The Muppets Trailer
So there’s a Muppets comic books, it works for the site. Plus, it’s the Muppets…. Along with the trailer, it looks like there’s a social aspect on Twitter with #greenwithenvy shown at the very end.
So there’s a Muppets comic books, it works for the site. Plus, it’s the Muppets…. Along with the trailer, it looks like there’s a social aspect on Twitter with #greenwithenvy shown at the very end.
On Twitter I recently recounted my experience at three different comic book shops in the Washington, DC area and the vast difference of customer service I received to the #comicmarket. While much in that Twitter conversation has to do with what comic book shops would like to see from publishers, but what is it the fans want to see?
Comic book fans on a listserv were asked to share their thoughts as to “What pisses me off about the industry?” Here’s their answers.
“pretty much everything. I’m mad for comic books but the entire infrastructure of print comics and comics stores seems to be tailor designed for self foot-shooting. Many stores still retain a snide and socially awkward clique staff; the quality of artwork, dialogue and overall thematics of titles ostensibly set up as landmark series (such as Astonishing X Men) vary wildly; physical store product, layout and content scare off new female readers: and editorship is laden with gimmickry and misogyny.”
“Long-term readers are punished with senseless retcons and new readers lack an access point outside of the cinema.”
“What tweaks me about the industry: tunnel vision.”
“The sheer volume of insipidly monotonous content dressed up with great visuals, definitely the lack of diversity, and the dearth of informative, engaged (in a social/political sense) work being produced, though this is changing (albeit slowly).”
“the invisibility of cartoonists in most media coverage. Talk shows interview authors (often boring academic ones!) but rarely cartoonists.”
“The industry’s distribution, format and diversity tunnel-vision is beyond frustration. Also. I’d say the lack of the kind of rich critical establishment that you get spoiled by being a music nerd, is fairly depressing.”
“The endless number of spin-off series that go along with a big event series from Marvel/DC but don’t really add anything to the story, racism/sexism/homophobia in comics — particularly if it’s hidden, anything conservative making it into the comics realm, lazy storytelling and art, the fact that the industry might destroy itself and I won’t get to read the stuff I like anymore…”
“Lack of genre diversity in comics.”
“i don’t really give the industry as much thought as i should.”
“Mainstream industry is not very supportive of women, POC.”
“Retcons and needless event deaths (say, offing Blue Beetle and/or turning Maxwell Lord into an evil criminal mastermind after all these years.)”
“Editorial cartooning is dominated by horrible work based on lame gags and labeled metaphors. I hate it. And the general reluctance of magazines and websites to run editorial cartoons or comics journalism.”
Having worked in a comic book shop, worked retail for a major game publisher, and now get to sit on the outside as a fan, I can tell you the stores bare as much responsibility for the state of the industry as publishers. Shops should be professional, but as I showed in my visit at three stores, that’s simply not the case. Shops need to step up, use the resources at their disposal and do everything they can, especially before laying blame towards publishers. It’s a tandem effort.
I asked #comicmarket what stores were doing to get their customers to market for them. The response was crickets. I see discussion of how stores are marketing to their customers through events and some are using social networks, but what are those stores doing to get their customers to talk to their friends? Are stores building an email list to market to? Are they advertising on Facebook? But more importantly, are they professional when customers enter the store.
I worked for a major game publisher that had stores of their own. It was a workshop of sorts (figure it out yourselves). Every Sunday, the staff of the store was brought together to go through sales scenarios. We were drilled to engage customers. We had an employee handbook we needed to follow. Is your store doing that?
The typical comic book store stereotype is they’re dark, smell, dirty and feature an register jockey who can’t engage customers. Forget what publishers are doing, what are we all doing to make sure we break that stereotype?
The Alternate Reality Game (ARG) for The Dark Knight Rises has launched and has revealed the first look at Bane. Much like for The Dark Knight, Warner Bros. is using games and puzzles to promote the upcoming movie. Generally referred to as ARGs, this type of marketing forces the consumer to complete tasks or puzzles, often working with others, to get teases about the products. The previous Batman films featured and it’s been used by bands like Nine Inch Nails, a pioneer in this type of promotion.
When you head to the movie website you are greeted by music and a black screen. One member of the Superherohype Forums then discovered in the spectrum the music says #thefirerises.
That hashtag tipped off people to this Twitter account, http://twitter.com/thefirerises. That Twitter account then took you to a link with this photo.
That’s a photo of actor Tom Hardy who plays Bane in the movie. What’s even neater is the photo is made up of the icons of the Twitter and Facebook users who have partaken so far. This has just started and looks to be as fun as the “I Believe in Harvey Dent” political campaign that was run.
Here’s a clearer picture of Bane.
On top of comic books, I’m a fan of mixed martial arts (notice the Bloody Elbow link to the side?). In many ways the two industries share a lot of similarities. Both were in relative obscurity just a decade ago, relegated to being nothing more than something overgrown adolescents were fans of. Both were considered a “low form” of entertainment, comics appealing to those barely literate and the stereotypes of the MMA fan were rampant as well. Over that time period, MMA has grown into one of the premier forms of sports today, surpassing boxing as the go to event to watch people pummel each other. During that same time period that MMA exploded into a billion dollar industry, comics had a minor uptick and renaissance, but still struggles to gain the mass acceptance or audience that MMA has.
And that’s why I found an article on Mashable about MMA and social networking so interesting. Unlike the comic industry, MMA, especially the premier brand UFC, has embraced social networking to spread the word about the sport, interacting with fans on a level unlike any other. According to Mashable, the UFC will be taking it a step further, by paying it’s fighters to tweet and build an audience. From the article:
The Ultimate Fighting Championship, the world’s largest mixed martial arts (MMA) organization, is going to award fighters with monetary bonuses for using Twitter, the head of UFC announced at the UFC Fighter Summit in Las Vegas.
UFC and Strikeforce (another MMA promotion company, owned by the UFC) have a unique plan on how to do that. Starting June 1, they will divide their fighters into four categories based on their Twitter follower count. Then, after every three months, three fighters from each category will get a $5,000 bonus based on how many followers they’ve gained, the biggest percentage of new followers gained and the most creative tweets, judged by UFC head Dana White.
That’s an impressive way to build even more buzz and get fighters to engage fans and build that important base. That also got me thinking, what if the comic industry embraced this type of thinking as well?
On our Twitter account you can see in various lists, the artists, writers and industry personalities that already use the social networking tool. So why not dive in and embrace it more? There is only so much the press team for publishers can do (and many of those teams have a ways to go to begin with), so why not have these creators go directly to their fans to promote future releases or current projects?
What I currently see on Twitter with this UFC project is fighters begging for new fans. That’ll only go so far and only work so much. Instead, fighters will begin to give a reason why they should be followed. This will also be how it’d shake out if the same sort of program were extended to comic book creators. They’d need to start teasing new projects by posting teaser art or have discussions and Q&As on Twitter. The “making of” will be as important as the final project and most importantly build hype which will hopefully generate into sales.
Fans often factor in writers or artists when they decide to pick up a series, so why not embrace that? Give those creators a monetary incentive to do the job that can no longer only be done by a press team.
It’s been a long time in the making but Marvel has launched a Twitter account for their eventual MMO video game. The account nicknamed the Marvel Massively Multiplayer Society launched recently. It’s locked down so you need to request to see the Tweets, but it looks like it’ll be the avenue for the behind the scenes development of the video game.
An interesting discussion broke out on Twitter this afternoon concerning comic books and piracy. We’ve done our best to show the narrative as it unfolded, but there were a lot of Tweets, Replys, etc. and I’m sure some were missed.
Writer/Director Kevin Smith‘s treatment of The Green Hornet was rejected by the movie makers, but was turned into a fantastic comic series published by Dynamite. It looks like lightning is striking twice as he revealed on Twitter to expect a comic book version of his take on The Six Million Dollar Man.
It’s new comic day and we’re looking to check out what the pull box has in store, what are you picking up this week? What comic book news did you miss? Check out what caught our eye in the past 24 hours.
Around the Blogs:
Wired – Why Kickstarter May Save Independent Comic Books – Geekdad Dave Banks checks out why Kickstarter might save independent comics. I’ve dropped a few hundred dollars in the past year to support a few projects and pledged towards a few more that didn’t reach their goal.
ICv2 – Craig Thompson’s ‘Habibi’ Due Sept. 20th – The Islamic influence has made this yet to be published graphic novel square in the hater’s crosshairs (and we chose that word on purpose). It’s already been banned by one library, only to see that decision reversed.
Publishers Weekly – Bad News But More Good News for Boom! Studios – It’s been a weird couple of weeks for Boom! Studios. Check out what’s been up and the decision behind renaming their kids line kaboom!
Mediabistro – Museum of Comic and Cartoon Art Celebrates Tenth Anniversary, Opens Will Eisner Exhibition – It’s been ten years for New York’s MoCCA.
Around the Tweets:
Each week, we bring you the politically charged tweets from those in the comic book industry to show it’s not all tights and capes.
Each week we scour the twitter accounts of various folks in the comic book industry to show how they chat about more than just folks in spandex who can fly. With the State of the Union last week there was a lot of chatter, and here’s some of the best.