Nuclear Family banner ad

Review: Kim and Kim: Love is A Battlefield #3

Kim and  Kim: Love is a Battlefield #3 combines all the epic insanity of that great sci-fi anime you stayed up all night watching on Toonami with relatable, real life stuff like shirking responsibilities and staying up all night with someone who is hot, but not good for you. And going to all night diners. Also, there’s a mecha and a really cool bounty hunter ship plus Kim Q beats up and electrocutes some random vest wearing with a bass on the first page. On that page, artist Eva Cabrera and colorist Claudia Aguirre give us some of the best lightning-inflected bass lines this side of Cliff Burton’s early Metallica work.

Storywise, writer Mags Visaggio plays with a structure a little bit splitting up the Kim’s for most of the issue and having them “work out” their issues with other supporting characters before reuniting them in a cathartic, crowd pleasing way towards the end of the issue She also raises Laz’s status as the series’ Big Bad connecting her to the larger universe of Kim and Kim (And a terrorist organization called Adversary.) while not neglecting the core friendship at the center of the comic. Visaggio writes heat of action banter really well, like when Kim Q calls the Adversary’s goons “koopa troppas”, but she can also serve up some emotional rawness like when Kim Q tells her boy toy/action sidekick that she is just doing the whole sex and violence thing to take her mind off Kim D being hung up on her toxic ex. (“Hate fuck” is a key clue.) Kim D also has a conversation with future mercenary queen, Kathleen, about her emotional issues with Kim Q on the backburner and focusing on taking down a dangerous terrorist and making a little scratch along the way. However, when you really care for and love someone, a little thing like a terror syndicate gets put on the backburner.

One of my favorite things about Kim and Kim: Love is a Battlefield #3 is that the action flows out of character. Kim Q wants to forget about her troubles so she and Saar decide to kick all of the collective asses even if that means attacking a terrorist group with a bass guitar just because they have a cool mecha. From the beginning, Visaggio, Cabrera, and Aguirre show the glee that Kim Q takes in the art of battle from her electrifying her bass guitar like it’s Frankenstein’s Monster and she’s a mad scientist to singing West Side Story lyrics while knocking heads. Every kick, punch, or swing of her bass helps her feel less of the pain of her separation from Kim Q. And, of course, she ends up fighting Kim D as Kim Q and Saar’s mecha comes into conflict with Kathleen and Kim D’s tricked out mercenary ship. On the outside, it’s the Pacific Rim/Cowboy Bebop crossover you’ve always dreamed about, but it’s really Kim D and Kim Q working out their issues via rad vehicles and weapons. Also, the faces that Cabrera makes Kim Q pull while she’s trying to drive Adversary’s mecha are seriously hilarious. There’s no instruction manual for this kind of thing.

Rad action, check. Funny one-liners from Mags Visaggio, cool fashion choices (Especially in the sunglasses department) from Eva Cabrera, and a pleasing color palette from Claudia Aguirre, check. Kim and Kim: Love is a Battlefield #3 expertly melds entertainment with emotional honesty, and I can’t wait for the miniseries finale and for Kim Q and Kim D to do their team up against a super evil ex girlfriend thing and maybe find a little closure along the way.

Story: Mags Visaggio Art: Eva Cabrera Colors: Claudia Aguirre
Story: 9.5 Art: 9.5 Overall: 9.5 Recommendation: Buy

Black Mask Studios provided Graphic Policy with a FREE copy for review