Summerland is the story of Santana and her cousin Gwen who work on a play with Chucho while all three are vacationing, created by the animator Paloma Dawkins, who works in a riotous color palette.
Paloma Dawkins has created a comic that’s visually a stunner in Summerland, published by Retrofit Comics. The story is pretty simple taking us through some of the life of Santana and Gwen, but it’s the visuals that draw the reader in.
The colors especially jump from the page in a trippy colorfest that reminds me of my childhood watching 3..2..1… Contact. There’s this weird retro-art thing going on. It’s unique, and really stands out.
I’d say the colors visually assault you, and that may sound like a bad thing, but I don’t mean it that way. The colors are bright in a technicolor rainbow that changes as the comic progresses through the story. From yellow and green to blue to purples to red to orange and back again the colors are as cyclical in what they’re saying as the story is. It’s just amazing to look at and no review will do it justice the visuals matter that much. If you look at the cover you’ll get an idea as to what to expect.
What strikes me about Summerland is that the colors that Dawkins chooses to use say as much about the story as anything else. Where each color is placed, what hue to use, it’s all worth examining and you’ll want to.
Summerland is a visual treat and if you’re into indie comics or love a colorful visual, it’s a comic well worth checking out.
Story: Paloma Dawkins Art: Paloma Dawkins
Story: 7.5 Art: 10 Overall: 8 Recommendation: Buy