Where the Data Ranks 2017’s Comic Book Films. Atomic Blonde Debuts
Atomic Blonde opened up this past weekend, the latest comic adaptation, based on the series published by Oni Press. With expectations that the film would open around $20 million, it fell short with just $18.6 million. Still, with a $30 million budget, the film will be fine in the long run and probably turn a profit.
Valerian and the City of a Thousand Planets continues to struggle standing at just $30.6 million domestically in two weeks. With a budget of $209 million, the movie will need a miracle. The film has made a bit over $25 million at the foreign box office and opens in China on August 25.
Spider-Man: Homecoming continues to do well with a worldwide gross of $633.8 million. I say well, because while that number’s impressive it’s short the $766.2 million average Spider-Man films earn. It will likely be the lowest earning Spider-Man film to date.
Wonder Woman continues to impress and is on its way to $400 domestically, just the 27th film to do so. The movie has earned $786 million, the second highest amount for a DC movie universe film. However, due to its much lower budget, the film has the highest gross to budget return.
Wonder Woman is also driving the gap between earning averages for the Marvel and DC adaptations and helping it catch up in a way. On average DC films earn $335.5 million domestically while Marvel earns $308.2 million. Internationally, Marvel rules with $476.9 million and DC lags behind with $432.8 million.
Already, the year is an interesting one with three clear successes and a whole lot of mixed otherwise. Wonder Woman, Logan and Guardians of the Galaxy Vol. 2 have done well this year, The LEGO Batman Movie and Smurfs: The Lost Village, and Atomic Blonde are in that debatable area, and Valerian, Wilson and Ghost in the Shell are generally disappointments. Spider-Man: Homecoming, we’ll wait and see.
Here’s where this year’s movie crop stands as far as the actual numbers (numbers have dipped due to a new film opening):
Total Domestic Gross: $1.599 billion
Total International Gross: $2.031 billion
Worldwide Gross: $3.630 billion
Total Reported Budgets: $1.115 million
Total “Profit”: $2.515 billion
Average Domestic Gross: $159.9 million
Average International Gross: $225.7 million
Average: Worldwide Gross: $363.0 million
Average Budget: $111.5 million
Average Profit: $251.5 million
Below is where the films released stand when it comes to being compared to this year’s averages. Those in green are above average while those below are red.




I had predicted it’d be a close weekend at the box office based on good word of mouth over Spider-Man: Homecoming but looks like I was off on that one. By a wide margine, War for the Planet of the Apes won the weekend with an estimated $56.5 million. The film also earned $46 million at the foreign box office for a total of $102.5 million worldwide. That’s not bad for a first weekend with a budget of $150 million. War‘s opening was a million more than Rise of the Planet of the Apes in 2011 and $16 less than 2014’s Dawn of the Planet of the Apes. Luckily War is about $20 million cheaper than Dawn as far as budget.


Despicable Me 3 won the weekend box office with $75.4 million, which is about $10 million less than Despicable Me 2. That amount is also about $8 million shy of what was predicted for its opening. The film received an “A-” CinemaScore and was about 50/50 male and female. 69% of the viewers were families and 50% were under the age of 13.


As expected, Cars 3 won the weekend box office earning an estimated $53.5 million in its first weekend at the domestic box office. It also earned $21.3 million form a handful of foreign markets. That opening is one of the lowest for a Pixar film, just a handful of films have done worse and the lowest opening for a Cars film by about $6.5 million. The series is made for licensing though and altogether the series has earned over $10 billion in merchandising, and that number was from six years ago! So, the box office isn’t all there’s at with this film. Audiences liked what they saw with the film earning an “A” CinemaScore and the that audience was pretty split with 51% being male, 75% families, and 35% under the age of 13.