Harrow County sold and is a short mini so little to worry about here.
Ray: Bunn is everywhere! (More on him…laytor) This is a pretty solid number for Dark Horse.
Glenn: Speaking of Dark Horse, they launch a new Alien mini titled Alien Rescue which sells over 10.9k at 197 which is around where the franchise has been with the odd exception for years. The company are either still waiting to hear if they’re getting one of their bread and butter franchises taken off them or hoping that Disney has forgotten about it, I won’t tell if you don’t.
Ray: Given that Disney now outsources most of their Disney books to Dark Horse, they might be okay here.
Glenn: The card stock editions of major DC comics really make the charts wonky this month with a lot of their books seemingly at this level with the other sales much higher. We might see the same thing come November when another batch of varients on certain books at different prices is available. Hopefully DC will have sorted things out with diamond by then.

Ray: *runs around with his shirt off* NOTHING MAKES SENSE!!!

Glenn: My eyes! The goggles! They do nothing!
Ray: For those who like the offbeat fantasy web series Critical Role, there’s a new miniseries from Dark Horse, titled Vox Machina Origins Series II, and it sells a little over 10K at #204. Dark Horse has had some success with cult properties like this lately.
Glenn: Given how the Kickstarter for the show made all the money, I’m sure there’s a large fanbase out there for this in other places/forms.
Ray: Speaking of spinoffs, IDW tests the water with their first Sonic the Hedgehog spinoff as they debut Tangle and Whisper, which teams a hyperactive lemur with a quiet spy fox. It sells 10.3K at #206, which is only about 1K below where the main series is selling.
Glenn: Considering that I’ve just learned about these characters and they’re not as well known as Tails or even Knuckles, I’d call that a big win
Ray: After a lot of stray cardstock covers from DC, at #216 we get the debut of The Orville: New Beginnings, a miniseries that covers the time jump between seasons one and two of Seth McFarlane’s sci-fi dramedy. It sells 9.7K, which is about right for a Dark Horse spin-off of a cult TV series. This is also a new Disney property thanks to the Fox purchase.
Glenn: Disney now owns Star Trek kinda/sorta? Orville/Space Balls crossover confirmed?
Ray: Cullen Bunn shows up for the third time with a new creator-owned series with Knights Temporal, a time-travel thriller from Aftershock that sells 9.7K at #217. Compare this to Manor Black and you see how much Aftershock continues to struggle.
The second month of IDW’s Usagi Yojimbo drops a lot but settles at #220, selling 9.6K. Still a world above where it was slowly selling at Dark Horse.
After a lot of variant covers and mid-level licensed titles, we come to #230 where we find Ragnarok: The Breaking of Helheim from Walt Simonson. It sells 8.8K. What the hell is this? Where’s Jane Foster?
Glenn: This seems to be solely directed at Simonson fans to see what he would do with the Norse legends without all that pesky Marvel stuff in the way? Its an interesting idea that I don’t think I’ve ever seen done before but without a top property, Simonson will be one of those legendary creators that can only do so well with their own stuff in the direct market.
Ray: At #238 is the World of Black Hammer Encyclopedia, a one-shot giving us the backstory of the cast of Jeff Lemire’s creator-owned hit. It sells 8.4K, which only puts it less than 2K behind this month’s issue of the main series. There’s some serious interest in this shared universe, maybe more than any since Astro City.
Image result for World of Black Hammer Encyclopedia
Glenn: This is an information booklet to grab new fans and for crazy people like you and me, Ray so this is pretty good. I’d say a lot of Black Hammer back material like this might be sought out given the launch of Black Hammer/Justice League
Ray: At #242 is the debut of Killers from Valiant, a B. Clay Moore thriller teaming several past members of the Ninja unit to track down an assassin hunting them. It sells 7.9K, not coming from a writer who is really associated with Valiant, but it got great first-issue reviews.
#250 brings us 7.6K in reorders for Silver Surfer: Black #1, so those mammoth first-issue sales didn’t even burn off all the interest!
Glenn: More reorders will filter in as the Venom connection come clear and we’re hit with some insane Absolute Carnage numbers
Ray: A pair of Vault Comics debuts are ordered almost exactly the same at #256/257, as the post-apocalyptic horror thriller Resonant and the fantasy epic Sera and the Royal Stars sell 11 copies apart, around the 7.5K range.
7K more sales for Vampirella at #259, as the “1969 replica edition” sells more copies for $6.99.
Glenn: Its not just DC splits causing confusion this month! I’m guessing this is a pricier cover? This concept always baffles me but I absolutely understand there’s a market for it.
Ray: The latest Boom young adult book, Ghosted in LA by Iceman writer Sina Grace, sells 6.7K at #264. This charming supernatural comedy about a college student who moves in with a mansion full of offbeat ghosts deserves better and will likely do most of its sales in trades.
Glenn: This makes me miss Image’s series of the same name but does sound like a lot of fun!
Ray: Another Vault debut, Test from Chris Sebela, lands at #267, about 1K lower than the books above it at 6.5K. This one has the bigger name attached, but it also has the more difficult concept to describe.
Glenn: *googles Vault’s Test* Erm yes…I see. Given the advance previews I’ve been lucky enough to read of The Mall and The Plot, Vault does seem to have a lot of strong stuff under the radar so this might be one of those.
Ray: More of Marvel reselling us comics we already read, as the oversized Marvel Tales line gets two installments at #268 and #270, with 6.4K for the Captain America and Hulk digests.
The oddball fighting anime adventure No One Left to Fight lands at #273 from Dark Horse, selling just under 6.4K. A pretty typical Dark Horse creator-owned debut, but Aubry Sitterson seems to have jumped companies after his dramatic exit from IDW pretty smoothly.
Glenn: Anime adaptions will obviously sell bananas in the regular market once collected and could be big, big money if they’re translated and sold overseas.
Ray: Speaking of odd next career steps and IDW, Matthew Erman of the twisted time-travel horror series Long Lost picks his next book – and it’s a Care Bears reboot, selling 5.9K at #276. ‘kay.
Glenn: Maybe he wanted a change of pace?
Ray: The acclaimed but low-selling Image title Bitter Root returns from hiatus with an anthology special titles Red Summer, selling just under 6K at #277. Lots of artists, but the same writing team writes all the stories, so this is a must-get for fans.
Hey, there’s Zombie Tramp at #281 Good ol’ Zombie Tramp, good for 5.8K in sales in her role as official mascot of By the Numbers.
5.7K in reorders for DCeased #1 at #285, proving there’s no limit to the audience’s hunger for zombies. Heh. Hunger.
Glenn: Puns, we got em
Ray: At #289 is the oversized one-shot Red Sonja: Lord of Fools, selling 5.5K. That’s less than half of the main series’ sales this month, despite this also being a Mark Russell issue tying into the main story, so I think retailers missed the boat here.
Glenn: They probably thought it was a throwaway I guess? We’ll see some reorders maybe or just some out of step oddity like we saw with Dead No More and such
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Ray: At #298 is Strangelands #1, a new Humanoids comic co-written by Mags Visaggio selling 5.3K. Way lower than Ignited last month, which indicates it might have been Waid’s name driving those sales.
Glenn: Its hard to shelve out just another super hero universe, even if it is good or slightly different since there’s so much more to the market now. It really underlines how well Black Hammer does in a way.

Ray: Glenn, have you ever wondered what a comic about a girl who is the sole survivor of a massive space disaster and is rescued by a giant space tardigrade would sell? Now you have your answer, as the incredibly surreal Star Pig #1 sells 5.1K from IDW at #304.

Glenn: Well now I know and knowing…its half the battle. I’m just glad we’re halfway through this battle but the despair is about to kick in, sob.
Some reorders for Galaxy’s Edge this month at 312 selling over 4.7k. Again given this is just done to promote a new theme park, the sales aren’t important but always nice to get reorders.
At 314 we have Bionic Woman vs Charlies Angels selling over 4.6k and I’m not too surprised. Despite Angels getting another big reboot soon, these versions of the properties are long past their heyday and both have connections to failed TV shows. There might be some nostalgic interest but that’ll be it.
Ray: Both of these properties have had low-selling comics from Dynamite for a while, but there’s really also nothing to make this crossover stand out above them.
Glenn: Some reprint money for Disney via Marvel via IDW at 315 with Marvel Action Classics Hulk selling over 4.6k. It must be weird to see a title that literally has the world Marvel on it with an IDW logo on it too. These aren’t meant for the direct market which is why IDW is publishing it and not Marvel.
A continuation of a previous series in Postal: Deliverance from Image at 318 selling over 4.5k which is shockingly low for an Image new start. Perhaps this is a property many people didn’t clamor for too much? I don’t know much about it so I’ll let Ray fill in the blanks here.
Ray: This is essentially the new chapter of a series that wrapped a year ago and was selling pretty low by the end. Aside from a time-jump, there’s little new here, so I’m guessing retailers treated this like the next issue in a cult series and not a new Image series.
Glenn: Some reorders for Black Cat issue 1 at 323 selling another 4.4 plus copies. This is probably a real demand for whatever the real number was. I’m sure all extra copies were shipped last month and it’ll be a year or two before we see the stock dumps of any more.
Some reorders for Superman: Year One on its month off selling over 4.2k additional copies. Doesn’t seem to be the extra heavy demand here like there is for Last Knight on Earth. I still think this is a title that on paper that should be more powerful but having Frank Miller’s name on your cover has become a kind of poisoned chalice.
Ray: I still have no clue what’s going on with this series.
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Glenn: Two new offerings from Zenescope in a row at 336 and 337 with Belle Oath Of Thorns selling over 3.8k which seems to be a typical heroine in the companies typical style and the *sighs* Swimsuit special which sells around the same. *does the heavy boobs dance while wheeping the end of Crazy Ex Girlfriend and the fact that CW is giving us Katie Keene instead*
Ray: How long before Disney buys this company just to keep Princess-loving kids from accidentally picking these books up?
Glenn: Not soon enough.
Another Marvel Actions Classic in the form of Captain America at 347 selling over 3.4k, same story as I mentioned for the Hulk version above. Little to see here.
I’m surprised that Image Firsts: Spawn 1 didn’t do better than sales over 3.4k at 349 given its significance and with the 300th issue coming up. I guess unlike Marvel, most people are happy to check out older Image works via collections even if its cheap.
Ray: I don’t think anyone is all that interested in going back to the beginning with Spawn, given how many weird twists and turns this series has taken.
Glenn: Leave On The Light at Antartic is another Kickstarter book that met funding so the sales here of over 3.3k at 351 can be deceptive given a successful Kickstarter campaign could have your books in a lot of people’s hands already so it lessens the potential when you get to direct market if its out there and moneys been made.
More sales for Batman: Last Knight On Earth at 354 selling over 3,3k more. Its slowed down a lot obviously but it made it onto top 500 for three months which is nothing to be sneezed at.
Ray: The increase for the second issue clearly indicates there’s some real interest in this book and I expect it to be a perennial seller for DC. 
Glenn: The 5.99 Talk Bernie To Me one shot from Devil’s Due is at 362 selling over 3.1k. Usually we get to 400 before having to deal with nonsense like this.
Ray: Like I said on Rabbitt Stew, they need to stop trying to make this happen. How’s that lawsuit from DC over their cover games going?
Glenn: X Liefields, a parody comic of the work of Rob Liefield sells over 3k at 366. I’m sure Liefield is very upset by this as he blows his nose on a $100 and thinks nothing of it.
Ray: He actually issued a statement that he wouldn’t sign these comics and he wasn’t affiliated with them!
Glenn:Good for him.
The Quiet Kind sells bizarringly low for a Dark Horse comic with a decent concept and some creators who in theory should be able to do better at 370 with sales over 2.9k. Something doesn’t fit here.
Ray: A one-shot is always going to be a super-hard sell. No future issues, no incentive to order up. This might become a collector’s item as the creators take off.
Glenn:A new volume of Lola XOXO from Aspen launches at 371 with sales over 2.9k. I’ve never heard of this but I’m guessing this is a set fan base and the company was just relaunching for story reasons rather than the Marvel reasons.
At 375 is an adaption of Watch Dogs the video game, the GTA clone that got a lot of people mad about how it didn’t look as good as the trailers implied. The franchise never fully recovered and it reflects here in sales over 2.7k.
Fellow Northern Irish writer Michael Gordon gets his creator owned title Red Winter on the charts at 378 selling over 2.7k. This was another Kickstarter book that’s also sold well locally so this is likely just a nice bonus to even feature on the charts for Michael.
Ray: This was released through Scout, so that’s a pretty decent number given that a lot of the sales were elsewhere.
Glenn: A lot of reprints and low selling offerings without anything of note until we get to  399 and the GLOW summer one shot which sells over 2,3k just below the main title at 398, This implies that there is a small market for GLOW fans outside of the show and retailers just treated this like another issue. This is one of Netflix’s hidden gems and is a wrestling comic that has advantages other wrestling comics won’t have in that it can predict what talent it can feature without worrying about drama or injuries or whatever.
Ray: It seems like GLOW is going to be a series of one-shots and minis with new #1s occasionally, instead of a regular series.
Glenn: Next up is Gears Of War Pop One Shot at over 2.1k at 413 which I’m guessing is the popular video game but…Pops? Gaming tie-ins never do too hot but this especially low because its not a video game tie in, its a comic about Pops. POPS!
Ray: Porg Pops Adventures comic when????
Glenn:  If this happens, I might have to kill you.
Gutt Ghost Till We Meet Again is a new offering from Scout Comics debuting at 414 selling over 2.1k With the rare exception, this is where Scout kinda lives as a company and they make the majority of money with trade shows and such.
Ray: Another really low-selling one-shot. This one was a bizarrely gory comic about a disemboweled ghost, so I don’t think these numbers are unexpectedly low.
Glenn: At 421 is one of the patented Archie Comics reprint material books selling over 1.9k but again…it doesn’t matter. This is Betty and Veronica doing something something, those pesky boys, etc.
Another puzzling low seller from Dark Horse at 429 selling over 1.8k in the form of Starcraft survivors. Its another video game tie in but they’re usually good for more than this, this title also has Jody Houser to boot. I think a box or two was lost…or possibly opened and replaced with copies of Black Cat.
Ray: I think this also sells most of its copies outside of the direct market.
Glenn: At 434 is the insanity I have grown accustomed to at this level. We can stop panicking, normalcy has returned as this one shot which I can’t even be bothered naming sells over 1.7k

Ray: *long, deep sigh*

At #439 is the horror comic Vampire PA: A Bite out of Crime #1 from American Mythology, selling 1.7K. This company usually does public domain material, so they’re not really known for their creator-owned comics and low sales are to be expected.
At #441 is a hidden gem that deserved to do much better, from American Gothic Press. Monster World: Golden Age is a creator-owned title focusing on a PA trying to unravel a mystery involving an ancient race of beings. It only sells 1.7K, but I expect this one to pick up a lot of buzz and reorders.
1.5K in orders for the drug-based horror comic Nasty Pills from Amigo Comics at #450. This company usually specializes in pretty extreme horror comics and is more of a niche product.
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Lots of recent Marvel reorders recently until we get to #457, where Midnight Mystery launches its second arc from Alterna with sales of 1.4K. About where it was selling before it took a break, so this is one of Alterna’s steadier books.
The no-doubt tasteful Fornicators Inc. one-shot is at #458, selling 1.4K. Anyway, NEXT.
A weird entry at #462 as the Vault comic Cult Classic: Return to Whisper sells 1.4K for its debut issue. I’m pretty sure this is a reprint, as the first issue came out two years ago and then nothing, but the second and third issues are coming out next month. More odd Vault scheduling tactics.
Mostly reorders down here, almost all Marvel but including 1.2K in reorders for Stranger Things #1 at #473, no doubt to tie in with the third season.
American Mythology has been doing a series of creator-spotlights for famous artists on Zorro, and they have one for Alex Toth at #476, selling 1.2K. Art books are always a niche product.
Keenspot Entertainment did a $1.99 spotlight issue featuring short segments of their most popular books, and it lands at #478 with sales of 1.2K.
Selling just under 1.2K are a pair of Source Point Press comics, with the Victorian supernatural adventure Boston Metaphysical Society at #479 followed immediately by the family tragedy noir The Love She Offered at #480. Both of these could become sleepers.
At #485 is the colorfully titled Unholy Agent vs. Onyx Nude Variant, selling 1.1K. That’s what I expect down here in the depths.
Glenn: Okay I’m back from that monstrosity at 434 so lets…well I’ll just leave again then.
Ray: Speaking of creative titles, All Time Comics Zerosis Deathscape is at #490, selling 1K. It’s strange and scary down here, Glenn.
#493 brings 1K in sales for Lady Death: Sworn, the latest revival for the old Chaos Comics character. It’s odd that they’ve wound up at separate companies, with many like Chastity winding up at Dynamite.
The final comic on the list is 960 reorders for Angel #1, and it’s worth noting that 495 comics this month sold over 1K.
Glenn: Not too shabby compared to the last few months.
Ray: Looking ahead to next month, we’ve got quite a few big launches including Batman/Superman from Josh Williamson and David Marquez and Year of the Villain specials for Black Mask and Sinestro. There’s also a Titans series from the Walmart line, but this month is the calm before the storm for DC.
At Marvel, though the story is very different. Absolute Carnage drops like a bomb on the line, and it should be a tight battle for the #1 spot this month between Absolute Carnage #1 and Marvel Comics #1000, which has dozens of covers. Expect some very successful tie-ins for Absolute Carnage, and a whole bunch of one-shots and miniseries launching as they ramp up content in one of their biggest months in a while.
Image has a few big new launches as well, including White Trees from Chip Zdarsky and Kris Anka, Coffin Bound from Dan Watters and Dani, and the ultra-violent superhero comedy Pretty Violent. Also look for a big new Jeff Lemire launch in Berserker Unbound from Dark Horse.
What will rise? What will fall? Tune in next month at…By the Numbers!
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Liked what you read? Have a question or comment? Let us know here or on Twitter @glenn_matchett and @raygoldfield

By The Numbers: July 2019

Like in any industry, comic books and their companies listen most to one thing and that’s your money! What does your money tell them? What does it tell us as fans? What series do people say they adore but can’t seem to catch a break and what books to people hate that sell out? What are the trends? What looks good? What looks rough?

All these questions and more will be answered here, every month in ‘By The Numbers’ by comic writers, editors and fans, Glenn Matchett and Ray Goldfield.

Glenn Matchett is a comic writer and editor. He’s worked in the industry for 6 years but grew up reading comics. He’s had work published with various small press publishers and has is own comic now available on Comixology in Sparks: The Way I Was from Yellow Bear Comics! He is dreading returning to work after paternity leave and wonders how many escape plans he can come up with

Ray Goldfield is a fan of comic books for going on 25 years, starting with the death of Superman. He is a writer and editor and has released his first novel. Ray also does a weekly roundup of DC comic reviews for website Geekdad and they’re brilliantly entertaining.  Upon viewing the trailer for the live action adaption of Cats, Ray wishes he hadn’t wondered if there will be a more terrifying looking film than IT this year.

We also do a podcast together with longtime buddy, Brandon James on iTunes with Rabbitt Stew or at the link here! Don’t ask, I didn’t pick the name. If you’d like to hear what me and Ray sound like, give it a listen!

Top 300 in full available here!

Glenn: Welcome ladies and gentleman, boys and girls to the circus that has become the top 500 sales hosted by your favorite co-ringmasters Glenn and Ray! Well June sales seemed to take on a more interesting turn than expected…for a few reasons we’ll get to. For those keeping track of the overall action, Marvel once again dominated the market share but that isn’t hard to do when you put out more comics than your next two biggest competitors combined and work to make a farce of sales chart. Ignore the clowns, Disney sent them.

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Why is it a farce? Well look no further than the number 1 selling book of the month, Black Cat which apparently sold over 255.7k which means a title starring a Spider-Man supporting character with a mid tier creative team outsold (among everything else) the start of mega hoopla event War Of The Realms. Now of course, surprises do happen, DCeased took us by surprise last month and Felicia has been prominently featured in Amazing lately. It had a ton of variants and J. Scott Campbell’s covers are a draw and him drawing Black Cat even more so. If sales were say 150k I could believe all that…at a stretch but it selling this much reeks of something very rotten in Denmark. Overshipping is not a new thing for Marvel with them reportedly doubling orders for Mark Waid’s Invisible Woman mini that’s coming up so who knows what this actually sold on demand. If there is shenanigans at play then what do we believe from the companies numbers. Given what some of their comics are selling its alarming to think those numbers might be inflated and its a real shame for books like Immortal Hulk that logically could be doing as well as it is out of quality alone but this number here puts a question mark over everything. Taking it as face value, even a 75% drop would see the book still among Marvel’s stronger performers so we’ll see if reality hits over the next few months or not.
Ray: I have a lot to say about this one, starting with the apparent actual explanation for the sales of Black Cat #1. There was a WalMart exclusive variant cover distributed en masse to the massive chain, in an attempt to get buzz for this otherwise forgettable comic. That likely explains close to 200K of these sales, and it also makes everything about this number suspect. Here’s the thing – as long as these numbers are retailer orders and not actual sales, they’re only going to give us part of the picture. But that becomes even sketchier when one company decides to start aggressively gaming the system. Disney has more money than God. Marvel Comics is a tiny little ant of a subdivision for them, and nothing they do is going to really take a bite out of the company’s bottom line. So they essentially just decided to print 200K extra of a comic and ship it out, then claim the top spot on the charts this month. That means absolutely nothing. It’s not a real number. It’s the equivalent of those ridiculous LootCrate orders we used to get when something like Bravest Warriors would sell 500K. It doesn’t reflect demand. No one ordered 255K of Black Cat comics, Marvel just decided to send them out and the printing costs don’t matter to Disney. The winner? Marvel’s fragile ego. The loser? A whole lot of trees.
Glenn: Oh no! Not Groot!
Next up at 2 is the second of DCCeased which shows last month wasn’t a fluke. It loses about 90k in sales but still over 152.4k is some Metal level success that’s hard to ignore. Again this is likely due partly to the awesome (and now somewhat controversial) variants the title is doing but I think the concept has hooked people and Tom Taylor is gaining some momentum as a creator after working tiredlessly for a few years on high quality work. He could be our new Dan Slott, a creator who did highly thought of work but never had a big sales success until one of the big two gave him a chance at a major property. Which will be first to bite (forgive the pun)? Marvel has definitely noticed the success here as we’re getting the return of Marvel Zombies soon and its hard to make fun of them for that given this book is a take on that concept in the first place but still…
Ray: DCeased seems more like a branded take on World War Z than anything else, given that it’s more about a true Zombie plague rather than the more tongue-in-cheek approach of Marvel Zombies. But with the end of Walking Dead, it seems zombie mania is as high as ever. This is the biggest hit of Taylor’s career by a long shot, and given how much good stuff he’s done for DC lately and how poorly Marvel promoted his recent runs, it seems likely he’ll be heading over to DC town soon.
Glenn: Huge sales at 3 for Silver Surfer: Black the new mini by Marvel MVP Donny Cates which sells over 129.4k which is huge for Silver Surfer and a mini at that. Now, again how straight up do we take these sales? Its hard to say since Cates is definitely Marvel’s hottest writer right now and I’d even argue this book may turn out to be under ordered given its stealth linked to Cates mega successful Venom run. This is on the surface a big win I’m willing to take at face value.
Ray: It’s definitely odd given that Cates’ Guardians of the Galaxy hasn’t been the hit his Venom has. As we know now, this is essentially a crossover between the two books, so I expect it to be a big hit for the entire mini and Tradd Moore’s loyal fanbase won’t hurt. I think it’ll still have a steep drop for the second issue, but it should finish its run above 50K – which given how the Silver Surfer run by Slott and Allred struggled, that’s amazing.
Glenn: The final issue of the news headline gathering Batman: Damned finally hits with sales over 115.4k at 4 which I would call a win. The series had some speed bumps in scheduling and erm…content but its been a strong performer. It’ll do well in collections for forever too and in 10 years when we get the Batwang edition DC can buy that farm they’ve had their eyes on for a while.
Ray: This performed almost exactly like Dark Knight III and Doomsday Clock. Black Label is a huge winner for DC so far and they certainly seem to be going all in on it with some exceptional creative teams.
Glenn: Batman Who Laughs Mini continues to perform with sales over 98.5k at 5, this series not only has an extra issue to it but the characters influence will be a big part of the upcoming new Batman/Superman title. Not much more to say than we have been saying for a few months in that the Batman Who Laughs=$$$ apart from DC just today announcing more prestige Dark Multiverse one shots featuring evil versions of their most major characters based on major stories of years past. Over Two Years later and Metal is still paying huge dividends for DC.
Ray: This isn’t a Black Label book, but it might as well be – much darker than the usual DC fare, top creative team, and selling like a monster. The Batman Who Laughs essentially seems to be becoming the new face of DC at this point, even if he’s not the actual big bad behind Year of the Villain.
Glenn: Can’t wait for the kid friendly spin off.
At 6 is a palate cleanser issue of Amazing Spider-Man with issue 24 with Hunted finally over (huzzah) giving it sales over 89.6k but again the oddness of the sales trends on the title continue as the epilogue to Hunted sells over 74k at 12. Yo-yo sales (especially between issues) could indicate sales shenanigans or people not really knowing what to do about the book and given this current run, either option is just as likely.
Ray: The real test for this book will be after the inflated sales for #25 next month, as the title settles into a rut of Superior Foes-based spinoff arcs. That’s where we’ll likely see attrition set in for real.
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Glenn: At 7 is Immortal Hulk which continues its new streak of being a title that has become one of the strongest performers not only from Marvel but the market in general. The title sells over 88k this month and there seems to be indicating the run might be coming to a close based on recent solicitations, we’ll see if a risk filled relaunch will result.
Ray: Now this is a book where the inflated sales are clearly for real. The sales were good to start, but they’ve only gone up. Ewing says he has about fifty issues total planned, so this should eventually be Marvel’s #1 ongoing if they don’t screw it up like they did Spider-Gwen’s momentum.
Glenn: At 8 is the 1000% under ordered Walking Dead which is turns out the penultimate issue of the series. Solits made this sound like a big enough deal to get retailers to up their orders 85.7k which is huge but given the issues events and that it is indeed the second to last issue we’re going to see big reorders here. Next month, its hard to know what the final issue will sell because at time of ordering, retailers had no idea it was the last issue. Even though its the final issue next month expect very successful reorders for the last batch of issues until maybe towards the close of the year.
Ray: I think we might wind up seeing these last two issues of Walking Dead on the charts for a very long time, like we did with DC Rebirth and Doomsday Clock. It’ll also be interesting to see what becomes the #1 Image book with this and Saga both gone for now. (Spawn doesn’t count)
Glenn: My bet is on Die or Gideon Falls or the new book by Snyder/Soule
Glenn: At 9 and 10 is Batman which seems to have stabelized at around 80k, not the sales juggernaut it was but still pulling its weight for sure. Issue 75, the start of King’s final chapter on the main book will likely push it back up to the high 90’s at least and it could stay around 90k until he leaves with 85. When Batman/Catwoman launches I’m expecting it to sell around this number with the fate of the main title unclear while we await word of a creative team.
Ray: The increase from #73 to #74 is interesting, and probably shows some real momentum for City of Bane.
Glenn: Usually I bow out at this point but I have to talk a bit about Superman: Year One at 11 because while it delivered a respectable over 80.1k is sales one would have thought more from the creative team of Frank Miller and John Romita JR. Now, the line of Black Label was in an unclear place when this was due to be ordered. Titles were getting cancelled or delayed or not mentioned. The line seems to have gained renewed vigor with the announcement of Joe Hill’s line of books, some work from Lemire and a laughable amount of Batman related content. Still, I think given Miller’s last solo writing work for DC was All Star Batman, retailers may be even more wary about this book. It’ll likely settle quick and maybe pick up reorders but given the iffy reviews, I don’t think this will be the winner it could have been 20 years ago or more.
Ray: I think a big chunk of the sales drop is also that this just isn’t Batman. It’s another Superman origin only a few years after the last one, and Miller’s name is a draw but not as big of one without Batman. Either way, for an $8 comic that’s an oversized origin recap, this is still a great number and another win for Black Label. Not sure if the quality level of this and Batman: Damned really present the face they want for the line, though. 
Glenn: The vision is more Batman!
Ray: At #13 we have the launch of Event Leviathan, the Bendis/Maleev event comic, selling 74K. That’s a big increase from last month’s prelude issue, about 100%, but this also doesn’t feel like much of an event. It’s a rather talky mystery with no tie-ins and little reflection in other books. I think the strongest comparison is to DC’s last cerebral mini-event, Heroes in Crisis – but Bendis just isn’t as hot a writer at the moment as King is.
Glenn: Its fine as a side event but I don’t think that’s what was expected of it, they even put it in the name! I think Bendis is carrying over his event fatigue from Marvel and not many were interested in this one. It’ll do okay for the rest of the run but be quickly forgotten.
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Ray: War of the Realms limps to the finish line with its last two issues at #14/15 selling 68K for the finale and 66K for the penultimate issue. That’s just above the second issue of Savage Avengers, to put it into perspective. What went wrong here will be a mystery for some time to come – this was set up to be the perfect crowd-pleasing Marvel event – but ultimately it’s probably down to retailers just being very suspicious of Marvel mega-events after the last two. Smaller sub-line events seem to be what the market wants now. On to Carnage.
Glenn: A bit of an embarrassment for sure and something that Jason Aaron doesn’t deserve. Will Marvel learn their lesson here? I’d wager not.
Ray: Spawn continues to climb up the charts as it builds to a #300 issue with top creators on board, as #298 lands in the 19th spot this month with sales of 58K. Is Spawn relevant again? God help us all.
Glenn: With the big number, 90’s nostalgia at an all time high and Snyder/Capullo its likely that Spawn 300 will bring the title back to one of the strongest sellers in that month. It could ride of that momentum for a year or maybe more before going back to the level its been at for years, it may be a dated property but people still have a lot of passion for it.
Ray: Justice League has a small increase for its 25th issue, landing at #20 and selling 57K – 5K above the next issue. I would have expected a bit more, but this title is very steady so the increases tend to be smaller. It’ll increase when the Justice-Doom War kicks off. This is also where we see regular suspects like Detective Comics, Uncanny X-Men, Venom, Superman, Fantastic Four, GOTG, Green Lantern, Thor, Action Comics, Star Wars, Catwoman, Flash, and Symbiote Spider-Man between 20 and 40 on the charts and selling between 55K and 40K.
Glenn: I still think Justice League is underperforming but we’ll see if Year Of The Villain helps any. Its clear Symbiote Spider-Man is a big hit and Marvel has already announced a one shot to tie in to Absolute Carnage.
Ray: A very strong landing for Incredible Hulk: Last Call at #21, selling 55K. The success here is probably two-fold – the return of the creative team of David and Keown brought in old-school fans, and retailers wanted to cash in on the success of Immortal Hulk and Hulk’s recent high-profile role in Endgame.
Glenn: Def a hot time for a Hulk book, hopefully Marvel doesn’t poison the well with an onslought of Hulk or Hulk related titles like they did the last time the character got a sales spike with Loeb/McGuiness.
Ray: At #25 is Spider-Man Annual #1, selling just under 50K. This is notable because this is an annual for a title that doesn’t exist, and it’s actually a Spider-Ham issue. Spider-Ham just sold 50K copies thanks to Jason Latour and his movie.
Glenn: Branding also helps here but it probably would have sold around 30k if it had just been called Spider-Ham so that still would have been a win. It was a lot of fun to boot.
Ray: A much stronger than usual arrival for Star Wars: Age of Republic – Darth Vader at #26, selling 48K. That’s over 10K above the sales of the Luke Skywalker issue this same month, down at #48.
Glenn: People love their breathing impaired sith lords.
Ray: The Guardians of the Galaxy annual sells 46K at #30, which is actually about 5K above the main series for a one-shot anthology catching up on the cosmic heroes who didn’t join the new roster. That’s highly unusual, especially since Donny Cates only wrote a framing segment for the issue.
The True Believers one-shots do really well this month, a Spider-man lineup to tie-in with Far From Home. The top-seller is an Amazing Spider-Man #1 reprint at #40, which tops 40K in sales. Lots more of these to come.
Chris Claremont, Larry Hama, and Sam Keith united to do a Wolverine one-shot titled Wolverine: Exit Wounds and it had a healthy debut at #42, selling 39K. I think there’s some hunger for a traditional Wolverine comic.
Glenn: A solid performance for what is most likely a ‘found in a drawer’ comic. We’ve got a few one shots coming up in the next few months with old school creators at the helm, we’ll see how they do.
Ray: Spider-Man: Life Story is officially a hit for Marvel, with the fourth issue gaining about 1K in sales from last month to land at #45, selling 38K. The steady growth here has been excellent and this looks a lot like an evergreen book.
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This is where we see a lot of the solid mid-level performers like Daredevil, Thanos, Conan the Barbarian, Shazam, Deadpool, Wonder Woman, Justice League Dark, and Captain Marvel, selling in the 35K to 30K range. These books have all had their attrition already for the most part and are in a healthy spot.
A book we’ve never seen in the top 100 has a very strong debut as it transitions to a new company – Stan Sakai’s Usagi Yojimbo lands at #61 selling 29K, one of the best non-Marvel debuts IDW has had in a long time. Usagi has always been a book with a very loyal cult audience, so it’s great to see the title find a bigger audience.
Glenn: IDW has made the most of some newly acquired properties and have increased eyes on a few cult favorites, good for them.
Ray: Another wave of popular mid-level ongoings and miniseries here, including Young Justice, the Spider-Man spin-offs (Friendly Neighborhood, Miles Morales, Superior), Major X, Dead Man Logan, Harley Quinn, and Teen Titans all settle down here, selling in the 25K range.
The next really notable book is War of the Realms: New Agents of Atlas #1, selling 24K at #75. No, you’re not confused – that’s 24K of reorders for Greg Pak’s all-Asian superhero team. A spinoff series is coming post-War of the Realms, so this seems like one tie-in that has real legs and interest.
Glenn: Marvel are trying to hit different demographics and they’re likely willing to taking a loss on monthlies if they get something that does better elsewhere like Ms. Marvel out of it but like you say, this is a promising start.
Ray: Ralph Macchio’s latest Marvel evergreen one-shot, Spider-Man: Reptilian Rage, sells 23K at #80. Someone’s buying these, so they’ll probably keep digging them up from drawers.
Glenn: I bet it would have sold better had Mysterio been the villain but they likely had to work with what they had.
Ray: At #86 is a new Valiant series, Psi-Lords by Fred Van Lente, selling 22K. A healthy debut for a series largely starring original characters – Valiant continues to grow slowly but surely.
The next True Believers is at #87, the very timely Spider-Man vs. Mysterio selling 22K. Not the last one paralleling the movie. It’s just above the very last issue of X-Men: Grand Design, but that one’s not meant for singles. And six spots below is the True Believers for Spider-Man vs. Morbius, selling 21K. That one will not be a movie tie-in unless the weird Jared Leto movie happens.
It’s mostly low-ranking Star Wars books like Galaxy’s Edge and Doctor Aphra, War of the Realms tie-ins, and long-running books hanging in here like Supergirl, Black Panther, and Deathstroke  as we head out of the top 100, with 101 books crossing the 20K mark this month. The last book to jump over that line is Criminal #3, selling 20.2K.
As we exit the top 100, the next True Believers issue is at #104 – Marvel Tails Starring Peter Porker, selling 19.9K. That’s almost 70K in Spider-Ham copies sold this month.
Glenn: People want to know, where’s the beef…er pork.

Ray: The top Image debut of the month is Sonata #1, from Brian Haberlin and David Hine, selling 19.3K. That’s a really strong debut for an Image book without any household names, and it seems to have gotten a lot of good buzz for the first issue.

Glenn: A very strong start here, it seems Image is getting some faith for people to check out books by lesser known creators more and more.

Next True Believers is Spider-Man vs Hulk, another solid performer at 111 selling over 18.6k which could be as a result of how hot Hulk is and that its from the McFarlane era.

Brilliant reorders for Batman: Last Knight On Earth at 114 selling another just over 18k additional copies this month. Definitely no doubt this one is going to be a strong performer.

Ray: That’s another incredible number for a reorder, and brings the title close to what we saw for books like Damned. It was a fifth-week book with only a few other titles, so I wonder if there was some glitch with the orders.

Glenn: Really good debut for Transformers/Ghostbusters which gets sales over 17.5k on launch at 118. Usually these properties barely sell 10k or at the lower end. I guess people were in on this double nostalgia fest. We’re seeing a new team up with the Turtles and Power Rangers hope for similar success towards the end of the year.

Ray: IDW: We’ll cross over anything! These properties both do have some lingering fan support despite the issues with the movies, so this seems like it’s hitting its core audience.

Glenn: Another True Believers doing well at 122 with new Spider-Man which is the first appearance of the Black Costume which is good enough for sales over 16.5k. Likely some residual Venom/Symbiote Spider-Man love here.

Another new Image debut at 124 in Ride Burning Desire which sells 16.5 which is another great performance, especially since this is only a mini. This is a sequel to a comic from long ago from the team behind the bizarre but enjoyable Plastic and Adam Hughes. Image may not be delivering many six figure debuts anymore but they’re putting out a lot of surprising winners.

Ray: Yeah, I’m a bit surprised this did so well – it’s been a long time since the last issue came out. But this is also pretty accessible and has a similar vibe to Criminal, plus Hughes being even tangentially attached helps.

Glenn: We have another new Red Sonja book in the form of prequel series Birth Of The She Devil at 125 selling over 16.5k which is top notch for a Sonja book. Perhaps the critical acclaim the Russell book got is benefiting the character overall?

Ray: Yeah, Russell seems to have elevated the character a bit and other titles are reaping the benefit. Dynamite, killing a golden goose with spinoffs? Never! (GIVE US MORE NANCY DREW!)

Glenn: Over 15.2k for another Spider-Man True Believer issue, the secret of the new costume at 15.2k and this is still strong for old material. This might be the best True Believers month across the board and again it’ll be a mix of the Spidey movie and how hot Venom is. No Venom to claim responsibility for the Wedding Of Aunt May and Doc Ock True Believers at 139 which sells over 14.5k. This is from one of the most infamously silly Spider-Man stories of all time but it doesn’t seem to matter this month. I’m actually surprised it outsold the Spidey goes to London True Believer issue at 142 selling over 14.3k since this issue has a link to the movie since it partly takes place in London also. Still, they all sold well and its free money for Marvel.

Image result for True Believers Spider-Man Wedding Aunt May and Doc Ock

Another new Image Book in Thumbs at 145 were it looks at a world were technology obsessed youth are militarized. Given that I don’t recognize either creator the debut of over 14k is still really good indicating that again, Image seems to be developing a base line of trust with retailers.

Ray: They’ve done several other recent Image minis that all sold in this level, so retailers likely know how to order for books by them.

Glenn: The infamous Spider-Armour gets its own True Believers at 152 selling over 13.2k. Still great for old material…especially old material that isn’t that fondly remembered.

Ray: Can’t wait for True Believers: Sins Past in a few years.

Glenn: This months Hellboy related one shot places at 158 with over 12.4k which is a little better than the franchises usual range but nothing to call home about. Stable as always.

Good reorders for Symbiote Spider-Man at 160 selling another 12.2k+ for the first issue. We’ll definitely be seeing more from this concept one way or another.

Ray: It seems to be reorder month! We always see a lot of them, but rarely this high.

Glenn: Giving fans of steampunk their fix is Lady Mechanika: Sangre selling over 11.8k at 162. This is another property that seems to have a small but very loyal audience. Steampunk is still popular and this book is specifically tailored towards that genre so its filling a demand and doing well out of doing so.

Ray: This shows up every few months and we’re always puzzled by it.

Glenn: Go Go Power Rangers: Forever Rangers seems to be a one shot concluding a big story for the property which sells over 11.4k at 163. Considering this is priced at 7.99 that’s a very good number for this nostalgia filled BOOM property.

Ray: Yeah, the Power Rangers line is getting a shake-up with Marguerite Bennett leaving, Ryan Parrot jumping to the main title from GGPR, and Sina Grace taking over the spinoff. It’s still Boom’s biggest hit franchise.

Glenn: At 169 is another way Marvel makes money off old material in the form of the Howard The Duck facsimile edition which sells over 10.9k. Just all bonus money even if its at the low end but hey…its Howard The Duck, what more do you want?

I don’t know what Rick and Morty presents Mr. Meeseeks is but it sells over 10.4k at 176 and will likely do much better than that elsewhere to book. I’m not cool enough to know anything about this but I know it seems to be helping keeping the lights on at Oni.

Ray: Well, it did. Now it’ll keep the lights on at the new Lion Forge/Oni combo company!

Glenn: Okay enough drop for Angel issue 2 which loses about 6k to land at 180 selling over 10.1k. Its a good bit behind Buffy in terms of sales but its still 3k ahead of where it was at Dark Horse. I still think the property isn’t in the best place for a spin off right now in this new universe BOOM has created and sales maybe reflect that but if it stays here and does well in trades it’ll be fine.

Ray: The upcoming event will probably boost this a lot, but it feels like Boom hasn’t really articulated how this Angel is different from the last.

Glenn: Still the best selling Archie title by a fair margin in its third issue is Sabrina The Teenage Witch at 181 selling over 10k. If this doesn’t warrant a full ongoing by this creative team, I don’t know what does, its not like Archie can do without the money.

Ray: They’d probably be happy to have more, but the question is if KT would be available. She’s a very in demand author doing all the things!

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Glenn: Such as being a guest on the now classic 200th episode of Rabbit Stew! #shamelessplug

At 184 is more old Spider-Man material, this time in the form of the 7.99 Marvel Tales format which sells over 9.8k. Money, money, money, money.

Humanoid (?!?!?!?!) launches Ignited at 190 selling over 9k. It has Mark Waid’s name on it which doubtfully helped, that’s really good for what I assume is a relatively or brand new company, good for them.

Ray: That’s a solid debut for a new universe, definitely driven by Waid’s name and the FCBD preview. The model here seems to be that they pair an established creator with a newcomer co-writer for each title. Next up is Strangelands top-lined by Mags Visaggio.

Glenn: Start of a new Bettie Page mini series where she travels the multi-verse (no seriously) in Unbound starts off at 194 selling over 8.6k. I can’t wait for Crisis Of Infinite Betty’s.

Ray: That’ll come after Bettie Page vs. Zombie Tramp.

Glenn: Two cult properties collide in Crow/Hack/Slash at 199 selling over 8.1k. I would say the small but loyal Hack/Slash fanbase is provising most of the interest here. The Crow is a franchise that’s been through the ringer and its selling within Hack/Slash’s usual level.

Ray: Hack/Slash doing a bunch of crossovers lately, which shows its strength as a cult property.

Glenn: We get the final issue of Silencer at 200 selling over 8.1k. Well wasn’t it nice we all pretended these books would be a thing instead of combining DC’s most popular villain and hero into one character? Let us all move on and never speak of it again…until the Terrifics ends.

Ray: Yeah, that’s the last of the original character books. They’ll never be seen again until The Batman Who Laughs kills them all in a single panel or something.

The cult favorite Image comic The Weatherman, set in a world where Earth has been destroyed and the culprit doesn’t remember doing it, returns for its second volume with 8.1K in sales at #201. Not a bad return, given that it’s not a true #1.
More high-level reorders here, as Thanos #1 and Star Wars: Galaxy’s Edge #1 both sell about 7.8-7.7K at #205 and #208 respectively.
It’s a while before we get another #1, but it’s a decently healthy debut for Canto #1 at #208, as the odd dark fantasy from IDW sells 6.3K. That’s a bit stronger than most Black Crown titles, and it follows in the footsteps of sleeper hits like Road of Bones and Ghost Tree which also just had the IDW brand.
At #220 is the debut of Jughead: Time Police from Archie, selling 6.2K for the revival of the cult series. Now, this is by fast-rising creator Sina Grace and has gotten great reviews…but it’s also a revival of a bizarre 90s series that almost no one remembers. A good series that won’t likely get a second go unlike the Sabrina reboot.
Glenn: Wacky Archie books seem to perform all around this level so the company seems to know what to expect. If nothing else it can always be used as material for a new hit TV show spin off at some point.
Ray: Bizarre crossovers are Dynamite’s bread and butter, and it doesn’t get weirder than Warlord of Mars Attacks, which crosses over the heroic fantasy of John Carter of Mars with the violent sci-fi satire of Mars Attacks. It debuts with 6.1K at #224, which makes sense given that neither of these properties have sold much in the past – even when Mars Attacks had the brilliant Kyle Starks run recently.
I’m a little surprised that Donny Cates’ Redneck is only selling 5.8K at #230 for its 21st issue. This one doesn’t seem to have caught on as much in singles as his other work, although I imagine it does very well in trades.
Glenn: That is odd. Since Cates is so integral to Marvel at the moment maybe his profile there is making everything he does elsewhere seem secondary? Def should be a trade hit.
Ray: 5.5K in reorders for Savage Avengers #1 at #237. The high sales last issue seem to be partly genuine, as these characters all have a solid audience.
Chris Sebela has a new Aftershock crime thriller, Trust Fall, debuting at #239 with sales of 5.4.K. This is in line with Aftershock titles typically, and Sebela has always been a bit of a cult creator.
5.1K in reorders for Naomi #5, as this fast-rising series continues to build momentum before it goes on break after the July issue.
Two Disney debuts from Dark Horse sell almost identically, two copies apart at 4.7K. We have the launch of the third Frozen minseries to build to the new movie at #252, followed by Cecil Ceastellucci’s reinvention of Snow White and the Seven Dwarfs right below it. Castellucci is doing the same for The Little Mermaid in October, so the company is likely happy with the sales here and in the bookstore market based on that.
Glenn: Graphic novels of Disney classics will always have a solid performance outside the direct market, even if they ship them in by the crate to the theme parks.
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Ray: Skyward #14 sells 4.2K at #265, the same week the series unexpectedly ended with the next issue. It’s fallen a lot from its early days, but these sales aren’t too low and the odds are this was just a story decision to end it here.
4K in reorders for Friendly Neighborhood Spider-Man #6 at #270, so the best Spider-man title may be picking up a bit of momentum.
Lots of reorders down here already, with 3.9K in reorders for Spawn #297 at #272 and Superman: Leviathan Rising Special at #274, and New Agents of Atlas #2 at #276.
A second cover of White Widow #2 sells 3.8K at #277, which puts that weird sexy-lady comic to over 12K in sales. And then a third cover at #299 puts it at over 15K combined! What the hell?
Glenn: Stupid sexy Widow.
Ray: At #285 is the debut of Trout: Hollowest Knock from Troy Nixey, which sells 3.4K. This is a cult property that returns with a new series from the creator occasionally, and it sells to a similar audience as the Mignola books but at a lower level.
Glenn: Never heard of it so I’ll take your word for it.
Ray: Cave Pictures Publishing has a decent debut at #289 as No Ones #1 from author Jim Krueger sells 3.3K. This is a dark superhero story about a team of famous heroes who accidentally erase themselves from continuity, and a nice performance for a new company.
Glenn: That’s a good premise and of course Krueger will still have sales pull from the Earth X/Justice days. This one could be a sleeper.
Ray: We talked a little earlier about how Black Crown seems to aggressively depress sales as a brand, and that’s definitely the case for the debut of Marilyn Manor. How this First Daughter dark comedy from Mags Visaggio could only muster 3.3K at #292 is puzzling.
Glenn: For a creator on the rise, for sure. Not sure why Crown and Burger books have so many problems gaining momentum in the direct market but here we are.
Ray: An odd debut from Ahoy Comics as they launch a one-shot titled Steel Cage, which sells 3.2K at #294. This had three short stories and we were supposed to vote on which got its on series – but they just announced that due to “voting irregularities”, they would be greenlighting all three as series.
Glenn: I blame Florida.
Ray: Just missing the top 300 at #301 is the dark Scout Comics race-and-religion satire Crucified, about an assassin hired to kill the returned Jesus. It sells 3K and somehow manages not to be pre-cancelled like Second Coming was.
Glenn:  Odd to have two Jesus/resurrection comics so close to each other. Likely coincidence.
Ray: #303 brings the regular Street Fighter one-shot from Udon Entertainment. This one focuses on Necro and Effie and sells 3K. I don’t even know who Necro and Effie are. Where’s Blanka?
Glenn: Them kids and their fancy new Street Fighters
Next debut is from Source Point in the form of Samurai Grandpa which sells over 2.8k at 313. This is about an old man Samurai as the title suggests who is looking to rescue his granddaughter from enemies old and new. Sounds fun but Source Point have a ceiling for anything.
Ray: This used to be an Alterna comic before things fell apart over there, so I think this is actually a bit better than it would have done there. Source Point only puts out a few comics a month, but they’re consistently rising.
Glenn: The ever so clever parody titled Dead Sonja is the latest book by Keenspot to try to riff on a somewhat popular property selling over 2.7k at 314. I wonder how many stores ordered this thinking it was a genuine Dynamite spin off.
Ray: At a cost of $6.66, no less. There’s companies with worse leanings, of course, but Keenspot may be the most bizarre comic on the market.
Glenn: At 315 we get some random reorders for Dan Slott’s Fantastic Four so this is likely just stock dumpage. Its over 2.7k for the record.
V Wars: God Of Death is a one shot which is a return of a previous series by the same writer which is to promote the comic in time for an apparent TV show adaption. Never heard of this and sales of over 2.7k at 318 leaves me to believe not many others have either. Could be a collectors item if the TV show is a hit!
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Action Lab releases new title Banjax which sells over 2.7k. It seems like a superhero book in a market drowning in them so sales here are as expected.
Next new book of the month, Category Zero from Scout debuts at 320 selling over 2.6k. This seems like another Scout comic with a decent premise but has limited market potential because of the companies size at the moment.
Ray: Banjax and Category Zero are both R-rated superhero pastiches, with one being very similar to The Boys meets The Punisher and the other being a darker take on X-men. Modest numbers for mostly forgettable concepts.
Glenn: The Valiant Handbook 2019 edition sells over 2.6k at 322. The core fans of this universe will likely know everything in here so this is a book of text for anyone wanted to do their research before diving in. This is likely only for completest who buy everything the company puts out.
Black Mask reminds us its still alive by putting out another new book in Lab Raider at 323 selling 2.6k. The once promising company seems to be in its final days and the sales of anything it releases will reflect that.
Ray: This animal-rights extremist book does not seem to have any post-apocalyptic couriers in it, sadly.
Glenn: More stock dumping from Marvel at 329 for Boba Fett: Age Of Rebellion for over 2.4k at 329.
Soulfire is an Aspen book at 334 it sells about as well as you’d expect with over 2.4k copies in June.
Carson Of Venus Warlord Of Mars sounds like a puzzling title from American Mythology which sells over 2.1k at 344. A google tells me this is a crossover between Carson Napier (Venus) and John Carter. The latter seems to be very popular for tie ins this month. I’d say any sales here are for die hard Carter fans.
Speaking of Venus, we get a Princess Of Venus title from American Mythology too which sells over 2k at 348. Its a spin off character from our Carson of Venus friend above so yeah…can’t expect miracles.
Ray: American Mythology does a lot of public domain books like this, but this is the first crossover that I know of. This might be a crossover with Dynamite as well, unless both companies can put out books with the same character. 
Glenn: Stitched Terror is a new horror comic by Pat Shand selling over 2k at 350 which is priced at 5.99. It also comes with 50 copies of 50 shades of torture varients or something…ew…just ew to all the things. A second issue sells over 1.7k at 363, it is also priced at 5.99 for…reasons?
Ray: I believe this is an Avatar book? Ultraviolence is their brand, mostly.
Glenn: I can’t believe Aang would do this to us.
At 352 is Archie and friends Beach party which sells over 2k also. This is more old school Archie stuff so the sales don’t really matter here or there.
Ray: Archie’s got this line of books which essentially packages the original stories from the digests into a smaller package without all the retro stuff. It’s a different form of reprints, so these sales are probably fine.
Glenn: At 362 is At The End Of Your Tether, a new 3 issue mini from Lion Forge with a premise that doesn’t exactly set the world of fire. As you could have expected it sells over 1.8k.
Ray: This was an oversized experimental mystery book with a near-unknown creative team for a company with serious sales issues, so I’m not surprised. Shame – it’s actually VERY good.
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Glenn: A new Casper book at 364 sells over 1.7k which is about right for material featuring the friendly ghost.
Boogily Heads which apparently POPS but non property specific and all goth get their own comic at 365 selling over 1.7k. Since I’m unfamiliar with the toy line I expect this is all that could be expected.
The no doubt super tasteful one shot from Aardvark press at 366 selling over 1.7k isn’t even worth my energy typing out the name of.
Legendary movie director John Carpenter lends his name to a comic sci-fi Nuclear Attack at 370 selling over 1.6k. I’m surprised this didn’t do better as not only does it have Carpenter’s name but both the creative team of Joe Harris and Cat Staggs are well known. Maybe the company Storm King (whom I’ve never heard of) doesn’t have a great distribution model.
Ray: It’s odd that John Carpenter would choose this tiny company to launch his books. Especially since he apparently has good ties with much bigger companies now, like his upcoming DC special.
Glenn: Another low selling Black Mask debut in Militia at 373 selling over 1.6k. See comments for Lab Raider but you know…worse.
Ray: This is actually from a small-press company titled Blackbox, not Black Mask. The source article got it wrong – and it’s especially amusing that this alt-right comic got attributed to far-left company Black Mask.
Glenn: Its fake news!
Both a 0 issue and 1 for Gargantuan which sell over 1.6k and 1.5k at 374 and 377 respectfully. Again, I’ve not heard of the company (Amigo) so they might just be happy to be here. It also comes with a price tag of yesteryear of 2.99 for the zero issue so good for them on that.
At 183 is a political ‘satire’ comic ‘starring’ Alexandria Ocasio Cortez which sells over 1.4k from Devil’s Due. Its that time in the charts where we start looking for the cyanide pills.
Ray: This is a reprint of said “Satire” comic. I think this is the “DC is suing us and we need money for legal bills” reprint.
Glenn: $10 for a Bettie Page Unbound ‘black bag’ cover at 390 selling over 1.3.k.  Jeez.
More Marvel stock with Age Of Rebellion Han Solo at 391 ‘selling’ over 1.3k
Rock and Roll biographies does an issue starring Testament which is a *checks notes* Bay Area Thrash metal band. It sells over 1.2k at 395 so take that for what you will.
Ray: I’ve never even heard of Testament.
Glenn: I doubt Testament have heard of Testament.
Scout comics continues their ‘Binge’ line where they release on issue and then do a collection of the rest (including said first issue) at 397 selling over 1.2k. This is an example of how to kill your first issue buzz, by telling people they have to wait for the rest and then pay for the same thing again. Results as expected.
Ray: “Princess Revolution” is a manga-style fantasy comic for Scout. I probably would have picked up the second issue based on the first, but I’m not sure about the trade. It’s an experiment that seems more about saving money on printing costs than anything. 
Glenn: Oh absolutely but why release any single issues at all? Why not go straight to trade? Its an odd business practice.
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Ray: Amid a sea of reorders, including for recent middling comic events Infinity Wars and Heroes in Crisis, there’s a Rocky and Bullwinkle anthology titled “As Seen on TV” from American Mythology, selling 1.2K at #401. Into the depths we go…
There’s 1.1K in reorders for something called “Rogue & Gambit #1″ from Marvel. I don’t think this is the recent Mr. and Mrs. X series from Kelly Thompson. Does anyone know what this even is?
Glenn: It is a Kelly Thompson book by that name, some sort of precursor book? I don’t remember it…
Ray: 1.1K in reorders for Ghost Tree #1, a rare IDW book amid a sea of Marvel reorders, at #410. This is the third month in a row this has appeared on the charts, making this the first real buzz-worthy hit IDW has had from their creator-owned line in a while. I think Canto might follow suit.
Glenn: Locke and Key will be returning soon too. It’ll be interesting to see how well it does with the Netflix show on the way.
Ray: It’s almost entirely Marvel reorders down here until we get to #429, where Amped #1 from Red Giant Entertainment lands. This $9.99 variant cover of this new title featuring disabled teens given superpowers sells just over 1K – but the regular $3.99 comic doesn’t land on the charts. Also, this is the White Widow variant, which means the cover doesn’t feature the main characters, but the sexy lady from the same company. Hold me, Glenn.
Glenn: Why do we do this again?! Whose bright idea was this? Oh yeah, it was mine…shut up.
Ray: At #435 is the second printing of the Amazing Spider-Man #252 facsimile edition, selling just over 1K. This is a reprint of a reprint. We’re through the looking glass.
At #439 is the launch of Lady Death Merciless Onslaught, the latest relaunch for the 90s bad girl character, selling exactly 999 copies. It’s a rare original in a sea of reorders.
It’s almost entirely random issue reorders down here, including titles like Moon Knight #189, Miles Morales: Spider-Man #6, Detective Comics #1004, and Captain America #697, all in the 900-copies range.
It’s almost entirely Marvel reorders all the way down until we get to #484, where we have 837 reorders of Ghost Tree #2, more evidence that this is a legitimate hit for IDW. The third issue, for the record, is up at #268 selling 4K. The series is already over with #4, but this should be a great seller in trade.
#485 brings the Cavewoman: Pandemonium one-shot, selling 828 copies for its assortment of covers of…creative poses.
Glenn: I’m not even going to Google
Ray: Virtually nothing but Marvel reorders all the way down, but we close out with a different reorder – 788 copies of Road of Bones #1 for IDW at #500, indicating another slow but steady hit for the Russian cannibal thriller.
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Glenn: New Rabbitt Stew superstar Grigory would approve!
Ray: Looking ahead to July, it’s a pretty big month for DC as Sean Murphy returns to DC with Batman: Curse of the White Knight, Young Animal returns with two new titles, and the Walmart stories are reprinted in new volumes – meaning new Batman and Superman titles by Bendis and King. We’ve also got the big #75 issues for Batman, Wonder Woman, and Flash and #50 for Aquaman, and the launch of the Jimmy Olsen and Lois Lane series by Fraction and Rucka.
Meanwhile, over at Marvel it’s the calm before the Carnage, as Marvel still has a bunch of launches including a Marvels Epilogue with an original story by Busiek and Ross, and and the likely top two comics of the month – the new Jonathan Hickman X-men series House of X and Powers of X. There’s also new series for Loki, a recap of the history of the Marvel Universe by Waid and Rodriguez, Valkyrie by Aaron and Ewing, an epilogue to War of the Realms, a prequel to Absolute Carnage by Cullen Bunn, and too many new miniseries and one-shots to count.
Image, meanwhile, has some big launches, including a new series by Jason Aaron and Dennis Hallum, a new Cullen Bunn horror comic, titles from Justin Jordan and Mark Millar, and the finale of Paper Girls. The biggest x-factor of the month, though, may come from Dark Horse as they launch a Black Hammer/Justice League crossover that could be their biggest hit in a long time.
Glenn: Final issue of Walking Dead too but no one knew that at the time but still, it’ll definitely make an impact.
Ray: What will rise? What will fall? Find out next month on…By the Numbers!
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Liked what you read? Have any questions or suggestions? Let us know here or on Twitter @glenn_matchett and @raygoldfield.

By The Numbers: May 2019

Like in any industry, comic books and their companies listen most to one thing and that’s your money! What does your money tell them? What does it tell us as fans? What series do people say they adore but can’t seem to catch a break and what books to people hate that sell out? What are the trends? What looks good? What looks rough?

All these questions and more will be answered here, every month in ‘By The Numbers’ by comic writers, editors and fans, Glenn Matchett and Ray Goldfield.

Glenn Matchett is a comic writer and editor. He’s worked in the industry for many years but grew up reading comics. He’s had work published with various small press publishers and has is own comic now available on Comixology in Sparks: The Way I Was from Yellow Bear Comics! He used to remember a time when he wasn’t tired but that seems so long ago.

Ray Goldfield is a fan of comic books for going on 25 years, starting with the death of Superman. He is a writer and editor and has released his first novel. Ray also does a weekly roundup of DC comic reviews for website Geekdad and they’re brilliantly entertaining.  When asked his view on the Game Of Thrones finale, Ray simply yelled ‘I like dragons!’ over and over in a similar manner to Hodor saying Hodor.

We also do a podcast together with longtime buddy, Brandon James on iTunes with Rabbitt Stew or at the link here! Don’t ask, I didn’t pick the name. If you’d like to hear what me and Ray sound like, give it a listen!

Top 300 in full available here!

Glenn: Hello again folks and welcome to the top 500 for May 2019! This month saw a lot of surprises with some detrimental to Marvel, benefiting DC, so-so for most and depressing for the rest! Come join us once more as we crown the new Batman Blockbuster by Scott Snyder and Greg Capullo number one with a bull…

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In a surprising upset, the number one with a bullet this month is the Elseworld zombie story DCeased written by Tom Taylor which launches at 242.3k which is an astonishingly good number. A mix of zombies still having somewhat of a moment, Taylor having some serious momentum right now, a lot of hype and some lovely variants seems to have been a formula for success. This seems to have struck a surprising cord, the same way Marvel Zombies did over a decade previous. Already we’re getting additional content to the previously scheduled 6 issue mini presumably due to the success. Taylor is a writer who has done some great work and elevated Injustice beyond ‘just’ a video game tie in to a critical and commercial success. With Tom King leaving Batman is it time for one of the big two to give him a shot at the big time? I think these sales would indicate so. Since this mini is so short, I wouldn’t imagine it dropping too badly over its period but this is a brilliant start regardless.
Ray: This is probably one of the most surprising upsets in recent sales chart history – not just DCeased winning the month, but the margin by which it won. This is a monster (pun intended) debut, and I think the covers have a lot to do with it. This is the first time in a while I can remember the variant covers feeling like an actual event rather than just a money grab. We’ll have to see how the future issues do, but the variants are continuing and I could see this being a dominant force for the entire run.
Glenn: Next is the all powerful Doomsday Clock which still sells a bundle at 2 with sales over 117.4, there’s no surprises here. I would say that there will be reorders given the contents of the issue but at this point with regards to Doomsday Clock, that’s an inevitability here.
Ray: Nothing stops this comic, not even bigger and bigger delays. The reorders continue to rack up too. DC’s strategy of doing mini-events without much of a buy-in in the form of tie-ins is really paying dividends so far – although that may be about to end, a little further down.
Glenn: Finally claiming the bronze prize this month is Last Knight On Earth selling over 113.2k which is a great number don’t get me wrong but with the amount of hype, the creative and this being Snyder and Capullo’s last solo Batman story I expect something closer to what DCeased got this month. I think with all that in mind this is a big surprise. Now, this could be because of price point but the most likely explanation is the Black Label association. Retailers are still waiting for the conclusion of Batman: Damned and there’s been a lot of messing about with the line. Given all that, the Black Label line might be more of a detriment. I have little doubt we’ll see some serious reorders but quick stability. I mean this will be a success, no question as it’ll be a nice collection that’ll be in print that will sell till the end of time but I expected more out of the gate by two of the hottest creators in comics.
Ray: Yeah, I think the format and the controversy over Batman: Damned drove sales down a lot. I also don’t think there were any variant covers here, so that’s a big difference-maker between it and DCeased. But this is very similar in numbers to Damned and White Knight, so I think retailers ordered what they knew it could do. Expect lots of long-term reorders here. I believe this is a bimonthly three-issue series, so it should hold very well for the duration.
Glenn: A strong debut at Marvel with Savage Avenger’s which sees a debut launching at 4 with sales over 111.7k which is an impressive debut. The Avenger’s brand isn’t what it once was so I think the success here is all down to A) how hot Venom is right now and B) the inclusion of Conan. I think we’ll see this one settle to about the 45k range swiftly from here due to it not really being a Venom book but that’ll still give it some legs.
Ray: Yeah, this is a weird comic but it feels like it’s an intersection of multiple Marvel events and hot characters under one cover. This is a very good debut, but I don’t think it’s sustainable. It’ll play out similar to the second-tier Avengers books used to, but with a Venom boost.
Glenn: Venom without Cates though can be hit and miss though as we’ve seen. An interesting one to watch.
At 5 is the Batman Who Laughs which continues its selling ways. This month it racks up over 108.6 which is an increase on last issue. There is nothing but winning here and the character will be around to sell other books for a good time to come.
Ray: Laughing all the way to the bank!
Glenn: At 6 is the continually baffling Amazing Spider-Man which sees one of its random sales boosts with sales on issue 21 selling over 92.5 but issue 22 charting at 10 selling over 78.1. Why is this happening every month? Whose to say and its hard to really judge where the title is at the moment with that in mind. On paper it is still one of Marvel’s strongest sellers but the vast swing in shifts every month is an oddity.
Ray: Marvel’s scheduling games aside, this book has been in flux for a while with an event and then an anniversary coming up. But after that, it sinks into a Superior Foes sequel arc and we should see the truth of the numbers a little more. The last .HU issue is down at #22 selling 52K, so there’s definitely an interest gap here.
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Glenn: After Hulking up last month in sales, Immortal Hulk places at 7 this month with 87.4k as one of Marvel’s best regarded books sees some sales boost off that quality. At 13 the following issue sells over 75.9k which is a decline but still an amazing achievement by the title since at those numbers its barely being outsold by Marvel’s mega hyped War Of The Realms. Quality and critical acclaim does sell occasionally, who knew?
Ray: Whatever numbers are the actual interest level, I think it’s clear that Immortal Hulk has caught fire with Marvel fans in a way no book since Venom did. Like Venom, it has a horror twist on a popular character. But unlike that book, it doesn’t have a powerhouse name writer like Cates. Ewing has been a workmanlike writer for Marvel for a long time and many of his books struggled sales-wise, so I’m really happy to see this book catch fire.
Glenn: At 8 and 9 is top ten tenant Batman were Tom King’s run continues is slowwwwwww decline in sales. We see sales here of over 83.5k and 82.7k. We’re just spinning wheels until the big jump for 75 but then 10 issues later, King’s run is wrapping up to make way for a new 12 issue Batman/Catwoman mini and a new creative team. This is an interesting gamble by DC comics in an attempt to seemingly have their cake and eat it too. Will this gamble pay off? We’ll find out here early next year.
Ray: Batman is bulletproof in sales, with largely forgotten runs like David Lapham’s City of Crime or Tony Daniel’s pre-New 52 arcs staying rock-solid despite mixed reception. The core book should maintain that without King, and I’d be shocked if Batman/Catwoman ever dipped below 50K – probably 70K – especially with the reveal of the villain’s identity. 
Ray: More bad news for Marvel mega-event War of the Realms, as it lands its third and fourth issues at #11 and #14, selling 77K and 73K respectively. Those are acceptable numbers for any comic, but not a much-hyped line-wide crossover with years of buildup. Given that this is only a three-month event, there’s no chance for leveling out or boosting sales. This is largely turning out to be a mess for Marvel, and they’ll need that sweet, sweet Carnage money soon.
Glenn: The much more out of nowhere non event DCeased has already slaughtered this and this one had a lot more hype and expectation behind it. Marvel is still recovering from a mix of too many large middling to poor events.
Ray: War of the Realms sandwiches Heroes in Crisis #9 this month, which ends its run at #12 with sales of 77K. This controversial stand-alone event leveled out quickly after a disappointing start, holding well for almost a year. This is another example of how these limited-scope events are paying off for DC.
Glenn: This one was an oddity. I’m still not sure if it was a sales success or not. If you go by what it originally was presented on then yes, it did very well. Hyped as a very important point in the DCU, then not so much. Still, it sold solidly and we’ll see if fans who read this will check out the stuff rolling out of it in a few months.
Ray: Venom #14 lands at #15 this month, selling 66K. This is the second part of the Cullen Bunn tie-in event, and is up 14K from last month. Retailers are obviously correcting because Venom will sell no matter who’s writing it.
Some good news for War of the Realms, as it has a top-selling tie-in at #17. War of the Realms: New Agents of Atlas sells just under 65K, but this is subject to Marvel math. They doubled orders for retailers to give this book – which is making a strong push into the Asian market with guest-starring superheroes from China and Japan – a chance and already greenlit a follow-up miniseries.
Glenn: Agents Of Atlas is one of those properties Marvel digs up to give another go now and then. They’re not as abrasive with it as they were with say the Inhumans but they obviously see a lot here in getting them a new market of readers potentially.
Ray: The new Star Wars miniseries tying in with the Disney theme park attraction, Galaxy’s Edge, debuts with 60K at #19. This is above average for generic tie-in minis for the franchise, so I’m guessing the Disney hook boosted sales. Marvel might have also upped orders for handing out at the park.
Glenn: People actually excited to actually have a hardcore Star Wars experience might have helped too. There may have been crates of this stuff delivered to the park for free handouts to guests too.
Ray: This is where we see top-selling regular titles including Detective Comics (which is selling about 65K now and seems to have a permanent boost from the 1K issue), Justice League, Fantastic Four, and Avengers. There’s 25 comics selling above 50K this month, which seems above average.
Symbiote Spider-Man, after its excellent debut last month, finds a normal level at #23 selling 52K. That’s well above every Spider-Man book beyond the flagship, so I think we can safely say this is a real hit.
Glenn: This is a good 20k above the rest of the secondary Spidey books. We’ll call this ‘the Venom effect’.
Ray: Batman and the Outsiders, from Bryan Hill and Dexter Soy, launches at #24 with sales of 51K. This is a pretty good debut for a comic that spins out of a Detective arc from almost a year ago. It’s definitely more of a good debut for an Outsiders book than a Batman book, though, and we’ll see how it sustains itself in the coming months.
Glenn: This one lost momentum cause of the delay I think and retailers aren’t seemingly treating it like a proper Batman book. Given who is actually in it though you are right, this is a solid start. It’ll need to land fast though.
Walking Dead #191 is down at #27, selling 48K. Without getting spoilery, retailers massively under-ordered here and expect huge reorders for it next month alongside massive orders for #192.
Glenn: Indeed, it just shows how confident and steady the franchise is though that they don’t have to make a big deal of these things. They know it’ll come around back to them.
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Ray: The next tier down, selling in the 47K to 40K range, includes hits like Superman, Thor, The Green Lantern, Guardians of the Galaxy, Uncanny X-Men, Action Comics, Flash, and Star Wars, along with the Boba Fett issue of Star Wars: Age of Rebellion. That sells about 6K higher than the Han Solo issue, interestingly – that’s down at 35K. Jabba the Hutt’s solo issue is at 32K, and Lando’s at 28K.
Glenn: This is Fett’s first comic he’s starred in since Marvel got the licence whereas Han has had a mini starring his older and younger selves. Maybe the novelty of seeing the mega popular bounty hunter in his own comic made the difference?
Ray: At #31 is the Detective Comics Annual, which brings back iconic Batman: Year Two villain The Reaper. It sells 44K, which is a pretty big gap from the main series but still a strong number. That makes me think that the numbering is playing a big role in the sales of the main book.
An odd entry is Star Wars #108 at # 40, selling 40K. This is a final oversized issue of the original Star Wars series from decades ago, written by Matt Rosenberg. For a retro curiosity at $5.99, this is a very good number and in line with the regular debuts for Star Wars titles. This confirms that you could probably sell a Star Wars: Rancor’s Day Out miniseries and it would crack 40K.
Glenn: A big win considering what this is and the pricing of it, I totally want to see that mini now too. Make it happen Marvel!
Ray: At #42 is Batman/TMNT III #1, as James Tynion IV returns to close out his trilogy and TMNT creator Kevin Eastman jumps on for a surprise art assist. The sales of 38K are much lower than I would have expected, so I put that up to the disappointing second arc that Tynion didn’t fully write.
Glenn: The novelty has worn off for sure but its still decent enough. The collections must be doing well enough to warrant a third plus the original has an animated movie adaption now.
Ray: Life Story basically stays rock-solid for its third issue, selling 37K at #46, which is less than a 1K decrease from the second issue. I think we can safely say this is a prestige comic that’s going to hold very well.
Glenn: Well deserved too.
Ray: Unexpected good news for another comic as Naomi leaps up the charts, landing at #47 this month for its penultimate issue with sales of 36K. It barely cracked the top 100 when it debuted, but it’s been picking up reorders ever since. Now it’s even outselling flagship title Young Justice, down at #65 with sales just under 30K.
Glenn: The character is catching on as promises about her past being revealed are being made. We’ll definitely see more of her without question with this renewed momentum.
Ray: The sales charts giveth to Bendis, and they taketh away. At #56 is the oversized 9.99 one-shot Superman: Leviathan Rising, which sells only 32K. For a $10 anthology, this wouldn’t be terrible – but it’s a prelude issue to next month’s big event with Bendis and Maleev. Even if it doubles the sales of this comic for that debut, that’s only 65K – not at all what we want to see out of an event comic.
Glenn: Very tepid response for sure. This could be a result of how zero issues are sometimes treated (big win or meh results) or Bendis bringing his past of recent dubious Marvel events with him. We’ll see how this thing does for real next month.
Ray: We’re finally starting to see some traction for the best Spider-Man book, Friendly Neighborhood Spider-Man. It gains 4K this month to chart at #63, selling 30K. This book is quickly gaining strong critical reviews, so I expect the upward trend to continue.
Glenn: This issue got a lot of critical acclaim particularly so might get some reorders too.
Ray: Amid a sea of normal-selling Marvel and DC titles, we have a big hit for Valiant. The latest future-set mini-event, Fallen World, charts at #70 with sales of 27K. Valiant’s decision to keep their line small and only put out strong titles has paid dividends.
More proof that Immortal Hulk is the hottest book at the moment – the second issue shows up again at #73, selling a massive 27K in reorders. This kind of reorder is unprecedented unless we’re talking an event comic or a huge anniversary. Whatever’s going on with this book, Marvel’s got to be thrilled here.
Glenn: This is not even a recent issue and its doing better than most new books. This has caught some serious momentum for sure. I just hope Marvel don’t push their luck with it.
Ray: The final cycle of Ed Piskor’s experimental X-Men comic, Grand Design, lands at #74 with sales of 26.9K. This is a pretty good number for a $6 book, but this title is only a month away from being an evergreen collection that will likely sell millions as it distills fifty years of continuity into six issues.
At #78 is another disappointing War of the Realms tie-in, as Spider-Man and the League of Realms #1 sells 26K. Just a very muted number for an underperforming event and a tie-in that didn’t get much hype.
Glenn: Very low for a book with Spider-Man’s name in the title. I guess this just shows how indifferent War Of The Realms is being treated, not even a Spider-Man tie in can get a win.
Ray: Dark Horse’s top book on the charts this month is Stranger Things: Six, the second Jody Houser miniseries expanding the world of the megahit Netflix series. This one sells 25K at #82, less than half of what the previous miniseries did. That’s probably owing to the fact that this one doesn’t feature any of the show characters.
Glenn: Still decent for a TV show tie in and a good result for Dark Horse but after some initial hype this is probably one for the hardcore audience only that want to devour every scrap of Stranger Things lore they can.
Ray: War of the Realms had a trio of “Strikeforce” one-shots, showing where the various heroes went after they split up into squads. The top-selling one is Dennis Hopeless’ War Avengers at #83, selling 25K, followed by Bryan Hill’s Dark Elf Realm at #92, selling 23K, and Tom Taylor’s Land of Giants selling 22K at #94. So many of these tie-ins were mostly ignored by retailers, despite some strong work from top creators.
Glenn :A series of one shots will always be treated like a throwaway in some sense.
Ray: A tie-in that was barely marketed as a tie-in, Giant Man #1 debuts at #97 selling 22K. This team-up showing Scott Lang and three other giant-sized heroes infiltrating the Frost Giants didn’t have the “War of the Realms” branding in front of it, but it barely differed in sales from those that did.
Glenn: I wonder if it would have been better if it was more obvious that this is the same character that starred in a multi-billion dollar movie not too long ago. A lot of ‘well it would have done better if…’ in this case it seems.

Ray: At #102 is the Catwoman Annual, selling just under 22K. That’s just over half of the sales of the parent title, which is at #43 this month. So clearly retailers didn’t get the memo on this one.

Glenn: The title has lost some momentum and Joelle Jones isn’t writing it full time, I wouldn’t expect to see it last too much longer after the surefire hit that will be Batman/Catwoman launches in January.

Some War Of The Realms tie-ins out of the top 100 already with Journey Into Mystery selling over 20.9k and Atlas dropping release month to 108 selling over 20.3k for its second issue. When Marvel did Secret Wars (the Hickman one) they replaced a lot of their line with tie-ins as opposed to asking people to buy the regular books plus the tie-ins, it seems the latter strategy they’ve employed in the last few events are really hurting them.

At 107 is Red Sonja/Vampirella/Betty and Veronica and no you’ve not entered the Twilight Zone. The sales of over 20.3k are good considering this is such a bananas concept. The publishers must be happy as we’re getting a Sonja/Vampironica ongoing coming in August so there you go…
Ray: Dynamite has the weirdest business model, largely seeming to be driven by novelty crossovers and variant covers – with a few books of shockingly high quality mixed in. Whatever keeps the doors open, but this is definitely their most bizarre entry yet. Should we be looking for Vampironica vs. Vampirella next?
Glenn: Another War Of The Realms tie-in out of the top 100 with the Punisher offering selling over 19.9k at 110. It only loses about 7k on the first issue which isn’t too shabby all things considered. Punisher has never been a character that has been able to support much in terms of multiple books/tie-ins so this is probably what we would see regardless of what the larger story was.
A prompt stabilization for Ascender which only loses about 4 for its second issue selling over 19.8k at 111. I think this is a significant increase over where the previous series Descender finished so the relaunch/new direction has worked a treat. Once again Lemire delivers a solid hit for Image .
Ray: We’ll have to see where it settles down in, say, six months but the parent book was shockingly steady over its long run. Royal City aside, Lemire’s books seem to have a very high floor above 10K.
Glenn: Another soft drop for another War Of The Realms tie-in at 115 for War Scrolls selling over 19,2. This is a pretty solid drop on the surface but as we said this month, this tie-in has series architect and Marvel superstar Jason Aaron writing a story and was pushed heavily as a ‘must read’. Nobody took notice to either of these things.
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Shipping two issues this month, Giant Man’s second issue is at 122 selling over 18.1k. I wouldn’t bet on a new book pal Scott following this.
Ray: This wasn’t technically a Scott book – it stars the new Indian-American Giant Man as the title character, but he’s part of an ensemble with Scott and two other giant dudes. Either way, this one barely marketed itself as a tie-in, not that it would have helped much.
Glenn: Ah, that makes more sense…Why did they do this one again?
Huge drop for Marvel Team Up which sells over 17.5k for its second issue landing it at 128 on the charts. It seems retailers are treating this as a secondary Ms. Marvel book which it pretty much is. Given that Kamala’s main book does uber business outside the direct market, this book might find life there also. The rotating creative teams will give this book a hard time creating an anchor though so we’ll have to see if it can stick around, all things considered if it stays around here then things could be worse.
Ray: Anthologies, especially those with rotating creative teams, are a very hard sell. I think this might be a Black Panther situation, where a hit character can’t necessarily command a spin-off.
Glenn: Right below that is Rob Liefield vehicle, Major X which is bottling up mid 90’s comics and selling it with a new character. It sells over 17.3k at 129 which isn’t great considering that Liefield used to be one ‘the’ guys in the industry. This character is not the second coming of Deadpool and will likely show up in an event in a few years to be killed off.
Ray: These are reorders! God help us all, this book is a hit. Look forward to Corporal X next year, starring Deadpool and Stryfe’s clone baby or something.
Glenn: So they are, you only get the real pro analysis here at By The Numbers you know.
Really strong launch for Excellence, a new magic focused book from Image. Writer Kharey Rhandolf has some name recognition but I still think the launch of over 17.3k in sales at 130 is really impressive. We’ll see how it settles out next month but this could be another strong addition to Image’s line.
Ray: Brandon Thomas is a creator whose star has been rising quickly, definitely more so than when he released his last Image book, Horizon. This got a lot of advance hype, too. 
Glenn: A launch for Buffy spin off Angel this month with sales of over 16.1k at 132. This is a good bit below where sales of Buffy usually are but still a strong number for Boom. The series is currently finding an identity in its pages but if it can do that and stabelize around here that would be a great number, the character at Dark Horse was doing barely 10k when his series was tailing off over there.
Ray: There’s a crossover with Buffy (which skipped a month) in September, so that should definitely help to sync that title up with this one. Either way, well above where this franchise was. 
Glenn: At 147 is a very respectable 14.7+k for a True Believers offering featuring Spider-Girl 1 which is a reprint of the What If issue debuting May ‘Mayday’ Parker. With Spider-Verse being a critical and commercial hit, this could be the perfect time for a character that has always had a cult following to really get some momentum.
Ray: I’m kind of surprised Mayday hasn’t gotten a revival yet, honestly. She’s Spider-Woman now, and there’s no title with that brand at the moment. “The Amazing Spider-Woman #1” could be a good idea.
Glenn: At 149 is another True Believers which is a part of the classic Kraven’s Last Hunt which sells over 14.1k. Not surprising since the story is so well regarded and Amazing is doing a pastiche to it at the moment. A very poor pastiche but one none the less.
Another True Believers at 155 in Silver Surfer: Rude Awakening selling over 13.1k. Pretty good considering its harder to define classic Surfer stories outside his original appearances.
Ray: I think retailers ordered heavily on this one in advance of extra interest in Silver Surfer next month. Expect a top ten debut for Silver Surfer: Black.
Glenn: Two more True Believers at 160 and 162 focusing on Darth Maul and the…Ewoks selling over 12.2k and 12k respectively. The Maul sales are impressive since his mini isn’t that old, the Ewoks is for fans of curt little furry things I guess. It should be noted that everything from here got outsold by cheap furry muppets, make of that what you will.
Ray: I still can’t believe the Ewoks cartoon was a thing.
Glenn: Lots of True Believers here, it seems retailers order these cheap comics in and around the same level unless they’re something significant. Iron Fist/Misty Knight sells over 11.9k for their offering at 164
Another new Image offering at 165 selling over 11.9k in the form of Gogor. Pretty average debut from someone who has a rep like Ken Garing but isn’t a huge superstar. I think Ray was a big fan of his previous series Planetoid so this one will likely be a critical darling that does well in collections and such.
Ray: This is a massive improvement over how Planetoid did, I believe, and the writer/artist making his return seems to have made a splash. A creator without a big name landing above 10K for a debut is pretty good, and I think the excellent critical response will keep this one building momentum.
Glenn: At 167 is another True Believers in Invaders 1 selling over 11.7k. Which Invaders 1 you ask? Who knows.
Another one of the True Believers, Origin Of Mantis sells over 11.5k at 170. I think at this point, they ran out of ideas for this odd month of Spider-Man, cosmic, Star Wars and The Invaders for some reason.
Second issue of Kelly Thompson and Veronica Fish’s Sabrina sells over 11.4k at 173 which is pretty good for Archie stuff and a mini which takes a different tone to the tv show to boot. This one might have had legs.
Ray: This is Archie’s top book by almost a 2-1 margin this month, which shows real interest in either Sabrina, KT, or both. Her sales pull is growing, and Marvel would be wise to make the most of it – before someone else does.

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Glenn: TMNT creator, Kevin Eastmen releases a full version of his comic within a comic Radically Ronin Ragdolls which places 175 with sales over 11.2k which I thinks great considering that its a gag comic that is an off shoot of another book.

Ray: A gag tying into a new comic he’s doing – which this outsold by a two-to-one margin. Are we going to get a media empire for the Ragdolls now?
Glenn: Pretty standard second issue drop for the super naughty Faithless if you’re not counting the nudy covers. It lands at 178 selling over 11.1k, pretty strong number a Boom book, especially one that is diving head first into material they don’t usually put out.
Ray: This is probably down to Azzarello’s draw as a creator. He’s one of the biggest creators they’ve had in their stable in a while.
Glenn: Standard franchise fare for this month’s Hellboy offering, the one shot Hellboy vs Lobster Johnston: Ring Of Death sells over 10.9k at 183.
A good bit lower than the rest of the True Believers, the one looking at the Wedding Of Rick Jones selling over 10.4k at 185 likely is placed here because Rick hasn’t played a massive part in comics in a while and is completely absent in the MCU…or any Hulk movie or TV show for that matter.
Dog Days Of Summer, the latest in DC’s regular anthologies sells over 10.k at 186 which is solid enough since its priced at 9.99 and has an odd ‘core hook’ to the anthology. These seem to perform well enough for DC to keep them rolling.
Ray: This is among the lower-selling of the recent anthologies, above the New Talent Showcases but below most of the seasonal ones. The animals didn’t have as much pull as the main heroes, I guess, even though the talent is top-tier.
Glenn: It does seem that retailers are ordering based on theme rather than names which is interesting. I suppose with antholigies since there’s so many teams, big names sometimes aren’t enough to make a sale where a simple ‘this is a horror book’ or whatnot would be easier to convey to a potential consumer.
I’m surprised True Believers Iron Fist/Coleen Wing didn’t do better since they’re the main characters in the Iron Fist Netflix show of yesteryear…or maybe that’s why it didn’t do well? It sells over 10.1k at 188 either way.
A facsimile edition of Defenders Marvel Edition 1 sells over 9.9k at 191. Not great but its 4.99 for old material in a new format and its a B or C list property so its all relative.
I don’t even know what Luke Cage Power Man: Pirana could be but its another True Believer offering this month. It sells over 9.5k at 197 which indicates I’m not the only one who doesn’t know what it is.
Right below it is more expensive reprints at 198, the facsimile edition of Incredible Hulk 181, I would have thought this one might have done better due to its importance (first appearance of Wolverine) but again its a comic Marvel have earned their money back on 100 times over already so the sales of over 9.4k is bonus funds.
There are more True Believers below 200 but most of them are reprints of recent comics or minor properties. Its crazy how many of these Marvel actually puts out.
Ray: Marvel is REALLY good at selling us new versions of old comics
Glenn: Selling about 2k less than the main book, the Sonic The Hedgehog annual sells over 9k at 204. Given that it’s priced at 9.99, I’d say that’s a better result than the usual annuals in comparison to what the main title sells.
Ray: IDW’s slowly building a line of Sonic books, and it seems to be going pretty well. Definitely better than their creator-owned business at the moment (More on that, Lay-tor).
Next up is another pair of True Believers issues at #205/206 – the first issue of the recent Rebel Jail issue in Star Wars, and the first issue of the classic Power Pack series. Both sell about 9K, towards the lower end.
The $7.99 reprint Marvel Tales: Avengers sells 8.7K at #212, making the third format this month by which Marvel sells us old comics.
Glenn: Not counting collections where there’s essentials, trades, classics, epics, omnis, hardcovers…
Ray: At #213 is the most bizarre entry of the month, “Alexandria Ocasio-Cortez and the Freshman Force” – an anthology special from Devil’s Due focusing on fictionalized versions of some controversial new politicians as superheroes. Devil’s Due promoted this heavily, and they managed an incredibly strong debut for the company with 8.6K – which they’ll likely spend in court, since they were hit with a cease-and-desist from DC over a cover using the Wonder Woman costume, and proceeded to double down by issuing a second DC-themed cover.
Glenn: There’s so much stupidity here my brain hurts.
Ray: 8.3K in reorders for Naomi #4 as Bendis, Walker, and Campbell’s original superhero continues to pick up momentum. It won’t stop here as it looks like she’s going to play a role in Bendis’ next big project.
Glenn: If that is the case then these original issues will have even more reorders as a result.
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Ray: 7.8K in additional copies of Faithless #2 for the “Erotica” variant, further emphasizing that this is definitely a major hit for Boom and Azz.
Terry Moore’s first big crossover comic, Five Years (bringing together characters from multiple creator-owned works) has a strong debut at #230, selling 7.6K. This is much higher than we normally see for his work.
Glenn: Retailers treated this like Moore’s own Avenger’s, I know his fans will be happy to see it.
Ray: The new Vault fantasy comic She Said Destroy has a strong debut for the company at #233, but this is a returnable first issue which likely inflated the numbers to an impressive 7.3K.
Glenn: DC and Marvel are doing a few returnable’s in the coming months, we’ll have to see if its a worthwhile gamble if it means retailers invest more in the books when they have that security in place.
Ray: 7.2K in sales for the facsimile edition of Alpha Flight #1 at #235, so Marvel’s reprint month keeps on going. There’s a facsimile edition of the 50th issue of the original Marvel Star Wars nine spots below.
Thew new miniseries My Little Pony: Spirit of the Forest sells just under 7K at #236, pretty consistent for a side book for one of IDW’s frequent flyer franchises.
IDW and Dynamite both release $4.99 specials for two of their ongoing series at #249/240. Elvira Mistress of Darkness Spring Special sells 6.7K, followed immediately by Star Wars Adventures: Flight of the Falcon selling 6.6K. Elvira > Star Wars? Okay then.
Glenn:I think these Star Wars Adventures make their money elsewhere, Elvira makes her money…somewhere?
Ray: At #245 is the debut of the new Kevin Eastman miniseries Drawing Blood: Spilled Ink from his self-titled comic book company. This is the book that Radically Rearranged Ronin Ragdolls spun out of, but this oddball comic noir about a character based on Eastman only manages 6.3K. Hope he wasn’t expecting this to bail him out with some loansharks, or we should look for a Ragdolls cartoon series.
Glenn: Loansharks: The latest series from Kevin Eastman, you heard it here first.
Ray: Another $7.99 reprint, Marvel Tales: Iron Man sells 6.3K at #247.
#250 brings us this month’s issue of Zombie Tramp, selling 6.2K. Zombie Tramp, official mascot of By the Numbers!
Glenn: Our little Tramp has done well for herself, when we started this, she was lucky to crack top 300.
Ray: IDW releases a pair of classic Marvel all-ages Spider-man stories under their new Marvel Action banner, with the two-shot selling 6.2K at #251. Even other companies are getting in the business of selling us old Marvel books in new formats!
A pair of new Aftershock titles – 70s set music crime thriller Killer Groove at #255, selling 6.1K, and conspiracy thriller Descendent at #259 selling 6K – are in this area, basically business as usual for a company that struggles to build momentum even as they increase their content and attract top talent.
Selling just under 6K at #261 is the new horror comic from Paul Maybury, Last Stop on the Red Line. This was an odd, surreal comic that didn’t get much advance hype, which probably led to it getting lost in the shuffle.
At #269 is a spinoff of the popular cartoon Samurai Jack from IDW. Samurai Jack: Lost World sells 5.6K, about typical for a cult cartoon spin-off.
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The Soviet Union-set horror story Road of Bones from IDW sells 5.4K at #273. That’s a big stronger than most of IDW’s creator-owned efforts, especially in the Black Crown line. This one seems to be picking up a bit of buzz for writer Rich Douek.
Another Beasts of Burden one-shot, The Presence of Others, sells 5.3K from Dark Horse at #278. This is one of those consistent properties where retailers know exactly how much to order.
Some slight good news for War of the Realms as the second issue picks up 5.2K in reorders at #280 – just under the second issue of Major X. Marvel’s decision to make this a tight three-month event may stop any serious bleeding, but it’ll also keep it from building any real momentum.
Glenn: Steady but unremarkable from here on out and doubtful to keep popping up months and years later like Metal did and Doomsday Clock does.
Ray: A new variant cover of Immortal Hulk #1 sells 4.9K for the fifth printing at #287, as this monster of a book keeps on charging forward.
Glenn: Heh, monster. I see what you did there.
Ray: As we get to the end of the top 300, we start seeing some seriously bizarre books. Tarot: Witch of the Black Rose makes an appearance with 4.6K in copies for its “Mourning After” variant at #293.
Then there’s the Street Fighter 2019 Pinup Special at #294, selling 4.5K. Stupid sexy Blanka?
Glenn: You leave my green honey alone!
Ray: A special variant cover of Rick and Morty #1 to celebrate their 50th issue sells 4.4K at #296, a this reprint-heavy month charges on – it’s two spots above a facsimile edition of Amazing Spider-Man #252.
#303 brings us a new miniseries for one of Dark Horse’s mainstay cult heroes, Joe Golem: Occult Detective – Conjurers. It sells 4K, which is about where past miniseries were doing.
#309 has a new series from Antarctic Comics, the originally titled “Horror Comics“, which sells 3.8K. It’s no doubt the first in a franchise featuring original titles like “Superhero Comic” and “Book about Things”.
Glenn: I love Book About Things, now lets get back to counting with numbers.
A new Goosebumps series, Horrors Of The Witch House sells over 3.6k at 316. Given how massive and enduring the franchise is, I doubt it needs the business in the direct market. It’ll be interesting to see how Stine’s upcoming original non weird Man Thing project delivers in the coming months.
Ray: Like all of IDW’s all-ages books, Goosebumps makes its money elsewhere.
Glenn: Another Sonic book at 318 selling over 3.5k priced at 5.99. It seems IDW are making the most of this franchise.
New Lumberjanes at 325 selling over 3.4k priced at 7.99, I would say most of the core audience have moved on to read the books another way and aren’t picking them at their LCS.
Ray: Boom seems to do these $7.99 one-shots for all their popular books at least once a year. This one had Seanan McGuire on board, but it didn’t really help – at least in the single issue market.
Glenn: Gears Of War: Hivebusters is a typical video game tie in performer selling over 3.4k at 327
New Zenescope book, Dragonsblood sells over 3.4k at 330. Probably about what you would expect from the company when they offer books outside of their ‘Grimm’ line. I wonder if its about a sexy dragon lady and/or a lame Game Of Thrones? *google* looks to be both!
Odd sounding but seemingly well reviewed Black Crown offering, Eve Stranger sells over 3.3k at 333, that’s a lot of 3’s! Black Crown is a very specific brand and there’s no big names here with the book having a very quirky feel so…yeah this is what you get.
Ray: Black Crown actually seems to do worse than other IDW creator-owned books for some reason. I think we’ll see the line folded soon.
Glenn: Vampblade Season 4 (????) gets an issue 1 at 334 selling over 3.3k. No clue what this is but if its 4 seasons in, then it must have a loyal fanbase and retailers probably know what to expect from it.
Low sales for Clue: Candlestick which might suffer from the poor quality of the last mini IDW offered using the franchise even though this is a new take. It sells over 3.3k at 337
This is also by the VERY niche cartoonist Dash Shaw, known for his surreal stylings. Unlike the previous Clue book, this wasn’t aimed for mainstream audiences.
Glenn: At 343 is the beginning of the second volume of Spencer and Locke, a gritty crime drama from Action Labs which basically asks the question of ‘what if peak Frank Miller wrote Calvin and Hobbes?’ I read the first trade and greatly enjoyed it. It sells over 3.2k which isn’t too shabby for an unknown creative team from a small press publisher.  This is an example of a diamond out there that needs more attention. It also has a second issue at 395 selling over 2.3k which is a lot to lose down here but pretty standard for an Action Lab book most people have likely never heard of.
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Ray: The first volume seemed to get real traction in collections, so this is a franchise with room for growth.
Glenn: Right below that 344 is part of the nonsense that quality books like Spencer and Locke have to deal with, The Donald Who Laughs a parody that somehow sells over 3.2k because haha we’re laughing at how awful this whole thing is! I can’t wait for Captain Brexit (no you can’t have that idea Keenspot)
Ray: I would say to look out for War of the Donalds in several months, but I don’t know if War of the Realms even gets a Keenspot parody.
Glenn: Another new offering at 345 which is Wailing Blade from Comixtribe (?!?!?!) which sells over 3.1k. This is some sort of fantasy tale that was a Kickstarter success so much like those books, these sales are just a bonus. Its a pretty good result considering this is extra money from the direct market from a small press company with unknown creators.
Ray: This was by the writer of Road of Bones, Rich Douek, so it looks like he’s having a good month in indieland.
Glenn: A new volume of Fathom debuts at 349 selling over 3.1k to those that are die hard fans of the franchise and the rest of the Aspen universe. This will never get bigger or likely smaller, it just is.
A spin off of the Zombie Tramp universe book, Danger Dolls in Danger Dolls Presents Amalgama lives selling over 3.1k at 350 along with a second issue at 387 selling over 2.5k  If Zombie Tramp is the companies Batman then this is the Robin title only some of the main books fans will check out. A loss of 500 sales at this level could mean life or death.
The completely bananas sounding Metalshark Bro debuts at 354 selling over 3.1k. Its an odd world down here, there’s even rock star sharks here.
Ray: Metalshark Bro is one of the first of Scout’s new “Binge!” line, where they release a first issue and then a $12 trade of the whole series, so sales are mostly irrelevant to this single issue.
Glenn: The Rejected Unwilling One Shot is a comic written by my friend Stan Konpka, this is the second book about a creepy figure known only as Mr. Teeth. I don’t think the first one got a diamond release so glad he managed to pull it off here with sales over 3k at 357. As Joe Hill once told me, you got to start somewhere…unless you’re the son of JJ Abrams of course.
Ray: This is much improved from the sales of the first one, I believe, so this indie horror franchise seems to be picking up steam. The art was different this time and the controversial subject matter might get people talking.
Glenn: At 364 is Trump Space Force selling over 2.8k. This head movie makes my eyes rain.
Some reorders for the first issue of Symbiote Spider-Man at 369 which gets over 2.7 additional sales. Nothing wild but it shows some momentum. Marvel is already doing a one shot spin off tying into Absolute Carnage in September.
A new mini from Black Mask at 372 which sells over 2.7k is Nobody Is In Control which is where the company basically lives when it has no one of real note involved.
Ray: I wonder if there are any couriers in this one.
Glenn: Hellwitch Hellbourne is yes you guessed it…a sexy demon lady with gigantic bosoms. This is another Kickstarter project. It sells over 2.6k at 375 if anyone is bothered.
Ray: This was previously a backup in Ahoy’s less-popular launch comic High Heaven. It doesn’t seem to have helped the first-issue sales.

Glenn: Hashtag: Danger is a new comedy book from Ahoy Comics that seems to be partially a comic parody of the Fantastic Four. It sells 2.6k at 376 so people seem to have missed out on this clearly hilarious joke.

Jungle Comics from Antartic Press at 384 sells over 2.5k. This seems to be a clear rip of Ka-Zar and Shanna with the main characters even having a sabretooth tiger at hand. Nobody is particularly bothered about the real Ka-Zar so I doubt many will be interested in the new Coke version.

Ray: Antarctic’s whole brand seems to be sexier versions of other companies’ properties.

Glenn: At 391 is the Secret Life Of Pets getting its own comic tie in. I’m surprised this didn’t do better than over  2.4k since its a popular enough kids franchise. This is clearly meant for elsewhere.

Ray: Titan’s odd business model extends here, as this is only a two-issue miniseries for the pets and the trade is already out.

Glenn: Many a reorder or continuations of low selling books from small publishers until we get to Underdog & Pals at 416 selling over 2k. Poor Underdog, someone needs to take him to see a vet stat.

Ray:  Valiant picks up almost 2K more in sales for the first issue of Ninja-K as part of their dollar debuts line, at #418. Good sales, but odd as the comic its showing off is already over and is about to be relaunched by a new creative team.

At #422 selling 1.9K is the debut of the new Alterna series Mighty Mascots, about cereal mascots brought to life by a mad scientist. I guess this is what happens after you blow up your relationships with much of your talent.
Selling 1.8K from Source Point Press is Twiztid: Haunted High-Ons – Darkness Rises at #428. A supernatural horror comedy about ghost-fighting rappers, it’s about what you’d expect. It’s really weird down here.
Glenn: Super weird, even Scooby Doo never fought a rapping ghost…I think.
Ray: The new supernatural Zorro series Zorro: Sacrilege debuts with just under 1.8K from American Mythology at #431, which is about in line from this publisher’s eclectic output.
1.7K in reorders for Stranger Things #1 at #433, just in time for the launch of the sequel series.
An odd entry for Source Point Press at #437 as Sham! sells 1.7K. This is a comic that takes old golden-age art pages and redubs them with bizarre off-color dialogue. Clearly a niche book, and I don’t know how I feel about it using Jack Kirby art…
Glenn: #Awkward
Ray: Naomi #1 and #3 both pick up 1.7K in reorders at #438/439. This comic keeps picking up steam – just in time to end?
Glenn: She’ll be back, just a matter of where and when.
Ray: 1.7K in orders for something called Cerebus Woman at #440. I’m sure this is a totally tasteful comic with no offensive content.
Glenn: Ugh, look at my eye twitching.
Ray: It’s almost all reorders down here, but apparently that Vampblade comic sold an additional 1.5K at #454 for a sexy variant cover. Vampblade, taking over the industry.
The dark fantasy series Battlecats returns after a long hiatus from Mad Cave Studios at #474, selling a muted 1.3K. This is the definition of a niche book and the publisher is just beginning to release titles that get buzz, so this is probably fine for the creative team.
Some bizarre comics making their debut here, including the oddly titled “All-Time Comics Zerosis Deathscape“, which sells 1,280 copies from Floating World Comics at #479.
Glenn: Floating who now?
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Ray: At #480 and selling 1,276 copies is Floppy Cop from Source Point Press. It’s a cop drama about a cop without a spine. This is a real comic released in the year of our Avengers Endgame 2019.
I don’t even know what Afterburn: Crossfire is, but it sells 1,272 copies at #482.
As part of their strange brand of comics based on old comics, American Mythology releases Laurel and Hardy #1 to sales of 1,206 copies at #492.
Action Lab relaunches one of their more niche comics, Voracious: Appetite for Destruction at #495, selling 1,194 copies.
Wrapping things up at #500 is reorders of True Believers: Thanos Rising, selling 1,129 copies. It’s worth noting this is actually far higher than the bottom of most recent sales charts. Probably due to the number of reorders.
Glenn: A reason to end on a nice note for a change! Let us thank Tom Taylor and his DC zombies for no reason apart from ’cause we can’.
Ray: Looking ahead to June, DC has two heavy-duty launches as Event Leviathan from Bendis and Maleev keeps them in the event game. However, it’ll likely be dwarfed in sales by Frank Miller and John Romita Jr’s Superman: Year One, if the sales of his last work for DC is any indication. We’ll also be seeing the sales on Batman ramp up as the main storyline builds towards #75. Justice League also hits #25 and begins the Year of the Villain storyline.
Marvel hits us with the final five dozen or so War of the Realms tie-ins as that event wraps up, but the biggest launch of the month will likely be Donny Cates and Tradd Moore’s Silver Surfer: Black. We’ve also got a new Black Cat “ongoing”, a Hulk one-shot from the creative team of Peter David and Dale Keown, and a Spider-Ham annual from Jason Latour and David LaFuente.
Image brings us the return of the cult series The Ride, and the launch of David Hine and Brian Haberlin’s new fantasy series Sonata.
What will rise? What will fall? Find out next month on…By the Numbers!
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Liked what you read? Let us know here or on Twitter @glenn_matchett & @raygoldfield

By The Numbers: April 2019

Like in any industry, comic books and their companies listen most to one thing and that’s your money! What does your money tell them? What does it tell us as fans? What series do people say they adore but can’t seem to catch a break and what books to people hate that sell out? What are the trends? What looks good? What looks rough?

All these questions and more will be answered here, every month in ‘By The Numbers’ by comic writers, editors and fans, Glenn Matchett and Ray Goldfield.

Glenn Matchett is a comic writer and editor. He’s worked in the industry for several years but grew up reading comics. He’s had work published with various small press publishers and has is own comic now available on Comixology in Sparks: The Way I Was from Yellow Bear Comics! After only getting a 2 day break in between By The Numbers articles, Glenn has gone mad and started attacking random doors with an axe.

Ray Goldfield is a fan of comic books for going on 25 years, starting with the death of Superman. He is a writer and editor and has released his first novel. Ray also does a weekly roundup of DC comic reviews for website Geekdad and they’re brilliantly entertaining. After only getting a 2 day break in between By The Numbers articles, Ray has gone mad and delayed getting his weekly comics by one hour.

We also do a podcast together with longtime buddy, Brandon James on iTunes with Rabbitt Stew or at the link here! Don’t ask, I didn’t pick the name. If you’d like to hear what me and Ray sound like, give it a listen!

Top 300 in full available here!

Glenn: Well Ray that’s another article in the bag. Now we can retreat to our private island where we can…what? They’re out already? What madness is this?!!?!?!

Fine! I’m about to become a father of 2, who needs sleep?

Ray: The comic companies are trying to drive us insane! Us and only us! Well, it’s not like you have anything going on right now, right? Nice, calm times.

Glenn: So its April’s turn for sales and while Marvel got a huge market share (double over the next biggest company, DC comics) they had also double the about of comics (Marvel released 106 while DC released 52). The amount of comics coming from Marvel is bridging on insanity and something may have to give though and here it might just be happening…
Ray: Yeah, the market share thing doesn’t even feel like a competition at this point with the amount of content Marvel is putting out. It just makes DC’s win last month more impressive.
Glenn: So predictably the newest Marvel big line wide event War Of The Realms took the top spot at 1 with sales over 187,8k which is the big main event of Jason Aaron’s long running and critically/commercially successful Thor run. This is of course a very impressive number, while I might have thought it would be good for over 200k its not a million miles off. Its a great start BUT the second issue also charted this month 12 (yes 12) selling over 70.7k which is well over half. I had thought that this event after a series of big mis fires on behalf of Marvel in the last few years would have legs and a lot of potential. 70k is very good in this market but not for a comic like this that has a lot of hype, a lot of focus and Marvel’s biggest name writer at the helm. It seems the company has still to fully recover from the Secret Empire debacle. I think Marvel is fortunate this event is only lasting a brief time because of the rapid fire schedule. This is a serious problem that needs addressed yesterday.
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Ray: This is about where I would have expected War of the Realms to debut, spinning out of a popular long-term run. I’ve said on Rabbitt Stew (dong!) that this event reminded me the most of Blackest Night, in that it’s one character’s status quo going global. The first issue numbers are good. The second, disastrous. Secret Empire did an enormous amount of damage, but I think it goes deeper than that. Marvel burned retailers badly on every event following Secret Wars, and the larger the event the more skeptical retailers are. This is far from the only bad news this event brings Marvel this month.
Glenn: A big surprise at 2 is Symbiote Spider-Man, the mini series that goes back to the 80’s where Peter had the alien costume. It seems that Venom popularity is even benefiting Marvel’s most iconic character so we can assume that Absolute Carnage in a few months will put War Of The Realms to shame. Sales over 165.8k are amazing for a retro series by a respectable creative team that deliver but don’t usually attract these numbers. I can definitely foresee Marvel trying to capitalize on the success of this series. Even if by issue 6 this thing is selling like 30k that’ll still be a big win.
Ray: Spider-Man + Venom = $$$$. At this point, Venom is giving Spider-Man a run for his money as Marvel’s most bankable hero, and yeah, Absolute Carnage should be a juggernaut. This mini would have been better if it had the Symbiote trying to convince Spider-Man to eat brains, though.
Glenn: At 3 is the Batman Who Laughs who continues his selling ways with over 103.6k worth of chuckles. What else can be said? 3 issues in a character not even 2 years old is beating a heavily hyped Marvel story that’s been 8 years in the making. No wonder he’s going to be showing up in Batman/Superman and everywhere DC can probably stuff him.
At 4 we have the usual highest selling ongoing in the market with Batm….wait what? *refresh* Erm…*refresh* its….its Immortal Hulk? Shooting up the charts in shocking and near unprecedented fashion, Immortal Hulk sells over 90.3k for…now real reason. The series has been a critical darling and apparently value of early issues are through the roof. Is this finally leading to a spike in sales due to *gasps* quality alone?! It may be a blip but its certainty an odd wrinkle this morning.
Ray: That’s a 37K jump from last month. I do think this comic has real buzz – it’s finally the hit Al Ewing’s deserved for some time – but this isn’t natural growth. Something went on here, and I expect we’ll see it in the 60-65K range next month. Never trust Marvel sales bumps.
Glenn: We return to the nice comforting land of familiarity with 5 and 6 with Batman with issues 69 selling higher than 68 at over 88.6k and 87.1k respectfully. The series continues to very slowly lose steam but it seems that most were wanting to see the conclusion to the Knightmare arc. I think the latest arc was an interesting experiment that wasn’t to everyone’s taste and with the interruption for the Price felt it went on longer than it did. The series will doubtfully rebound soon, especially with King hyping issue 75 like no tomorrow.
Ray: I think we’re likely to see a slow climb per issue as we get to the next big anniversary issue, especially with the way King is hyping the massive status quo change there.
Glenn: At 7 we have the first issue of a new Thanos mini series to capitalize on a certain record breaking movie you may have heard of. Capitilize it does with sales over 81.3k. Its not surprise as Thanos is red hot right now and this series will like perform very well during its duration, this is a big get for newcomer Tini Howard who Marvel seem to be putting a lot of faith in very quickly.
Ray: Obviously, sales on Marvel #1s are suspect when it comes to staying power, but I think Thanos is hot enough right now that it should hold well in the 40K range by the end of the mini. Tini Howard is rising fast and this should get her an ongoing gig sooner rather than later, especially since she just signed an exclusive.
Glenn: Amazing Spider-Man needs a writer, wait, what?
At 8 is the latest issue of Heroes In Crisis which continues to sell despite upsetting everyone and their mother. This issue sells over 79.5k which is an increase on previous issues likely to the fact that it promised answers (which it did give). I’m expecting a boost next month and then nobody to speak of this ever again.
Ray: The most impressive thing about DC’s lineup right now is how many of their books – especially event comics – lock down at a place in the charts and don’t budge. Marvel would kill for this sort of stability.
Glenn: Ninth spot in the top ten is another Web Of Venom one shot Cult Of Carnage which sells over 77.7k and this is interesting for a few reasons. Neither Donny Cates or Ryan Stegman are anywhere near this one and its actually a kinda sequel to a Carnage mini from YEARS ago. The Venom brand is so strong at the moment though that it still performed brilliantly. Further evidence that Absolute Carnage be the event Marvel may actually get a big return on.
Ray: Venom’s name on a book alone seems to guarantee massive sales right now, because this is much higher than the title it spins out of could dream of.
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Glenn: Final spot is the 20th issue of Amazing Spider-Man which sells over 76.9k which outpaces the previous issue which is just outside the top 10 at 11 with sales over 74k. The Hunted storyline has brought some stability to what is usually Marvel’s top book even though it is objectively eye bleedingly awful.
Ray: It feels like the “event” has stabilized this title’s numbers just a bit, and it’s going from this event to the 25th issue reveal. I suspect it’ll hold or increase for a bit – and then crash hard when the multiple events end. 
Glenn: Unless it just goes on like that with faux events never stopping. Tis the Marvel way.
Ray: A nice bump for Detective Comics, coming off the #1000 issue, as it lands two issues selling 66K and 61K at #13 and #14. The anniversary and the Arkham Knight mystery are enough to make it DC’s #2 ongoing, kicking it above Justice League.
Most of the top 25 is taken up by favorite standards including Justice League, Avengers, Venom, Fantastic Four, The Green Lantern, Superman, and Uncanny X-Men. We also get two issues of the Amazing Spider-Man .HU issues, which sell around 52K at #19/20. Clearly retailers don’t see these as part of the main book, just middling tie-ins.
Glenn: Not bad for Spidey spin offs, pretty standard but yeah its very much one of those ‘they’re saying its part of the story but the retailers don’t care none’ cases.
Ray: Venom #13 at #18 sells 51K, which is down 10K from the previous month. This is a War of the Realms tie-in – but it also doesn’t have Donny Cates on board. Cates > giant event comics. It is known.
At #26 comes a whopping 45K in reorders for Detective Comics #1000. The biggest hit in recent memory gets even bigger, and I wouldn’t expect it to disappear from the charts any time soon.
Glenn: No wonder the competition is putting out a 1000th unearned comic of their own. Cause its the number that sells you see, not the legacy.
Ray: Rob Liefeld’s return to Marvel Comics in Major X comes in at #28, selling 43K. This oh-so-90s comic sells a second issue sans Liefeld art at #63 with 28K, about what I’d expect for a second-tier X-spinoff.
Glenn: Liefield isn’t the draw he used to be but its steady enough. I don’t think Major X will be giving Deadpool a sleepless night anytime soon.
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Ray: In their second month, the 18K gap between Spider-Man: City at War and Spider-Man: Life Story narrows to only 5K as Life Story continues to pick up momentum. With them selling 43K and 38K at #29 and #36 respectively, I think we can say these are both hits.
Glenn: Agreed, life story could continue to pick up sales with the acclaim its getting, like a shorter Mr. Miracle.
Ray: Thor basically stays flat from last month, selling 40K at #34 despite being a Loki-centric War of the Realms tie-in. More evidence that this event just isn’t lifting any boats.
Glenn: Yeah, you’d think if any book would be lifted up it would be this one…but no. Oddness.
Ray: At #35 we have the debut of Marvel Team-Up starring Ms. Marvel and Spider-Man, selling just under 40K. This is a decent debut given how Kamala’s regular title sells, but with this comic being an anthology and switching its co-lead and creative team after three issues, I can see this one struggling.
Glenn: I don’t think this will last too long. Without a regular creative team it won’t find its footing. We’ll see if it gets past 12 issues…or even that.
Ray: Now comes a sea of ongoing hit titles, including Flash, Captain America, Wonder Woman, Conan the Barbarian, Daredevil, Deadpool, Justice League Dark, and some Star Wars titles, all settling in the 40K to 32K range. This is the solid middle of the list, but that solid middle gets higher on the list every month. We’re not even at the top 50 and we’re looking at 30K.
Glenn: I really thought War Of The Realms would mess up how the chart broke down…turns out not so much.
Ray: No real bump for the start of Greg Pak’s Age of Rebellion anthology in the Star Wars line, as Princess Leia’s one-shot sells 33K at #45, followed by an Age of Rebellion special selling 29K at #58 and the Grand Moff Tarkin one shot at #65 selling 27K. Carrie Fisher > Peter Cushing.
Glenn: Carrie Fisher>EVERYTHING
Ray: There’s two more Star Wars miniseries launching around this place, with Jody Houser’s Tie Fighter series launching at #54 with sales of 30K, and Galaxy’s Edge by Ethan Sacks selling about 800 copies fewer at #57. We might be reaching Star Wars comic glut. Too much of a good thing from Marvel? Nooooooo, never.
Glenn: The tie fighter one is an odd one. I mean, so many great iconic characters to make comics about and they give one to a nameless tie fighter. It is honestly like they’re testing how far they can push the line.
Ray: We start seeing more War of the Realms tie-ins at this level, with the highest-selling miniseries being War of the Realms: Uncanny X-Men at #51, selling just under 32K. This is by the same writer as the main Uncanny title – but sells about 16K less. That’s not good at all.
At #55 selling 30K is the War of the Realms: Journey into Mystery miniseries written by podcast superstars the McElroy brothers. This offbeat road trip comedy seems to be getting the best reviews of any tie-in, so watch for some reorders here. 
#66 brings us War of the Realms: Punisher, which sells 26K. That’s about 4K above the sales of the main Punisher title, so this new direction might have some promise. Duggan’s spin-off Punisher Kill Krew in a few months might improve the character’s fortunes – especially since he seems to be playing a big role in the event.
Glenn: Oh here they are, I wondered. Not great, not dire and certainty just more kaffufle that means Marvel puts out more comics. People are going to be in this for Aaron’s penultimate story I’d say, there’s not going to be much interest in what people only loosely associated to the main story will be getting up to.
Ray: This is where the three newest Spider-spin-offs land, with Miles Morales selling 28K at #61, followed by Superior at #71 and Friendly Neighborhood at #72 both selling 26K. Sustainable numbers, but expect those reorders to come rolling in for Friendly as the buzz continues to grow.
The Magnificent Ms. Marvel basically stays flat from last month’s launch, selling 26K at #73. That’s unheard of for a Marvel book, but I think retailers were just treating it like a continuation of the Wilson run. Whether that was smart, we’ll see in coming months.
For a third straight month, Buffy the Vampire Slayer basically stays flat, selling 24K at #78. That’s less than a 1K drop from the previous issue, so I think we can safely say this is a long-term hit.
At #79 is a very poor debut for War of the Realms: War Scrolls, the anthology miniseries. Clearly these anthologies have been tainted ever since Sally Floyd yelled at Captain America about MySpace, but this has a new Jason Aaron story. The fact that it can’t get above 24K in its first month is shocking.
Glenn: This is downright baffling since it has Aaron’s name on it. It seems that Marvel just can’t get interest in anthologies no matter what. What was that 1000 issue they’re doing going to be again? I forget.
Ray: Don’t worry about Marvel #1000 being an anthology. It’ll sell one copy each of its million covers. 
A great debut at #83 for Ascender, the top Image debut of the month. This spin-off of Jeff Lemire and Dustin Nguyen’s Descender came into its launch with great reviews and a loyal fanbase from the previous volume, so its sales of 23K are likely to be very solid long-term.
Glenn: This is a genius move, its a relaunch but a new series at the same time. This will continue to be one of Image’s top performers.
Ray: Marvel continues selling us comics we already own at #87, as a reprint of Amazing Spider-Man #252 – the debut of the black costume – sells 23K. Clearly, anything Venom is red-hot right now.
The ridiculous yo-yoing of some titles continues as Supergirl loses almost half its sales, going from 32K last month to 19K this month and landing at #94. Puzzling, but order patterns are getting weirder every month.
Glenn: That’s weird for Supergirl, I don’t get it at all. Perhaps retailers don’t like odd numbers as much?
Ray: A nice jump in sales for Naomi, as the Bendis/Walker/Campbell original superhero tale gains over 5K in sales to sell 19K at #97. Picking up steam before its hiatus, maybe?
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Glenn: I think the issue was hyped as having answers so probably additional interest due to that.
Ray: #100 brings us a new Valiant debut, as long-standing cult heroine Punk Mambo – the closest thing the universe has to a John Constantine – gets her first solo series under the pen of horror master Cullen Bunn. It sells 18.7K, a fine debut for aValiant spin-off.

Glenn: That is very good, Bunn might not be a top sales draw but he seems to be high in demand, he’s working at a lot of different places at the moment

Avengers: Edge Of Infinity is the latest movie cash in written by Ralph Macchio selling over 18.k which is slightly better for these things. Retailers were hoping to get a small piece of all that money floating through cinemas worldwide.
Ray: The fact that Marvel keeps Ralph Macchio on hand specifically to write these and only these will never fail to amuse me.
Glenn: Another example of that is the first of this months True Believers, Avengers: Thanos vs Marvel Universe which is at 105 selling over 18.2k This is a very good number for a reprint and retailers will definitely want a cheap option for anyone looking for more Thanos following Endgame.
Ray: This is a little higher than most of the True Believers specials get, so the Endgame tie-in probably did help. Overall, I think people knew these wouldn’t have any real implication for the movie so retailers ordered moderately.
Glenn: New IDW offering, Marvel Adventures Black Panther which sells over 16.3k at 115 which is really good for the company, especially since this is a comic not really aimed for direct market. However, the comic has already hit some delays and there definitely seems to be some scheduling problems with the Marvel Adventures line IDW was putting out. Not sure what’s happening here but they’ll need to get whatever it is under control because these comics are for more casual fans who aren’t willing to wait months and months for their favorite comic unlike lunatics like us.
Ray: Kyle Baker was supposed to be the writer and artist on this, and he was only the writer by the time it came out, and he’s off as writer after one arc. The creative flux on all these titles has been really bad, but I don’t think kids will care.
Glenn: The naughty nude book from BOOM, Faithless is capitalizing on all the Batman Damned controversy by giving writer Brian Azzarello a new adult orientated comic which sells over 16.3k at 117 on its first issue. This is a great number for BOOM, especially since this is not their usual market. Retailers probably ordered on the leftover hype from the watercooler talk Batwang generated, we’ll see if it lasts.
Ray: About 28K is unprecedented for a non-Whedonverse/Power Rangers book at Boom. I put a lot of this down to Brian Azzarello’s name, given how bizarre the book was and how little people knew about it coming in. It’s definitely an experiment that paid off for them. 
Glenn: 2 more True Believers at 121 and 124 selling over 15.6k and 14.6k. I’m surprised the one actually titled ‘Endgame’ didn’t sell more but the ones that actually have Thanos name in them seem to be more desirable. Its not surprising since this is the hottest the character has likely ever been.
A True Believers Star Wars which reprints the final issue of the last Marvel run at 126 sells over 14.5k. There’s an issue coming out soon which is a continuation of this original run so retailers probably wanted to have this in stock in case there was anyone that wanted to catch up. Very good sales for something that really now has no real relevancy apart from that.
More True Believers at 129 and 134, Avengers related things selling over 14k and 13.2k respectively. The second one of these is Avengers Forever which deals with time travel so I thought that might have got more attention for…spoilery reasons but then when retailers had to order these they didn’t know.
At 135 is another Star Wars True Believers reprinting the first issue of Kieran Gillans run I think which is good for sales over 13.1k which is pretty good considering this is not that old of a comic.
About a 9k fall for the second issue of Dial H For Hero which sells over 12.8k at 138, not great at all but given the property I don’t expect DC could have expected much more.
Ray: All the Wonder Comics books besides Young Justice are miniseries, so I don’t think the attrition on any of them will be too bad by the end of the run. They’ll rotate concepts in and out to see what works.
Glenn: Fairlady a new fantasy related comic from Image has a decent debut at 139 selling over 12.7k which is a strong start for an Image book with no named creators.
Ray: This is essentially a hybrid between Fables, Saga, and Sherlock Holmes, so I think the genre mashup was enough to get a lot of people interested in Fairlady.
Glenn: Another decent debut for Star Trek Year Five, which tells the tale of the original casts final year of their five year mission. Its a niche one but still an intereresting one for Trek fans which is good for sales over 12.6k at 140. I hope it explains how they got those awful uniforms in the original movie.
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Ray: That’s a pretty big jump from standard IDW Star Trek comics, probably due to the “in continuity” vibe of this series. Happy for Lanzing, Kelly, and Houser, who are all involved.
Glenn: Faithless shows up again at 142 selling over 12.5k for a nude varient cover. This is usually much better than these things usually do. All together Faithless sold about 28k which is brilliant for a new BOOM title. More nudity for all?
More True Believer at 144 and 146 selling over 12.4 and 12.2k a piece. When they’re this close at this number we’re starting to get into the territory where retailers didn’t want to pass up having cheap comics on stock but didn’t know how many to order.
A new mini for the Dark Horse American Gods adaption selling over 12k which is around where it was before so retailers are just treating this as a direct continuation. This is something built for the bookstore market.
A new Marvel Tales starring the man of the month Thanos which sells over 11.8 at 154 but unlike the True Believers this is 7.99. Even when its uber expensive old comics, people want more Thanos in their lives.
At 157 is Jughead Hunger vs Vampironica, kay. It sells over 11.6 which I’d say is good for something this ludicrous. Its certainty in line with the majority of where Archie’s random ‘out there’ books have been lately.
Ray: Apparently the first issue was a Vampironica issue that retconned everything about the original series, which…seems about right.
Glenn: Section Zero at 169 is a reprint of a successful Kickstarter project from Karl Kesel in monthly form selling over 10.2k. Given that it already had a successful funding campaign and lots of people got it that way this is a pretty good number for those that maybe missed it the first time round.
Ray: Kieron Gillen said that unless you’re a “name” author, 10K is the launch most Image books are shooting for. Given that this burned some of its demand already, that seems like a pretty damn good debut for Kesel and Grummett.
Glenn: At 172 is continuing reorders for the first issue of that Batman Who Laughs who sells over 10.1k additional copies. This book just won’t quit.
A fall to sales over 9.7k for Assassination Nation which places at 174 this month. Still pretty good for a niche creative team for a niche concept. I’d still call this a win.
I could have sworn we had a Xena number one not too long ago but apparently there’s another one at 180 selling over 9.3k. Pretty decent for a property that’s the definition of cult.
Ray: This time it’s Vita Ayala replacing Meredith Finch on the title, and I think this take on Xena has a little more buzz. The property’s been defunct a really long time, though.
Glenn: Just realized we’re below the 10k range and not even out of the top 200. Sad times.
Fancy 3D Mighty Thor sells over 8.k at 191. Yet more ways for Marvel to sell us old comics (7.99 for one issue!!!!!!). This is very much a gimmick and has been treated as a such. Marvel will try to probably do more of these because its a high mark up on old material and hey, its one more comic for them to put out.
At 198 is Bronze Age Boogie which sells over 7.8k from Ahoy Comics. Why does it feel like we’re below 300 already? What’s going on? Is that a bird?
Ray: This is a pretty strong debut for Ahoy with a weird book about time travelers vs. martians. Much like last wave, one of their premieres does much better than the other – and more on that lay-tor.
Glenn: The weird way this month is going at a rapid race continues at 200 with White Widow which sells over 7,7k. Red Giants Comics will be thrilled but I assume most retailers thought this was some sort of Black Widow related thing? The cover which has a sexy spider lady (?!?!?!??!!) doing a pose that Regan from the Exorcist would be proud of usually doesn’t sell this high so yeah…either we’re all going mad or they thought it was a Silk/Spider-Man/Black Widow hybrid or something I guess
Ray: Yeah, my guess is the latest manifestation of Sexy Lady Comics benefited a lot from the name. What will happen first, White Widow vs. Zombie Tramp or a phone call from Disney legal?

The ongoing anthology “Jim Henson’s Storyteller” launches a new volume focused on Sirens at #201, selling 7.5K. This has been one of Boom’s longest-running cult projects, each volume focusing on a different mythological creature.
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At #203 is Mary Shelley: Monster Hunter, the latest supernatural thriller from Aftershock, selling 7.2K. That’s roughly what we see from most mid-level Aftershock books – I think this one benefited from having familiar public domain characters attached.
Glenn: It has a certain League Of Extraordinary Gentlemen appeal in that case for sure.
Ray: Down at #214 is the Rat Queen Swamp Romp special, selling 6.3K. This is mostly notable for being new writer Ryan Ferrier’s debut on the troubled cult title, a rare case of a creator-owned book switching writers.
At #214 is Dick Tracy Forever, the Michael Avon Oeming relaunch of the classic private eye series selling 6.3K. I think this one might have been hurt a bit by coming so soon after the fantastic Dick Tracy: Dead or Alive.
Glenn: For sure because even though Oeming has been out of Marvel for nearly two decades, his recent spotlight at DC should have caught more attention. Will likely do fine in collections and plus…its Dick Tracy so it’ll always have a certain limit of how well it can do.
Ray: 6.1K in reorders for Naomi #1 at #220, as Bendis and Walker’s original series begins to pick up steam.
Glenn: The big reveals are hitting now so there will  be some interest from people that have been hooked as more is known about the character.
Ray: KISS: The End, the latest supernatural take on the classic rock band, sells 6K at #221, proving this will probably not be the end of bizarre KISS comics.
Glenn: It’ll nevah be ovah Ahn Ahnderson!
Ray: A pair of oddball indie books, the horror pawn-shop thriller Electric Black from Scout and the supernatural dream-police adventure Queen of Bad Dreams, sell basically identically at 227/228, selling eight copies apart at 5.7K.
Glenn: Likely just ordered on their concept alone and the similarity in sales is coincidence.
Ray: Lots more reorders, as the second issue of Immortal Hulk gets just under 5.7K at #230 and the second issue of Naomi gets 5.3K at #236.
Oh my God! They killed Rocko! You bastards! At least, I assume so, because Rocko’s Modern Afterlife sells 5.4K at #235. This is a weird cult comic, but it has its fans among 90s kids.
Glenn: This was always one of the odder Cartoon Network offerings so this is for hardcore fans only. I wouldn’t say the company could have expected better.
Ray: Even more reorders as Naomi #3, Return of Wolverine #1, and Doomsday Clock #1 (for roughly the tenth time) get about 5.1K in reorders.
Glenn: Around 2 years later and Doomsday Clock 1 is still selling. This will definitely be a worthy addition to DC’s library when it eventually finishes around the time Tom Holland plays Iron Man in a crazy stunt casting move.
Ray: Another Pixar mini, Incredibles 2: Secret Identities, sells 5K for Dark Horse at #248. Like I said with Frozen, these short three-part minis are likely designed to do swift business as mini-trades in bookstores.
Another new Aftershock comic, Orphan Age from the creator of Moth and Whisper, does just under 4.9K at #251. I continue to be puzzled by Aftershock’s business model, but this comic set in a world where all adults died suddenly seemed to get good reviews.
The beautifully drawn indie comic Ghost tree by Bobby Curnow and Simon Gane debuts at #253, selling 4.8K. IDW still has trouble selling creator-owned books, but look for this one to be a cult hit.
Glenn: IDW seem to do well in collections better than in singles. People will always find quality work eventually.
Ray: A lot more reorders around here, including Die #1 (which is coming for Doomsday Clock in sheer persistence), Shazam #1, Immortal Hulk #12 and #14, and Doomsday Clock #2 all selling around the 4.5K and 4K range, as this odd month continues.
A pair of IDW oversized one-shots sell around this level, with the Ghostbusters 35th Anniversary Special selling 4.5K at #259 and the Star Trek Waypoint special selling 4.3K at #266. These are clearly for die-hard fans.
Glenn: The new Ghostbusters movie to come doesn’t seem to be increasing interest in the comics…yet anyway. A new mini or ongoing launching around the time of the film might get some juice.
Ray: 4.2K in orders for the Monster-Sized Chilling Adventures of Sabrina one-shot at #269, making it easy for readers to catch up with a series that will never continue.
Glenn: I missed this one! To eBay!
Ray: The cult Berger Book She Could Fly returns with volume 2, The Lost Pilot, at #270 selling 4.1K. I think this is close to where the original left off, so retailers clearly ordered it as a continuation of the series.
We see Immortal Hulk again, with reorders of #15 (272), #11 (288), and the entire rest of the series getting about 4K to 3.5K in reorders as we exit the top 300. Something is clearly going on with this series, and retailers are ordering accordingly. Great to see a quality series get this push.
Glenn: Marvel haven’t missed this either, the first arc are getting new special editions in the coming months which they haven’t done except for Vision and Marvels. Not bad company to be in.
Ray: The final Curse Words special, Spring Has Sprung, sells 4K at #273 as it reveals the truth of Wizord and Ruby Stitch’s split. This cult series is wrapping up soon and I think all these issues will get a second life in collections.
The Real Ghostbusters special celebrating the property’s 35th anniversary sells 4K at #274, standard for the line. The Extreme Ghostbusters special is down at #282, selling 3.8K
It’s a new Sexy Lady Comic at #278, as good ol’ Zenoscope sells 3.9K for Oz: Heart of Magic #1. Glenn, strike up the Rachel Bloom!
Danger Girl: Dangerous Visions 3D, which is a 3D reprinting of the first issue of J. Scott Campbell’s cult series, sells 3.9K at #279. Because it’s 1995, apparently.
Glenn: They saw Marvel doing 3D comic and thought they best get in on that.
Ray: Some real buzz for an Aftershock title, as Tim Seeley’s Dark Red sells an additional 3.8K for its first issue at #281. Maybe there is room for more than one redneck vampire title?

Glenn: Always room for quality vampires.
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Ray: It’s time for Zenoscope’s second Sexy Lady Comic of the month, this time with more horror! Hellchild: Blood Money sells 3.7K at #289, and that playlist is getting kind of thin…
Ghostbusters: Answer the Call is the low comic on the totem pole for this anniversary event, which surprises not many people, I bet. Its special sells 3.5K at #295.
Glenn: This version of the franchise will never recover from the deserved or undeserved toxic hate it got.
Ray: The Butch Guice-drawn IDW noir thriller Amber Blake sells 3.5K at #296, a pretty miserable debut likely not helped by its oversized magazine-style format.
Glenn: When even After Death struggled due to its unique printing, its surprising that people are still trying it. I get wanting to do something different but I don’t think the direct market is the place for that at the moment sadly.
Ray: It’s almost all reorders as we exit the top 300, with issues of Doomsday Clock sharing space with The Life and Death of Toyo Harad and Heroes in Crisis.
At #309 is the latest Disney miniseries from IDW, Tangled: Hair and Now, selling 3.2K. This is a collection of short stories tying in with the animated series, meaning it’s mainly geared towards young kids and 30-something Jewish nerds from New Jersey. *waves flag*
Glenn: Covering the Ray demographic is important for survival in this current market.
Ray: Udon Comics is always a consistent presence on the lower half of the charts, and they show up again with Street Fighter: Wrestlepalooza at #321, selling 3K.
Glenn: I am almost tempted to Google this to see what the story is with this comic. Almost.
Ray: More reorders of the second and third issues of Die selling around the 3K/#320 mark, indicating consistent long-term interest for this title.
2.8K in reorders for the first issue of Spider-Man: Life Story #1 at #327. I might have expected a bit more, but this feels like it’ll be a slow burn that keeps showing up.
The next notable book is Planet of the Nerds #1 at #333, selling just under 2.6K. This is less than a third of Ahoy Comics’ other launch this month, and Paul Constant’s pop culture satire about time-displaced jocks doesn’t seem to be getting much buzz.
Glenn: The thing is that we’re now living in the Planet of the Nerds so the concept doesn’t seem that far-fetched.
Ray: At #339 is the second issue of Astro Hustle, selling 2.5K as we shuffle it off under the bed next to Border Town. Anyway, moving on…
Glenn: There’s less room under there every month. How is Horace, the By The Numbers Monster supposed to stretch out?!
Ray: A mix of reorders and low-selling creator-owned books for a while, including another cover of White Widow adding 2.4K in sales to that book at #347. I think we’ll be seeing poor unfortunate heroines breaking their backs on the covers for a long time…
Maybe the oddest book Action Lab has put out in a while, the R-rated talking animals thriller set in Feudal Japan, Cold Blood Samurai, debuts at #353 selling 2.3K. We may be reaching peak comics, Glenn.
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Glenn: What a time to be alive.
Ray: The semi-obscure video game comic Obey Me has its official #1 debut at #354, selling 2.3K, but this debut is likely blunted a bit by the fact that it had a full-priced #0 issue last month. That’s almost Marvel numbering!
2.2K in additional sales for the oversized Shredder in Hell #1 Director’s Cut issue at #358, showing some real interest for this mini-event as the comic builds to #100.
Amid a sea of reorders and low-selling ongoings, we get the debut of ersatz X-men ripoff Achilles Inc. from Source Point Press. It sells 2.1K at #363, not getting much buzz due to its derivative concept and unlikable lead – who is essentially a union-buster for superheroes.
American Mythology gives us Moon Maid #1, selling 2.1K. This is not a spin-off of Moon Girl, it is an Edgar Rice Burroughs property.
Glenn: It does sell about the level a Moon Girl spin-off would do to be fair.
Ray: Valiant gets about 2K in reorders for $1 reprints of X-O Manowar and Divinity’s first issues, an effective way to get the word out at #369/#370.
The Lion Forge European translation of Stiletto: Officer Down sells just over 2K at #371, but this and all other Lion Forge comics are obviously in flux due to the upcoming merger with Oni.
It’s mostly Marvel reorders around these parts, but Umbrella Academy: Hotel Oblivion picks up another 1.7K in reorders. The TV series can’t be hurting those sales.
Blood Realm, the dark fantasy series from Alterna, returns with a second volume at #390, selling 1.6K.
Not really a comic, but “Ditko Monsters” a collection of the legendary creator’s most unique and bizarre creations, gets reprinted in an IDW sketchbook this month and picks up 1.6K in sales. Not bad for a $9.99 collection of obscure art.
Glenn: Odd to see on this chart and not the collections but yes…this is fine for what it is. Similar IDW stuff like the artist editions are very much a specialty item.
Ray: Marking our way out of the top #400, it’s 1.5K in reorders for Darth Vader: Dark Visions #1.
It’s odd enough that there’s an ongoing Bettie Page comic from Dynamite, but now there’s a collection of her pinup covers at #403, selling 1.5K.
Glenn: Who wants this stuff?! I know not many people apparently but still.
Ray: The oversized one-shot Giantkillers, which was teased in a zero issue last year, sells 1.4K at #407. Bart Sears has been working on this one for a while, but it didn’t seem to really garner any buzz for its new fantasy mythology.
Remnants of a better time, it’s 1.4K in reorders for Amazing Spider-Man #800 at #408. Lassie come home…
Glenn: We can only hope for a fate akin to Old Yeller.
Ray: Aftershock’s first stand-alone softcover OGN, Replacer, lands at #411 with sales of just under 1.4K. I’ll be honest – I did not know this was coming out. It got little hype, wasn’t listed as a standard comic, and came and went with few reviews despite the strong creative team of Zac Thompson and Arjuna Susini. I think they missed the boat on this one.
Glenn: Another odd entry on the singles chart. This does seem like one that should have done better on paper. Reorders and time will perhaps be its friend?
Ray: American Mythology has a pair of debuts at #424/#426 selling 1.2K, as Zorro and Rocky and Bullwinkle both launch new books. This company mainly seems to fill its lineup with public domain and licensed properties no other company wants.
Glenn: They clearly missed an opportunity to team the three up and get even more sales!
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Ray: I think this is a reorder of a reorder! Immortal Hulk #1 shows up again at #441, picking up 1.1K. This is much less than the other issues, but this one has appeared many times before.
A very odd entry, as the Rick and Morty vs. Dungeons and Dragons box set sells just under 1.1K at #447. This is a $29.99 box set somehow classified as a single issue. That Rick and Morty, always breaking rules!
Glenn: Good lord. This seems like it should be in the collectables and/or other merchandise section. This seems to me like something to be sold in book stores/board game stores and toy stores.
Ray: Antarctic Press has Houdini: Master Detective at #451, selling just over 1K as this oddball one-shot comes and goes. Pretty standard for a company with no real identity at the moment.
Glenn: Just wait until he hears that Droopy already called the name.
Ray: As we head into the three-digit range, it’s almost all reorders and low-selling creator-owned titles, but this month’s low bar allows some surprises to sneak in. There’s Johnny the Homicidal Maniac #3 from Amaze Ink comics, an indie publisher we never see on the charts, at #472 selling 896 copies. The first issue also sells 760 copies at #491.
#476 brings us Cavewoman: Lost, selling 866 copies. The latest installment of “sexy lady comic with 10,000 covers” knows what it’s going for.
Apparently 813 copies of Ziggy Pig and Silly Seal Comics were reordered this month at #483, for those who really felt they missed out on that work of timeless comic brilliance.
It’s April, so it’s that time again – Weed Magic Vol. 3 returns to sell 741 copies at #493 with a cover price of $4.20. Bliss on Tap needs to commit and only print 420 copies next year.
It’s reorders and reprints all the way down after that, and wrapping us up at #500 is the $1 reprint of Paper Girls #1 from Image Firsts, selling 702 copies. So ends another bizarre month down in the depths.
Glenn: Well we thought War Of The Realms might make things interesting but seemingly not so much. Year Of the Villain and Absolute Carnage to the rescue!
Ray: Looking ahead, we assumed Marvel had these few months wrapped up with War of the Realms, but that may not be the case. DC may have a good shot at a great showing this month thanks to the likely #1 book – Last Knight on Earth from Snyder and Capullo. There’ll also be the conclusion of Heroes in Crisis, more Batman Who Laughs and Doomsday Clock, and the launch of Event Leviathan with an oversized one-shot, plus Tom Taylor’s horror miniseries DCeased, a new Batman/TMNT miniseries, and the much-delayed Batman and the Outsiders series.
Marvel has a cavalcade of War of the Realms tie-ins that are looking a lot less exciting to them than they did last month, but they also have the launch of Savage Avengers and the oversized Star Wars #108 continuation of the original series.
It’s like the smaller companies know there’s too much going on from the big two to compete, but look for new Image series from cult creators Brandon Thomas and Ken Garing, and the launch of Angel from Boom, expanding their new Whedonverse line.
What will rise? What will fall? How big a spanking will Last Knight give everything else? Find out next month on…By the Numbers!
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By The Numbers: March 2019

Like in any industry, comic books and their companies listen most to one thing and that’s your money! What does your money tell them? What does it tell us as fans? What series do people say they adore but can’t seem to catch a break and what books to people hate that sell out? What are the trends? What looks good? What looks rough?

All these questions and more will be answered here, every month in ‘By The Numbers’ by comic writers, editors and fans, Glenn Matchett and Ray Goldfield.

Glenn Matchett is a comic writer and editor. He’s worked in the industry for 6 years but grew up reading comics. He’s had work published with various small press publishers and has is own comic now available on Comixology in Sparks: The Way I Was from Yellow Bear Comics! After watching Avengers: Endgame and The Battle Of Winterfell in the span of two days, he is not emotionally okay.

Ray Goldfield is a fan of comic books for going on 25 years, starting with the death of Superman. He is a writer and editor and has released his first novel. Ray also does a weekly roundup of DC comic reviews for website Geekdad and they’re brilliantly entertaining.  After watching all of She-Ra: Princesses Of Power in one day and having to wait for more, he is not emotionally okay.

We also do a podcast together with longtime buddy, Brandon James on iTunes with Rabbitt Stew or at the link here! Don’t ask, I didn’t pick the name. If you’d like to hear what me and Ray sound like, give it a listen!

Top 300 in full available here!

Glenn: So this year so far has been verly quiet and for the most part, March 2019 is the same but this time there’s a good reason. In March of this year, DC published the 1000th issue of their second longest going comic, Detective Comics which everyone wanted to steer clear of. That means of another month of largely the stronger standard titles managing to pull a higher number than usual but there is clearly only one game in town this month.

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So yeah, Detective Comics 1000 was the highest selling comic and its not a shock. With the historical significance, a murderers row of talent and enough variants to drown someone in if it hadn’t been then then there would have been something seriously wrong. With all of that taken into account, DC pulls in sales of over 525k and that’s pretty much what I expected. This is about the same number that Action Comics managed last year and its a big thing for DC to manage that, on a comic that cost $10 to boot. A lot of champagne will be uncorked no doubt and it’ll be some years until another comic reaches this number (without cheating like Deadpool did once upon a time) so it puts Action and Detective in rarefied air which is worth more than any unit number could convey.
Ray: We finally see some excitement atop the charts this month! Yeah, there’s no surprise that Detective Comics #1000 utterly dominates. Even though this comic was essentially an oversized Batman anthology, there’s no question that these anniversaries get a ton of interest for DC. These are numbers you just don’t see anymore. Now they only have to wait *checks* forty years to hit #2000!
Glenn: Back in the land of normal comics that don’t have 80 years of build, the spin off to the mega successful Batman Who Laughs starring a new evil Batman in the Grim Knight also does brilliant numbers selling over 133.6k at 2 this month. This is a comic that actually outsells some of the main mini which is crazy to think about because spin offs from mini’s rarely do any business at all. Of course this has top creators involved but this concept first seen in Metal just seems to keep on giving. Its no shock that DC has not only extended the Batman Who Laughs mini by another issue but is heavily involving him in a new version of the Secret Six later this year.
Ray: Yeah, this number is actually in line with the second issue of the series, which is amazing. I’d be surprised if Batisher doesn’t escape this miniseries now, because he’s a fan-favorite villain too. And DC is hopefully going to get the most they can out of the Batman who Laughs without overusing him and losing the impact.
Glenn: It took me a moment to figure out Batisher, me brain no longer work good.
At third is the much delayed Doomsday Clock which is so great that we all seem to be willing to let it come out at its own pace if the sales of over 120k is any indication. We have only 3 issues to go now and its safe to say this one will end up in the six figure mark quite safely as it concludes, despite what some detractors might say about it, it seems Doomsday Clock has been a massive success. Sure we would like it a lot quicker but hey got to keep the spirit of the original alive right?
Ray: Doomsday Clock’s delays are getting worse and worse, but it doesn’t seem to matter. These are essentially staying flat from issue to issue, even with two to three months between issues. Very similar to what we saw with Dark Knight III.
Glenn: More Batman at 4 and 5 with the newest issues of Tom King’s best selling run selling over 84.4k for issue 67 and 83.1 for issue 66. Why 67 sold marginally more could mean that this is what Batman’s base level is (which is stellar and nothing is close to it on a regular basis) or extra people checking out the sequel to the ridiculously brilliant Batman/Elmer Fudd by King and Lee Weeks. Either way, Batman may have slowed down but there’s still no concerns.
Ray: This is probably the low end of what Batman’s going to sell in the coming months, as the Knightmares arc is about to end and the war with Bane will be ramping up. Expect big sales for Batman #75 in July, well over 100K as King takes Batman’s life to the woodshed again.
Glenn: He only hurts him because he loves him.
The remarkably steady Heroes In Crisis sells over 78.5k for its 7th issue at spot 6. Despite some serious fan backlash over the contents (some of which has gone so far to threaten death on writer to Tom King which is beyond stupid and disgusting) the series has performed steadily sales wise. Its perhaps not the mega blockbuster DC wanted but its been a strong steady performer. I would say the upcoming DCeased will deliver similar numbers.
Ray: Heroes in Crisis has set the internet on fire like nothing since Hydra Cap, but unlike that offensive disaster of a miniseries, Heroes in Crisis has leveled out pretty well. It’s not the sales hit they were hoping for, but it’s a modest success. The less we say about those ignorant chodes who threatened King, the better.
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Glenn: I have no clue what a chode is, sounds tasty.
While DC sweeps the top 6, Marvel finally nudges into the top ten with the ever reliable Amazing Spider-Man at spots 7 and 8 with issues 17 and 18 selling over 78.k and 74.4k respectively. Its the start of the much hyped mini Spidey event ‘Hunted’ and the sales as usual for the book are their modern day pattern if very good but unspectacular. Weighed against the sales of Dan Slott’s major Spidey stories, Hunted falls short but Amazing continues to be Marvel’s default ongoing in lieu of any new launches or events. Next month we have the start of War Of The Realms which is going to play havoc on the charts most likely so we’ll see how Amazing settles then.
Ray: It’s definitely the calm before the storm for Marvel, as War of the Realms descends next month to likely win the next three months of sales. These are decent sales for Hunted, but not much above what ASM was slowly sinking to. This isn’t an event, and the sales of the first .HU issue (#18, 52.9K) bear that out. Retailers aren’t treating the villains one-shots like the main series even with the branding.
Glenn: The 18.HU issue could be an indicator of how Black Cat launches in the coming months, that wouldn’t be a bad launch for her ‘ongoing’ but it would have to level out swiftly.
Big surprise at 9 with Spider-Man: City At War which is tying into the very wel received video game from last year selling over 72.2k. For years we’ve been talking about how video game tie-ins don’t sell but here we are. Even the super popular Arkham games didn’t ever deliver a performance like this. I’m not expecting it to hold next month but its something that goes against trends in the right way which is always a positive thing.
Ray: This is a highly impressive number for City at War, and I suspect there might have been some targeted ordering for video game stores. This is a great debut and sets it up to be a success over the course of a run. A huge win for Dennis Hallum – no wonder he found hope.
Glenn: Last in the top ten is DC’s second highest selling regular ongoing in Justice League which starts a new story in issue 20 which warrants sales of over 64.6k while the previous issue is at 12 with sales 57.7k. Its a lot lower than when Geoff Johns is on the book and much lower than what you would expect from a Snyder book but as the run gains momentum and seems to be becoming the main fixture of how the next big chapter in DC (Year Of The Villain) gets started it’ll do fine. It could be doing a lot better and on paper it should be but it’ll likely rebound to better numbers now and again much like Batman does.
Ray: The increase for the new storyline is for Snyder’s return for the big 6th Dimension story which sets up Year of the Villain, so it seems this book does fluctuate a bit with the stories. This is going to be the centerpiece title of the next year of stories, so expect numbers to slowly go up.
Glenn: Its interesting that in the top ten with not much else happening (again War Of The Realms is coming) that basically Marvel vs DC’s battle at the top is becoming Spider-Man vs Batman with the former pulling out the win. Of the top ten, four feature Batman (the other 3 books DC has in the top ten meanwhile still has him in a prominent and/or leading role) and the other 3 spots are Spider-Man titles. Again its no surprise the onslaught of Batman titles or books featuring the character prominently are slowing down and we’re getting so damn many Spider-Man books. Its not an easy market for anyone and the big two are hedging their bets on the two character that always deliver…for the moment anyway. Batman’s held his spot as a top performer for DC for over a decade where Spider-Man pops in an out. Will things change? Time will tell…

Ray:  Batman is bulletproof like no character we’ve ever seen, and Spider-man is close but no cigar. I think the most impressive thing this month is how DC won the month in overall market share, unheard of and largely due to the success of one comic – despite Marvel releasing about 25 more books. 

At #13 is a bizarre entry, as the Incredible Hulk #181 fascimile edition sells #56K to land just outside the top ten. This is essentially a $3.99 True Believers edition with a fancier cover, so that’s a lot of free money for Marvel. Question is, why did this do so well? There weren’t any Hulk or Wolverine movies out in March.
Glenn:  I think its a case of the comics significance driving up orders. A lot of people know the value on this one and its one of Marvels most frequently reprinted so retailers likely ordered it on its pedigree alone.
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Ray:  At #14 selling 54K is Cosmic Ghost Rider Destroys Marvel History, the latest spin-off from Donny Cates’ hit new antihero. Focusing on Frank visiting his family in time and telling them weird stories that retcon him into Marvel history, it’s an odd comic – but the character’s buzz is enough to make it a big hit. I guess retailers are betting Donny Cates isn’t all CGR has going for him, but we’ll see in coming months.
Glenn: This is very fast for a character who’s caught on to be thrust out on his own (DC waited nearly a year on the Batman Who Laughs) so this is interesting. The character definitely has legs on first impression but when people realize Cates isn’t involved here I expect sales to drop swiftly. Hopefully Marvel don’t overplay it too rapidly.
Ray: A book that might have been under-ordered is Spider-Man: Life Story at #15. Selling 54K, this Zdarsky/Bagley alternate universe that ages Spider-Man in real time has gotten some of the best reviews for a Marvel Comic in years. That it was outsold by City at War surprises me, but I think this one will wind up doing a lot better as a collected edition. It feels like a Marvel classic in the making.
Glenn: I feel that this one is going to fly under the radar and like Vision is going to be one that is looked back on as a potential modern classic. I definitely think we’ll see reorders and some fast stabilization here.
Ray: Amid the regular suspects that make up the top-tier books in the 60K to 40K range – including Venom, Fantastic Four, Uncanny X-Men, Avengers, Superman, The Green Lantern, Thor, and Guardians of the Galaxy – there’s a few surprising sales jumps. Immortal Hulk ships two issues this month, with the first selling 45K at #27 and the second selling 53K at #17. This is a book that’s been building momentum for a while, but this is unexpected and doesn’t have an obvious explanation.
Glenn: A well received run picking up steam sales wise? Its a crazy idea but it happens.
Ray: A very good sign for Daredevil is its jump from #2 last month to #3 this month, increasing a full 16K in sales to sell 51K at #19. This might have been a case of retailers missing the boat on how much Zdarsky would lift this title.
Glenn:  Hope so, we’ll see how we go next month.
Ray: The latest Vader miniseries, the anthology Dark Visions, lands at #26 with sales of 46K. The mini after this has already been announced, so it seems like Marvel’s just going to keep Vader in miniseries as long as he sells. This is far from a great number, but not low enough to change that strategy.
Glenn: We are now a long way away from the height of sales that the original Marvel Vader series had. Since a rotating series of mini’s probably fits the character more, this is likely just the world Marvel will have to accept. I would wager anything Vader related does well in collections, he’s still the saga’s best known and most popular villain
Ray: A strange DC bump goes to Harley Quinn, which sold 36K last month and 43K this month at #28. Similar results for Catwoman, which gains 10K in sales to land at #29 with sales of 43K. No events in either of these books, so I’m wondering if it could be a bounce for Women’s History Month?
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Glenn:  Good spot, we’ll see next month.
Ray: Walking Dead continues to slide, selling 43K at #30, but the next big event apparently hit in #191 and went back for reorders, so look for some movement from this book in May.
Conan the Barbarian basically holds flat from last month, gaining a few hundred copies to land at #35 with sales of #39K. That puts it around the level of Flash, Shazam, and the main Star Wars book at the moment, so I think we can safely call that a hit for Marvel.
Gail Simone’s Domino relaunches with a miniseries branded “Hotshots” and gets a hefty first-issue bump in the process. It sells just under 35K at #43, more than a 100% jump from the last regular issue. Retailers ordered this like a first issue, which is unexpected. It’ll likely assume standard sales next month, but it’s given this quality book a second life.
Oddly, Wonder Woman loses all of the 10K bump it got last month, with its two issues this month selling 35K and 33K at #42 and #47. There’s a lot of odd math games this month. Again, and this time it’s not just Marvel playing!
Young Justice also stays pretty solid, losing only 2K with its third issue to sell 35K at #46. Not exactly what DC was hoping for, I’m sure, but it’s a lot more consistent than any Titans-branded books have been in years.
Another dramatic jump in sales, this time for Invaders which sold 19K last month and 33K this month at #49. A quality book that deserves more sales, but this is just weird.
Glenn: In a month with not much going on, perhaps retailers decided to mess with us. Yes I’m saying a group of hundreds of retailers across America are purposely trying to mess with me and Ray using their ordering power to do so.
Ray: #51 brings us the third Conan series, this one minus Conan! Belit, Queen of the Black Coast launches with 33K in sales, not bad for a supporting character who’s never appeared in Marvel Comics before. She was mentioned in Avengers: No Road Home, which might have helped these sales.
Glenn:  We’ll see how this one settles out but given Marvels went all in very quickly with 3 Conan/Conan related books, 33k is still very good. Dark Horse hasn’t seen Conan sales like this in years and it seems it was worth the properties time moving house.
Ray: Supergirl is the next beneficiary of this month’s strange yo-yo sales, as it goes from just under 20K sales last month to over 32K this month at #52. Again, this is mid-storyline with no real event, so it’s inexplicable – but I’m always happy to see Supergirl sell better.
Worth noting that three recently-launched side Spider-books have all settled down around the same number, with Miles Morales: Spider-Man, Superior Spider-Man, and Friendly Neighborhood Spider-Man all selling between 30K and 29K of their fourth issues at #56, #61, and #62 respectively. Respectable numbers, but none are really catching fire yet. Watch FNSM for coming events to get reorders, though.
The last two Age of Republic one-shots land this month, with General Grievous selling 30K at #60 and Padme Amidala selling 26K at #71. Evil droids > Natalie Portman. Noted, comic market, noted.
Glenn:  Cool lightsaber dude>Skywalker twins mom is probably more accurate.
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Ray: We also get the final two Age of X-Man launches, as Bishop-centric Prisoner X lands at #63 with sales of 29K and free-love Apocalypse and the X-Tracts pulls just under 28K at #66. Pretty standard for a mini-event that really hasn’t caught on.
#67 brings the one-shot Uncanny X-Men: Winter’s End selling 27K. This is really a case of good branding, because this isn’t an Uncanny X-Men book at all – it’s an oversized epilogue to Sina Grace’s Iceman book, which typically sold under 10K. Clever, Marvel.
Glenn: Got to respect the ingenuity.
Ray: Some characters just don’t sell well in singles. Ms. Marvel isn’t quite Squirrel Girl or Moon Girl levels, but the debut sales of The Magnificent Marvel – 27.7K at #68 – are far from inspiring for Saladin Ahmed’s debut issue. This is just a fraction of the overall sales, but it’s still a surprise given that this is a major creative team shift.
Glenn: Maybe because G. Willow Wilson is so closely associated with the character some were wary? Kamala is a big hit outside the direct market as you indicate but now she’s going to be written by others exclusively, it’ll be interesting how she fares. Will it just be the initial Wilson stories that people keep going back to or is the character strong enough to endure?
Ray: Buffy the Vampire Slayer stays rock-solid once again, gaining another 1K in sales to land at #76 with 25K sales. This will likely keep going up with the arrival of Angel and next issue’s big twist.
Glenn: I’m thinking an upswing for issue 4 and certainty some reorders for those that couldn’t see the blunt hammer hints indicating what was coming.
Ray: Speaking of iconic girl-power heroes, a good debut for Archie with the launch of Kelly Thompson’s Sabrina the Teenage Witch. Archie books usually struggle in singles, so 25K at #78 is impressive and likely down to Thompson’s fast-rising star power. I’m just sad this is only a miniseries, and Archie probably will be too. Sabrina Meets Nancy Drew when?
Glenn: It could always get extended, its happened before.
Ray: Amid a lot of mid-level books for DC and Marvel, there’s a hit for Valiant mixed in. The Life and Death of Toyo Harada is a miniseries tying up the story of one of Valiant’s biggest characters and bringing back original Valiant relaunch creator Joshua Dysart. Sales of 23K at #84 indicates Valiant’s expecting more buzz here than the usual.
#88 brings the Marvel miniseries Meet the Skrulls, a pastiche of The Americans, Vision, and Secret Invasion designed to tie in with the release of Captain Marvel. With no real hype behind it, it only manages just under 22K in sales.
Glenn: The solicitation gave me a big King Vision vibe which I’m sure wasn’t an accident. It doesn’t seem that many took the bait, a mini featuring a villainous alien race with no connection to any main book was always going to be a hard sell.
Ray: Another disappointing debut for the last book in the first wave of Wonder Comics, as Dial H for Hero sells 21.8K at #89. This line has been of excellent quality, but with limited name recognition for the other books they’ve run into sales issues. We’ll see what Bendis and Co. has cooking for the second wave once the miniseries end.
Glenn: I didn’t expect Young Animal to get another go so anything is possible, clearly that line was selling enough somewhere for DC to give it another go and I think this line is delivering similar if not better results and has a better mass market appeal.
Ray: IDW relaunches the Transformers franchise with a new creative team at #90, selling 21.7K. Decent numbers for an IDW licensed property, but the days when this franchise was IDW’s dominant one are long gone.
A solid Image debut for the post-apocalyptic thriller Little Bird, which manages to sell 19.8K at #94. This book didn’t have any name creators attached, but Image put a lot of promotional hype on it – enough to make it the third-highest seller of the month for them.
Glenn: The creative team are probably thrilled, there’s been a lot of surprises from Image like this recently so good for them.
Ray: #100 brings us the one-shot Firefly: Bad Company, which sells 19K as it expands on the backstory of a major Firefly supporting character. Not bad for a $7.99 comic as the main series takes a month off in between arcs.
Glenn: Much like the swap for Conan seems to have done the franchise the world of good unit wise, Firefly and Buffy/Angel seem to have given the franchises a bit of a boost and delivered brilliant results from BOOM. 
Although its performing how a seemingly random mini performs and usually wouldn’t be worth of note the mere existence of the Black Order mini at 111 selling over 17.3k makes a ton more sense after Endgame. People looking for Thanos related stuff will pick this up in trade so even though its not one that will be noted in any way it may earn its keep that way.
Ray: This mini really seems to have come and gone without notice, especially considering how little a role the Black Order played in Endgame.
Glenn: The MARVELS annotated mini’s second issue delivers sales over 16.4k which is brilliant for something priced at 7.99 that has been in easy to get collections for years and years. Marvel are the masters of making money off stuff they have already made money on.
Light hearted murderfest Assassin Nation from Kyle Starks and Erica Henderson debuts from Image at 119 with sales over 15.7 which is a respectable launch that I’d expect from creators who certainty have their fanbases, This type of hyper violent comedy drama has its own niche which can pay off if done well and this one seems to have hit a cord.
Ray: Neither Kyle Starks nor Erica Henderson really has much sales pull in the direct market, so this is a pretty great debut. The second top Image debut of the month, impressive for a comic that didn’t seem to get much hype.
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Glenn: Mark Millar’s newest Image offering, Shakey Bounty Hunter has its second issue this month selling over 15.1k at 122 which is about half of the issue 1 sales. There seems to be a new odd trend with Millar’s latest Image books where on paper given the artists he can have they should sell more than they are. I’m not sure if its the market or people trade waiting for his stuff or waiting for the inevitable adaption or a mix of all 3. Don’t get me wrong, they’re good sales for an Image book but Bianchi’s name alone used to pull in like sales of 50-70k minimum. I may be overthinking it.
Ray: It’s been a while since Bianchi did interiors too, so they might not have the sales pull of many Millar creators anymore.
Glenn: Marvel Rising, the all ages comic based on the cartoon based on DC’s Super Hero Girls debuts a new comic at 125 with sales over 15k which is very good for this sort of thing. I do think comics like this should be cheaper for parents and/or younger readers but for direct market sales thats very good. This comic of course will do its main business elsewhere much like Ms. Marvels main series and other things.
Ray: Marvel Rising as a whole doesn’t seem to have quite captured the media attention of DC Super Hero Girls either. Of course, the latter just rebooted, so that fight is wide open again.
Glenn: The good news for controversial DC mini series Female Furies at 130 is that it only loses 13k in its 2nd issue but the bad news is that it didn’t have the initial numbers to take that hit and its now selling over 13.5k. DC was hoping to ride off the mega successful Mr. Miracle here but this one will likely be shuffled into the corner hoping people don’t talk about it much.
Only a slight drop for Hit-Girl season 2 2nd issue, only losing about 2k of sales at 134 with sales over 13.3k. The murderous little girl has seen better days sales wise but a fast stabilization is always a positive, maybe Smith’s involvement in Detective 1k helped?
Another one finding its level quickly is the new take on Red Sonja which lands at 135 selling over 13.2k. This is a good 5k or so better than most Red Sonja books so I think Dynamite can safely call this a win.
Greg Pak’s Ronin Island launches from BOOM this month selling over 13.1k at 138. This is another solid performance from a good book and its likely due to Pak’s name but I am getting some serious Avatar (not the one getting its ass kicked by Avenger’s Endgame) vibes so since that series has a verly decent fanbase, this one could be a sleeper hit in singles and collections.
Ray: Pak’s really been riding a hot streak recently between Firefly and his Marvel work. It seems to have translated to his creator-owned work – which it didn’t for his equally brilliant Mech Cadet Yu last year. A good sign for Boom.
Glenn: Its the return of the Goon from Albatross Press selling 147 at 12.k. This is a long running character with his own set audience so retailers likely know what to expect out of it, they know its not going to deliver them any big returns after all this time.
Ray: That’s well above the level I’ve seen Albatross Funnybooks get before, so The Goon clearly has some loyal fans left from its Dark Horse days. There’s a crossover with wizard-pug comedy Grumble coming soon.
Glenn: A new creator owned series by G. Willow Wilson at 149 selling over 12k from Dark Horse in the form of Invisible Kingdom is a bit of an under performer. Certainty Wilson could arguably be one of the most important creators of the 21st century due to her work on Ms. Marvel and she is now doing work for DC as well. However she hasn’t had a creator owned series since the long ago Vertigo series Air so like retailers may not know how to treat Ms. Marvel without Wilson they may not know how to treat Wilson without Ms. Marvel. Dark Horse these days are a mixed bad however with most of their top creators only managing to do around these numbers anyway.
Ray: This is a little above what we usually see Berger Books do, so the one-two creative punch of Wilson and Ward helped. Most of these titles seem aimed at the bookstore market, though.
Glenn: To emphasize my point, at 151 is the latest Black Hammer mini, Black Hammer 45 by mad scientist creator Jeff Lemire which sells over 11.5k which is perfectly in line with the rest of the line pretty much. Dark Horse must be thrilled with these so far due how many of these we’re getting. Watch for Justice League/Black Hammer to overperform in a few months and get a whole set of new eyes on this brilliant universe.
Ray: At this point, I think retailers are largely ordering Black Hammer books very consistently, almost never dropping their orders and giving spin-offs the same rope as the main series. Expect it to keep going up as the line gains buzz and the adaptation nears.
Glenn: At 154 is Rick and Morty Presents Jerry which sells over 11.4k. The franchise is definitely one that seems to be keeping the lights on at Oni due to its very passionate fan base. I do not for the record know who Jerry is.
Ray: It’s not quite a mop and it’s not quite a puppet.
Glenn: A multi year delay seems to have not been kind to Image creator owned series Lazarus by Greg Rucka and Michael Lark who bring the series back with a 7.99 one shot this month at 154 selling over 11.3k. The fans likely have moved on and are willing now to wait for a collection I’d say.
Ray: I don’t know that the title was selling much higher before its long hiatus – Lazarus was always critically acclaimed, but its slow pace didn’t lend itself to single-issue sales.
Glenn: At 156 is the Spider-Man: Far From Home Prelude which sells over 11.1k to those that needed reminded what happened in Spider-Man: Homecoming.
Ray: 11.1K suckers!!!!
Glenn: Reorders for Captain Marvel 1 keep happening and its nearly the same amount as last month with over 10.7k at 161 which is great for the character who’s had a rough few years comic wise.
More retro Marvel comics to celebrate an anniversary of some sort in the form of Ziggy Pig Silly Seal at 164 selling over 10.2k which I think makes this the lowest selling of the bunch but when its a comic called Ziggy Pig Silly Seal I think you can take what you can get, especially if you’re charging 4.99 for it.
Ray: Shockingly, no one wanted a continuation of a random weird subplot from an issue of the current Deadpool run about homicidal pigs.
Glenn: New Aftershock title Dark Red debuts at 177 selling over 8.6k which is pretty standard for their launches. Again this is despite the involvement in a top talent in Tim Seeley, the Aftershock mystery continues.
Ray: This is not the redneck vampire comic you are looking for. *waves hand* Bad time to debut this concept, and Aftershock’s struggles continue.
Glenn: Although it had a respectable launch last month, DC/Vertigo’s High Level has crashed in its second issue with sales over 8.1k at 183, don’t get attached to this one folks.

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Ray: A new Dungeons and Dragons miniseries, “A Darkened Wish“, launches from IDW at #191 with 7.6K. This is one of IDW’s most durable franchises, but never a top seller. 

Speaking of IDW, an odd entry at #192 as they debut their comic spin-off of the Netflix original GLOW from Tini Howard, selling 7.6K. This is a show where much of the appeal is the acting, chemistry, and fight choreography – none of which are things that will translate to the comic, so I’m not surprised it struggled.
Glenn: In terms of Netflix shows I’d consider GLOW to have a very niche cult fanbase that I don’t see extending to have interest in other media. I can see it for Stranger Things for sure (and we have) but not GLOW…you should all watch the show though, its great.
Ray: 7.4K in reorders for Guardians of the Galaxy #1 at #195. Given all the reorders this month, I can’t be sure which volume of GOTG this was.
Glenn: Lets go with the very first version for lolz.
Ray: 7.2K in sales for the latest Marvel Super Hero Adventures one-shot, “Spider-Sense of Adventure” at #199. This is essentially a monthly series of short kid-friendly storied (with brilliant newspaper comic parodies by Ty Templeton), but by renumbering it every month it never loses sales.
Glenn: Its genius!
Ray: Marvel continues selling us the same comics at higher prices with Marvel Tales: Thor, a $7.99 collection of classic Thor stories which sells 7.2K at #200.
After a lot of low-selling indie books at this level, we get a new debut with Dynamite’s The Six Million Dollar Man #1, which sells 5.9K at #216. This had Marvel creator Christopher Hastings (Gwenpool, Secret Agent Deadpool) on board, but the character isn’t particularly relevant to current readers. This is typical “Dynamite throws a license at no one in particular” numbers.
Glenn: The franchise is wellllll beyond its best years which weren’t that great to begin with. Besides people have mined this idea to death but with different names so there’s plenty of better tales with a similar premise out there.
Ray: #222 brings us the launch of Dark Horse’s second Frozen miniseries, Reunion Road. Unlike the previous Joe Books Frozen title, these are more plot-driven and are released in quick three-issue minis – making them easy to collect in small trades. #5.6K isn’t great sales for a franchise this big, but it’ll find its audience in bookstores where kids actually go.
Solicits indicate that Moon Girl and Devil Dinosaur may be ending soon, and we’ll find out in the coming weeks when solicits arrive. The question is, how low will single issues go before then? This month it’s at #225 selling 5.5K.
#232 brings us the official mascot of By the Numbers, Zombie Tramp! The latest issue sells 5.7K, but there’s three other covers in the top 500 lower down selling 1.7-1.6 at 333, 334, and 339. That actually puts Zombie Tramp over 10K for the month. I like saying Zombie Tramp.
Glenn: Zombie Tramp!
Ray: A new season of Riverdale means a new season of the tie-in comic, and Riverdale Season 3 #1 sells 4.8K at #240. These are digital-first short stories and aren’t too far off from the other books in Archie’s new line, so they’re probably pretty happy. Let’s hope so, or the Gargoyle King will get us.
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Mags Visaggio’s new 80’s-set teen thriller “Morning in America” debuts with 4.8K in sales from Oni at #241. We’ve talked about how Oni has trouble selling in singles, and as we wrote this column it was announced that they’re merging with fellow troubled publisher Lion Forge. Whether it works out, we’ll see – but they’ve already gotten a lot of blowback from the number of people let go immediately.
Glenn: It makes sense for two small publishers to partner up but it really sucks that people are losing their jobs over it. Let us hope they find elsewhere, its a rough industry and a rougher economy.
Ray: #243 brings us the debut of a comic called Astro Hustle, selling 4.7K. This comic won’t finish, due to scumbag reasons, and that’s all we’ll say about it.
Scout Comics has a strong debut from master Italian writer-artist Don Aguillo titled Rise, which lands at #251 with just under 4.4K. That’s higher than Scout’s average debut, so I put this down to Aguillo having a quiet but existing fanbase over here.
Another iffy debut from Mags Visaggio at #252, as her Dark Horse monster-hunter comic Calamity Kate only sells 4.3K. Visaggio gets a lot of critical buzz for her offbeat and experimental storytelling, but it hasn’t quite resulted in sales yet.
Glenn: Mags is one of those writers that just needs the right property or book to just explode to the top. Prior to God Country/Venom there were a lot of Donny Cates stories out there no one knew about that companies are now reprinting or rescuing from years in drawers. Give her a few years.
Ray: A spin-off from the currently running Star Trek Discovery series, focusing on Captain Saru, lands at #255 from IDW with sales of 4.1K. IDW’s retooling their Star Trek line soon with higher-profile series, so we’ll see if it pays off in sales.
Glenn: Poor Saru constantly plays second fiddle on Discovery and never quite gets to be the Captain of his own ship. Hopefully in this series he’ll get some much deserved attention.
Ray: Another low-selling Dark Horse debut at #257 in Bad Luck Chuck, and this noir comic about a young woman who farms out her bad luck didn’t have the name creators of other launches. 4K in sales is about what’s to be expected.
Glenn: I wish I could farm out my bad luck, my garden be plentiful.
Ray: A $7.99 Steven Universe one-shot, Fusion Frenzy, sells 3.8K from Boom at #260. These cartoon-based comics aren’t meant for the direct market, but they have a small but loyal audience.
You remember Rick and Morty vs. Dungeons and Dragons? It apparently has a director’s cut that gets another 3.7K in sales at #263.
Glenn: Keeping the lights on at Oni but sadly not saving the jobs of many people who shouldn’t have lost them in the upcoming joint venture with Lion Forge.
Ray: Udon Entertainment makes an appearance on the charts with Street Fighter: Menat, a spin-off of the popular video game series selling 3.6K at #264. This is basically where this company lives, selling to a loyal audience of video game fans.
Much like Steven Universe but with much larger fans, Boom’s latest WWE Wrestlemania $7.99 special sells 3.5K at #269. Boom keeps putting these specials out, so they must be happy with the sales.
#270 brings us the latest sexy fairy tale from Zenoscope, Gretel, selling 3.5K. Glenn, strike up the Rachel Bloom!
#276 brings us a new comic I’ve never heard of, Neon Future #1, from a company I’ve never heard of, Impact Theory Comics. It sells 3.4K, and it seems like we get new companies on this list every time. Our source can’t keep up!
Glenn: Really they’ll just be thrilled to be here as they should.
Ray: IDW acquired the rights to the old-school Image book The Maxx to publish a crossover with Batman, and they release a lot of the surreal 90’s book’s old material in a 100-page giant this month. It sells 3.2K at #283, proving not only Marvel can sell us old comics.
The video game tie-in comic Obey Me #0 sells 3.1K at #285 from Dynamite. This isn’t a big-name game franchise like Gears of War or Starcraft, so the low numbers aren’t a surprise. I’ve never heard of it.
Glenn: Me either, the title makes it sound like its for a very specific audience who care for the works of E.L James.
Ray: Another original title from Scout Comics, Star Bastard, sells 2.9K at #290. No big creative team attached, and this title about the worst person in the galaxy and his misadventures is pretty clearly geared towards mature audiences. Adults-only books always sell a little lower.
Glenn: Deadpool meets Star Lord I guess? There’s certainty a market for these things but I think you have to present it or publicize it the right way.
Ray: Lots of reorders this month around this level, with close to 2.6-2.3K in reorders for Umbrella Academy: Hotel Oblivion, Die (which is constantly getting reorders), Middlewest, Conan the Barbarian, and Daredevil’s new series. All of these books have been getting pretty decent buzz.
The #300 book this month is the latest issue of Gunning for Hits, selling 2.6K. Would be a decent book to end on…but alas, we soldier on into the depths.
Glenn: You go first, I’m scared.
Ray: 30 Days of Night, which was a huge sensation back in the early 2000s, gets a reprint of the acclaimed original miniseries in another IDW 100-page giant. It sells 2.2K at #312. Could vampires be making a comeback against those zombies?
Glenn: Having a movie adaption maybe helps? I think 30 Days is one of those quietly consistent performers based on in it having a fantastic premise that’s easy to explain. Its one of those things people will always come back to.
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Ray: The $4.99 anthology “Femme Magnifique: 10 Women Who Changed the World” lands at #320 from IDW, selling seven copies under 2K. A biographical comic anthology is never going to be a top seller, but at only $4.99 it’s another piece of evidence of how IDW’s non-licensed books sell.
One of Scout’s earliest titles, Once Our Land, returns for a second volume at #329, selling 1.83K. I didn’t read this one when it first came out, but this is likely a book with a loyal but small audience.
Amid reorders of things like Buffy the Vampire Slayer and The Batman Who Laughs, we get this month’s winner for the most bizarre title of the month. It’s Fartnite, from often-bizarre publisher Keenspot. Flatulence-based parodies of popular video games apparently sell 1.8K at #331. I got nothing.
Glenn: Going for that Vince McMahon humour.
Ray: The latest Aspen Visions one-shot, Soulfire: Heart of Eternity, sells just under 1.8K at #332. Aspen keeps on trucking, even though I haven’t heard someone talk about it in years.
Glenn: They’ll have a loyal dedicated audience that will seemingly always come back and likely the company realizes that and is now set up to cater to that level without much drawback.
Ray: An oversized anthology from IDW, Synergy: Hasbro Creators Showcase, sells 1.5K at #343. These are characters like GI Joe and Transformers that sell much better in single issues, but the anthology seems to have slipped completely under the radar.
Glenn: Its probably because at this point, many of the main franchises are so far removed from being known as extensions of toy lines that the two don’t connect in peoples mind much.
Ray: Now here’s where we get into some strange territory, as a lot of companies – but mostly Marvel – make so many reorders that it starts to feel like inventory dumping again. Case in point – reorders of Inhumans Prime (#340, 1.6K) and X-Men Prime (#365, 1.3K). These are the follow-up one-shots from the long-forgotten event Inhumans vs. X-Men. Why would people want these comics now? This is like three relaunches ago!
Glenn: Its another slow month where normally these stock dumps escape notice but that’s why we’re here to suffer.
Ray: #345 brings us the latest oddly named Aardvark-themed comic from a guy who we don’t talk about anymore, selling 1.5K. It’s depressing how many redacted entries we have these days.
Glenn: It is. It makes me so grateful for the vast amount of lovely creators who manage to go days, weeks, years and a whole lifetime without being complete dicks.
Ray: Lots more reorders around this level, including issues of Spider-Gwen, Weapon X, Spider-Men II, Invincible Iron Man, and something called Rick and Morty presents Sleepy Gary. ‘Kay.
Glenn:  I choose to believe we know Sleepy Gary, he’s a charming Canadian fellow.
Ray: At #362 is a new creator-owned book from Cave Pictures Publishing, The Blessed Machine #1. This post-apocalyptic AI thriller from Mark Rodgers and Jesse Hamm is the first comic to get some creative buzz for this company, and its debut of 1.3K may be boosted by future reorders.
It’s hard to remember that there’s an irregularly-released Grant Morrison comic about Hindu mythology on the market, but a new issue is out! “18 Days – Karna: Legend of the 6th Son” sells 1.2K at #384.
Glenn: Clearly there’s just not much interest in this type of story because I would have certainty banked on Morrison’s name being enough to grab a 250 or above slot at least?
Ray: Selling 1.2K at #378 is Captain America #25. Is this the death of Captain America issue? Is this the setup for the end of Secret Empire? The world may never know.
Glenn: Its the original Cap run by Simon and Kirby where Steve and Bucky are trying to save us against vampire stereotypes. Curse those stereotypes!
Ray: Selling 1,195 at #379 is Rags #1 from Antarctic, which is a comic about a sexy lady zombie hunter who runs around in…you guessed it, rags! Very practical for a life-or-death situation where a bite turns you into a zombie. But at least she’ll be a sexy zombie?
Glenn: If she’s coming for Zombie Tramp’s place in our hearts then I hope she’s ready to be greatly disappointed.
Ray: Two of the odd mini-event Generations get some reorders this month, with both Iron Man and Captain America’s one-shots selling about 1.1K at #381 and #384 respectively. These might have some relevance to a certain movie that is out by now, so retailers probably wanted the stock for curious new fans.
Glenn: The Cap one I can definitely see for spoilery reasons, Iron Man I’m not too sure. Its hard to call whether the sales being this low makes it seem legit or more suspicious stock dumping.
Ray: Antarctic released a lot of new content this month, with two new mature-readers superhero comics. The Offbeats sells 1.1K at #386, and Tainted Love sells about 25 copies less at #390. I don’t quite know who this company’s output is for – oh, wait, I do, given some of their recent moves.
Source Point Press releases an oversized one-shot, Viking Queen, to sales of 1,084 at #389. This supernatural period piece didn’t really get much hype and there’s been a lot of books in this vein recently, so it sort of slipped under the radar.
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It’s four reorders of issues of Wonder Woman, Captain America, Amazing Spider-Man, and Batman that make up the last four comics selling just over 1K. These are all recent books, so not unusual as reorders go.
The Brian K. Vaughan/Marcos Martin series Barrier was re-released in an oversized slipcover form and the $9.99 package sells 978 copies at #400. This was released in limited quantities, so this isn’t quite representative of the demand.
Glenn: Given this was also ‘pay what you want’ online people likely can read it much cheaper that way. There was also a hardcover people might prefer to read.
Ray: Remember when Civil War II was the worst Marvel event? Those sweet halcyon days… For those who want the bad memories back, the #0 issue gets 937 reorders at #404.
Glenn: Those were they dayyyyyyyyyyyyys
Ray: It’s mostly reorders down here, but the Alterna post-apocalyptic series The Wicked Righteous returns for its second volume with sales of 867 copies at #415. Retailers definitely ordered this as a continuation rather than a launch.
Sexy lady comics still sell, as Cavewoman: Markham’s Mansion sells 864 copies at #416. I’m not sure if this is one cover or a total of the roughly 722 variant covers they have with every issue, because it doesn’t say a specific cover like the Zombie Tramp ones did.
Glenn: If one variant wasn’t a cave drawing they need to stop as a company and start over.
Ray: Quite a few Captain Marvel reorders down here, including several of the True Believers issues and the Braver and Mightier one-shot, all selling about 900-700 copies. This is definitely retailers stocking up after the movie.
Glenn: I would say there would be a lot of Captain Marvel collections seeing some love too, this will all ultimately help the current ongoing title.
Ray: I’m not sure if this is part of a new True Believers line for DC, but a reprint of Batman: Year One from a line called Batman Essentials sells 713 copies at #431. At a dollar price point, that’s a lot lower than Marvel usually gets for these – DC needs to get the word out a little better.
Glenn: I didn’t know this was a thing until now and yeah, no kidding. The first part of one of the best Batman stories (and comics in general) selling this low is ODD. This is the type of thing you have readily available for FCBD to give to a potential new buyer to give them a taste of what this crazy medium we all love can offer.
Ray: Amid a lot of low-selling creator-owned ongoings and some reprints, we get a comic from a company that almost never shows up on the charts at #436 – Magical Beatdown from Silver Sprocket. This oddly-priced $6.00 comic is a parody of magical-girl books about a girl who beats up catcallers, and it sells 668 copies. The low entry bar this month has opened some opportunities for real indie comics that usually slip under the radar.
Brian Shearer’s William The Last webcomic launches its second volume from Antarctic’s creator-owned imprint at #439, selling 662 copies. With only two months since the last issue, this is definitely just retailers renewing their orders for the continuation.
Showing how low the entry bar is this month, at #447, we’ve got a random Betty and Veronica Double Digest, selling 629 copies. We almost never see these oversized Archie collections chart in singles, because they’re geared towards newsstands.
Source Point Press released a series of interconnected one-shots titled Monstrous over the last few months, and now they’re crossing them over into Monstrous: European Getaway, a miniseries expanding on the Frankenstein mythology. It sells 612 copies at #449, not building much on the original series.
It’s almost entirely reorders down here, including 529 copies more for Royals #1 at #470. So for those people who watched Inhumans on ABC and couldn’t wait to learn more about Marvel’s superhuman royal family, here you go, I guess.
Glenn: There will be that one guy holding out hope the Inhumans can happen. Its never going to happen.
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Ray: As the creator-owned series Rat Queens prepares to shift creative teams, it gets reorders for a pair of its specials – Orc Dave at #492 selling 442 copies, and Neon Static at #499 selling 422 copies. Retailers are likely getting some stand-alone stories in stores for curious readers with the relaunch.
Wrapping up the list at #500 is Quincredible #5, the newest member of the Catalyst Prime line selling 419 copies. Despite a lot of hype, this line never caught on and it’s being relaunched in a Gail Simone crossover event – but then, the company itself might not exist soon due to the merger with Oni. Comics! Never a dull moment.
Glenn: My head hurts, I’m going to lie down.
Looking ahead, it’s largely a quiet month with one big exception – War of the Realms. Marvel’s latest mega-event drops a bomb on the market with a biweekly Aaron/Dauterman miniseries and new tie-ins every week. Expect Marvel to take back the lead in a big way, especially with other launches like Peter David’s Symbiote Spider-Man, Tini Howard’s Thanos (just in time for a certain movie), Eve Ewing’s Marvel Team-Up starring Ms. Marvel, another Carnage one-shot, and Rob Liefeld’s return to Marvel with Major X. There’s also several new Star Wars series launching and Greg Pak’s cycle on the franchise begins.
It’s like DC knows what’s coming because they have zero launches in April 2019. Taking the month off and keeping it status quo, in one of the strangest patterns I’ve seen in a while. They won this month, they can take a breather. They do have a crossover between Deathstroke and Teen Titans, and this is the month a lot of their lower-selling books wrap their runs.
Over at Image, the undisputed headliner for April is Ascender #1 as Jeff Lemire and Dustin Nyguen begin a new chapter in their sci-fi/fantasy epic. There’s also fantasy epic Fairlady and Karl Kesel’s Kickstarter success Section Zero.
What will rise? What will fall? Find out next month on…By the Numbers!
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Liked What You Read? Let Us Know Here Or On Twitter @glenn_matchett or @raygoldfield!

By The Numbers: February 2019

Hey By The Numbers fans! Sorry about the delay in getting this up, it was a slow month sales wise but busy for yours truly. In order to get this out sooner, I didn’t include the random covers I usually do. I hope that’s okay just for this month, I’m hoping next months sales will come out in a more timely manner and we’ll be back to business as usual. Enjoy!

Like in any industry, comic books and their companies listen most to one thing and that’s your money! What does your money tell them? What does it tell us as fans? What series do people say they adore but can’t seem to catch a break and what books to people hate that sell out? What are the trends? What looks good? What looks rough?

All these questions and more will be answered here, every month in ‘By The Numbers’ by comic writers, editors and fans, Glenn Matchett and Ray Goldfield.

Glenn Matchett is a comic writer and editor. He’s worked in the industry for 6 years but grew up reading comics. He’s had work published with various small press publishers and has is own comic now available on Comixology in Sparks: The Way I Was from Yellow Bear Comics! He was rooting for the ghost spirits to get Tom Taylor so he could take over Friendly Neighborhood Spider-Man, maybe next time.

Ray Goldfield is a fan of comic books for going on 25 years, starting with the death of Superman. He is a writer and editor and has released his first novel. Ray also does a weekly roundup of DC comic reviews for website Geekdad and they’re brilliantly entertaining.  If given the chance to run a red panda sanctuary, Ray denies he would train them to be his army to do not only battle but amusing tricks on demand.

We also do a podcast together with longtime buddy, Brandon James on iTunes with Rabbitt Stew or at the link here! Don’t ask, I didn’t pick the name. If you’d like to hear what me and Ray sound like, give it a listen!

Top 300 in full available here!

Glenn: It seems that we’re in the lull before the storm folks because the most we can say about February sales wise is that it sure was a month that happened.  Most of the major companies are keeping things trucking along this month with a skip month (months?) on Doomsday Clock and War Of The Realms yet to drown us in comics, things were slow.  Sure, some books had special events happen here and there on a small scale but there was no juggernaut that came along and laid waste to everything else.  Still with it being a quiet month that gives us a better idea of how things stand without any artificial boosters and…oy.

Ray: This month reminds me a lot of those doldrum months in the pre-New 52 days, before this column kicked off. We would have months where the top comic would be a random issue of The Dark Knight and it would sell about 65K. Things obviously aren’t nearly that bad yet, but it’s still depressing.

Glenn: The biggest selling comic and the only one to pass the six figure mark this month was DC’s Batman Who Laughs which sells over 101.7k.  It’s likely to drop below six figures next month but I doubt we’ll get below 85k before all said and done which is pretty stellar.  Its hard to beat Batman when things are quiet and now you got him mixed with his most famous foe.

Ray: Yeah, The Batman Who Laughs is coming down to Earth a little bit, but when you spend three months on top the charts there is nothing to complain about. It’s a perfect storm of success, the best since Spider-Gwen
Glenn: Further in that vein, the main Batman title is king (get it?  get it? of ongoing as per usual.  Issues 64 and 65 which was part of the Price crossover with Flash which we geniuses here at By The Numbers correctly predicted upped numbers.  The title sold 93.4k and over 89.1k at 2 and 3 respectfully.  Hardly the smash hit the Button was but this is tying into Heroes In Crisis, not the next part of the Rebirth story that Johns started and doesn’t have those super fancy covers.  With it being a great selling title anyway, there is minimal benefit for Batman but hey an increase is an increase.  Watch for things to kick off as we get closer to King’s endgame.
Ray: No real bump for Batman, surprisingly, but The Flash got the lion’s share of the help. I continue to be puzzled by the dramatic difference between issues when it’s a four-part crossover – are many retailers assuming people are going to drop out mid-story?
Glenn: There will be more people checking out part 1 and then they can always reorder more but yeah, the differences in these type of things always puzzle me too.
At 4 is insanity in Venom which IS THE HIGHEST SELLING ONGOING NOT NAMED BATMAN, WHAT IS HAPPENING.  So this title shoots up a lot with it landing the number  spot with sales over 89.4k.  Why a near 4k increase in sales?  Who knows but the title continues to be a massive hit which nobody could have predicted.  Its clear to see why Marvel keep throwing things at Cates but there’s no way to discount the value that Stegman brings either.  Crazy times.
Ray: We just got an announcement today (as I write this) that Cates and Stegman will be showrunning a summer event titled Absolute Carnage. Considering the staggering sales here, there’s almost no way that doesn’t dominate the charts during its run, maybe more so than War of the Realms. This is another huge increase as the title hasn’t found its level yet.
Glenn: It certainty has a fair chance of being as strong as War, probably a far better pairing than what DC has managed with Doomsday Clock and Heroes In Crisis.
At 5 is Heroes In Crisis the bizarre event comic no one knows quite what to make of.  It continues the so-so performance its now known for which is good for sales over 79k.  This one may have some impact felt but likely will be quickly forgotten shortly after it concludes.
Ray: This feels a lot more like a place-setting event than anything, setting up bigger things to spin out of it. The lack of major tie-ins has led to it being largely overshadowed, but I expect it’ll have big post-game effects like Identity Crisis.
Glenn: Continuing its odd random spikes and slides is Amazing Spider-Man which sells over 71.4k at 6 for issue 15 and over 64.1k at 11 for issue 16.  The latter is interesting because its the prelude to ‘Hunted’ the new Amazing writer’s first in title event which Marvel are trying to make like its a big deal like Spider-Verse or Ends Of The Earth or Spider-Verse or…well you get the idea.  Well its clearly not.  Why one issue is always higher than others.  Amazing has fallen into a very standard sales level which has come after years of it being built up.  If there were adverse effects creatively on sales, it likely would take a lot longer to show up in sales.  It continues to be a puzzle.
Ray: Hunted is the kind of mini-event that doesn’t really drive sales, especially since we’ve seen a lot of similar stories in better-regarded runs, but it is going to stabilize sales for the time being. We’ll see how the nonsense-numbered .Hu issues do next month.
Glenn: At 7 and 9 is Uncanny X-Men which has a 7.99 issue at 9 to celebrate Matt Rosenburg taking solo reigns and again despite everyone online saying otherwise, an expensive comic pays dividends as it sells over 66.9k.  Again we keep saying we don’t want expensive comics but Marvel is hardly going to give us something at 3.99 for what it can sell roughly the same at 7.99 for.  Those FOX purchases don’t pay for themselves you know.  The following issue sells slightly more at 68.6k so retailers likely ordered these around the same level for the ‘new’ run but again, this issue is sold at 3.99 and sold not even 2k more than one that was nearly $4 more so whats the lesson here?
Ray: It does feel like these two X-men relaunches – first the weekly and now the regular run – have revitalized the franchise after a rough few years. A back-to-basics focus on Cyclops and Wolverine helps too. Of course, now the rumors are that Jonathan Hickman’s return to Marvel will be taking over the X-Men, so nothing is ever stable around here.
Glenn: At 8 is the bigger winner of the Price crossover, Flash which probably gets that juice because a) Batman’s there and b) Heroes In Crisis has likely more implications for his own title and the first part sells over 67.7k and the second is at 16 selling over 60k.  Again we’re not at Button level bumps but 20k more than its usual numbers is nothing to sneeze at, we’ll see next month if any of those numbers stick around for the start of Williamson’s next big Flash story.
Rounding out the top ten is the start of sequel weekly series Avengers: No Road Home which sells over 64.5k then at 41 with sales over 36.3k and 34.8k at 45 for the other two issues next month.  Apart from the standard first issue bump, retailers have seemingly ordered this along the lines of the series predecessor like its one long story…which it is.  Grand numbers for an Avenger’s spin off not related to the Aaron main title and of course its likely to get a huge spike whenever well known Avenger, Conan shows up.
Ray: This sells pretty close to the main Avengers title, just a little below. Attrition will continue settling in over the run, but at only ten issues it’ll be over before it gets too low. I expect to see a lot more short-run weeklies like this and the X-men run in the future, because they work. Crom!
Glenn: So our entry point to the top ten is 64k which is the lowest in a while.  Yay?

Ray: Detective Comics continues to increase as it approaches #1000, with #999 selling about 2K more than #998. They’re at #12 and #15, selling in the 62-60K range. Impressive, very similar to what Action Comics and ASM did as they approached their anniversary. Next month’s numbers will be ridiculous, natch. 

At #13 is Daredevil #1, selling 61K from creative team Chip Zdarsky and Marco Chechetto. This is well above most of the Soule run and last month’s pointless filler event, but the second issue is down at #43, selling 35K. That’s still an increase, but rapidly approaching the level of the last run. Zdarsky’s critical acclaim aside, few of his books have been blockbusters and it’s been a while since a Daredevil run really rocked the sales charts. He’s a mid-level character for Marvel and he’ll usually perform like one.
Glenn: I remember a similar performance when both Waid and Soule’s run started, Daredevil seems to have a very set audience and there isn’t much to be done to increase it.  For the best part of 20 years, Daredevil has delivered some of the best creative runs at Marvel and the only time the company tried to shake things up is where it went awry so they know just to leave it be.
Ray: Right below at #14 is Wolverine: Infinity Watch #1 selling 61K. That’s only 2K above the finale of the previous Wolverine mini, Return of Wolverine – and it’s a sequel to both that and Infinity Wars. As the latest in a never-ending sequence of Wolverine miniseries and Infinity Stones miniseries, I think confused retailers have just stopped trying to order them as anything but the next issue.
Glenn: The luster of the return of the ‘real’ Wolverine seems to be wearing thing.  I hope Marvel doesn’t shoot themselves in the foot before they’re ready to give him his own ongoing once more.
Ray: Most of the top thirty is dominated by successful returning series this month, as Justice League, Fantastic Four, Superman, The Green Lantern, Avengers, The Walking Dead, and Action Comics all stay within the 55K to 45K range. This is the new comics A-list, such as it is, and they’re all delivering top performances for their company. One book that isn’t usually here, though, is Wonder Woman. It takes a big jump to land at #26/27 this month selling around 46K. That’s a jump of over 12K from last month’s issues, with no story-based explanation. G. Willow Wilson’s run finally got the attention and sales it deserves, it seems. It’s good to see this title return to the A-list.
Glenn: 2 years overdue but we’re finally here, great news for Wilson, DC and Wonder Woman fans!
Ray: The second Conan ongoing, Savage Sword of Conan, launches at #25 with sales of 47K. That’s about half of what Conan the Barbarian launched with last month, and this series is an anthology with a new creative team after this arc. The second issue sells 30K at #59, a decent slide but one that indicates it could face harsh waters as the months go on.
Glenn: It’ll depend how Marvel gages it, anything over the 15k mark is better than what Dark Horse could manage with the licence but they’ve hit us with a lot of Conan in very short order.  In classic Marvel fashion, they’re giving us too much at once and it’ll be hard for the books to find their feet as a result.
Ray: Guardians of the Galaxy has a moderate slide this month to #30 for its second issue, selling 43K. That’s well above what the title was doing under its last few runs, but a little below what I expected from Cates’ next big project. Maybe a lot of Venom’s insane success is the character and Stegman.
Glenn: Maybe not having the majority of the movie team too?  Could be a result of the Guardians overkill Marvel put us through some years back (see above point about Conan) this could be the best a Guardians book can manage after all that.
Ray: The Age of X-Man mini-event kicked off in earnest this month, and the sales results show it’s destined to play second fiddle to Uncanny X-Men. The flagship miniseries, Marvelous X-Men, sells 42K at #31, but the other debuts are far lower, with Amazing Nightcrawler and Nextgen both selling 32K at 50/51 and X-tremists selling 30K at #56. These are all five-issue miniseries, so the sales could get pretty hairy by the end.
Glenn: I don’t know what any of this is.  If Marvel wanted it to be a big deal, then its a disappointment especially weighed against the major Spider-Man crossovers Slott put together but if its basically a second X-Book disguised as an event, then its fine.  The colour relaunch of yesteryear seemed to be more stable overall but what do we know?
Ray: More long-running successes like Thor, Star Wars, Immortal Hulk, and Captain America are hanging around between #30 and #40, all selling 40K or a little below. It seems Shazam is destined to join them, selling 37K this month at #38. It’s displayed impressive stability since its launch.
Three top titles from last month all slide to around the same point this month, with Conan the Barbarian landing its third issue at #37, selling 38K; Captain Marvel selling 37K at #39; and Young Justice selling 37K at #40. While the results are similar, the first two have fallen from 100K+ in sales and YJ’s second-issue drop is less than 50%. While Conan is a successful new franchise and Captain Marvel finally has a mid-level hit title, Young Justice looks to have finally revitalized DC’s young heroes after years of disarray.
Glenn: That’s great for Captain Marvel especially, usually post issue 1 the sales go sour fast.  I give big props to the creative team but yes I’m sure the movie helped too
Ray: The two newest Spider-spin-offs finally switch places this month, with Miles Morales landing at #44 with sales of 35K and Superior slipping to #55 with sales of 31K. I’m not sure if this is retailer adjustments based on results or just statistical noise, but both seem like they’re going to be healthy for a while.
Glenn: Them selling closely is great for Ock but not maybe so great for Miles.  They will both justify their existence at around this level though and Marvel must be happy since we’re getting more Spidey related books coming in the middle of the year.
Ray: The two Age of Republic one-shots this month sell 32K and 30K respectively at #49 and #57, but what surprises me is Count Dooku outselling Anakin Skywalker. Maybe people REALLY don’t like Kid Vader.
Glenn: Maybe people were more interested by Dooku who didn’t get much spotlight in the films?  Its hard to tell.
Ray: Old Man Quill, the latest sequel set in the Old Man Logan universe, sells 31K at #52. That’s about 7K above where Old Man Hawkeye ended, so this franchise should remain pretty stable. The second issue lands at #82 selling 21K. Bring on old man Rocket scooting around in a tank, please.
Glenn: This little universe seems to do okay for itself, depending on trade sales and such we could continually see various other characters in this settling for a while before the novelty fades entirely.
Ray: The latest Millarworld/Netflix Comics debut from Mark Millar lands at #52, as Sharkey the Bounty Hunter with Simone Bianchi sells 31K. That’s a lot lower than recent books like Prodigy or The Magic Order, and the concept seemed pretty generic and wasn’t matched with much hype in advance. I doubt this is a future movie or TV series.
Glenn: This one kind of snuck up on people, I’m not sure if maybe the deal with Netflix means that they can’t do much advanced hype.  This is Bianci’s first interior work in a long time at a US company I think and he used to be a big deal so I’m surprised orders weren’t higher.  Maybe retailers are finding that customers aren’t interested in these Netflix comics since they know an adaption is coming?  Still Millar does command a decent audience where he won’t need to go back to work for anyone else ever again.
Ray: The obligatory Captain Marvel one-shot to tie in with the movie, subtitled Braver & Mightier, lands at #61 with sales of 28K. That’s well higher than the usual performance of these tie-ins, and I put a lot of that on Jody Houser’s pull compared to Ralph Macchio. He’ll be back in action for future tie-ins, it seems.
The third issue of Friendly Neighborhood Spider-Man lands at #63, selling 27K. This really feels like a case of retailers massively missing the boat and I’m expecting major reorders and adjustments down the line.
Glenn: Hope so, the books great.  It seems to be falling a lot faster than the Zdarskey book did, maybe they should have given Taylor that book rather than force us into another pointless restart.
Ray: The third Wonder Comics title, Wonder Twins, makes its debut at #64 with sales of 27K. That’s better than expected and higher than Naomi did last month. This could be the characters having some leftover nostalgia from the 60s, but Mark Russell and Stephen Byrne might also be developing a fanbase. (More on Russell lay-tor)
#67 brings us the launch of the massively controversial Female Furies miniseries, selling 26K. I imagine a lot of these sales are due to the higher profile of Big Barda thanks to Mister Miracle, but this is a very different book and a rough read. If it even finishes its run, it’ll be pretty low by the end.
We saw Wonder Woman finally get the sales bump it deserved, but it hasn’t quite happened for Aquaman yet. It sells 26K at #68. That’s essentially flat from last month – impressive, but Kelly Sue DeConnick’s run has yet to pick up buzz in sales.
Glenn: DC has had Aquaman as somewhat of a pet project with them trying various things to gain interest and continually not getting what they would like. Its hard to think what more they could do.
Ray: We were shocked last month by Buffy the Vampire Slayer’s low performance, but it has one of the more impressive retention feats I’ve ever seen. It sold 31K last month and 24K this month at #71, which puts it just above Firefly. It seems clear that the Whedonverse books are destined to be Boom’s biggest hits.
Glenn: I felt it would have a minimal drop, we might even see a boost for issue 4 which is hyping a major death and departure from the show.
Ray: After a lot of business as usual, the next comic of note is the $9.99 100-page special “Man and Superman“, a lost story from the archives by Marv Wolfman and Claudio Castellini. From three relaunches ago, it sells 19K at #85 – an impressive performance from an out-of-continuity retelling of Superman’s earliest days in Metropolis. I hope this encourages DC to release more stand-alone stories like this.
Glenn: Like I said on the Stew (Dong!) its great to see DC still using legendary creators like Wolfman and them being able to produce comics that people are interested in reading.
Ray: This month’s True Believers wave is Captain Marvel, tying in with the movie (shocking!). The top-seller is the debut of Ms. Marvel, which sells 19K at #91. Pretty impressive for selling old comics to people in a new format.
Glenn: This is the biggest exposure the characters ever had in the mainstream.  Given how cheap the comics are, retailers likely felt it was a safe bet to have some on hand for those that saw the movie and wanting more.
Ray:  Speaking of selling old comics in a new way, the $7.99 Marvels Annotated release sells just under 19K at #94. Given how many times this has been released and the high price tag, it just goes to show the enduring power of this book. One of comics’ all-time greats.
Glenn: Sales are good enough that we’re getting a new chapter to boot.  This is one of Marvel’s strongest library performers so this being able to sell this well despite it being in print through various different formats forever is impressive.
Ray: Speaking of Mark Russell, his second launch of the month is at #98 – Red Sonja #1 from Dynamite, selling just under 18K. This is a stronger than usual debut for new Dynamite properties, especially since Red Sonja has been running consistently without any real buzz ever since Gail Simone left. Russell’s unique sensibilities and eclectic choice of comics have come a long way since Prez was completely ignored by retailers.
Glenn: Absolutely, this is the strongest Sonja launch we’ve seen in years.  Like we’ve seen over the last year or so, Dynamite have been making a real effort to get some great creators on their properties and it seems to be paying off.

Losing just a little over half its sales for its second issue is Black Widow at 101 with sales over 17.5 and I actually expected worse.  If memory serves this isn’t that much lower than what Waid/Samnee delivered on the character so there could be some room for some stability here but since the book was missing from Marvel’s June solicitations it seems like its already been jettisoned.
Ray: Black Widow came in without fanfare, and left the same way, it seems.
Glenn:  Image’s Die has settled into one of the companies top performers with sales over 17.5 at 103, well deserved for a fantastic series.
Ray: Die is following basically the exact same sales trajectory as Gideon Falls starting moderately high and then finding its level ridiculously quickly. They’re also both excellent books designed to scare the living daylights out of us. I don’t want to play D&D in the barn, Glenn…
Glenn: It’ll be fine, Ray just let me check who that is in my driveway holding the scissors and wearing a red jumpsuit…
A very promising start sales wise from Vertigo’s new High Level title which sells over 16.8k at 104 which puts it at a really good Image launch which is surprising.  Not sure what’s drawn people here but I’m sure DC won’t ask too many questions.
Ray: This is pretty similar to other Vertigo launches like American Carnage and the book we shall not name, and I’m guessing part of the success here is artist Barnaby Bagenda. He drew a little book called Omega Men, which has become a modern classic thanks to its writer, obscure indie creator Tom King.
Glenn: That’ll be it then!
No big surprise for the second issue of the new Criminal to find its level super promptly at 109 with sales over 16.1, like we said last month, retailers know by now who the buyers for this series are.
At 113 is the second issue of Naomi which has now been converted to a first season mini.  With sales of over 15.8k I’m not too surprised.  I’m going to wager she’ll probably only continue to be featured in Young Justice, unless Bendis really, really wants to bring her back in her own book.
Ray: It seems all the Wonder Comics books save Young Justice are now miniseries, so we’ll likely see a lot of concepts go in and out and see what stick
Glenn: At around here is the rest of the Captain Marvel True Believers which all sell around the 15-11k mark.  That’s a better average than some of the bigger characters have managed but these stories probably haven’t been as heavily reprinted.
I remember when Kevin Smith writing comics was a big deal, he made best sellers out of Dardevil and Green Arrow but time has trucked on and things have changed.  Sales of over 15k at 118 aren’t dreadful but given his power in the past, it was likely all involved would have liked more.
Ray: That is shockingly low for a new #1 for Kevin Smith, even if it is just a relaunch of Hit-Girl one month after the previous series ends. A weird number that shows his heyday in comics is far behind him – and so is the character’s, likely.
Glenn: Another of the kooky throwback books from Marvel this month, Love Romances (how appropriate for February!) sells over 14.5k at 121.  Romance comics are not seen a lot in the market so this doing this well is probably as better than the company could hope for.  Gunhawks which is more of your old school western sells over 13.5k at 127, nothing to write home about but given they’re just throwaway one shots these aren’t the worst sales imaginable.
Ray: All of these except Al Ewing’s horror one-shot last month have disappointed. Can’t wait to see the numbers for Ziggy Pig and Silly Seal next month.
Glenn: At 135 is the second issue of Fight Club 3 which sells over 12.6k which is quite a fair margin of distance when you look at Fight Club 2‘s sales but this is pretty standard Dark Horse numbers so its not disastrous.  It seems that people who read Fight Club 2 weren’t interested in another round.
Decent numbers for last months Captain Marvel which sells another 11.7k at 143, this run definitely seems to be the winner Marvel’s wanted from the character for a few years.
Ray: That’s really impressive for Captain Marvel reorders, really showing some buzz for the property. And far from the last reorder we’ll see this month…
Glenn: Another set of reorders for a major launch from last month in Cates Guardians at 156 with sells 10.6k+ more copies.  It might not be the runaway freight train that Venom is but it certainty seems to have a solid amount of interest and is likely to be a fixture of Marvel’s upper tier of books for the run.
Even MORE reorders, this time for Marvel Comics Presents which sells another 9.8+k at 163 and I’m genuinely surprised by this one.  I’m not sure what but it seems to be working so there you go.
Ray: Yeah, this book got ZERO buzz at launch, so I’m really struggling to see what was driving the reorders here. Maybe because it’s Soule writing more Wolverine?
Glenn: Could be, we’ll see if future issues pick up steam as a result
DC has those sweet reorders too with Batman Who Laughs showing up again at 177 which is good for sales over 8.1k.  Usually reorders of this amount 2 months later is unheard of and the last things DC managed that with were Rebirth and Doomsday Clock so yeah, this guy isn’t going anywhere.
Ray: This is the biggest runaway character hit in years, hands down. It feels like he’s out of DC’s control now. It’s the Batman who Laughs’ world now, we just live in it.
Glenn: At 184 is a new Valient launch in Incursion with sales over 7.6k which is within the normal level of the companies launches for the most part.
Ray: Given that Incursion is a mini-event continuing the Geo-Mancer storyline, and Forgotten Queen is a period-piece side story focusing on one of the villains from Unity, I would have expected a bigger delta between the two.
Glenn: I understand what all these things are *nods*
Given that it cost 7.99 and is all reprinted material I would say Marvel Presents Black Widow is a bigger success than the characters new series at 186 with sales over 7.5k.  Marvel’s skill at us making us pay for the same thing over and over is something to behold.
Another Valient launch at 189 with sales over 7.4k for Forgotten Queen.  See comments for Incursion above.
An all ages book with too long a title, Marvel Super-Heroes Adventures Spider-Man Web Of Intrigue has sales over 7.2k at 192 which is fine for a throwaway all ages one shot that is going to be aimed at other markets.
Getting double the Bruce Campbell for your money Bubba Ho Tep vs Army Of Darkness sells over 7.1k at 193 and its comics like this that make me want to stand up and salute how crazy Dynamite can still be sometimes.
Ray: When they’re not giving us brilliant creator-owned runs, their bread and butter is bizarre crossovers and rock stars fighting demons. 

At #196 is the only Image debut of the month besides Hit-Girl: Season 2, Vindication. This crime-and-punishment serial from Top Cow only sells 6.7K, which is very low but not a surprise given the lack of any recognizable creators and the poor reviews.
Glenn: Top Cow also sells a lot less than mainline Image stuff too, the last big hit they had was Wanted and even that took years and a movie adaption to get buzz
Ray: Another bizarre example of Marvel selling us the same books over and over again is at #200, as Dazzler #1 Facsimile Edition sells 6.6K. I didn’t even know there was a Dazzler series originally.
Glenn: There was back in the day aye when every character could hold their own. Spider-Pig Facsimile when?!
Ray: #201 brings us the latest Berger Book, Girl in the Bay #1 by JM DeMatteis. It sells 6,5K, which seems in line with recent Berger Books, but it makes me sad that DeMatteis’ books don’t sell better. I think the G. Willow Wilson/Christian Ward book will be the big test for this line next month.
Glenn: I’m hoping it picks up some steam in trades. Given the single sales of the Berger books have been iffy at best but they still get put out, one would presume they are selling well in that format.
Ray: GI Joe: Sierra Muerte launches at #202 from IDW, selling 6.5K. This is in line with past GI Joe comics from the company, but this miniseries stands out due to art and story from Michel Fiffe. The creator of COPRA has a big cult audience, but I think it’s more likely to find it in trade.
Worth noting that the two James Bond books, 007 by Greg Pak and Origin by Jeff Parker, have leveled out to the exact same level. They’re at 210/211 selling 6.2K each. This is a good, restrained attempt at a franchise form Dynamite, so they might be learning – no more four alternate takes at the same time like they used to do with Shadow or Green Hornet.
Glenn: It also shows a pretty set fanbase for the property regardless of creators or direction so yeah, they’ll adjust accordingly.
Ray: At #214 selling 6.1K is Stronghold, the latest launch from Aftershock. This religious conspiracy thriller about an amnesiac God is by top creators Phil Hester and Ryan Kelly, but unless you’re an A-lister, good luck getting your Aftershock book to sell much. This company continues to puzzle me with their struggles, given the top names they get on board every month.
The two long-running all-ages books from Marvel continue to truck along despite rock-bottom sales, with Impossible Wasp #5 (in the middle of a critically acclaimed storyline about mental illness) selling 5.8K at #217 and Moon Girl and Devil Dinosaur selling 5.6K at #224. These are clearly selling elsewhere if they keep going, which makes me wonder – how long before Marvel outsources them whole to IDW?
Glenn: That seems to be the way it will go, IDW will likely be a more economical option who will be able to provide to the audience that are keeping these titles arou
Ray: It’s apparently 1995 again, as Lady Death: Apocalyptic Abyss sells 5.3K from Coffin Comics at #229. That’s two spots above Vampirella Valentine’s Day Special selling 5.1K from Dynamite. It’s not Zenoscope, but I think we should strike up the Rachel Bloom anyway.
Glenn: I think she’d be okay with it
Ray: Another Aftershock launch at #233, as Ryan Parrot’s fantasy comic Oberon sells 5.1K. This seems to be the range between established creators and less-known names at Aftershock. Shame, because both this month’s launches were strong.
We cover this every month and I have no intention of stopping. Avatar: Tsu-Tey’s Path, the spin-off from the most successful movie of all time, is now below 5K in sales, selling 4.9K at #236. *Nelson Muntz gif*
#239 randomly brings us 4.8K in reorders from Amazing Spider-Man #789. I’m not sure what this issue was, but maybe it’s just nostalgia for when this title was good?
Glenn: Its that or more excess stock shenanigans but that is rather high for that. Random.
Ray: The video game spin-off Anthem from Dark Horse sells 4.3K at #245. I believe this launched to tie in with the game’s launch, so maybe it doesn’t have the established audience yet to be a hit tie-in.
Glenn: I don’t think the game has been that well received either, these things are always a roll of the dice when companies like Dark Horse get into the licencing game.
Ray: Spider-Gwen #25 gets another 4.2K in reorders at #248. Another case of nostalgia for a bygone run, although Ghost Spider does seem to be getting a good reception.
I’m really puzzled by how low Hardcore is selling, landing at #249 selling 4.1K. That’s thrill spots below the final issue of the mediocre fantasy series Rose. Diggle’s a popular creator and it has Kirkman’s name on the cover, so I’m not sure what went wrong with this body-swapping action thriller.
Glenn: I think not having Kirkman’s direct involvement hurts it and Diggle has been struggling to recover since his Daredevil days which is a shame since he is a very good writer. These days he seems to be just getting gigs writing other people’s properties.
Ray: No real momentum for Peter Cannon Thunderbolt, as Kieron Gillen’s Watchmen pastiche sells 4.1K at #255 for its second issue. The writer alone should have been enough to get this to sell higher, but I guess the name didn’t ring enough bells for retailers to make the Watchmen connection. Watch for this one to be a sleeper in trade.
Glenn: Especially when you would think retailers could sub it in for those patiently waiting on Doomsday Clock. It clearly just didn’t get the press it needed and will def earn its way in trade.
Ray: A lot of regular low-selling books from Image, Dark Horse, and Dynamite here until we get to #266 where Naomi #1 sells an additional 3.6K copies. That shows some extra interest in Bendis and Walker’s original concept, but probably not enough to shift things dramatically for retailers. New concepts in the Big Two are a hard sell – ask Damage and Brimstone, if you can find them.
#268 brings us the launch of Battlestar Galactica: Twilight Command from Dynamite, selling 3.6K. This is one of their niche properties, appealing to a limited audience of die-hard fans.
It’s a double-dose of boobie comics! Robyn Hood: Outlaw launches at #271 with 3.5K, followed three spots later by the Grimm Fairy Tales Annual with 3.4K. You know what to do, Glenn!
Glenn: Most other months, these Zenescope books would have maybe scraped through, just shows how slow a month it is
Ray:  Lot of reorders down here, starting with 3.4K in reorders for the first issue of Conan the Barbarian at #275. The second also has 2.8K in reorders at #294. After that, there’s quite a few random reorders for issues of Detective Comics, Peter Parker: Spectacular Spider-Man, and Immortal Hulk.
Exciting Comics #1 from Antarctic Press launches with 3.3K in sales at #283. This seems to be a new shared universe starting with Sexy Lady Zorro in Red. ‘Kay.
Glenn: It didn’t seem to gather much excitement, how ironic
Ray: Speaking of sexy ladies, Zodiac #1 launches from Zenoscope at #285 with 3.2K in sales. This appears to be a high-fantasy set in the Arthurian age. Zenoscope always manages to surprise.
Glenn: How odd, retailers probably didn’t know what to make of it either
Ray: Barbie’s been a top toy franchise for over half a century, but I don’t know if she’s ever had a comic before. That changes this month as Barbie #1 launches from Papercutz by writer Sarah Kuhn. Kuhn is an acclaimed young adult author who is also writing the Cass Cain OGN for DC next year, but this only manages 2.9K at #293. This clearly isn’t one for the direct market.
Glenn: This one will definitely be making a boat load of money elsewhere cause its Barbie and there’s a reason she’s stuck around for this long and gets to have Margot Robbie play her.
Ray: 2.7K in reorders for Young Justice #1 at #299 as we exit the top 300. Lucky #300 book this month is Vampblade, from the world that brought us Zombie Tramp. Into the breach, Glenn…
Glenn: Vampblade sounds like a made up name for someone fan fiction character to feature in Buffy or somesuch. Given its in the same universe as Zombie Tramp, that could be on purpose.

Some reorders for the new Champions run which sells another 2.6+k at 302, doesn’t seem like retailers missed their estimate with first months orders but its better than nothing. I wouldn’t imagine this franchise to be surviving much longer and Young Avengers returning will probably be where it ends.
IDW’s Punks Not Dead: London Calling launches at 307 with sales over 2.3k despite a pretty decent premise. The names aren’t anything to write home about and its under IDW’s Black Crown label which always deliver subpar sales. I would assume since we continually get Black Crown books despite their single issue status, they’re performing well for the company elsewhere.
Ray: This is the second volume of Punk’s Not Dead, which essentially means the second arc. Retailers probably didn’t order this like a real premiere, so the super-low numbers make sense. IDW’s creator-owned market is rough as a whole, though.
Glenn: The first issue of BOOM’s new take on Buffy The Vampire Slayer gets reorders over 2.2k at 312. This again indicates retailers predicted this one pretty well but it seems to have stabelized a lot faster than Champions and will do good business once collection outside the direct market.
Likening itself to DC’s Elseworlds or Marvel What If’s, Aspen Visions Fathom: Spinning Our Fate are alternate takes on some of the companies better known characters. The sales over 2.1k at 315 indicate this is one for the most die hard of the already minimal audience the company has left.
Another video game tie-in at 317 in Crackdown which sells over 2k. The latest installment in this franchise has been much delayed and seems to have underwhelmed fans so this is no surprise.
Some reorders from Superior Spider-Man’s first issue at 322 with over 1.9k additional sales. Its not much but its nice to see still to have it get some attention even a few months after its debut.
The new BOOM series Avant-Guards seems to fall into Ray’s  ‘come on people’ category with the second issue delivering sales over 1.9k, it’ll do well once collected but it seems that all ages sports type stories don’t appeal.
RayAvant-Guards seems to be aimed as the same audience as their low-selling Giant Days, which sells a similar 1.8K this month but is past its fiftieth issue. It doesn’t even feel like Boom is playing in this market anymore aside from the Whedonverse – they make their money elsewhere. 
Glenn: Wrath Eternal Warrior from Valient seems to be something in the vein of Marvels True Believers where its an old comic charged for $1, it doesn’t entice people despite this only selling over 1.9k at 324. I would say more people will be willing to check out a new creative direction than a random throwback issue where Valient is concerned.
A fantasy comic from Scout, Wulfborne catches little interest at 326 with sales over 1.9k, pretty standard for the company really.
Ray: This was described by the solicitations as Adventure Time meets Hellboy with elements of Greek Myth, which is certainly a unique combo. Scout tends to struggle unless it has murderous bunnies.
Glenn:  A collection of old Archie Comics titled Archie & Friends Music Jam sells over 1.9k at 327, this type of stuff from Archie doesn’t depend on the direct market at all so its moot really.
Some reorders for White Widow from Red Giant which picks up over 1.8k additional sales at 332, whether its genuine interest or retailers thinking they missed out on the Black Widow/White Rabbit series the market desperately needs it is good news for such a small company to get any reorders.
WW2 era comics Devils from Antartic Press sells over 1.8k at 336, pretty much what you can expect from a small publisher with two unknown creators.
There’s a comic at 338 but given the creator involved and a recent soliciation they’ve made, I’m choosing to ignore it cause its our article and if I want to ignore someone, I can.
Ray: Yeah, that dude’s random gags are a lot less funny all of a sudden.
Glenn: Lots of reorders and small selling indie books until we get to 352 which is Trump Titans Vs. The End which sells over 1.6k. I have a comic I wrote called Sparks: The Way I Was, please go buy it so it sells more that this.
Ray: I will endorse the call to buy more Sparks.
Glenn: Sweetie which sells over 1.5k from Action Lab at 361 and Honor and Cave from Mad Lab (?!??!?!) at 365 selling over 1.4k are two more small press creator owned books struggling to find an audience in an overstuffed market.
Ray: I think Sweetie at least deserves more attention – it’s an oddball martial arts comedy about a kid obsessed with fighting who becomes a vigilante. Like Hit-Girl if it was fun.
Glenn: Theshold Allure from Avatar is a first issue ‘nude’ which means I’m not going to google it, it sells over 1.3k at 368. Its priced at 7.99 and I’m pretty sure there’s certain magazines out there that are a lot cheaper that have you know…real woman in them that would be better sellers.
Randomly at 369 is Generations Spider-Man with Marvel throwing out over 1.3k copies of the book to random retailers to get rid of leftovers. Anyone remember Generations? Nope, me either. There’s a lot of Marvel stock shifting around here that they think no one is crazy to look for down this low. WE’RE ONTO YOU MARVEL!
Ray: Generations: Spider-Man was the most important of the Generations one-shots, with a Peter/Miles team-up that has shades of Spider-Verse. So there might be a little real interest there unlike so many of the reorders.
Glenn: The Amazing World Of Gumball from Kaboom which is based on a cartoon that is apparently something that exists sells over 1.3 at 370. This has some notable creators involved but again, this one isn’t for your local LCS but since its 7.99 I don’t see many parents being eager to buy it for their kid that watches whatever this is instead of watching She-Ra or Gravity Falls or Avatar (the good one) or…
Weird sounding God Of Bad Men from Amigo Comics (?!?!?!??!?!) sells over 1.1k at 386, they’re probably just happy to be here.
The non nude version of Theshold Allure shows up at 391 selling over 1.1k. Its priced at 5.99 making it 2 dollars cheaper than the nudey one. By Grabthar’s hammer, what a savings.
The excess stock shifting gets weird at 401 with Cage from Marvel, I’m not sure if this is the MAX series from back in the day or the mini from Samurai Jack creator Genndy Tartakovsky but either way…wha? It had over 1k Marvel leaded to unload to some poor confused comic retailers. Yes we’re at 1k at just over 400 on the chart, no YOU need help/
Ray: I believe this is the recent Tartakovsky miniseries, which was out of continuity. This is very clearly a dumping-grounds month.
Glenn: Silver Sprocket (?!?!?!?!!?) releases Magical Beatdown which seems to be Sailor Moon meets Sin City which sells 996. Reads very much like for a specialist audience who likely got it through other means.
Ray: I believe Silver Sprocket puts out oversized comics done in an indie/zine style. I’ve never read one of them, but they’re trying something new and I’m glad they’re building a bit of an audience. That’s the rare bright spot of digging down here – seeing some small companies crawl their way up.
Glenn: Cave Pictures (?!?!?!?) releases George MacDonalds Light Princess at 429 which sells 921 copies. This is apparently some old Scottish Fairy Tale written/adapted by Meredith Finch. With her name attached I thought it might have managed to crack four figures but there you go…
I swear I’m not making these up, Cavewoman, A Wizard, A Sorceress and Meriem from Amryl (?!?!?!?!?!?!?!) sells 909 copies. The company also releases Cavewoman Razor’s Run at 447 selling 861 copies so I guess this is some sort of shared universe? I’m tired.
Ray: The SexyCaveLadyVerse. Not to be confused with the SexyFairyTaleLadyVerse.
Glenn:  So much stock dumping down here. SO MUCH!
Ray:  The stock dumping is REALLY bizarre this month. Random issues of Weapon X or Hydra Cap, crossovers from two years ago like Venomverse, low-selling comics like America. All getting about 800 to 900 additional orders out of nowhere. Some other books get reorders like Flash, but they’re current and make a bit of sense. Marvel is a puzzle. 

There’s even 752 reorders for Uncanny X-Men 3D at #472. That’s a reorder of a reprint from almost thirty years ago!
A rare new comic – of sorts – at #475, with American Mythology Archives: Three Stooges #1 selling 738 copies. I believe this is a reprint of their first Three Stooges comic, which apparently has an audience. Are they going to crossover with Bettie Page at Dynamite next?
We get a few indie reorders down here too, including Ogre #1 selling an additional 705 copies at #482.
It’s almost entirely Marvel reorders here with a few oddball comics like Belladonna: Fire and Fury, but the #500 comic amuses me – it’s a reorder of a True Believers reprint as Conan: Secret of Skull River clocks in at 629 extra copies. So ends the oddest month we’ve had on this column since we moved to a top 500.
Glenn: I think it nearly broke us but we made it!
Ray:  After an uneventful month, next month is likely to blow the doors off with a huge #1 comic – both in size and numbers. We saw the ridiculous performance of Action Comics #1000. Can Detective Comics #1000 beat it? We’ll see. DC also has the final new Wonder Comics launch in Dial H for Hero, the likely six-figure selling The Grim Knight one-shot, and a new issue of Doomsday Clock. Good chance DC takes the top three next month with ease.
Marvel is holding its powder for a month with War of the Realms slated to bow in April and dominate the field. They do have quite a few launches, including the return of their newest hit character in Cosmic Ghost Rider Destroys Marvel History, the alien infiltration comic Meet the Skrulls, the return of Gail Simone with Domino: Hotshots, and a new Star Wars miniseries in Darth Vader: Dark Visions. Ms. Marvel also relaunches with a new #1 and writer, Conan’s partner Belit gets her own miniseries, and two promising new Spider-Man miniseries launch – including Chip Zdarsky’s Spider-Man: Life Story.
Over in indieland, Mags Visaggio and G. Willow Wilson both launch new comics from Dark Horse. New Image launches like Assassination Nation and Little Bird debut, and we get the return of Lazarus from Greg Rucka and Michael Lark.
What will rise? What will fall? Just how much will Detective Comics crush the competition? Find out next time on By the Numbers!
Liked what you read? Let us know and ask any questions here or on Twitter @glenn_matchett and @raygoldfield

By The Numbers: January 2019

Like in any industry, comic books and their companies listen most to one thing and that’s your money! What does your money tell them? What does it tell us as fans? What series do people say they adore but can’t seem to catch a break and what books to people hate that sell out? What are the trends? What looks good? What looks rough?

All these questions and more will be answered here, every month in ‘By The Numbers’ by comic writers, editors and fans, Glenn Matchett and Ray Goldfield.

Glenn Matchett is a comic writer and editor. He’s worked in the industry for 6 years but grew up reading comics. He’s had work published with Outre Press, Alterna Comics and Nemesis Studios. If you think Glenn’s an okay dude please check out his new one shot Sparks: The Way I Was on Comixology here!

Ray Goldfield is a fan of comic books for going on 25 years, starting with the death of Superman. He is a writer and editor and has released his first novel. Ray also does a weekly roundup of DC comic reviews for website Geekdad and they’re brilliantly entertaining.  Thinking that Glenn is indeed an okay dude, Ray also wants people in the UK to know they can buy Sparks: The Way I Was here!

We also do a podcast together with longtime buddy, Brandon James on iTunes with Rabbitt Stew or at the link here! Don’t ask, I didn’t pick the name. If you’d like to hear what me and Ray sound like, give it a listen!

Top 300 in full available here!

Glenn:  Welcome to the first sales chart for January 2019 fellow comic fans!  Its very late this month and I’m sure you’re all bursting with curiosity to find out what exactly is going on in the first month of the year sales wise so lets get groovin’.

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The top selling book of the month is the same book that was top last month in the hugely successful Batman Who Laughs mini which sells over 116.8k which is insanely great.  Its no surprise that DC is doubling down and giving the character his own book in the coming months given how much of a life he’s taken on after Metal. I could see the title continue to deliver 6 figures or close to that for the rest of the run.  Normally that would guarantee a top 5 spot or top ten at least but War Of The Realms is coming with its gazillion tie-ins so its unclear how that will mess up the charts during its duration.  Of course, good sales (or great sales) are still the same regardless of chart placement.

Ray: I think a good amount of this is the creative team. This being Snyder’s final main-line Batman story for the time being, aside from the future-set Last Knight on Earth, it’s driving a lot of sales. But the character obviously has an enormous fanbase as well and there’s a good chance it’ll stay above 100K for the entire run. The character is probably the biggest hit new character since Spider-Gwen, and I think DC will be a lot more careful with managing their rollout.
Glenn: Agreed, its unlikely we’ll see much of the character outside of the use of Snyder and Tynion and they seem to be hinting at an end game plan for him.
I’m hugely surprised by the numbers behind the newest Captain Marvel launch at 2 with sales over 111.3k.  First instinct is that I shouldn’t be given the movie is coming and Kelly Thompson is writing but Marvel hasn’t been treating poor Carol particularly well while they’ve been killing time waiting for the movie to hit.  Multiple relaunches, iffy creative and whatever Civil War II was has not been kind but despite all of that, we get a great launch for the book.  I think this is huge testiment to Kelly Thompson and the faith that retailers have in the potential crossover market from the Marvel movies.  Where it goes from here is unclear it could really go anywhere between the 40-20k range and the closer to the former number would be preferable and is definitely possible with this creative team.  We’ll see.
Ray:  This is far and away the best we’ve ever seen a Captain Marvel book do. That’s a sort of black swan combining the movie, the character’s extended push from Marvel, and a writer whose stock is rising VERY fast and people have wanted to see take the character on for a long time. Given how Marvel books usually do, I’m expecting a steep drop for issue #2, but I think it’ll level out quickly. Marvel should hope for a similar trajectory to Coates’ Black Panther here. 
Glenn:  Another megawatt creative team on a property that has been languishing, Donny Cates and Geoff Shaw come to the Guardians to reinvent the team which is good for sales over 104.9k at 3.  Its astonishing to continually see how essential Cates continues to be to Marvel in very quick fashion.  Given the stand out character he co-created in Cosmic Ghost Rider is here and how his Venom run has gained huge momentum this could settle in the 50-60k range which would make it one of Marvel’s top ongoings and miles ahead from where the title was previously.
Ray: The previous run struggled in sales and ended with the interminable (still technically not over!) Infinity Wars event, so this feels like a return to form for the property. The addition of Cates and Cosmic Ghost Rider probably makes up for the loss of 3/5th of the movie team (especially Rocket!). I think it’ll drop hard with the second issue, but stay well above the 20K range of the last run’s final regular issues. They’re hoping for a performance like Venom, no doubt, and I think it’ll be a little short of that.
Glenn:  Another Marvel launch, another megawhat team but this time its a new property…or at least new to Marvel for the first time in a while in Conan The Barbarian.  They’ve placed (arguably) their top writer on it in Jason Aaron and been hyping it to death which  is enough to get it the 4th spot in the charts with sales over 100.9k which is phenomenal for the title given how it performed at Dark Horse.  However the second issue also charts this month at 46 with sales over 37.9k.  Quite a drop in the same month but of course still much better than what it was doing previously.  This isn’t like Star Wars that took 5 years to settle down at the 40kish range, Conan is a much more niche title so it’ll have different expectations.  If can stay around this level, it’ll be great but we’re getting a flood of Conan in the months to come from Marvel including a second ongoing, a mini and him on an Avengers team (?!?!??!?!).  That’s a lot of Conan to thrust on the market, whether it’ll have an impact on the main book or not is hard to tell.  Marvel is being Marvel and doing the most they can with a property in their roster, whether it will benefit them long term or not is hard to tell.
Ray: Amazing debut, but pretty standard second issue for Conan. For a Conan title this is just fine and should level out quickly based on Aaron’s name. But I would say this should worry Marvel a lot about all those spinoffs. I could see several of them crashing hard, especially the secondary book (which might be an anthology given the quick creative team change) and the Belit miniseries. But Savage Avengers will do fine – it’s as much a Venom and Wolverine title as a Conan one.
Glenn: I forgot about Venom being a part of the Savage Avengers.  It’ll be interesting to see how he fares as a sales factor without Cates and I’m sure Marvel are curious too.
Amazing Spider-Man continues to be an oddity in the charts, it places 5 this month and is the highest selling existing ongoing with sales over 91.6k for issue 14 which is phenomenal but then issue 13 is lower at…well 13 with sales over 66.3k and a 30k difference in sales is…weird.  I’d maybe be more understanding if 14 is the start of the much hyped ‘Hunted’ story line but it isn’t.  I don’t know what to make of the book at the moment…in more ways than one.
Ray: There’s been a lot of weird fluctuations with this title, jumping a lot for no apparent reason. I’m guessing it’s incentive covers. But the title’s regular issues keep dropping, now down to the mid-60K range. Hunted could be a mixed bag – while it’s an event of sorts, it also turns the title into a weekly for all practical purposes and could speed up the shedding of sales.
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Glenn: Its also odd to see a return of the oddly numbered ‘point’ issues which are a thing that never took off for Marvel despite them really, really wanting them too.  The tie ins run the risk of performing poorly and further diluting Amazing’s brand.
What does make sense is Batman which continues its slow decrease and comes ever closer to the rest of the charts in terms of numbers.  At 6 and 7 it sells over 90.6k and 83.6k respectfully.  Crossover with the Flash title in ‘The Price’ might see a boost back up but we’ll probably not see a continual increase in sales until the ‘Knightmare’ story is ever.  The following story which seems to feature the Batman version of Thomas Wayne in it will be enough to spice things up again sales wise.  It could be though with War Of The Realms that Batman might lose its long steady top ten position.
Ray: Bigger than usual mid-month drop for Batman, with no obvious reason except that #62 is a Mitch Gerads guest issue. The artist behind Mister Miracle may have given it a bounce. But next month’s crossover should be big and the return of Thomas Wayne Batman to the series in May will give it a boost.
Glenn:  Two issues of Heroes In Crisis this month at 8 and 9 meaning we get four Tom King titles in a row.  The issues sell over 82.1k and 79k so the difference in sales in minimal.  If this was a story about mental health in the super hero community I’d say it would be a big hit but as a big crossover which is meant to have major ramifications for the DC universe, its sub par.  We’ll not be seeing a Batman Who Laughs success story out of this one.
Ray:  It’s interesting – Heroes in Crisis started a lot lower than anyone expected, but attrition has been very good, almost on the level of Doomsday Clock. I think DC’s recent decision to keep events mostly centered in the main miniseries with minimal tie-ins has kept those books high – the core mini feels essential and there’s not a big buy-in.
Glenn: As opposed for $120 worth of War Of The Realms in May, oy.
At 10 is the launch of new Spider-Man title, Friendly Neighbourhood by Tom Taylor which sells over 78k.  The first volume of this title sold over 100k when it debuted and that was when there were already two other Spider-Man titles but Amazing wasn’t bi-weekly in those days and it was tying into the much hyped ‘The Other’ story.  Given how todays market book and ‘b’ titles will always have a ceiling, this is probably a bit better than expected.  The second issue is on the charts too selling over 32.4k at 63 2 which again seems about right.  Given how good the title is I’m hoping it can climb up some numbers over the coming months.  There’s a lot of Spider-Man out there at the moment with Amazing twice a month (plus all the Hunted tie ins), Spider-Gwen, Miles book and Otto’s book so it has to really fight to keep its place.  I hope it can manage it.

Ray:  I expected a bigger debut for Friendly, and I definitely think retailers missed the boat on that second issue. The Slott-esque tone has scratched the itch a lot of people had since #801 and reviews have been fantastic. This feels like it’ll be Tom Taylor’s breakout book and keep stable and growing if they don’t undercut it like they did with X-Men Red

A healthy debut for Wonder Comics at #11, as Young Justice #1 sells just under 74K. This is obviously a comparably great debut to what Teen Titans has been doing for the longest time, and the creative team of Bendis and Gleason is heavy-duty. But three of these characters have been gone for years – seven years is an eternity in comic time – and the DCU teen zone has been a disaster for a while. Still, it’s starting in a very good place to essentially take over for TT as the flagship young-heroes book. The line as a whole? Much less certain, and more on that lay-tor.
Glenn: I would have thought Young Justice has a top ten spot locked down but its not far off and as you indicate there’s a lot of baggage here to try to overcome.  If it can settle around the 50k mark (not that difficult I think) it’ll be grand.  Clearly Bendis has a lot of passion for the book so DC will get it to work regardless.
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Ray:  As usual, this is the part of the charts where we see long-running hit titles that have settled into their sales groove. There’s no new titles between #12 and #26, selling in the 67K to 50K range. The books up here are Fantastic Four, Amazing Spider-Man, Justice League, Venom, Return of Wolverine, The Green Lantern (firmly locking down here for the third month), Uncanny X-Men, Detective Comics, Superman, and Avengers. An odd mix, but this is the new comics A-list under Batman.
Glenn: These are the big two’s heavy hitters for sure.  Most of them will likely remain around this level in the months to come in, Venom may go up or down with War Of The Realms which loses Cates/Stegman but gets a nice shiny event crossover.  Its all a bit unpredictable.
Ray:  Uncanny X-Men in particular seems to have stabilized impressively, landing three issues in the top thirty and its annual selling #41K at #36. This new direction may be working, but we’ll see how it does when Rosenberg takes over as solo writer and the book goes biweekly.
At #27 is Web of Venom Unleashed, a one-shot written by series artist Ryan Stegman selling 47K. About 10K lower than the main series without Cates, but given that this was an issue about dog-Venom fighting giant spiders, I think we can safely say Venom is a franchise now.
Glenn: For sure and Marvel is now confident enough to give us one of these one shots without either of the main title’s creators.  As I alluded to above, with Venom’s placement on the Savage Avenger’s, its all gentle testing of the market by the company to see how much they can get out of the hit handed to them by Cates and Stegman.  This one shot didn’t read as an essential piece of Venom’s gooey puzzle so these numbers are great.
Ray:  The Justice League annual comes in at #28, selling 47K. That’s a good 13K lower than the main series, so retailers might have missed the boat given that this was the conclusion of the main story of the first arc. Expect some reorders here.
Glenn: I’m surprised given it was the writer(s) of the main series.  Perhaps there was some misunderstanding over who was producing this and what it was?  Reorders aplenty for sure.
Ray:  It’s almost unheard of to see Walking Dead this far down, but it clocks in at #30 selling 46K. It’s been a while since a big event to goose the sales, so we’ve seen some real attrition here. But as #200 approaches, we’ll see those sales climb again.
Glenn: With everything else in the market up in the air, Walking Dead can afford to bide its time.  A new character or story is enough to have it back on top.  No concerns here even though this is the lowest placement its done in years.
Ray:  Shazam holds pretty well for its second issue, selling 43K at #34. I’m not sure if it’s settled down fully yet, but if it holds around here that’s a definite win for a character who hasn’t had an ongoing series in what, twenty years? The power of Johns!
Glenn: I don’t see many other creators being able to do much better with the franchise.  We’ll see if the film helps any…likely not but hey you never know.
Ray:  #35 brings us the Age of X-Man: Alpha one-shot, which is leading into an alternate reality mini-event featuring the X-Men trapped in an odd mutant utopia. It sells 42K, which probably indicates middling sales for the upcoming six miniseries set in this world.
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Glenn: There seems to be a lot of odd mutant utopias.  Middling indifference has been the tale of the tape for X-Men for years so no big surprise.
Ray:  This is where we see the second wave of successful long-running books settle down, selling in the 45K-35K range. They include Thor, Action Comics, Flash, Star Wars (and most of the Age of Republic specials), Captain America, Immortal Hulk, Wonder Woman, Justice League Dark, and Catwoman. All of these books have secured themselves around the top fifty despite some tough competition.
Superior Spider-Man looks like it’s a hit for Marvel, with its second issue coming in at #47 and selling 37K. Otto is another character that’s become a real sleeper hit for Marvel in recent years, mainly thanks to Slott’s work. He also keeps his lead over Miles, who has the second issue of his new series at #57 selling just under 34K.
Glenn:  I guess we’ll see Otto break out in the next Spider-Verse movie perhaps?
Ray:  #48 brings the debut of Chip Zdarsky’s Invaders, selling 36K. That’s a pretty rough start for a book featuring Captain America and Winter Soldier, but the brand name doesn’t have much pull. Given the good reviews, this is one with potential to grow.
Glenn: Its the Invaders so it can only do so well but this has a lot of potential for a steady hold on where it is.  Despite being a great writer, Zdarskey doesn’t pull in big sales but delivers on consistency in his audience.
Ray:  The epilogue to Infinity Wars, simply titled “Infinity“, lands at #53 selling 35K. I thought this series already had an epilogue! This one leads into Wolverine: Infinity Watch, launching next month. They truly are the Infinity Stones!
Glenn: I have a feeling we’ll never stop talking about this.  I get wanting to have something to do with Infinity out there for Endgame coming but I feel burnt out by this event and I’m not even reading it
Ray:  In terms of a series having a rough debut this month, few were rougher than Black Widow, landing at #59 and selling 33K. Even Waid and Samnee couldn’t make the character a solo hit, but they at least launched at a healthy level. This new book by the Soska Sisters is likely to be eight and done.
Glenn: Kudos to Marvel for keep trying despite continually failing to make a thing work.  Maybe like Captain Marvel, Natasha will get her time to shine when Kelly Thompson writes her for a new relaunch in time for her own movie.
Ray:  Marvel had to kill time in the gap month for Chip Zdarsky’s Daredevil launch. The Jed McKay-penned “Man Without Fear” miniseries focusing on a broken Matt Murdock pushing away all his friends and allies didn’t connect with retailers, as the weekly makes its debut at #62, selling 33K. The other four issues sink further, landing at #75, 79, 80, 81. They’re selling about 26K by the end, and Zdarsky’s first issue of Daredevil should easily triple that next month.
Glenn: Oh man, what a waste of time this was.  Couldn’t they…just have not had a Daredevil book?  It reminds me of after Diggle’s run, they had a mini ‘Daredevil: Reborn‘ that was promptly pushed off a cliff when Waid came on the book.  Seems like history repeating itself except at least back then it served as somewhat of a wrap to Diggle’s run.  This was just putting it out there for the sake of it and the market responded appropriately.
Ray:  The Star Wars: Age of Republic Special sells well below the other issues of this mini-event, landing at #67 with sales of 31K. This is an anthology issue (that featured a Jar-Jar story for some reason), so the lower sales are probably to be expected.
Glenn: Unless it featured the death of Jar-Jar, I’m not surprised.
Ray:  A puzzling debut for Buffy the Vampire Slayer #1 from Boom, landing at #70 with sales of 31K. I would have expected a lot more for Boom’s biggest license ever – this is less than half of what their Mighty Morphin’ Power Rangers title launched at – especially given the top creative team. Maybe it’s because the Dark Horse Buffy comic has only been gone for a few months and really lost most of its momentum by the end? Watch for this one to pick up steam.
Glenn:  I’m really surprised by this one.  I really expected more but there has been a lot of baggage coming in with the Dark Horse tenure plus people might be put off by the reboot.  I hope people give this a chance.
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Ray:  Another rough relaunch at #71, as the first issue of the relaunched Champions only sells 30K. An expanded roster didn’t do much to revitalize this title, which never took off under Waid. I expect we’ll be seeing it replaced by a Young Avengers relaunch within a year.
Glenn: Another book that seems to have had high hopes placed in it and it lands with a hard thud on its latest relaunch.  A disturbing trend for Marvel.
Ray:  Marvel Comics Presents, an anthology title including a new Wolverine story by Charles Soule, lands at #72 with sales of 30K. I don’t think there’s much of a market for regular anthologies anymore, so this isn’t a big surprise.
Glenn: Maybe they thought they could get some regular income based on the fact that the DC ones do well?  Its fine for what it is but I don’t think it’ll last past 12 issues given the trend behind falls in Marvel books with a singular narrative people can latch onto.  Creators like Soule can only do so much with limited space for their stories.
Ray:  Supergirl seems to have stabilized and increased this month, landing at #73 with sales of 29K. That’s up 8K from last month’s anniversary issue, which is similar to what the title did under Orlando and Houser for a while.
Glenn: Well it got some extra sales for a few months so…yay?  Nothing ventured and all that, at least DC didn’t bombard us with a pointless relaunch of the books number
Ray:  Martian Manhunter keeps about 2/3rds of its first issue sales and lands at #82 this month, selling 26K. That’s okay for a Martian Manhunter title, but lightning doesn’t seem to have struck twice like it did with Mister Miracle. If this can stay above 20K for most of its run, it’ll be considered a modest hit.
Glenn: It might climb up like Miracle did but I don’t think this one has the same awe behind it.  Around this level will probably be about right and it might catch fire (no pun intended) in sales as a decent offering to DC’s all powerful library
Ray:  A bizarre, shockingly low debut for the second Wonder Comics title, Naomi, written by Bendis and David Walker and drawn by Jamal Campbell. The story of an original young character with ties to a big DC mystery, this was never going to be the big hit Young Justice was – but I think everyone expected it to sell more than a Jinxworld title normally would. This is puzzling, and indicates that Bendis’ name definitely isn’t what it used to be. I do think this could pick up steam as the mystery reveals itself, but it’s now been downgraded to a six-issue “first season” and we’ll see what happens from there.

Glenn: The trouble is that new characters without a connection to another established character are a hard sell.  New characters who we’re told little to nothing about is a harder sell.  I get why the need for secrecy but retailers can tell their customers what they’re buying if they don’t know themselves.  I think Wonder Twins and Dial H might launch a bit better than this because they’re known properties, Naomi is a completely unknown factor and in today’s market that’s not something retailers will want to gamble on.  Stales might have stabilized or improved but if DC is cutting it short, it’ll be left to squander most likely.

Firefly is holding its own at 90 with sales over 25k so this is going to definitely be one of Boom’s biggest successes.

Ray: Based on typical second-issue attrition, Firefly might wind up a higher seller overall than Buffy. No one saw that coming.
Glenn:  At 96 I think is a first, a launch of a comic adaption of a podcast in the case of Wolverine: Long Night which sells over 23.5k.  I’m not sure how big the podcast was (must have done well since they’re doing another) so this will be for people that aren’t into that kind of thing or people looking to double dip.  On the surface it might be a bit low for a Wolverine book but since its place in continuity is unclear and its been readily available through another medium, if you compare this to say…the MCU preludes it favours quite well.
Ray: Yeah, this is a very odd duck. I didn’t even know a Wolverine podcast was a thing, so I image that most retailers just treated it like a throwaway Wolverine mini and his sales star has fallen a lot. Given the audience for podcasts might be a bit more geared towards bookstores, this feels like it’ll make a nice OGN and sell a lot there.
Glenn:  101 brings us Fight Club 3 which sells over 21.7 which is a strong launch for Dark Horse these days.  The last chapter in this was a big hit for Dark Horse so another one was a no brainer, from what I hear though, Fight Club 2 was a bit of an odd one so there is some diminishing returns likely thanks to that but this is still a strong performance for Dark Horse since its only beaten by the juggernaut franchise of Stranger Things.
Ray:  It’s a decent first-issue number, but well below what the previous installment did. This dropped with very little fanfare, and there’s rumors that Chuck Palahniuk had to write this to make money after he was swindled out of a lot of money. I think this one is likely to fly under the radar.
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Glenn:  Much lauded title Criminal returns after several years away to launch at over 20.3k at 105 which is pretty in line with how Brubaker books tend to do.  The audience here seems to be as loyal as ever and Brubaker is one of those creators that you can set your clock by in terms in what his properties deliver sales wise.  No big surprises but still a strong and consistent output which is likely more important long term.
Ray: Retailers clearly didn’t treat this like a new #1, instead ordering it on the level of whatever they order for Brubaker/Phillips’ regular projects. That means it’ll almost definitely settle down very close to this level.
Glenn:  At 106 is the Teen Titans annual which sells over 20.3k also which is about 4k below the main title.  Pretty much in line with where Teen Titans has been as a franchise for well over ten years and how close DC annuals tend to sell to their main title.  No surprises again.
I am surprised at the sales of Crypt Of Shadows which is one of Marvel’s odd renewals of very old comics to celebrate an anniversary of some sort.  This horror title sells over 20.2 at 107 which is pretty good considering this is a franchise I’ve never heard of before.  Apart from superheroes, horror seems to be the safest bet in terms of getting readers attention so it makes sense that this is the best performing of these odd books.
Ray: This is the first of these oddball one-issue relaunches, which is a similar stunt to what DC did during their Blackest Night event. I think Ewing’s name was probably the main draw here, as well as the fact that this was a single full-issue story rather than an anthology.
Glenn:  Latest Image juggernaut Die‘s second issue settles at over 18.5k at 115 which is a great performance that puts it among on of Image’s upper tier performers.  Given that the first issue has gone into multiple performers and reviews have been very generous, I would say this is where the sales number will stay…or mabe go up over time.
Ray: Die, like Gideon Falls, has fantastic creative reception and a top creative team. That’ll likely lock it down as one of Image’s top books long-term.
Glenn:  Also in its second issue at 116 is Winter Soldier which sells over 18.5k which is pretty good for a Marvel mini.  The character did of course used to have a much higher profile but that was many years ago, this number makes sense after how he’s been handled for a decade or so even if the character in theory should be able to pull in much higher sales.
Sharp drop for Mark Millar’s Prodigy which loses nearly 20k this month landing it at 121 selling over 17.7k.  Perhaps these Netflix comics are getting more initial hype than demand warrants and that’s the reason for the big drop.  Of course, 17kish is grand for an Image mini but it’ll be interesting to see if Millar’s other Netflix comic projects follow a similar pattern.
At 122 is yet another second issue in the form of Spawn Kills Everyone Too which lands at over 17.5 which is very good for a wtf title that’s done for the lolz.  TTFN.
Second issue of Ironheart is less encouraging in terms of an ongoing for a character Marvel seems invested in.  If it can settle at sales over 17.5k which places it at 123 in this months charts it can probably have a decent shelf life but no doubt we’ll have another relaunch before so long to shake up what it can actually be capable of.
Ray: That’s not a bad second-issue slide for Ironheart, but it’ll need to hold close to this level or find a secondary audience in digital and trade if it wants to survive.
Glenn:  This months True Believers theme is Conan with the highest selling of them at 125 with sales over 17.2k which again is free money for Marvel, especially since this is reprinting stuff they likely never thought they’d bother putting out there again.
Ray: Old Conan comics were never going to have the pull of classic Marvel books. For $1 promotional issues, this is pretty good, but the sales of the new Conan series is due to the creators rather than the character. Most of them are much further down, around the #190-210 range selling close to 9K. Still, largely free money.
Glenn:  A new reprint anthology, Marvel Tales launches at 131 with sales over 16.5k which is essentially like Marvel putting out an oversized True Believers issue and charging 7.99 for it.  I’m not sure if sales will remain up here but this is a ridiculously good number for reprinted material at this price.  Kudos to Slott for making the Fantastic Four a thing again.
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Ray: I never fail to be amazed by how many ways Marvel can sell people old comics.
Glenn:  TMNT: Shredder In Hell launches at 132 with sales over 16.5k which is better than the average Turtles comic that IDW puts out. I’m not sure what the difference is here so the resident turtles expert in Ray will likely be able to fill in the blanks here.
Ray: Yeah, this is close to double what this month’s issue of the main series did. This is also Shredder’s first major appearance in almost four years in this continuity, so we’re talking about a real event here for the fans. Great number. Alas, the second issue is rather delayed due to the writer/artist’s very detailed process.
Glenn:  Next random Marvel one shot for their anniversary is Journey Into Unknown Worlds which sells over 16.5k at 133 which again is pretty good for something that is not to do with anything particular and based off a long defunct franchise.  Not too far behind is War Is Hell which sells over 15.3k at 139 which is still pretty good.  I thought maybe a war book might have had the advantage given Marvel’s history with the genre in Howling Commandos and such but these are so close together its not really too much to take a glance at.  Retailers likely didn’t know what to do so ordered the majority of these in close numbers and called it a day.
Ray:  Journey into Unknown Worlds is a sci-fi/horror issue with two stories by Cullen Bunn and Clay McLeod Chapman, while War is Hell had stories by Howard Chaykin and Philip Kennedy Johnson, and both lacked the buzz of Crypt of Shadows. I think this will be the level that most of these one-shots find next month too. 
Glenn:  More Marvel Tales with Venom this time which sells over 15.2k at 140.  I’m surprised this didn’t do better given how hot Venom is at the moment and only a few months ago, a $1 reprint of Amazing 300 did ridiculous numbers.
The second issue of Freedom Fighters is at 147 with with sales over 14k so a fall of about 9k from launch.  Not too bad given its for a third tier property and a book that is isolated from everything else.  Should be good for a respectful performance for its 12 issue run.
Massive reorder for the first issue of Batman Who Laughs at over 14k more sales at 148.  The laughter here is DC finance.
Ray: That’s a pretty spectacular reorder number, closer to what we saw for Rebirth and Action #1000 than anything recently. This is a genuine megahit.
Glenn:  In recent months there’s been an odd trend of new takes on Oliver Twist and there’s another one in Oliver from Image at 152 which sells over 13.6k.  This one is from a Hollywood screen writer and popular artist Derick Robinson so its no surprise it likely did better than the others.  There should be enough residual support next issue to get this to where the creative team need it to go long term.
Ray: Yeah, this is an upper-middle debut for Image and definitely a bigger hit than the recent Olivia Twist from Dark Horse/Berger Books.
Glenn:  At 154 is Uncanny X-Men 3D which is Marvel getting in on that hot 3D streak Avatar (the crap one) made hot like 10 years ago.  Charging 7.99 to give people a headache while they read a comic from the past is a gamble but its good enough for sales over 13.4k.  Now it seems like Marvel is trying to figure out new ways to earn more from comics they already made money off, I guess it is the house of ideas.
Ray: 3D comics. Yep. Man, it sure is great here in 1993. I can’t wait to see Jurassic Park.
Glenn:  At 166 is Alien: Resistance, the latest Dark Horse Alien mini which come along as regular as your local public transport.  It sells over 11.7k which is pretty much the norm.  This is one of Dark Horse’s bread and butter franchises that they’re hoping Marvel doesn’t take a liking to.

Ray:  This is also a new comic by Brian Wood, who’s…controversial right now and only seems to work for Dark Horse. 

The latest DC Anthology, Mysteries of Love in Space, debuts at #168 with sales of 11.7K. This didn’t have the megawatt names of previous installments, but it did have James Tynion doing love on Apokalips and Saladin Ahmed making his DC debut on a Bizarro story. Given that it was sort of an oddball one, I think these numbers are pretty good for a $10 comic.
Glenn: Agreed, the anthologies are continuing and getting weirder as they go so clearly DC is happy.
Ray:  Now it’s time for some oddballs! At #174 selling 10.5K is “The Shape of Elvira“, a Dynamite spin-off mini about Elvira falling in love with the Creature from the Black Lagoon. If this franchise is sending up Oscar winners now, should we expect a miniseries about Elvira driving Blackula down south next year?
Glenn: We can only dream of such a book.  This is a pretty good number for a joke title.
Ray:  Archie’s latest entry into the horror world comes in at #175, with Blossoms 666. Cullen Bunn and Laura Braga’s miniseries sells 10.5K, probably on the strength of the creative team rather than a concept of C-list Archie supporting cast as the antichrists.
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Glenn: Its a Bunn horror book so I thought it would have done better but like you said, maybe its his name that got it to 10k in the first place.  Archie is in a very weird place as a company at the moment but clearly these random alt universe books are working.
Ray:  At #193 is a lower-selling Image book, Gunning for Hits by British music veteran Jeff Rougvie and veteran DC artist Moritat. It sells 9.7K and wasn’t helped by its bizarre concept (a music agent turned assassin) and some controversy over antisemitic imagery in one segment.
Glenn: Very odd concept but also perhaps too close to the much more high profile book that Bendis is doing for DC in Cover.  With the controversy, the sales will likely take a big hit next month.
Ray:  Hey, remember when James Cameron’s Avatar was the top-grossing movie of all time for over five years, a record it still holds worldwide? Surely that franchise has left such a huge cultural footprint that the first official comic book spin-off launching would create a huge – oh. #198, 9.6K. Womp womp.
Glenn: I forgot about Avatar 5 seconds after seeing it, it seems most people did the same.  Needs more Prince Zuko clearly.
Ray:  The latest IDW Star Trek miniseries, The Q Conflict, lands at #210 with sales of 9K. This is largely a product for completists, as the Next Generation fans tend to be more hardcore Trekkies.
Glenn: Q’s a well known character for Trek fans but wouldn’t have much appeal to people who are fans through the Abrams verse or some such.
Ray:  Speaking of Marvel being really good at selling old comics, they manage to sell just under 8.4K of Silver Surfer #14 in “facsimile edition” at #215. Seems to be a lot of these this month.
Glenn: Given how they like us to pay for things we’ve already paid for, I think that’s a safe bet.
Ray:  Marvel Super-Hero Adventures has essentially become a monthly with a different brand each month, and this month’s installment, Across the Spider-Verse, sells 8.1K at #220. Pretty standard for a new all-ages comic, but these are mainly worth getting for Ty Templeton’s brilliant funny pages. Marvel should collect those as a one-shot.
IDW had a special 20th anniversary event this month, releasing a set of 20/20 specials flashing forward 20 years into the future of their most popular characters. TMNT tops the list, with this special issue coming in at #227 and selling 7.7K. That’s about 80% of the main series sales, which is pretty good.
Glenn: Odd experiments like these are often something that appeals to the completest so the individual issues will be only as successful as each individual property.
Ray:  Predictably, Archie loses most of its anniversary issue bump, plunging down to #228 and losing 12K in sales to drop to a standard 7.6K. Maybe hiring the writer of Secret Empire to revamp Archie wasn’t the best idea?
Glenn: Clearly not no.  The title is back to the level it was at prior to the Waid relaunch a few years ago.  They’ll need to cook up something to stay with the rest of the pack
Ray:  In what surprisingly isn’t a Marvel book, the Red Giant comic White Widow sells 7.4K at #230. That’s surprisingly good for a comic whose cover looks like it should be released by Boundless or Zenoscope. That pose is not natural.
Glenn: *googles* she must have went to the Linda Blair school of poses.  I wonder how many retailers ordered this thinking it was something to do with Spider-Man or Black Widow or some such?  I don’t see sales lasting.
Ray:  The first and only Curse of Brimstone Annual (the series is ending in March) lands at #231 selling 7.4K. That’s only 600 copies below the main series, which is pretty impressive but the series as a whole sells shockingly low.
Glenn: ‘Sales are shockingly low’ is going to be on the tombstone of the New Age Of DC offerings.
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Ray:  7.2K in reorders for Batman: Damned #2 at #236. No Bat-wang in this one, but still very strong sales all around.
Glenn: The hype is real and of all companies, BOOM seem to be the company that has picked up on that as they’ve given the creative team an open ticket on a mini together through them sometime soon.
Ray:  The third relaunch of Turok from Dynamite in the last few years lands at #240, selling just under 6.9K. Ron Marz isn’t the name he used to be and this isn’t one of the properties Dynamite put a lot of promotional heat behind, so these are standard weak numbers.
Some reorders for Venom #8, selling an additional 6.8K at #243. Cates’ run continues to pick up steam.
The Facsimile Edition of Marvel Presents #3, featuring the first appearance of the Guardians of the Galaxy, picks up 6.7K sales at #244. Essentially a $4 True Believers issue, so good for Marvel getting those dollars.
The latest crossover no one knew they wanted, Barbarella/Dejah Thoris, launches at #257 from Dynamite with 6.4K sales. Bless Dynamite, someone is buying these old public domain sexy lady crossovers.
Glenn: To be fair to Dynamite they are trying very hard recently with a lot of their properties but they still are understandably catering to the audience that has stuck by them this long.
Ray:  The next 2020 special, Star Trek, charts for IDW at #258, selling 6.4K. These generally do pretty close to the main series, down a bit.
Glenn: This one was 20 years prior to Next Gen I believe and explored Picard’s first command.  Definitely one for the hardcore fanbase.
Ray:  A low debut for Peter Cannon Thunderbolt from Dynamite, as the Kieron Gillen-penned Watchmen-inspired revamp of the classic character sells 6.2K at #261. I would have expected a lot more given the creative team and the Watchmen connection, but this is a character who hasn’t had a title in over a decade, I think.
Glenn:  Its possible that some people don’t know the connection between this character (and other Charleton creations) and the ones featured in Watchmen.  It’ll likely level out quickly, maybe pick up some momentum through word of mouth and do well in Dynamite’s collection library.  Lets see if it can finish before the DC Watchmen follow up, Doomsday Clock wraps up.

The next 20/20 one shot is My Little Pony at 270 with sales over 5.9k.  Is it even possible to do something like this with (I assume) immortal cutsey horse characters?  I mean we’re not going to get an issue where characters mourn Sparkle Princess or whatever getting sent to the glue factory.  Retailers likely ordered this as a standard MLP one shot.  I’m having a daughter soon and will forever be unable to make jokes about this property, the sacrifices a father makes.
Ray: I hope it’s a bizarre post-apocalyptic special where the ponies have been forced to become cyborgs to fight, I don’t know, Fairy Aardvarks.
Glenn:  Wyrd is a new comic by Dark Horse with an interesting premise that debuts 274 with sales over 5.8k which is pretty much to be expected from the company when no big creators are involved.  I think this would have sold better at Image but the creators got it out which is probably more important for them.
Ray: Wyrd is one of those Dark Horse books with no real hook and a talented but not a-list creative team. This is still their level, as the company tries to rebuild their brand after losing so many licenses. Lemire will help.
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Glenn: Bloodshot: Rising Spirit at 379 with sales of 5.4k sees the character trying to find its place in a post Jeff Lemire world.  Its defaulting to standard Valient numbers at the moment but its going to be very hard for them to get anything close to the acclaim and buzz Lemire brought.
I’m not sure what audience there still is for Lady Death in 2019 but there must be one, her new book sells over 5.3k at 283.  I didn’t say it was a big audience.
Ray: Strike up the Rachel Bloom, Glenn!
Glenn:  Getting a bump of about 2k for their 25th issue, Zenescopes Grimm Fairy Tales sells over 5.2k at 286 priced at 5.99 to boot.  Just shows what those anniversary numbers can do, most series tend to launch way before 25 so its like the new 100 this weather.
Losing about half its sales, Image’s Freeze is at 290 with sales over 5.1k.  This is pretty standard for Image books left to fend for themselves without the big creative juice behind them.
Reorders in the 5k range for Fantastic Four, Middlewest and Uncanny X-Men, all either top or decent hits for their respective publishers at spots 292, 294 and 296.
Before things start to get scary, the second issue of Betty & Veronica sells over 4.7k at 300.  It seems as odd as the books like Blossom 666 and such are, they do a lot better than the pseudo Archie spin offs.
At 301 is the first issue of Adventure Time: Marcy and Simon which sells over 4.7k.  I’m sure these words in this order mean something to some and those people are the ones this book is aimed at.  I assume given Adventure Time is a thing (I think?) it sells more elsewhere.
Ray: Yeah, this is one of the most popular cartoon series of recent years and these are two of the more popular characters, so the core audience of the show is showing up. But like all cartoon spinoffs, it’s geared more towards kids at bookstores.
Glenn:  Miles Morales: Spider-Man selling another 4.5k or so copies at 307 for its debut issue indicate retailers got it right when they ordered it initially and have adjusted realistically.  We’ll see if any Oscar buzz comes Miles way in terms of sales but I wouldn’t count on it, not in the direct market anyway.
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311 is Barack Panther vs Tremendous Trump which sells over 4.4k.  Makes me sad.
Ray: Sigh. I never know if these are pro-Trump, Anti-Trump, or a collective fever dream
Glenn:  At least you see it too.
A new BOOM series at 315 in the form of Avant-Guards sells over 4.2k which on the surface is not great but the company does the majority of their business elsewhere and really only use the direct market as a formality more than anything.
Ray: Boom seems to have faith in this one, a diverse new comic about a girls’ drama school starting a basketball team. It’s got a twelve-issue order as opposed to the usual four or five. They’re doing something very right, we just can’t see it here.
Glenn:  This months Transformers thingeymabob is Transformers: Historia which sells over 4.1k at 317 which is a good bit lower than the usual Transformer offerings.  This seems to be basically a 5.99 manual going over the history of the properties time at IDW so the low sales are no surprise then.
The first comic spin off in the Stabbity Bunny universe, Stabbity Ever After debuts at 328 with sales over 3.7k.  Once again this is more Ray’s area than mine but what a world we live in when such a comic by that name can exist eh?
Ray: This is one of two Stabbity Bunny spin-offs in coming months, so they’re obviously happy with this weird little property.
Glenn:  At 330 is Halo: Lone Wolf a comic spin off of the incredibly successful Halo game series.  The sales of over 3.6k indicate this one is purely for huge Halo fans who want to absorb everything about the mythos rather than people who just want to go in and kick some butt as Master Chief.
Ray: Looooooooong way from when this was a top Marvel property by Bendis and Maleev.
Glenn:  WWE Forever is the wrestling offering this month at 336 selling over 3.5k which I think indicates 7.99 is probably too much to ask for the wrestling fans who are even half interested in reading comics about their favorite wrestlers.
Going 20 years into the future really didn’t work well for the Ghostbusters with their one shot selling all the way down at 340 selling over 3.4k.  Retailers are probably worries about crowds with pitchforks and torches turning up if they learn they’re stocking any variation of the classic team.
Ray: Ghostbusters is a firmly divided franchise and it’s hurt its already limited group of old-school fans
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Glenn:  The 2019 annual for Grimm Fairy Tales is at 346 with sales over 3.3k which is where the main title usually hovers.  Hard to deny that what Zenecope delivers to its set fandom, they like to buy.
Underneath that is Tom Clancy’s Division Extremis Malis and this type of thing isn’t going to have much appeal to comic fans and it shows in sales over 3,3k
At 357 is Jem and The Holograms 20/20 which sells over 2.9k.  I’m guessing not many people would be interested in what would be the bands nostalgia reunion tour.
Ray: Unlike the other books in this mini-event, Jem has already ended its comic run at IDW, so this is sort of a series finale/epilogue. That might not have helped with sales.
Glenn:  At 364 is yet more Zenescope in the form of Grimm Universe Presents 2019 which sells over 2.7k.  The Zenescope fanbase don’t care to pay 7.99 for their output it seems.  This issue sees writers like Howard Machie and Terry Kavanagh take part so that really tells you everything you need to know.
Ray:  At #364 is the Spider-King: Frostbite one-shot from IDW. Selling 2.7K, it’s an epilogue to a low-selling Vikings vs. Aliens comic that had the misfortune of coming out the same week as Highest House #1. This will likely go in the trade with the original miniseries and sell more there.
Another 2.7K in reorders for Black Hammer #1 in the form of a director’s cut at #369. This is clearly Dark Horse’s alpha franchise at the moment, and you’re going to see anything it touches do better than expected.
Glenn:  Especially when the DC crossover hits.  Its odd to be reading a comic that may be looked at the Watchmen of indie books.
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Ray:  Some decent reorders here, as Shazam #1, Heroes in Crisis #2, Batman #61, and Die #1 all pick up between 2.7 and 2.4K in additional sales. Bodes especially well for Die, which should perform like Gideon Falls.
The Brian Clevinger/Scott Wegener cult series Atomic Robo launches a new miniseries, Atomic Robo and the Dawn of a New Era, lands at #385 with sales of 2.3K. This is one of those books, like the Mignolaverse, where retailers know very well who’s interested.
Much like Halo, the Starcraft series doesn’t seem to sell well in comic book form. Starcraft: Soldiers, a new mini written by Jody Houser, sells 2.2K at #388. I imagine these sell more in video game stores.
Glenn:  This is an older game franchise so yeah, only a few set fans out there.  Kudos for Houser seemingly having her foot in the door everywhere.
Ray:  Our lucky #400 comic is Carson of Venus: Flames Beyond #1, selling 1.9K. American Mythology is a weird company, putting out pulp hero comics, random comedy books like Pink Panther, and the occasional adults-only creator-owned book. Whatever works for them.
Remember Tool? I member! Their Rock and Roll Biography from “Gumby Comics” sells 1.9K at #401.
Glenn:  I don’t remember, must be an American thing.
Ray:  It’s a pretty big gap of reorders and low-selling comics until we find the next notable comic – Appalachian Apocalypse from “Cave Pictures” Comics at #412. This story of hillbillies fighting zombies sells 1.7K, a decent launch for a new start-ups’s first notable comic. It’s just above reorders of Venom #8.
Glenn:  Like we said last month or the month before (maybe both!) having a zombie book is going to be a hard push without any big name talent.  There’s a clear front runner in the genre and everyone picking up the juicy meaty scraps.  Mmmmm scraps.
Ray:  The other book in the Stabbity-verse, Shadowplay, launches this month at #416 with sales of 1.6K. This one doesn’t have a murderous stuffed bunny, so that explains the lower sales.
The Alterna launch The Actual Roger, about a kid superhero sidekick with the lamest powers ever and the hero forced to mentor him, launches at #419 with sales of 1.6K. This was by the head writer of The Tick TV series, which probably explains the higher than average sales for Alterna.
Glenn:  Big grab for them in term of a name writer.  Will def get them a bit more attention, the good kind this time.
Ray:  1.6K in reorders for Doomsday Clock #8 at #427, as this event continues to pick up steam. The poor schedule hasn’t kept it from success at all.
Alterna shows up again at #428, as Wes Locher’s alien comedy Unit 44 sells 1.5K. Locher’s a talented up-and-coming creator (and a friend of the columnists), so I’m glad to see it do so well.
Glenn:  Wes is great so happy for him to be here.  He’s a name to watch.
Ray:  Art Baltazar and Franco continue their tour of all the major comic companies with an outing from Action Lab, as their superhero satire Powers in Action sells 1.5K at #431. They’re cult creators, but their brand of all-ages comics have a solid audience everywhere.
Speaking of Action Lab, one of their oddball suspense books lands at #434. The fairie murder mystery Null Fairies sells 1.5K as the company can’t really get much footing for their creator-owned books.
Glenn:  Image is the place to be for creator owned.  Everyone else just fights for the leftover market %.
Ray:  Archie’s been releasing a series of themed single-issue anthologies lately focusing on Betty and Veronica. The latest, Betty and Veronica Go To Work, sells 1.5K at #437. Every issue of these is a number one, so that helps them stay above the level of the digests.
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The first two issues of Firefly both get 1.5K in reorders at #438 and #440, further confirming that this franchise is Boom’s biggest hit yet.
Giant Sized Jingles, the latest absurdist comic parody from Dave Sim, lands at #441 and sells 1.5K. That Dave Sim, making sure we have something to talk about every month.
Amid a bunch of reorders and low-selling ongoings, we get the launch of John Carpenter’s Tales of Sci-Fi: Twitch. The original horror concept from the king of horror sells 1.4K from Storm King Productions, another start-up.
Glenn:  Another Carpenter comic didn;t do too hot that long ago.  Unless its Halloween or the Thing, it doesn’t seem as if his name will add much to sales.
Ray:  After a lot of reorders and obscure titles, we come to the next original comic on the list – of sorts. That would be ICYMI, a reprint title from Alterna repackaging their all-ages titles in a 99-cent package. The first issue, featuring talking-skeleton comedy Mr. Crypt, sells 1.3K.
At #480 is Savants, a dark new superhero concept from Source Point Press. It sells 1.2K, likely boosted a bit by the untimely death of creator Gary Reed. Reed had a pretty big cult audience as the founder of Caliber Comics, so his final project picked up some interest.
The Pink Panther Pink Winter Special is down at #485, selling 1.1K. I really don’t understand how you can cobble a company out of properties that haven’t been relevant in decades, but here we are!
Glenn:  They’re also a month late for Christmas specials, for shame!
Ray:  #494 brings us the relaunch of Scrimshaw from Alterna. This futuristic pirate thriller is the company’s only ongoing, and relaunches with just over 1K. That’s a decent boost from the previous volume.
#499 is the launch of Amigo Comics’ Blackening, selling 955 copies. This is a futuristic comic about cyborgs and a plague wiping out humanity. It is not a spin-off of Black.
And at #500, selling 942 copies, is…Threshold: Allure #0 nude variant. *flees*
Glenn:  You and your nudity Ray.
Ray:  One thing I notice is that the bottom of this list has a much higher floor than usual. 496 comics sold over 1000 copies this month.
Looking ahead to February (and by ahead, I mean back, because we’re in March), it looks like a pretty quite month for DC. They’ve got a few new miniseries including the third Wonder Comics title, Wonder Twins; a Female Furies spin-off (that is definitely not a sequel to Mister Miracle); a Vertigo sci-fi series titled High Level, and a 100-page Superman giant from Marv Wolfman.
Over at Marvel, it is less quiet. Chip Zdarsky relaunches Daredevil, the weekly Avengers event No Way Home kicks off, Conan gets his second title in Savage Sword of Conan, Old Man Quill is out for revenge, the Hulkverines go to war, and we get the rest of the Age of X-Man miniseries and the revival one-shots.
In Indieland, Mark Millar drops his latest Image book with Sharkey the Bounty Hunter, Hit-Girl returns with Kevin Smith writing, and the independent cop thriller Vindication competes for a place in the market. Outside of the big three, JM DeMatteis has a new creator-owned book from Dark Horse, GI Joe and Red Sonja relaunch with top creative teams, and the latest Valiant mini-event launches with Incursion.
What will rise? What will fall? Which indie comics will make Glenn cry? Find out next month on By the Numbers!

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Liked what you read?  Have any questions or comments?  Let us know here or on Twitter @glenn_matchett and @raygoldfield.  Please go check out Sparks: The Way I Was!  

By The Numbers: December 2018

Like in any industry, comic books and their companies listen most to one thing and that’s your money! What does your money tell them? What does it tell us as fans? What series do people say they adore but can’t seem to catch a break and what books to people hate that sell out? What are the trends? What looks good? What looks rough?

All these questions and more will be answered here, every month in ‘By The Numbers’ by comic writers, editors and fans, Glenn Matchett and Ray Goldfield.

Glenn Matchett is a comic writer and editor. He’s worked in the industry for 6 years but grew up reading comics. He’s had work published with Outre Press, Alterna Comics and Nemesis Studios. For his new year, Glenn is hoping to welcome a lovely little girl to his family and to watch all of Avatar and Korra.  One of these are more important than the other.

Ray Goldfield is a fan of comic books for going on 25 years, starting with the death of Superman. He is a writer and editor and has released his first novel. Ray also does a weekly roundup of DC comic reviews for website Geekdad and they’re brilliantly entertaining.  In the new year, Ray will make sure that for Glenn that there is only Avatar and Korra.

We also do a podcast together with longtime buddy, Brandon James on iTunes with Rabbitt Stew or at the link here! Don’t ask, I didn’t pick the name. If you’d like to hear what me and Ray sound like, give it a listen!

Top 300 in full available here!

Glenn:  Welcome friends to the first By The Numbers of 2019 which is actually looking back at the last month of 2018!  How about that for wibbly, wobbly, timey, whimey?  Who had the last laugh as last year closed out and prepped themselves for a strong 2019?  Lets find out!

Ray: One of the biggest factors in this month was that only three full weeks of comics shipped, with a few special titles shipping in the last week of the month. So a lot of comics are absent, including the second issue of many popular DC titles. That drives the overall sales level down a lot.
Glenn:  Due true!  At number one, speaking of laughter is the first issue of the Batman Who Laughs mini by Scott Snyder and Jock who bring the ridiculously popular character to take center stage.  It seems in this occasion, the Batman is laughing all the way to the bank with a fantastic debut of over 220k.  This character has caught fire like no one expected and having Snyder and Jock reteam to tell a more horror orientated bat tale has people interested.  I can see this sail over six figures or very close to it for the full 6 issues (plus the Grim Knight one shot too) easily.
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Ray: There’s a lot of factors to this, including the fact that this is apparently the final Snyder Batman story in the present day (with the Capullo-drawn Last Knight to come at a later date). Considering it’s also a sequel to Metal – and is launching at roughly the same level – there’s a lot of things working in this title’s favor and it’s entirely possible it’ll be DC’s #1 title for the rest of its run. Yo, dawg, I heard you like Batman and Joker so we put Batman in your Joker.
Glenn:  At 2 is more Batman in the form of Batman Damned, the second issue of the prestige mini from Black Label sells over 138.7k.  The last issue for those that haven’t been paying attention got a lot of attention for showing some bat nudity but this goes to show that there’s no such thing as bad press.  All the attention the batwang got made Damned one of the most talked about books in 2018 and that’s clearly carried over onto the second issue.  This one will finish out with strong sales and then deliver DC yet another ridiculously strong long term performer in their immense collection catalog.
Ray: This is a pretty big increase for Batman: Damned and shows how controversy sells! The Black Label line has had two big successes now between this and White Knight, so I would expect more to come – which makes it sort of puzzling that the line is seemingly in trouble and hasn’t solicited any further books.
Glenn: I think the Black Label troubles are more to do with scheduling more than anything.  The talent they have on the books lean towards the kind that aren’t ones who deliver books on a regular schedule.  We know Last Knight will happen but I think this all could have been better planned, it makes the Black Label roll out seem a bit underwhelming.
At 3 is the always stable and strongly performing Doomsday Clock which sells over 123.7 on its 8th issue.  The multiple delays seem to be having little impact as this book continues to deliver strongly for its publisher.
Ray: It locked down on its place in the charts a while back and hasn’t budged, except likely to get some nice increases for the big event in the final issues.
Glenn:  4 and 5 is top ten staple and highest selling monthly in the charts, Batman which sells over 91.2k and 88.5k which makes this the lowest the title has sold since the sart of the New 52.  Its still a good bit ahead of the next strongest ongoing and will likely deliver something soon to reaffirm its position in the six figure club sooner than later.  All top 5 books are DC and all feature Batman either in a starring role or as a main character so the character is still miles ahead of everything else on the charts in terms of monthlies.
Ray: Basic attrition for Batman – it’s likely to get an increase in February for a big crossover with The Flash tying in with Heroes in Crisis (which didn’t ship this month due to the holiday), and then again for #75 in a few months.
Glenn:  Its a quiet month for Marvel so their top selling book of the month is their best performing monthly title, Amazing Spider-Man which has two issues in the top ten at 6 and 8 selling over 79.7k and 75.1k respectfully.  Its a slow downward trend and the title will likely be pushed down the charts in terms of ranking once War Of The Realms begins.  The title is promoting an upcoming story featuring Kraven The Hunter rather heavily but we’ll see if that has any significant impact on sales.
Ray: Yeah, it feels like we’re seeing ASM slowly find its level as retailers realize that the Slott era is over and interest is decreasing. The slide should increase next month when it gets big competition in the form of Friendly Neighborhood Spider-Man.
Glenn:  At 7 is the Marvel title giving Amazing a run for its money in Fantastic Four which sells over 78.3k.  This is the big wedding issue so I’m surprised it didn’t do much better than this given its significance in having one of the longest running couple in comics finally tie the not and it also being the 650th issue of Fantastic Four with original numbering.  Still, its a great number for the title and Marvel will be pleased that its among their highest monthly performers.  A wedding special tie-in written by Slott and others sells over 64.4k at 13 which again indicates there was genuine interest in the wedding itself but perhaps fans were wary given the false starts around the Bat/Cat and Kitty/Colossus fake outs not too long ago.
Ray:  The main title sells pretty close to what the book has been doing since the start, so not much of an increase for the wedding itself – but then, I don’t know if Ben Grimm and Alicia Masters have a huge fanbase on their own. What is clear, though, is that this is one of Marvel’s biggest hits at the moment and may wind up being their #1 ongoing in a few months. 
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Glenn:  At 9 is the third Batman annual which pulls in a very respectable 68.2+ sales despite not having main title writer Tom King attached.  Just shows how popular the character is regardless.
Ray: This was Tom Taylor and Otto Schmidt doing an Alfred-focused story. It’s a good sign for Taylor as well that his star is rising fast. Look for his Spider-man title to be a big hit.
Glenn:  Finally at 10 is the much anticipated new Shazam title which Geoff Johns has been cooking for what feels like forever.  Given that the lead in to this was nearly 10 years ago, it finally launching at 66.9k is very good, especially since Shazam hasn’t had an ongoing in forever.  Given how big a name Johns in and the fact the character is about to get some mainstream exposure in his own film in a few months, there’s no better time or creator to give him his own solo title.  This one will probably land around high 50k which will be low for a Geoff Johns book perhaps but very good for a Shazam book.

Ray:  This is a direct continuation of a comic book that ended six years ago as a backup in the New 52 Justice League title. Even I, a DC superfan, had a bit of trouble remembering who a few of the characters were. So the fact that it still broke into the top ten is impressive, and likely down to the fact that Geoff Johns is back writing regular comics for DC. He’s up there with King, Aaron, Lemire, Cates, and Slott as that elite group of writers who can sell comics on their name alone. 

At #12 is a very strong debut for Superior Spider-Man #1, selling 66K. This is much improved from the Superior Octopus one-shot a few months back. Part of this might be the name change, but as a whole it’s a testament to just how much work Slott and Gage did to turn Otto into a headliner. This is NOT the Spider-man spin-off I expected to win the battle this month (more on that lay-tor).
Glenn: Very good start for Superior for sure.  This seems to be the book that’s continuing most of Slott’s sub plots and side characters carrying forward so that;s a good platform to have.  Much like the Bat line for DC, it seems most Spidey related stuff is always bound to deliver solid numbers for Marvel (which probably explains why we’re not only getting a new ongoing next month but two new mini’s in the months to come).
Ray:  This is the section of the charts where we see the headliner regular titles, including Justice League, Venom, Avengers, and Superman, all selling above 50K. And now it seems we have a new one joining them – The Green Lantern #2, which has a healthy hold for its second issue, selling 64K at #14. Great numbers that indicate this should be one of DC’s top ongoings as long as Morrison and Sharp are on board.
We were wondering how Uncanny X-Men would hold as a weekly in its second month. We get that answer quickly, as it continues to slide. #4 is as 17, selling 59K, but by the end of the month it sells 49K at #27. That’s a pretty steep drop, and indicates the general trajectory of the title as it shifts to biweekly after #10. The title’s still up somewhat from the previous runs, but that may wear off eventually.
Glenn: It seems that Marvel will still come out ahead when you compare Uncanny to the previous line of x-books but its only marginally at this rate.  Once this thing goes monthly (or bi-monthly as the case may be) it’ll be selling around the same…or less.
Ray:  Besides Batman, nothing is more stable than Walking Dead, and it makes the top 20 again this month, coming in at #18 selling 58K.
Given his big starring role in the movies this same month, I would have expected Miles Morales: Spider-Man #1 to do much better than the 19th slot. 57K isn’t a bad number, but it just goes to show that the character’s comic history – including a controversial start and a mid-stream reboot – will probably keep him from ever being as big a hit in the comics as he is in the larger world.
Glenn: Miles deserves better for sure but the characters launch was poorly handled and that will be something he never shakes.  Still, this is his first ongoing by a writer that didn’t create him so that’s a decent performance.
Ray:  Selling 57K at #21 is the debut of Ed Brisson’s X-Force, which spun out of the mostly-ignored Extermination. Decent launch, but I expect this’ll fall fast like most other X-spin-offs lately.
Detective Comics launches its new creative team as Tomasi and Mahnke take over with #994, and the title jumps about 3K to land at #26 with 51K. A very modest increase, but that’s to be expected for a title as stable as this. The two previous fill-in arcs didn’t really hurt the book much.
Glenn: Its all about the countdown to 1k for Detective at the moment anyway.  Look for the title to increase in sales as it gets closer to that number and then pay for itself for the foreseeable future in the anniversary issue coming up.
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Ray:  Catwoman continues to be the biggest surprise of the year, as the sixth issue sells 48K at #28. That’s above long-running hits like Star Wars, Thor, Captain America, Immortal Hulk, and Flash. A lot of this is down to Tom King raising her profile, of course, but it’s also worth noting the character has always had some sales pull – she was one of only eight characters to take her title all the way to #52 in the New 52 era.
Glenn: The timing is never better for Catwoman to be a hit and much like Venom, it seems DC has the right creators at the right time to make the title a success.  Great to see.
Ray:  A couple of Marvel events wrap up this month, with Infinity Wars closing things out at #22 with sales of 53K, followed not far behind by Spider-Geddon at #29, selling 47K. The news isn’t quite so good for Extermination, down at #38 selling 42K. That’s also about the same as its spin-off, X-Men: Exterminated one spot higher. This is the one where the X-men mourn Cable, who was murdered by Cable. This is not a typo.
Glenn: Stupid time travel.  I bet there were 7 versions of Kang at his funeral too.
Ray:  The time-hopping anthology Star Wars cycles begin with Age of Republic, as Jody Houser’s two one-shots to kick it off have healthy debuts. Darth Maul’s one-shot is at #33 selling 46K, while Qui-Gon Jinn’s special is down at #44 selling 37K. Right about the level I’d expect for mid-level Star Wars titles.
Martian Manhunter has a healthy debut at #41, selling 39K. I wouldn’t expect much more than this for a MM solo series, but I also think it’ll hold very well. Critical response has been great with the book even getting some comparisons to Mister Miracle, so I think Orlando and Rossmo will have a hit on their hands.
Glenn: At the end of the day, its Martian Manhunter so it’ll have a set ceiling but strong reviews will help this one a lot.  Fans are looking for the next Mister Miracle and this might be just the ticket.
Ray:  Another strong debut for Millarworld, as Millar and Albuquerque’s spy thriller Prodigy lands at #40 selling 38K. Single-issue sales are secondary now, as Netflix views the imprint as an IP farm, but Millar’s name still has a lot of pull.
The strange little Defenders mini-event this month seems to have largely been ordered as a unit, with decent sales for all five. Silver Surfer is the highest-selling of the five, selling 38K at #43, followed by the Immortal Hulk special selling 36K at #46. The finale “Best Defense” one-shot is two spots lower selling 34K, followed immediately by Doctor Strange (32K) and Namor (31K). All in all, this little experiment did well for Marvel.
Glenn: This Defenders roll out was an odd one wasn’t it?  Its a very good result given that this version of the team haven’t been seen in a while and the whole thing doesn’t have much importance outside of itself.
Ray:  The epilogue to Infinity Wars, Fallen Guardian, lands at #52 selling 31K. That’s not bad for a title that’s essentially a farewell/origin recap to one of the less popular Guardians of the Galaxy. Did I mention there’s another epilogue next month? It’s the event that never ends…
Glenn: This is a pattern we’ve seen from Marvel for several years were there is minimal (or outright very little) interest in the epilogue to a major event.  I think its because Marvel is mostly about hyping what comes next so fans are interested in the main feature but by the time the clean up comes, they’re already saving their penny’s for whatever the hype machine has lined up next.
Ray:  I was surprised by how low Aquaman #43 sold, given that this was the debut of Kelly Sue DeConnick’s run. It lands at #53, selling just under 31K. That’s a bit of a drop from last month’s Drowned Earth tie-in issue, and it’s similar to what we saw with G. Willow Wilson’s Wonder Woman run (36K at #45 this month) – critically acclaimed writers get put on major titles to lots of positive reviews, but it doesn’t translate into sales immediately. Still, DC has got to be happy to have some buzz on these titles again.
Glenn: Very underwhelming for Aquaman for sure.  The timing around this seemed to be prime for a new creative direction by a popular writer.  It’s almost like something got lost in translation here.  The good news is that a low start means that it should likely stabilize soon.
Ray:  Almost zero increase for Teen Titans for its anniversary issue, as it lands at #65 and sells 27K. That’s up about 100 copies. Expect it to take a hard hit next month when the only DC teen superhero team anyone cares about launches next month. This is the area where we see a lot of established titles, like Nightwing, Doctor Strange, Black Panther, Harley Quinn, and Suicide Squad.
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A new miniseries starring the Winter Soldier launches at #70, selling 26K. The creative team of Kyle Higgins and Rod Reis is solid, but this got very little hype. Bucky should be an A-lister, but they don’t really treat him like one.
Glenn: Ever since Brubaker went to indie land, it seems like Marvel is not exactly sure what to do with Bucky.  They’ve tried several things and nothing ever really seems to work.  Its a shame because he could be a breakout star for them.  It took Brubaker 60 years or so to tell the next great Bucky story, hopefully we don’t have to wait around that long again for another one.
Ray:  An amazing debut for Kieron Gillen and Stephanie Hans horror-RPG Image series Die this month, selling 28K at #58. That’s rare air for an Image title that isn’t by Millar, Kirkman, or Vaughn, so this is looking like one of their biggest new hits in a while.
Glenn: Brilliant debut for Die which I think has the concept and creative team to get that initial interest.  With titles like Paper Girls ending and Saga on hiatus, this could be one of Image’s strongest titles.
Ray:  I’m pleased to see Deathstroke has kept most of its boost from the Deathstroke vs. Batman storyline, coming in at #59 with sales of 28K. But then, this next arc has him in Arkham, so it’s like the event never really ended!
Glenn: People have also perhaps caught on to how good the book is.  They come for Batman, they stay for Priest.
Ray:  Boom seems like it’s going to have a permanent spot in the top 100 now thanks to Firefly, which lands its second issue at #60 with sales of 28K. Great numbers for a cult property – this probably indicates that Buffy the Vampire Slayer will do even better next month.

Glenn:  Boom had two properties with very loyal fanbases land at their feet and seem to be making the most of it, good for them.

At 74 is the X-Men holiday special which missed the memo about most of these coming out last month with sales over 25k.  Pretty much your standard sales for what an X-Men book will do when it doesn’t have any great deal of importance or significance.
Ray: Marvel tried to get into the anthology game this holiday season, but none of them quite got the attention of DC’s giant anthologies. This one got some good reviews, though – it had a very clever format of 25 individual stories with an overall narrative running through them.
Glenn:  At 77 is Spawn Kills Everyone Too which sells over 24.7 which I believe is a comedy mini series follow up starring the character that was at one time Image’s flagship.  This is pretty good given its a mini done for the lolz and is a sequel.  Perhaps we’ll even see a trilogy!
Ray: Why. Just…why.
Glenn:  At first I thought Livewire at 78 was a book about the Superman female villain but its a new Valient book that sells over 24.6k which is a LOT higher than how their books usually launch.  Writer Vita Ayala who is starting to make waves at Marvel is writing so that might help but otherwise, it just seems to be a random success!
Ray: This is spinning out of Harbinger Wars II, which turned Livewire into the Valiant Universe’s most wanted woman. That event didn’t get a lot of buzz, so I think this is more to do with the creative team than anything.
Glenn:  Villain of newly Oscar Nominated best film Black Panther, Killmonger gets his own mini at 82 selling over 24.2k which on its own isn’t that great but you have to believe without the movies popularity and the better position of the Panther franchise overall that this would have sold far less in the past. The second issue is also here at 111 selling over 17.3k which is still very good all things considered.  A decent start for what will be a mini that delivers decent numbers for the remainder of its run I’d say.
Ray: Overall, similar to Miles, Marvel doesn’t seem to have been able to translate Black Panther’s blockbuster sales in the movies to a fully successful franchise in the comics. The main book sells decently, but everything else struggles.
Glenn:  A new Freedom Fighters series launches at 84 with sales over 23.8k.  Pretty good for a book about one of DC’s more obscure superhero teams that doesn’t have any big name members.  Don’t think DC could have expected much better.
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Ray: Yeah, despite a good creative team (the long-running writer of Green Lantern and the artist on Tynion’s Detective Comics) these characters just have zero built in audience. The subject matter is somewhat controversial as well, similar to The Man in the High Castle.
Glenn:  Pretty steady drop for the second issue of Black Order which sells over 23.6k at 85 which again is much higher than one would have expected these characters to deliver without a billion dollar movie to raise their profile.  If this stays about here this will be a pretty good performance for the rest of the mini.
Marvel Action Adventures from IDW (so much…contradiction…) debuts at 86 with sales over 23.3k which is a great number for a IDW book, perhaps not for an Avengers book but this isn’t going to be held to the main standards as the main line offerings.  These books are for a different market and will aim to do better outside comic stores but this is a good start given that.  IDW will be thrilled to be able to have this licence to help keep the lights on for the time being.
Ray: This feels like the odd book out of the Marvel Action line, without the hype of either Spider-Man (featuring the three most popular Spiders together) or Black Panther (written and drawn by Kyle Baker). Given that, this is a solid debut and these really aren’t geared towards the singles market.
Glenn:  Seasons Beatings is a holiday special one shot by Jason Latour and various artists to tie in to the whole Christmas thing.  It sells over 22.3 which is pretty good all things considered.  This is maybe a shade less than what DC’s recent batch of anthologies do but those cost a lot more.  There’s enough sales for Marvel to throw one of these out now and then.
Ray: This one really slipped under the radar and the hype didn’t really get across what kind of story it was. It was sort of a Deadpool comic, sort of an anthology, and all weird. A niche project that did niche project numbers.
Glenn:  Only about 300 odd copies difference from last month for Supergirl’s 25th issue at 92.  Either there’s just normal stabilization or there will be a much bigger drop than normal next month.  The sales over 21.5k are getting ever closer to what we’ve come to expect from a Supergirl title in years past.
Ray: Supergirl is basically back to where it was pre-Bendis, so that’s likely where it’ll find its level again.
Glenn:  A new Vertigo title, Goddess Mode debuts at 110 selling over 17.4k which is really good for a Vertigo launch this weather and more in line with what I’d come to expect from a relatively strong Image launch.  The artist on this, Robbi Rodriquez is coming hot off of Spider-Gwen so that maybe helped.  Selling at this level won’t last but its got room to move.
Ray: This title also has Zoe Quinn, who has a pretty big mainstream profile as a gaming journalist. That definitely helped it get this high.
Glenn:  At 112 is the Hellboy Winter special selling over 16.9k which is pretty much the normal range for Hellboy related items.  Never anything overly surprising from this franchise which isn’t the worst thing for Dark Horse who need all the stable franchises they can keep.
A shade over 16k for Iron Fist Typhoid fever, not too bad and it maybe helps that the character showed up in the second (and final) season of the protector of Kunlun.  Nothing too special but nothing too disastrous for a throwaway mini starring one of Daredevil’s secondary foes.
Ray: This whole thing seems to have been a stealth Iron Fist series and led to the writer doing the digital-first Iron Fist series that recently released its first trade.
Glenn:  At this level, 3k is quite the gap and its about that the Champions Annual comes in under the main title selling over 15.2k at 118.  This franchise had a strong start and strong potential but most of it has eroded away.
Ray: The series is getting a relaunch with the same writer next month, so we’ll see if there’s any uptick in sales.
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Glenn:  Probable spoilers: no
At 127 is the first of the True Believers $1 one shots this month, centering around the Fantastic Four and in this particular case, the Skrulls..  It sells over 13.3k at 127.  Skrull’s are going to be hot in the months to come and you’ll be liable to beat up old ladies on buses to get the chance to read about them and their nefarious shape shifting ways!

Ray:  There’s relatively few truly iconic Fantastic Four single issues – nothing like the first appearance of Venom that broke the top ten – so most of these are clustered around the same spot. You have Super-Skrull six spots lower at 133, followed two spots lower by Puppet Master, and two spots lower are Ronan the Accuser and Frightful Four back to back. A little lower between 140 and 144 are Molecule Man, Mad Thinker, Klaw, and Dragon Man. All of these sell between 12K and 11K, so almost identical sales for these first appearances of lesser-known FF villains. The low entry on the totem pole, Blastaar, is down at 150 selling just under 11K. So another successful wave of these without any real breakouts. I’m curious to see how the Conan ones do next month. 

Glenn: Poor Blaastar.  All he wants is a hug.  I think Conan might do well, the launch will be pretty high profile and they’ll be an easy sell for retailer as an add on.
Ray:  Marvel can get decent sales even for things that aren’t comics! At #132 we have the Spider-Geddon handbook, giving us profiles of the most famous Spiders and villains. It sells 12.6K, pretty good for a $5 handbook. That Spider-guy has some fans.
Because apparently some people haven’t seen Avengers: Infinity War, Marvel releases it in comic form as “Avengers: Endgame Prelude“. It sells 11.9K. I wasn’t fooled, Marvel!
Glenn: The question is, does half the comic turn to dust at the end?
Ray:  The New Talent Showcase for DC in 2018 sells 11.8K at #136. This is always the lowest-selling of the major anthologies because of the lack of boldface names, but this is still a decent number for an $8 anthology showing off DC’s newest recruits. This is a funny one given how many of these names have already done extensive DC work like Mags Visaggio, though.
Glenn:  This seems to be the last one, I guess all those entries from myself put Snyder off…
Ray:  A trio of new Image titles debut around the #150 mark, starting with the virtual reality video game thriller Self/Made at #148 selling 11.1K, and the Andy Diggle bodyswap spy thriller Hardcore right below it selling 11K. Three spots lower is the apocalyptic thriller The Freeze, selling 10.8K at #152. It’s basically what I’d expect for two of these given the lack of big names, but I’m surprised Hardcore didn’t do a little higher given Diggle’s name and the fact that Kirkman is credited on the story.
Glenn: Diggle’s a name I think has found it rough since his Daredevil run, after that he never really bounced back and I don’t think he was the one at fault in that regards.  Much like Paul Jenkin’s he’s having to almost start over again.
Ray:  Magic The Gathering: Chandra, a new miniseries based on the wildly popular card game series, debuts at #157 from IDW selling 10K. I know nothing about Magic: The Gathering, but it’s worth noting that this is the highest-selling IDW book this month that doesn’t feature Batman, Captain America, or Rick & Morty.
Glenn: Magic has an insane fanbase so I’m not too surprised.  I would wonder though if it would have sold more if it came with an exclusive card or some such (call me IDW!)
Ray:  The annual Christmas special from Grant Morrison and Dan Mora, Klaus and the Crying Snowman, lands at #161 with sales of 10.4K. For an $8 special from Boom that’s pretty strong, and the title seems to have a fanbase. I wonder if they’ll ever do a full collection or if Brandon James is doomed to cry forever.
Glenn: I like to think Morrison is just doing this to mess with Brandon personally. Perfectly fine for a property Morrison is going to roll out once a year.
Ray:  Top-selling reorder of the month is Spider-Geddon #1 at #167, selling 10.1K. A last surge of sales as the event concludes. Expect a LOT more reorders to come.
The most offbeat Black Hammer project yet, the one-shot Cthu-Louise drawn by Emi Lennox, lands at #169 and sells exactly 2 copies over 10K. That’s right in line with Black Hammer’s sales and shows that the series should continue to hold well for Dark Horse as it grows in the coming year.
Glenn: Look for Black Hammer’s profile to get a good buzz with an upcoming show and a DC universe tie in coming up.  These books should be selling six figures a month.
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Ray:  The Venom annual also gets some healthy reorders, selling an additional 8.9K at #176. Donny Cates continues to work his magic, and he wasn’t even the main writer on this one!
The oddball Man-Eaters #4 sells 8.6K at #179. That would be 8.6K very confused readers, as this wasn’t a comic but an elaborate magazine parody that didn’t move the story forward off the previous issue’s cliffhanger.
Glenn: We’ll see if the unusual experiment from Man-eaters costs them next month, I doubt it but you never know…
Ray:  Crossing over an obscure 1990s comic book character with an obscure 1980s movie franchise, Vampirella/Reanimator debuts at #183 selling 8.3K. Dynamite’s developed an odd brand out of these obscure licensed properties, but it seems to be working for them as they keep going!
8.2K more in reorders for Marvel Legacy at #186, as Aaron’s Avengers and the upcoming War of the Realms continue to play out its major plot threads.
Jamie Rotante’s relaunch of Betty and Veronica lands at #197 with sales of 8.2K. That’s two slots below the fifth issue of Vampironica, so I guess retailers think fans want more blood and gore with their Veronica Lodge?
Glenn: Vampires sell more or have a broader fanbase perhaps?  Archie is in a bizarre place creatively right now so they’ll take what they can get.
Ray:  At #190 is the one-shot Team Sonic Racing, spinning out of the main Sonic book. It sells 7.8K copies, which shows that the franchise has been a decent hit for IDW.
At #194 is the fourth and final issue of Border Town, selling 7.6K. But it wasn’t cancelled for sales reasons. Anyway, moving on…
Glenn: Border Town?  What’s a Border Town?
Ray:  #200 brings us the launch of Tank Girl: Action Alley from Titan, which sells 7.2K copies. This is clearly a niche book, but it’s pretty impressive that this franchise has been a factor in the industry for over twenty years.
6.7K in reorders for the Ralph Macchio one-shot Spider-Man: Enter the Spider-Verse at #208. This is probably down to comic book stores wanting an evergreen title on the stands for the launch of the movie.

Glenn:  Pretty much yeah, the movie has been an insane success and is now getting a lot of reward love.  We’re going to see a lot more from this concept in years to come.

At 219 is Marvel Super Heroe Adventures Captain Marvel Frost Giants (longest title this month?) selling over 5.9k.  The same with the other Marvel books that are primarily aimed at a younger audience, they do what they do in the main market but this isn’t where they’re destined for.  Good on Marvel getting a lot of Captain Marvel material out there for March though.
Some reorders for the launch of Uncanny X-Men at 220 selling over 5.9k.  People sure do love their X-Men number 1’s.
An odd title from DC at 221 in Sasquatch Detective which is about…a Sasquatch who solves crimes…k.  It sells over 5.8k which is pretty expected for a book as odd as this, especially when its priced at 7.99.
Ray: This was the backup in the already-bizarre Snagglepuss miniseries, and they reprinted the original stories plus a new feature. It’s the most niche of niche comics, especially out of DC.
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Glenn:  Tim Seeley returns to his own property in Hack Slash vs Chaos at 224 although that doesn’t seem to have generated much new interest in the property as it sells over 5.7k.  At this point, this property will have its own sat fan base and is unlikely to get new readers checking out a new mini at this point, even if Seeley is back.
Ray: A crossover with 90s characters like Lady Death and Purgatori isn’t really going to bring in any new fans for Hack-Slash. Dynamite continues to do a lot of bizarre small crossovers like this, so I guess they’re selling to someone.
Glenn:  Witcher Of Flesh and Flame sells over 5.5k at 227.  This is a video game tie-in and sells like one.  I wonder if some retailers might be stocking up in prep for a potential new audience the upcoming Netflix show might bring, hey you never know…
A new offbeat mini from Boom, Wizard Beach sells over 5.2k at 233.  This mini seems to be outside of what Boom is generally known for and doesn’t have any big name creators attached so this number is pretty much what you would expect.
Ray: Wizard Beach is an odd one. Its concept on paper sounds like it could be an all-ages book, but the tone is distinctly more offbeat and off-color. Brandon referred to it as “Off-brand Curse Words” on Rabbitt Stew (Dong!) and that seems about right.
Glenn:  At 234 is the Red Sonja holiday special which likely had a bizillion covers selling over 5.1k which is probably what you would expect from a Red Sonja special with a bazillion covers.  I wonder considering her choice of clothing if she gets cold this time of year.
A new Berger book at 235 LaGuarda sells over 5k at launch.  The Berger books continue to not catch that much momentum but Dark Horse keeps doing them so one would assume they are finding an audience somewhere.
Ray: LaGuardia has the best creative team and got the most hype of any of these, but even Nnedi Okorafor’s name couldn’t make this sell in singles. The true success of this line will be determined later.
Glenn:  A Star Trek anthology spanning the entire history of the franchise in Star Trek: Waypoint is at 240 with sales over 4.9k.  This is just your basic ‘if you’re a fan of Trek’ comic with no real pull in regards to a specific portion of the fanbase.  Being so widespread can be a good thing but may also make retailers hesitant to order because when you appeal to everyone, you end up pleasing no one at times.
Random reorder alert at 241 for Amazing Spider-Man: Renew Your Vows 13 with sales over 4.9k  This is not the last random Marvel reorder number this month and my jettison of excess stock sense is tingling.
Planet Of The Apes Simian Age, a 7.99 one shot sells over 4.2k at 256.  Pretty much what you would expect from an expensive Apes one shot with no particular pull behind it.
At 267 we have Grimm Fairy Tales Holiday special selling over 3.7k.  I’m going to take a wild guess and say a rather buxom woman is on the cover dressed as Santa or an elf *checks* huh I was wrong…its a rather buxom woman dressed as a sexy reindeer (????) and snowman.  Shows what I know!
Ray: Rudolpha the sexy reindeer, had a very shiny – *gets yanked off stage before we get cancelled*
Glenn:  Nothing to see here folks.
Random reorder alert for Domino 1 at 274 with sales over 3.4k.  Maybe retailers want to have some on hand just in case…
Transformers Bumblebee Go For The Gold is your random Transformers one shot for the month selling over 3.3k at 279.  One for the die hard fans only it seems.  The Transformers comics are getting a big makeover soon so everything till then is just treading water.
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I’m not sure who Barberella is but she has a holiday special too this month!  It sells over 3.2k at 280 so some people must know who she is I guess.  You get a holiday special!  And you!  And you!
Breakneck, a new offering from Titan’s Hard Crime comics debuts the first of a four issue mini at 3.2k.  I would have thought it might have done better since writer Duane Swierczynski had a moment at Marvel once upon a time but these sub lines of small publishers always have a rough time of it.
Ray: Titan in general puts out so many random comics without name creators that when they do have a bigger name on board, they tend to get lost in the shuffle.
Glenn:  A one shot, Ares IX: Darkness which ties in to the once semi well known Darkness franchise is at 284 selling over 3k.  This is very much a ‘order for the last few remaining fans there are and no more’ title.
Ray: I don’t know whether this is a spin-off of The Darkness, a spin-off of Aphrodite, or both. That probably explains a lot about the sales.
Glenn:  There’s definitely something going on with Marvel reorders as the second issue of Secret Empire is at 285 selling over 3k.  No one is ordering more copies of that, like anywhere.
At 288 is the Archies Christmas Spectacular selling over 2.8k  I guess not that many people are that interested in seasonal offerings from Archie and the gang.  This title seems more like old school Archie offerings which all would have sold about this level once upon a reboot ago.
Black Mask manages to get a comic in the top 300 with Snap Flash Hustle at 299 with sales over 2.6k  This is the start of a new mini and likely got some interest cause writer Pat Shand has a fanbase of his own.  Given this is the only Black Mask title in the top 300 I’d say this is a win for them but clearly the company has seen better times.
Ray:  Black Mask is a company that hasn’t had a real hit in a very long time. Even books by name creators struggle for them. 
Glenn:  Okay here goes, don’t cry…don’t cry…
Grumble from Albetross Funnybooks launches at 304 and I thought this might have done a lot better given it has Mike Norton on art but this is probably the best the company can do at the moment.  The sales of over 2.5k aren’t great when you factor in Norton but probably fantastic for this company.

Ray:  This is a REALLY odd book, too, about a magical con man who is turned into a Pug. It’s going to have a crossover with The Goon in coming months, so it might gain a little buzz. But the company overall is very small. 

American Mythology has made a little cottage industry out of public domain adventure titles, including this month’s Carson of Venus: Pirates of Venus #1. It sells 2.3K at #310. Clearly a niche title bringing obscure properties to a modern audience.
Albatross Funnybooks shows up on the charts again with the all-ages Lovecraftian giant-robot comic (yes, that’s right) Mega-Ghost, which sells 2.2K at #312. It actually picks up another 1.2K in sales thanks to a Powell variant down at #366, so the book is definitely a hit. Sometimes the post-300 range is good, Glenn!
The obscure Paul Dini Christmas-themed character Jingle Belle shows up for her annual engagement from IDW at #321, selling just over 2K. This is a character that’s been going strong for over twenty years, so the audience here is likely small but loyal.
Glenn: Is Jingle Belle even annual?  I don’t remember the last issue that came out but yeah, this one has stuck around most likely due to Paul Dini’s force of will alone but at least he’s getting to do a book he enjoys.
Ray:  The third miniseries in the “Black AF” series from Black Mask, subtitled Devil’s Dye, launches at #322 with sales of 2K. This started out as a Kickstarter before coming to Black Mask. I believe Glenn has some feelings about this book.
Glenn: Its a great concept that I feel was handled poorly but it definitely has a loyal fan base.
Ray:  Selling just under 2K at #324 is the latest Giant Days oversized special, “Where Women Glow and Men Plunder“. It’s Australia-set, and sells 72 copies above the main series despite being twice the price. This long-running college series is one of Boom’s best cult hits.
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Speaking of cult sci-fi anthologies, Stargate Universe has one from American Mythology, selling 1.9K at #325. This is a property that hasn’t been around in a significant form in decades, so we’re really looking at a small base of fans here.
Glenn: Wow, Stargate who knew?  Yeah there will be the fans out there buying this and clutching it while they rock back and forth praying to the Netflix gods to bring it back
Ray:  At #329 is the Fantasmagoria Holiday Special, the second issue of a horror anthology from new publisher Starburns Industries Press. It sells 1.9K copies, but those are likely to be its last, as it’s from the creator of Border Town. Moving on…
American Mythology seems to be giving Dynamite a run for its money with old pulp heroes! They launch a new Zorro series, subtitled Legendary Adventures, at #330. Its 1.8K in sales seem about right for a character who hasn’t been relevant since his last movie about a decade ago.
Glenn: I was about to say ‘you go Zorro’ but then I think I made that joke on here before.  Where are all the Zorro comics coming from?!
Ray:  1.8K in reorders for Heroes in Crisis #3 at #333. This series may have gotten a lot of controversy, but getting people talking means more sales!
#337 brings us “Canadian Vark“, selling 1.7K for the latest weird vanity project for Dave Sim. I would say God bless ‘im, but that may not be appropriate anymore given recent revelations.
Glenn: The best thing is about these stories coming out is that people are finally feeling able to do so.
Ray:  Land that Time Forgot: Fear on Four Worlds launches at #340, selling 1.6K from American Mythology. This is not to be confused with The Land Before Time. Littlefoot is not in this.
Glenn: I was wondering.  I wonder if it would have sold better or worse if he was.  Loads of kids will think the only animated talking dinosaur is Rex from Toy Story and *sighs* The Good Dinosaur.
Ray:  Alterna finally has a new launch on the charts after a few months off, with the odd Einstein/Tesla adventure team-up Feast or Famine. It launches at #341 selling 1.6K, which is a little lower than what Albert Einstein: Time Mason did a few months back. Battle of the time-traveling Einsteins goes to Action Lab!
Glenn: Who would have guessed that Einstein would almost be in as many comics as Batman?  By almost I mean like 5% of course.
Ray:  American Gothic Press, a very small publisher that usually doesn’t go into the singles market, makes the top 500 with a new horror book titled Nice #1, selling 1.4K at #351. The company has a big presence in the hardcover market, so the eventual collection will likely do much more.
Antarctic Press launches the sexy zombie-hunter comic Rags at #358, selling 1.3K. It’s like Walking Dead, except the lead lady walks around in rags! In a world full of zombies. Who turn you into a zombie if you get bitten on exposed skin. This makes sense and is not a gross T&A comic at all.
Glenn: I’ve seen the cover to this.  The part of me that has a love for female strong protagonists died a little.
Ray:  Speaking of which, right below is Jungle Fantasy Secrets: Nude Cover Edition. It’s scary down here, Glenn.
Glenn: So many scantily clad or naked busty women, its like we stumbled into *insert popular porn site here*
Ray:  Amid a lot of Marvel reorders, Boom gets a rare reorder with an additional 1.2K in sales for Firefly #1 at #363. Good news for Boom, which has their first real hit since Power Rangers on their hands.
Glenn: Will be interested to see if Buffy can deliver next month’s charts for them.  Gaining these properties from Dark Horse may be the best thing to ever happen to them.
Ray:  Amid a sea of reorders for books including Avengers, Heroes in Crisis, Die! Die! Die!, and Guardians of the Galaxy, we find a few low-selling original books. They include Rem 8 Winter Classics #1, a mature-readers title from Rothic Comics. It sells 1K at #385. I have no idea what this book is.
Glenn: I googled it.  I wouldn’t recommend the experience.
Ray:  #389 to #394 are all Marvel reorders, all selling just around the 1K mark, and they include random titles like X-Men: Blue, She-Hulk, and Jean Grey. This is definitely some sort of stock liquidation for December.
Glenn: We’re onto you Marvel!  We here at By The Numbers are crazy enough to delve this deep!
Ray:  After a bunch of more reorders and low-selling comics, we come to Love Town #1 from Devil’s Due, which sells 901 copies. This vampire detective thriller was previewed with a #0 issue, but it doesn’t seem to have gained it any new fans.
Glenn: Vampires have kind of had their moment (except when they are Veronica Lodge for some reason), there isn’t really a popular comic in amongst a pile of other similar comics like there is for Walking Dead and zombies.
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Ray:  #409 brings us “How the Trump Stole Christmas” from Antarctic Press, selling 894 copies. I don’t know if this is pro-Trump or anti-Trump. Man was not meant to go this deep, Glenn.

Glenn:  I know that your heart is generally the size of your fist so given the President’s tiny hands, he seems perfect for the Grinch whose heart was several sizes too small.  

Some reorders for Bitter Root at 421 with sales at 812, seems like this one probably launched about the right level and will level out quick.
424’s Cavewoman Rampage One Shot makes me regret the day I said to Ray ‘how do you feel about doing a lighthearted article looking at comic sales’ all those years ago.  It sells 804 copies…somehow.
Grumble which we mentioned above has more orders down here for some reason that’s listed separately, how odd. Its a variant but still those are usually all packed with the prime sales. It picks up another 763 sales at 429.
At 432 is Lady Death Gallery Crimson Turnaround which is not a comic but an image of J. Scott Campbell’s redesign of the character from 17 years ago which Coffin Comics are charging $25 with a straight face.  This is your baseline for J. Scott Campbell images one would think?
Ray: It’s always strange down here. $25 art books from the 1990s?
Glenn:  Whole bunch of standard reorders and continuing series from small press that have very small audiences until we get to 468 and Source from Scout comics which sells 572 copies.  Their website literally tells me nothing about this book apart from what its called and I can get a glow in the dark edition.  Ooooo
Nothing here but minor reorders until the ever dubious 500th spot which goes to the first issue of a comic called Ancient Dreams by Aggressive Comics (?!?!?!?!) and its about two sisters stuck between the past and present with them both on the cover not wearing…anything but they have some sort of golden light covering their naughty bits (cause they have to keep their dignity you see).  So there you go, what an apt way to end the last sales chart of 2018.
Ray: You learn something new every day. I didn’t even know Aggressive Comics was a thing.
Glenn:  Something tells me they’d be angry about that fact.
What’s up next month Ray?

Ray:  Looking ahead, the biggest launch of the month is by far the debut of Wonder Comics from DC, starting with the guaranteed top ten debut Young Justice and the new hero debut Naomi, both from Brian Michael Bendis. We’ll also see Flash and Justice League annuals that set up the next year of stories, and the latest anthology – Mysteries of Love in Space

Marvel’s got some major debuts, including Jason Aaron’s Conan the Barbarian, Tom Taylor’s Friendly Neighborhood Spider-Man, Chip Zdarsky’s Invaders, Kelly Thompson’s Captain Marvel, and a new Black Widow title, plus the return of Marvel Comics Presents. Likely to find rougher waters are a series of one-shots reviving classic genre titles like Crypt of Shadows.
It’s kind of a quiet month for indieland this month, with one BIG exception – as Boom takes a shot at the top ten with the debut of Buffy the Vampire Slayer from Jordie Bellaire and Dan Mora. There’s also the return of Fight Club 3 by Chuck Palahniuk and Cameron Stewart from Dark Horse, the return of Brubaker and Phillips’ Criminal, Kieron Gillen’s Watchmen-inspired Peter Cannon Thunderbolt, and the return of the Avatar franchise with Tsu’Tey’s Path. No, not that Avatar. Prince Zuko is not in this.
What will rise? What will fall? Find out next time on…By the Numbers!
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Liked what you read?  Have a question or comment?  Let us know here or on Twitter @glenn_matchett and @raygoldfield!

By The Numbers: November 2018

Like in any industry, comic books and their companies listen most to one thing and that’s your money! What does your money tell them? What does it tell us as fans? What series do people say they adore but can’t seem to catch a break and what books to people hate that sell out? What are the trends? What looks good? What looks rough?

All these questions and more will be answered here, every month in ‘By The Numbers’ by comic writers, editors and fans, Glenn Matchett and Ray Goldfield.

Glenn Matchett is a comic writer and editor. He’s worked in the industry for 6 years but grew up reading comics. He’s had work published with Outre Press, Alterna Comics and Nemesis Studios. For Christmas, Glenn is hoping to get Sparks on Comixology (yes I finally got it submitted, no I haven’t heard anything).

Ray Goldfield is a fan of comic books for going on 25 years, starting with the death of Superman. He is a writer and editor and has released his first novel. Ray also does a weekly roundup of DC comic reviews for website Geekdad and they’re brilliantly entertaining.  For Hanukkah, Ray listened to ‘Remember That We Suffered’ from Crazy Ex Girlfriend while eating lots of Chinese food, as is tradition.

We also do a podcast together with longtime buddy, Brandon James on iTunes with Rabbitt Stew or at the link here! Don’t ask, I didn’t pick the name. If you’d like to hear what me and Ray sound like, give it a listen!

Top 500 in full available here!

Glenn: Where did 2018 go?  Its the last by the Numbers for the year (unless typing this up takes until 2019) and we have one of the most puzzling and interesting sales charts of the year to see us out!

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Number one this month is former Marvel heavyweight title Uncanny X-Men which is back with a new 1, a new creative team and a weekly schedule and a hefty price for 7.99.  Despite said hefty price it sells over 176.1k which is great…kind of.  There were a lot of varient covers and it seems the X-Men are having a moment again…at least where 1’s are concerned because the other issues this month tell a slightly different story.  Issue 2 is at 15 with under half the sales of over 62.3k and 3 is at 17 with sales over 58.2k.  Now if it can stay around there then it’ll be fine but its quite a sharp drop and a strange sign from retailers who apparently expect over 100k people more NOT to come back THE VERY NEXT WEEK.  Its odd.  The varients will be making a big difference but the big question the title will have to answer if it can stay around the third issue level.  As a side note, another really high priced issue being number 1 is not good for anyone.  I’m sure most of us agree that more expensive comics for not much more content =bad but sales like this will encourage companies to keep giving us them.
Ray: Marvel is a mess when it comes to their overpriced launches. They pack them with variants, set a high price bar to even get into the series (especially bad when it’s a weekly series), and then make the Surprised Pikachu face when it crashes in sales. Based on these first few issues, it looks to me like this is going to settle down roughly around the level that X-Men: Gold did for its run, but maybe a little below the hit X-Men: Red. But they’re releasing an issue every week, so just like the Avengers weekly (which is coming back), it’ll overall be a win for Marvel.
Glenn:  At 2 is the new Green Lantern comic by Grant Morrison and Liam Sharp who are a dynamite team which is more than enough to understand why it sells over 113.6k which is way over what the title has been selling since the glory days of the Johns era.  I would estimate it’ll settle anywhere between 75-80k (around the same level as Justice League) for the remaining 11 issues which will be great.  Following up from that will be the real challenge but that’s tomorrow’s problem, right now its a win.
Ray:  Unlike the book right above it, the creative team on The Green Lantern is the big draw here. That means it’ll likely hold much better than other launches. I wouldn’t be surprised at all to see it be a top ten staple for its run (currently 12 issues, but they’ve said that about other runs). Top 20 is more likely, though. 
Glenn:  First surprise of the month is one shot Web Of Venom: Carnage which sells over 104.2k at 3 which in an insane amount of sales for a comic starring a character that lost his main sales pull like 10 years ago, if not more.  Clearly the direction writer Donny Cates continues to take the Venom franchise in seems to be turning anything relating to it to gold and Ray’s prediction that a Venom line overseen by him is almost becoming a certainty at this rate.  The regular Venom book rounds out the top ten at 10 with sales over 74.5k as it continues to be one of the most dependable books not only from Marvel but from the industry as a whole which is an insane statement considering where the title was only a year ago.  The title right now is right up there with the megawatt Justice League title which is one of DC’s biggest books and that is just madness.  When asked about rumours about building a cage that Cates can’t escape from, Marvel refused to comment.
Ray: They don’t need to build a cage for Cates. He’ll be running the place next year the way he’s going. But yeah, these numbers are insane. Venom’s a property that’s always been popular and has been waiting for a creative team to deliver on that potential. These two issues are yet another example of just how much of an impact this run has had. Flash Thompson and Carnage series are probably inevitable now in some form.
Glenn:  At 4 is right into another surprise with Amazing Spider-Man 10 which sells over 103.6k for no apparent reason?  The previous issue (9 for those of us bad at math) also charts at 7 with sales over 85.5k which is great also bit the leap of roughly 17k is a real puzzler.  Was there a varient people wanted?  Was there an overship?  Is this run gaining momentum?  All possibilities and next month might see the trend continue but clearly this is one book that no matter what, Marvel has little to concern themselves over.
Ray: There’s been quite a few cases where the first issue of the month had a weird increase followed by the second issue dropping a lot, but not the reverse. Weird. I’m guessing it’s a variant, because this was the end of a fairly bland arc. Either way, this title is largely bulletproof. The run has mostly been getting no buzz for good or bad, but Amazing Spider-Man has a ridiculously strong brand, almost like…the next two books on the list!
Glenn:  At 5 and 6 is Batman which is around its usual level selling over 94.9 and 93k respectively. Nothing much to say here, business as usual.
Ray: King has now confirmed that his run is going to 105, so DC will have nothing to worry about here for a long time.
Glenn:  Heroes In Crisis seems to have settled at roughly around the 80k level as issue 3 sells over 83.7k at 8 on the charts.  Its a good number but again with how DC was hyping this and what they deemed to turn it into, its unclear how much of a success it’ll be seen as.  If it was a book dealing with mental illness in the superhero community, a more character driven story I think it would be a great or even fantastic number but as a corner stone story for the entire universe with seemingly huge repercussions…its middling.
Ray: That’s a very small drop for the third issue, about 10%, so I’m guessing this is the series’ level. Overall decent, but more like a side event than a main event. There’s only room for one stand-alone prestige event comic at DC right now, I guess!
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Glenn:  At 9 is Avengers issue 10 which is actually issue 700 which sells over 77.7k.  Considering what other books have done with their anniversary issues this is definitely an underwhelming number.  I would say that keeping the current numbering and not renumbering to 700 for one issue (Marvel have done worse, lets face it) may have been a mistake.  There will likely be reorders on this one as I think the significance in regards to numbering and story with this issue was somewhat missed.

Ray:  That’s an increase of almost 20K from last month, so I’m guessing Marvel got the word out. This turned out to be a very significant issue with long-term implications, so I wouldn’t be surprised by reorders. This is largely Marvel’s new flagship book.

Fantastic Four ships two issues this month, landing at #12 and #14 with sales of 72K and 67K respectively. That’s right around the level of Justice League, so I think we can safely say this is one of Marvel’s top books right now. Just like Thor, absence made the heart grow fonder.
Glenn: Great settlement for Fantastic Four which will get a wedding push next month because Slott definitely isn’t one to let things just simmer.  He’s really brought bis magic to a title Marvel has trying (and failing) to make work since they put Millar and Hitch on the book way back in the day.
Ray:  Good ol’ Walking Dead is down there at #18, selling 58K. As the comic market ramps up, top ten is a hard reach, but zombies will always be waiting for us in the top 20.
At #21 is the first issue of the Marvel Knights 20th Anniversary miniseries. The first issue is written by Cates before other writers take over, and it sells a strong 52K for a series that doesn’t really seem to tie into anything else. The second issue drops significantly down to #50, selling a still decent 36K.
Glenn: Some nostalgia here for sure but Cates seems to be the main selling point here.  You might not be too far wrong on him being at the helm of the ship sooner rather than later.
Ray:  One of the strongest debuts in Boom’s history is at #22, as Greg Pak’s Firefly sequel series sells 51K. This is set after the series and before the movie, so certain fan favorites are still around. That and the top creative team combined for an amazing debut for a company that rarely breaks into the top 100.
Glenn: The love for this series following a one series cancellation 15 years ago (!!!!) is unreal.  Congrats to everyone involved, the demand is clearly still there.
Ray:  The Drowned Earth crossover concludes at #26, selling just under 50K. This was another modest hit for DC just like The Witching Hour, but the event issues selling so much lower than the Justice League issues is weird.
Glenn: Like I said last month, we saw something similar with Clone Conspiracy a few years ago.  The main issues of Amazing sold great but the event mini did far less.  This seems to be a lack of understanding/miscommunication.  It leaves one to wonder what the point of these special one shots are any more when you can just do an extra issue of the main title and sell a lot more.
Ray:  Dead Man Logan, the final arc of Old Man Logan’s story, kicks off its year-long run at #29 with sales of 49K. That’s a 10K increase for the final anniversary issue of the original series last month, so retailers were likely treating this as somewhere between a new launch and a continuation. There seems to have been a market for a more traditional stabby Wolverine while the original is dealing with hot claws and Infinity Stones.
This is the tier where we see a lot of strong ongoing titles that have locked down around the 50K-45K mark long-term. They include Detective Comics, Catwoman (which is performing like a Bat-title), Superman, Action Comics, the two main Star Wars titles, Thor, Flash, Justice League Dark, and Captain America. This is the cream of both companies’ crops at the moment.
Wonder Woman sees the debut of G. Willow Wilson’s run at #33 with sales of 44K. That’s an increase of only 2K from Steve Orlando’s first issue, interestingly, so the title probably already saw its rebound from the previous extended run. The second issue of Wilson’s run only sells 37K at #49. DC probably could have hyped this up a bit more to get buzz rolling, but I expect heavy reorders.
Glenn: It could be a climber too.  Wilson’s run has the potential to get people talking about Wonder Woman again and could get eyes on the title gradually over time.
Ray:  A decent debut for playwright Eve Ewing’s first Marvel book, Ironheart. It lands at #45 with sales of 40K, which is about as much as I could expect for a character who never really caught on under her stint in the Iron Man armor. I am surprised that this issue did better than Shuri’s debut issue last month, given the movie hype for that character. As with almost all teen-focused Marvel books, this title’s future will be whether it can capitalize on that secondary comics market.
Glenn: Decent start for Ironhart who who will likely settle at around mid 20k.  This one does seem to have been left to defend for itself promotion wise.
Ray:  We wave goodbye to Mister Miracle as he takes his final bow at #47, selling 38K. Great numbers for a Kirby spinoff, owing entirely to the incredibly talented creative team. But his final trick will be turning those 38K sales into millions of trade sales.
Glenn: This will sell forever and ever over various editions.  You can build a house with one copy of each version of Watchmen that’s ever been released and this series will be much the same.
Ray:  #48 has the debut of IDW’s new Marvel line, with Marvel Action: Spider-Man. This all-ages adventure features Peter, Miles, and Gwen, and is part of a line of new-reader friendly takes on popular Marvel characters for Disney. Its 37K in sales doesn’t look impressive, but this is not remotely a book geared towards this market. It seems like it’s going over very well, and it’ll sell countless times that in IDW’s affordable mini-trade format.
Glenn: Its a big number for IDW.  Many fans in the direct market won’t be deeming it relevant enough to check out but through other avenue’s it could be the biggest selling Spider-Man title.
Ray:  #55 has the debut of Bloodshot: Rising Spirit, selling 34K for Valiant. This is a decent debut, boosted by the character’s profile being raised a LOT by Jeff Lemire. I doubt it’ll sustain those sales long-term, though, as this flashback story doesn’t seem to be getting much buzz.
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In one of the oddest spin-off projects Marvel has done in a while, Thanos‘ henchmen the Black Order got their own miniseries. It lands at #57 and sells 32K, a pretty weak number for a solo story no one was really clamoring for.
Glenn: Most of those sales will be just due to their spotlight in Infinity War.  It might have done a bit better had it been timed closer to the movie but yeah this is really one of those ‘well what did you expect?’ cases.
Ray:  The latest and last Infinity Warp miniseries, Ghost Panther, sells 31K at #60. Black Panther has a huge audience, Ghost Rider less so. This was just around the level of Weapon Hex and ArachKnight last month.
Glenn: If only it had been Cosmic Ghost Panther!  Then sales would have went through the roof!
Ray:  The latest Ralph Macchio one-shot, Enter the Spider-Verse, lands at #63 with sales of 29K. This is a bit higher than these throw-away one-shots usually do, maybe due to retailers not being sure if this was a Spider-Geddon tie-in or not. This also may be the last of these, as Jody Houser is writing the reader-friendly Captain Marvel one-shot in February.
Glenn:  They probably wanted a female writer on the Captain Marvel one, Macchio will likely be back in time for his Endgame tie in.
Ray:  After a lot of decently-selling ongoings like Doctor Strange, Harley Quinn, and Nightwing (which seems to be surviving the mess the title’s found itself in with decent sales), we get to the next #1 on the list. That would be Han Solo: Imperial Cadet at #70, selling 27K. This is a spinoff exploring an unseen era of a prequel that many people felt was unnecessary in the first place, so I’m guessing that retailers felt this was the least necessary Star Wars comic yet – especially with how poorly the film was received.
Glenn: Yeah, there’s been so much backlash against Solo (unfairly to me) that this one was always going to struggle.  It’ll probably earn its keep in collections sold at various Star Wars related locations but I don’t think we’ll be seeing this period of Han’s life in comics form in the future again.
Ray:  #79 brings us the first issue of Infinity Warps, an anthology tying into Infinity Wars and featuring absurd little merged characters like “Moon Squirrel” and a Fantastic Four of only two people. It sells 25K, which is fine for a side book like this with no larger implications.
At #85 is a comic called “Rick and Morty presents Pickle Rick“. This is a real comic that sells just under 24K. This is a real comic that outsells Daredevil. I am not okay, Glenn.
Glenn: I hear that Chip Zdarsky is going to appear on that mountain, as the sun rises on the third day to make everything okay again!
Ray:  Although West Coast Avengers started low on the sales charts, it seems to be holding very well. The fourth issue sells 22K at #90, which is actually up just under 1K from the third issue. This is a title that found its audience and could grow from here, especially once the first trade hits.
Glenn: This seems to be destined to be a cult hit which is fine, a lot of series out there could dream to have the same distinction.
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Ray:  The second issue of the Typhoid Fever miniseries, this one starring the X-Men, sells 22K at #91. That’s almost a 33% drop from the first Spider-Man issue, which doesn’t bode well for next month’s Iron Fist installment.
Shuri gets hit pretty hard with its second issue, shedding about a third of its first issue sales to land at #96 with 21K in sales. Caveats apply about the secondary market, of course, but this is struggling early.
Glenn: Borrowing heavily from the super successful movie seems to not have benefited much, at least in the singles market.  The Black Panther title is doing very well historically speaking but its still not going to be a franchise that can sustain much outside itself.
Ray:  A bizarre, inexplicable, massive drop for Supergirl at #100, as it loses over half its sales to sell 21K. This is essentially retailers reverting to form for the series before the revamp and shedding all their extra orders for the Bendis revamp. We’ll have to see where it goes from here, but this one of the more dramatic course corrections after the initial three-month period I’ve seen.

Glenn:  That is an odd one.  Perhaps a mistake, perhaps not.  We’ll know more next month.  Its still doing at an okay level but if it drops further it might become a problem.

Also, selling about 20k gets you into the top 100 these days, yeesh.  2018 was rough.
Scottie Young’s new Image book, Middlewest sells a very good number at 104 selling over 20.8k.  He’s slowly building a brand as a writer.
Ray: Yeah, Young’s had a pair of pretty decent hits for Image as of late, even without his art on board.
Glenn:  Losing about 16k on its second issue, Old Lady Harley sells over 20.4k at 105 which isn’t too bad given its an out of continuity mini by a writer that doesn’t have much buzz about him.
At 108 is Archie 700 which is the title going back to original numbering and the start of a new creative team which sells over 19.4k which is quite a leap up from the titles previous levels.  This issue is essentially a clip show/set up.  It’ll likely be back to previous levels soon enough, the hype the title gained when it relaunched under Waid and Staples seems a long time ago.
Ray: I believe this is the start of the new creative team on Archie, actually. The company hyped it up for months and gave it a ton of variants, and these sales reflect it. But as we speak, artist Marguerite Sauvage has already left the title and the book is missing months in solicits. Not looking good. If only other companies had stories that could have warned them…
At #112 is an unusual Dark Horse book, William Gibson’s Alien 3. This is the comic book adaptation of what would have been Alien 3 before it was heavily rewritten. It sells 18.8K, a stronger than usual debut for this licensed property. Dark Horse is getting the best out of it before the property heads over to the mouse house. 
Glenn: I missed that one!  The story behind Alien 3’s production fascinates me so a lot of fans of the franchise will definitely turn out for this one.
Former DC and Marvel writer, David Walker comes back to comics after a brief break along with co-writer Chuck Brown to launch Bitter Root from Image which launches at 115 selling over 18.6k which again isn’t too bad, especially since Walker never really got the opportunity to be a heavy hitter at either of his two employers.
Ray:  Yeah, this is a very promising debut for Walker and Greene’s book, and it seems to be getting some amazing reviews. We’ll see it have very good holds from here, I bet.
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Glenn:  At 119 is Doctor Who 13th Doctor 1 which sells over 18.2k which is the highest launch for the property in…well quite some time and possibly ever.  Not sure how long it’ll last but this is likely due to the hype around the first female Doctor and the involvement of writer Jody Houser along with longtime Who artist Rachel Stott.
Books of Magic loses about half its sales with the second issue charting at 120 with sales over 18.1k.  This is still very good if we’re going by recent Vertigo standards and these various Sandman related books will do most of their business in trades regardless.
DC’s latest 80 page 9.99 anthology, Nuclear Winter sells over 17.2k at 122 which is very good for a bunch of out of continuity series but this volume had some serious talent involved which likely helped.  For what its worth, I think this one was the best one DC has put out.
Ray: That’s another healthy launch for an expensive, oversized anthology. If they keep delivering the quality, they’ll have a small hit every quarter at this rate.
Glenn:  At 123 is Suicide Squad Black Files which sells over 16.9k which is okay for a throwaway one shot while the franchise waits for the next iteration of its title to be announced.
Ray: This Suicide Squad miniseries is essentially a compilation of two separate solo series – one for Katana and one for El Diablo. Given that, I imagine these sales are much better than those solo projects would have done.
Glenn: Oh yeah for sure, we still have nightmares about the sales of Katana’s new 52 series
The second issue of Lucifer at 124 is an identical story to Books Of Magic, it sells over 16.8 which if memory serves places it quite a bit ahead of the previous series that was coming out.
Falling to sales over 16.2+k is the latest Umbrella Acedemy mini at 127.  There’s still a small dedicated audience here but this mini and its predecessors will likely greatly benefit in collections from a Netflix adaption coming in the new year.
A new DC series Electric Warriors launches from Steve Orlando and Travel Foreman at 128 selling over 16.1k.  This seems to be a revival of an old 80’s property, I don’t think there seemed to be much of a clamoring for the return of this one.
Ray: Yeah, this is a super-obscure DC property, taking place between the eras of Kamandi and the Legion. Given that, DC probably didn’t expect anything else. It’s a fun experimental miniseries that will play out its run and hopefully get a cult audience in collections.
Glenn:  The newest John Layman title, Outer Darkness debuts at 136 selling over 13,7 which seems to be about the audience his name commands.  Decent start, if it can pick up momentum in collections like Chew did there won’t be any concerns about Layman getting to tell the title’s full story.
Ray: Layman tends to do a bit better than other cult creators known for their weird concepts. Kieron Gillen said that if you’re not an A-lister and you launch above 10K, you’re probably in good shape.
Glenn:  Usually the movie prelude’s Marvel put out are a waste of paper retelling the events of a previous movie or some such.  I’m curious though what Captain Marvel Prelude included since we’ve seen nothing of her so far on the big screen.  It sells over 13.3k at 138 which is perfectly fine for this sort of thing.
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Ray: This one was actually an original story, focusing on what Maria Hill and Nick Fury were doing through the last few years of the MCU. It also had nothing to do with Captain Marvel until Fury called her, so this line continues to be weird.
Glenn: At least it was a new story though
The second issue of Shatterstar loses about 8k in sales which is much better than I would have expected.  It sells over 13k at 139 so it could be much, much worse.
At 141 is American Carnage from Brian Hill which a new Vertigo offering from DC which sells over 12.8k which is about the usual for this new iteration of the line.  I think this one might be the one to watch of all of the new Vertigo launches though.
Ray: Yeah, this one has a very strong creative team and a lot of advance buzz. More on Vertigo’s newest troubles in a bit, though…
Glenn:  At 148 the Sideways Annual sells nearly identical to the regular issue which is just one spot below it with both selling over 11.6k.  The character seems to have a small but set audience but that’s unlikely to save it from the same fate the books it launched amongst have all met.
Ray: Sideways has in fact been cancelled, so it seems like we’ll be seeing this line as a whole wrap up shortly.
Glenn:  At 157 is Dr. Horrible Best Friends Forever the long awaited sequel to the exceptional web series of yesteryear.  It sells over 11k showing that it doesn’t seem to have the same nostalgia power that Firefly had but the series hasn’t had nearly as much additions to it and doesn’t feature any new music (boo)

Ray:  That’s really low for a property written by Joss Whedon – he actually wrote the full script here, not just consulted. It’s always hard to tell how much audience a property that was solely available online for free has left, but I’m surprised this didn’t make the top 100. 

Glenn: I think after the accusations raised by his ex-wife and the performance of Justice League, Whedon’s pull may have diminished.  It’ll be interesting to see how well his new series does when it sees the light of day.
Ray:  Cult creator Tom Scioli, one of the most acclaimed indie cartoonists next to Ed Piskor, chose the obscure 1980s cartoon Go-Bots as his next project. It launches at #158 with sales of 11K for IDW, their third-highest sales of the month. That’s the most relevant Go-Bots has been in decades! But given Scioli’s fanbase, I imagine this will be doing most of its audience in collections.
Glenn: I know nothing about Go-bots apart from them being discount Transformers so this seems rather good but within expectations for when you get a creator who brings a set audience regardless of property.
Ray:  The latest Hellboy and the BPRD one-shot, set in 1956, lands at #164 with sales of 10.5K. It’s pretty amazing how stable the Mignolaverse is for Dark Horse. That and Black Hammer are their top homegrown franchises.
An odd project, The Wicked + the Divine Funnies, lands at #166 with sales of 10K. This is pretty close to the level of the regular title, so retailers just treated it like the latest one-shot even though it’s a comedy anthology with no ties to the main story.
An oversized Jim Henson’s Labyrinth one-shot lands at #170 with sales of 9.8K. The movie has gotten a bigger profile recently thanks to the sequel series, so this probably boosted the sales. Not bad for a $7.99 comic.
Greg Pak’s latest relaunch of James Bond, titled James Bond 007, launched at #172 with sales of 9.7K. This got some good buzz for his revamp of Oddjob as a rival secret agent, but it doesn’t seem to have translated to sales. Probably doesn’t help that Dynamite has a lot of different Bond books running at the same time.
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Glenn: They do seem determined to get a lot out of this licence don’t they?  Bond outside of the big screen isn’t a franchise that commands a lot of attention and even then, the status of the films seem in flux.
Ray:  Star Wars Adventures has a new spinoff miniseries, Destroyer Down, taking place right before The Force Awakens. It sells a healthy 9.7K at #173, although the majority of sales will be in collections.
Bettie Page gets a relaunch at #175, selling 9.6K. I got nothing. Dynamite really likes doing weird adventure comics about real people.
Glenn: I don’t remember the last series being that long in the tooth…who do they think they are, Marvel?
Ray:  Tom Taylor wraps up his time in the Injusticeverse with Injustice 2 Annual #2, selling 9.5K at #176. This was a digital-first release, so it did most of its sales there, but this is still a decent increase for the book. It’s also one of the best comics of the year.
Glenn: Taylor has been doing Injustice for a few years now (apart from a brief break some years back) and seems to have turned it into a well received cult hit.  Not too bad for a comic based on a video game to remain relatively stable for several years.  We’re starting to see Taylor now get bigger franchise opportunities coming up, lets see how those do in the coming months.
Ray:  One of Cullen Bunn’s earliest horror comics, The Empty Man, returns for an ongoing series at Boom. It sells 9.3K at #179, a decent number for Boom’s creator-owned books. That Bunn guy is all over the place!
Glenn: Bunn, Ennis and Lemire maybe have the most diverse portfolios in comics right now.  Doesn’t seem to be doing them any harm either.
Ray:  Top Cow’s latest release, The Warning, lands at #180 with sales of 9.2K. Edward LaRoche’s writer-artist book didn’t seem to get much advance hype and got lost in the shuffle of the month’s big releases, so it’ll have to build some buzz fast.
Glenn: Typical Top Cow performance then, the company must be able to perform somehow/somewhere to keep chugging along as it does.
Ray:  At #185, we have the third issue of Vertigo’s Border Town, selling 8.5K. A decent number, and about 8.5K more copies than it’s going to be finishing its run with after the creator was credibly accused of sexual assault, his art team quit, and DC canned the book. Womp Womp.
Glenn:  DC just announced that the first few issues are all returnable too.  Its like it never happened and that’s pretty much how it should be.  Kudos to the art team on this, I hope they get more work.
Note:  After this was typed up, it was leaked the writer was due to takeover Nightwing and was to co-write the March issue.  That did not happen.
Ray:  Chilling Adventures of Sabrina, which has spawned a hit Netflix series despite never finishing its second arc, reissued its first issue for a dollar and sold an additional 8.3K at #188. Some free money, akin to the True Believers model, but it’s funny that this is the first comic based on the property that has been released in years.
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Glenn: The collection sold well this month too.  The upcoming title by Kelly Thompson will likely do well too, it is odd that they’re making the call to have that series be more of a traditional Sabrina story than the one that is taking off on screen.
Ray:  Dark Horse had better find some new licenses to make up for all the ones they’re losing to the mouse, so they’re trying to make a go with the popular video game God of War. The first issue of a new miniseries sells 7.9K at #194.
Glenn: A very popular game series but as usual, that’ll only get you so far with a comic adaption.  Fans of these franchises like the medium they originate from.
Ray:  Speaking of cult video games, the choose-your-own-adventure romantic mystery Life is Strange gets a spinoff from Titan Comics. It sells 7.5K at #198, a decent number for Titan and its young adult audience will probably pick it up in larger numbers in trade.
Glenn: That being said, Life Is Strange which is heavily story based and has a very passionate fan base could buck the trend.  Fans could really turn out for the collection of this one.
Ray:  Coming off a 25-cent preview issue, Dynamite launches Battlestar Galactica Classic as a series, and it debuts at #203 with sales of 7.2K. The property has been overshadowed by its modern version in recent years, so this is very much a niche comic.
Crimson Lotus, a spin-off of the Lobster Johnson Mignolaverse franchise, gets her own series at #208, selling 6.7K. Well below the main series, but it’s another piece of evidence of how strong this franchise is.
Hey, Zombie Tramp is creeping towards the top 200! She’s at #218 this month, selling 6.1K. Good ol’ Zombie Tramp, unofficial mascot of By the Numbers.
Glenn: I remember puzzling what the heck it was when it started appearing at 300 (back when there only was 300…) its nice to see it grow up and do so well.  No doubt our constant mentioning of it here and on the Stew helps a great deal.
Ray:  Woof, a pretty terrible debut for Keith Giffen’s new Image miniseries, Auntie Agatha’s Home for Wayward Rabbits. It sells 5.7K at #220. That’s one of the lowest debuts for a main line Image book I can remember, especially odd since Giffen is a fairly big name in comics. This seemed like an all-ages comic based on the concept, but it actually very much wasn’t. I don’t know who this was marketed towards, and I’m not sure retailers did either.
Glenn: Giffen is a legend in comics but he’s not known for much creator owned stuff.  He may be viewed as an old school creator that can’t float a new series.  This one could turn around but so far, interest seems to be minimal.

Ray:  The latest Boom teen-oriented miniseries, Smooth Criminals, lands at #234 with sales of 5.3K. This story of a computer programmer who teams up with a time-displaced master thief. A double-period piece taking place in 1955 and 2000, it’s clearly a unique book – but like all of Boom’s books, it’s not really geared towards the direct market.

Glenn:  That seems to be a very interesting if somewhat complex premise.  One thing that the market can’t be accused of is lack of choice.
From IDW comes a prequel to the last movie George Romero directed, Road Of The Dead: Highway To Hell which sells over 5.2k at 236.  This is likely for diehard fans of the movie or Romero in particular.  I can’t expect IDW expected much more because at its core, its just another zombie book and priced at 4.99 to boot.
The Terrible Eisabeth Dumn Against The Devils In Suits is an English adaption of a foreign horror comic.  It has a very long title and is good for sales numbering over 5.1k at 239.  It seems to have been lost in the shuffle a little bit.
Ray: This was a really weird comic – oversized both in pages and dimensions, and released with little fanfare. Image just sort of tossed it out there, and this is what you get.
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Glenn:  Some reorders for last months Venom annual at 242 with over 4.6k additional sales.  There are additional sales for the third issue of the main series at 240 too.  We’re going to have so many Venom books come the Summer, we’ll not know what to do with ourselves.
Lightstep is a new five issue mini from Dark Horse which sells over 4k at 258.  Pretty standard from Dark Horse when it comes to comics that aren’t attached to major properties or by Mike Mignola or Jeff Lemire.
Ray: I believe the creator of Lightstep is a legendary European writer/artist, so this may be aimed much more at foreign markets in the collected edition.
Glenn:  Minions Viva Le Boss is a one shot containing more wacky adventures from everyone’s favorite yellow fiends.  It sells over 3.8k at 266 which is on the low side but there’s no movie to latch onto, its a kids comic and will likely sell better elsewhere.
Ray: I think it’s actually a series – just issue after issue of silent comics where the Minions accidentally kill their boss. This will likely get a lot of bookstore sales
Glenn:  A new mini from Zenescope written by Chuck Dixon (no really), Van Helsing Sword Of Heaven launches at 280 selling 3.5k.  This is a higher level than Zenescope usually does but again, its a rough month all round.  Seeing Zenescope publish work by Comicsgate creators seems about right for them.
Ray:  Zenoscope, keeping it classy even when not selling Sexy Red Riding Hood. 
Glenn:  Disney Afternoon Giant at 286 selling over 3.3k is much like the case of the Minions comic above, its a kids comic that’ll do its business elsewhere.  For those keeping track on their ‘Disney properties and who deals with them’ Bingo cards, this one is from IDW, well known publisher of Spider-Man.
Speaking of Spider-Man, at 288 we have some reorders of Spider-Geddon.  Reorders are always nice but this is only sales of over 3,2k so this doesn’t seem to have been the barn burner that the company was likely hoping it would be.  Its been very good too but it seems the idea will be more profitable as a movie franchise in the years to come.
More reorders for Venom, issue 7 this time at 295 selling over 3k.  Venom showing up multiple times in the forms of reorders is something that makes me doubt my sanity, who would have guessed?
Another new mini from a creative team I don’t recognize in the form of Sukeban Turbo which sells over 3k at 296.  I think they should be pleased they made the top 300 all things considered.  Up here is where its safe.
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Pretty much the same story at 300 for Night Movies which just squeaks in at the upper end of the charts with sales over 2.9k.  IDW are throwing out a lot of content but not much of seems to be resonating interest.
Ray: There’s been a real increase in the number of creator-owned comics on the market, to the point where it starts to feel like a glut. IDW is one of many companies that hasn’t been able to catch fire. We saw what happened to books by legendary creators like Carey and Gross with The Highest House (come on, people!). What hope do books like these have? Neither of them picked up any critical buzz either.
Glenn:  Cheryl Blossom 1 is some sort of comic shop incentive thing from Archie which sells over 2.4k 1t 313  proving that not every Archie character needs their own title.
Ray: I believe this was a reprint of Cheryl’s solo series from the 1990s. It didn’t last long then either.
Glenn:  At 315 is Trump Titans Space Force.  It sells over 2.4k.  I wonder how many of those were ordered for the lolz factor.  Those reading this will likely still hear my cries of sorrow on the wind from having to type about this comic.
Ray: *deep long sigh followed by barely muffled scream* We are professionals and judge all comics equally. This is by Canadian company Keenspot, and I believe their Trump comics are more parodies? Maybe?
Glenn:  No one said we were professional.
A lot of reorders around the 2k mark for random issues of Amazing, Shuri, Nightwing, Drowned Earth, X-Men Black: Magneto, the first issue of Heroes in Crisis and others.  Again, reorders are always encouraging but none of these exactly scream high demand.
At 341 is Cerebus In Hell, our monthly Dave Sim insanity which sells over 1.9k.  I wonder if in another reality he too had to do an article about the top 500 sales…
Conspiracy The Illuminati is a comic centering around some of the worlds craziest theories.  It promises to shape how readers perceive reality but given its from Zenescope, the only thing readers may doubt is their sanity.  It sells over 1.9k at 342.  The Da Vinchi Code this isn’t.
Ray: I’m sure this won’t at all give their new ComicsGate fanbase some bad ideas about who’s running the world…
Glenn:  The price of $1 doesn’t seem to get much interest in the Atomic Robo: Greatest Hits release at 345 selling over 1.8k.  Its a cult all ages property with a set audience and even a price incentive is unlikely to grab new readers.
Ray: This comic has had a long, healthy run already and has found a solid audience in trades. This is just a way to try to get some more eyes on it, but I imagine this is a lot like Usagi Yojimbo or Savage Dragon – another long-runner that isn’t going to pick up much of a new audience.
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Glenn:  Die Kitty Die Heaven and Hell maybe wins the prize for the oddest title this month.  It sells over 1.8k at 346 and is the monthly release of a Kickstarter project so likely all those who were desperate to have it got it through there.  The property shows up again at 356 in Die Kitty Die Cathouse Horror special selling over 1.7k.  I think they missed the fact that all the horror releases were last month.
Ray: This is one of those obscure comics like Lady Mechanika that I keep on seeing around but I’m still not sure if it’s real.
Glenn:  90’s nostalgia features this month at 372 in the form of Rugrats C Is For Chanukah Special which sells over 1.5k at 372.  Better elsewhere, yadda yadda.  You all know the drill.

Ray:  One might even say…T is for Trades? And B is for Bookstore?

The oversized IDW Disney digest, Tsum Tsum Kingdom, is at #374 selling just under 1500 copies. Same story as Rugrats, but this one is about tiny little aliens that look like Disney characters! It also had stories by Time & Vine creator Thom Zahler. This is likely going to be an evergreen book at Disney World, so IDW’s Disney/Marvel bet continues to pay off.
The new sexy Superhero comic Punchline debuts from Antarctic Press with 1.4K at #375. Got to get some of that Zenoscope money, I guess.
Glenn:  She does seem to wear a little more clothes than the female characters from either companies choose to wear if that counts for anything.
Ray:  The Catalyst Prime line from Lion Forge has been ambitious, but it hasn’t paid off in sale as the line’s seven books often miss the top 500. We get a new debut this month, as Quincredible – a teen superhero adventure that doesn’t actually have the Catalyst Prime logo – lands at #381 with sales of 1.4K. Clearly, these books have to be getting their sales somewhere, but it’s not here.
Glenn:  As you said on the Stew, removing the logo seems to have helped matters which is hilarious in a way.
Ray:  A surprisingly hefty reorder for Steve Orlando’s Dead Kings, from Aftershock at #385, picking up just under 1.3K. I think retailers ordered this like every other Aftershock book but underestimated Orlando’s fanbase. There’s also 1.2K in reorders for the Wytches Bad Egg special four spots lower.
Starburns Industries Press has the oddball anthology, Comics Comics Quarterly, at #388, selling 1.25K. This collection of stories by comedians featured Patton Oswalt and might become a collector’s item if one of the lesser-known comics breaks out.
Glenn:  An odd one and may worth digging out of your lcs’s bargain bin cause you never know!
Ray:  Pink Panther Classic Christmas sells 1.2K at #391. It’s a weird world down here.
Amid a lot of reorders, the Source Point Press Frankenstein remix Monstrous lands at #401, selling 1.1K. Source Point, unlike many other new companies, seems to have a distinct POV. They do oddball horror and supernatural comics, and it seems to be helping them grow a bit faster than others.
Action Lab has Princeless: Find Yourself, a feminist fairy-tale remix from Unstoppable Wasp creator Jeremy Whitley. It sells 893 copies at #418, but this is a series that’s been out for a while and gets 99% of its sales in collections. I’m kind of surprised they;re even doing singles anymore.
Mad Cave Studios, which we rarely see on this list, has a new title in Knights of the Golden Sun at #421. Selling 843 copies, it’s a pseudo-Christian comic about the lost adventures of angelic warriors. Clearly, the definition of niche comic.
Glenn:  Wow…I wonder if this is secretly an Ed Wood comic and he’s using this to finance his latest zany movie.
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Ray:  The Long Con deserves so much better than 765 copies at #430. Clearly, Oni has faith in it, though – hopefully it’s killing it in trades.
Glenn:  It really does.  Oni released a second printing of the first issue and only charged $1 for it a while back so hopefully that helps things long term.
Ray:  Vault might have a mini-hit on its hands as they pick up 677 reorders for their India-based vampire thriller These Savage Shores at #435. Amid a sea of Marvel, DC, and licensed reorders, this one stands out. They also get 672 reorders for their supernatural writer drama Fearscape at #438.
Judge Dredd is a character who’s made the rounds at various companies. His newest home at Rebellion Developments doesn’t really pay off, as movie sequel Dredd: Final Judgement only sells 663 copies at #439.
Neither Monarchs #1 from Scout Comics nor Love Town #0 from Devil’s Due make any impact on the direct market, selling 581 and 576 copies respectively at #446/447.
We finally get to see where the Catalyst Prime titles land, as this month’s chart has a much lower floor than most months’. Noble is the highest of the lot, selling 551 copies at #454, with Summit and Accell selling 490 and 457 respectively. The others are still MIA.
Two more creator-owned bombs are Pandora: Shotgun Mary #0 from Avatar (#455, 541 copies) and Antarctic’s Star’s End (#456, 539 copies). Too many books on the market and little to set these two apart.
Glenn:  Its sink or swim in the market with too many books doing the former.
Ray:  It’s a wave of reorders down here, as the vast majority of the bottom fifty are books we’ve seen already. The last original book on the charts, at #493, is WWE Superstars Ongoing from Super Genius. This is an alternate reality comic featuring the WWE stars as superheroes, and it sells 397 copies.
Glenn:  Super Cena!  He’s reallllll
Ray:  The actual #500 book this month is a reprint of Rick and Morty vs. Dungeons and Dragons #2, selling 391 copies. Somehow, I blame Pickle Rick for this.
Glenn:  Same.
Ray:  Looking ahead, it’s a pretty big month to end the year. DC is bringing us some new launches and creative teams, including a new Freedom Fighters and Martian Manhunter series, Kelly Sue DeConnick’s debut on Aquaman and Pete Tomasi’s return to Detective Comics, and Zoe Quinn’s first published comic at Vertigo in Goddess Mode. But the heavyweight entries are undoubtedly the lightest and darkest comics DC puts out this month – the debut of Shazam, and the return of The Batman Who Laughs. Good chance those two are chasing Doomsday Clock on the charts.
Marvel this month is more about endings than beginnings, with events like Spider-Geddon, Infinity Wars, and Extermination wrapping up their runs. But they’ve got quite a lot of launches packed into three weeks this month – including two Fantastic Four wedding issues, a five-part Defenders special event, the launch of Superior Octopus, Killmonger, and a new Miles Morales series at exactly the right time.
It’ll be a busy month for indie as well. The headliner is probably the new Gillen/Hans series Die, but Mark Millar and Rafael Albuquerque’s new series Prodigy isn’t far behind. And when it comes to Dark Horse, it’s the comic everyone’s been waiting for – Black Hammer presents Cthu-Louise!
What will rise? What will fall? Will we cry when we get into the 400s? Find out next time on By the Numbers!
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