Tag Archives: saida temofonte

Wonder Woman: Tempest Tossed Gets a Trailer

Princess Diana of Themyscira believes that her 16th birthday will be one of new beginnings—namely, acceptance into the warrior tribe of the Amazons. But her birthday celebrations are cut short when rafts carrying refugees break through the barrier that separates her island home from the outside world. When Diana defies the Amazons to try to bring the outsiders to safety, she finds herself swept away by the stormy sea. Cut off from everything she’s ever known, Diana herself becomes a refugee in an unfamiliar land. 

Now, Diana must survive in the world beyond Themyscira for the first time—a world that is filled with danger and injustice unlike anything she’s ever experienced. With new battles to be fought and new friends to be made, she must redefine what it means to belong, to be an Amazon and to make a difference. 

Wonder Woman: Tempest Tossed is a story about growing into your strength, fighting for justice and finding home.

Out June 2, 2020, Wonder Woman: Tempest Tossed is written by Laurie Halse Anderson, illustrated by Leila del Duca, colored by Kelly Fitzpatrick, and lettered by Saida Temofonte.

Preview: Sweet Heart #4

SWEET HEART #4

Writer(s): Dillon Gilbertson
Artist Name(s): Francesco Iaquinta (Pencils/Inks), Marco Pagnotta (Colors), Saida Temofonte (Letters)
Cover Artist(s): Francesco Iaquinta and Marco Pagnotta
26 pgs./ M / FC
$2.99
Digital-First

Maddie gets wrapped up in a risky plan to save a child’s life. Is it worth the price? Or is it destined to fail?

SWEET HEART #4

Preview: Sweet Heart #3

SWEET HEART #3

Writer(s): Dillon Gilbertson
Artist Name(s): Francesco Iaquinta (Pencils/Inks), Marco Pagnotta (Colors), Saida Temofonte (Letters)
Cover Artist(s): Francesco Iaquinta and Marco Pagnotta
26 pgs./ M / FC
$2.99
Digital-First

In this issue, Maddie goes hunting, catches up with an old enemy, and visits a family friend. 20 years after she was first chosen by the Stringer, she’s doing everything she can to fight back against the creatures the town of Ellicott City has long since surrendered to. 

SWEET HEART #3

Preview: Sweet Heart #2

SWEET HEART #2

Writer(s): Dillon Gilbertson
Artist Name(s): Francesco Iaquinta (Pencils/Inks), Marco Pagnotta (Colors), Saida Temofonte (Letters)
Cover Artist(s): Francesco Iaquinta (Cover A)
28 pgs./ M / FC
$2.99
Digital-First

8 years after the events of Issue 1, Maddie just wants to live a normal life. Unfortunately, she has to deal with public ridicule for the monster that follows her and struggles with contempt for her parents’ decision to conceive her into a “feeder family”.

Preview: Sweet Heart #1

SWEET HEART #1

Writer(s): Dillon Gilbertson
Artist Name(s): Francesco Iaquinta (Pencils/Inks), Marco Pagnotta (Colors), Saida Temofonte (Letters)
Cover Artist(s): Francesco Iaquinta (Cover A) Christian DiBari and Simon Gough (Cover B limited variant)
32 pgs./ M / FC
$3.99

Being hunted is an everyday risk in Ellicott City and the town itself is designed to make life comfortable for its citizens while being actively stalked by the eerie, insatiable creatures that live among them. But when Ben is chosen by one of the creatures near his home, his mother struggles to cope with the certainty of her son’s death. Fans of horror will enjoy this all-new creator-owned pitch dark tale with a rich artistic flair.

SWEET HEART #1

Review: DCeased: Unkillables #1

DCeased: Unkillables #1

DCeased: Unkillables #1 could have been an entire issue of Deathstroke killing zombie Nazis and I’d have been more than satisfied. That opening alone sucked me in and nailed down the exact type of comic that would follow. It’s an over the top summer blockbuster… and a hell of a lot of fun.

Writer Tom Taylor delivers another chapter, and look, at the end of the world. DCeased: Unkillables #1 kicks off the follow up to DCeased. The anti-life equation has ravaged the world and the heroes are likely to not solve the problem. What’s a villain to do?

While a sequel, DCeased: Unkillables #1 is set up in a way that you don’t need to read the previous series. You’re able to get an idea as to what’s going on. While some events are danced around, none of it is vital to enjoy this debut issue. And enjoyable it is.

Taylor seems to gleefully revel in the over the top nature of the story. Things are taken to the line and cross it, but at the same time knows it is doing exactly that. Jokes abound making what might seem macabre instead humorous. There’s levity in that 80s action-flick sort of way. Quips are delivered quickly and with a style that makes everyone cool.

Karl Mostert‘s art helps with all of that. There’s gore but it never quite crosses into gore-porn. Blood exists and bodies pile up but Mostert does it in a way that relies partially on imagination. The gore isn’t the focus. Instead, Mostert uses the situations for over the top reactions delivering a bit of visual and physical comedy to it all. That’s helped by Rex Lokus‘ colors which pop and prevent a dour look.

DCeased: Unkillables #1 is a solid start to this series. Those who have read the previous volume might appreciate a different perspective but it feels like a fresh start. The duality of that is impressive. The content itself, the story and visuals, are over the top in a big-budget summer popcorn sort of way creating a reading experience that you can sit back, turn your brain off, and just enjoy.

Story: Tom Taylor Art: Karl Mostert
Ink: Trevor Scott, Neil Edwards, John Livesay

Color: Rex Lokus Letterer: Saida Temofonte
Story: 8.15 Art: 8.15 Overall: 8.15 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Get a First Look at He-Man and the Masters of the Multiverse #4

He-Man and the Masters of the Multiverse #4

Written by Tim Seeley
Art by Tom Derenick
Colors by Matt Yackey
Lettering by Saida Temofonte
Cover art by In-Hyuk Lee
In Shops: Feb 19, 2020
Final Orders Due: Jan 27, 2020
SRP: $3.99

Return to the 1980s Filmation cartoon series!

Still reeling from a tragic loss last issue, Keldor and He-Man must find the legendary Star Seed—the last power in the universe able to destroy Anti-He-Man before he claims another Castle Grayskull!

Stay tuned for the next issue of He-Man and the Masters of the Multiverse, where Keldor travels to the Eternia of the 1980s Filmation cartoon series!

He-Man and the Masters of the Multiverse #4

Review: Livewire #12

Livewire #12

“Hero” reaches its thrilling endgame in Livewire #12!

With the whole country watching, Livewire is targeted by a trusted confidant, will she remain America’s Most Wanted?

The climactic final chapter building since Secret Weapons and through Harbinger Wars 2 is finally here!

With Livewire #12 Vita Ayala makes the bold decision to have the finale be a much more cerebral affair than your typical run of the mill finales. While there is tension within the comic, it’s not of the physical kind; instead, Ayala weaves a level of intensity through Livewire’s internal narration and the dialogue that borders on thriller level as the machinations of certain characters are teased.

Initially, the ending might seem somewhat underwhelming, and I understand that point of view, but I found it more interesting than reading about Livewire fighting her way through security defenses and the like. The wrapping up of the story in this way is immensely satisfying; there are very few loose ends left after twelve issues, and Livewire is positioned very well for the next person to take on the character.

Although Ayala has scripted an interesting and compelling tale about Livewire, there’s no denying that they were left with an… interesting place to begin after the events of Harbinger Wars II. While Livewire’s actions were extreme in that story, it’s refreshing that they weren’t just swept away as the world moved on (while there may be some who choose to ignore Harbinger Wars II, this series will at the very least serve as the epilogue).

I’ve enjoyed the political spin of this comic. When I say that, I’m not saying that no other comics are political, but rather that I enjoyed the way this comic treats politics, politicians and the process of an election. It’s probably not utterly accurate, but at least from my understanding, it’s pretty close (the huge caveat there is that I am an Englishman living in Canada, so I’m not all that familiar with the way senate elections actually work).

This series has served in many ways to recenter Amanda McKee and deal with how her actions have impacted the general public, as well as the psiot herself. With the political background of the final arc, Ayala’s taken an interesting path to Livewire’s redemption – and it’s well worth reading if you like a little bit of the political process with your comics.

Livewire #12 specifically, though, is a strong book. Both as the finale and as a standalone comic. Ayala comes out of this series on a high note, and I am sure that their star will continue to shine in comics.

Story: Vita Ayala Art: Tana Ford
Colorist: Kelly Fitzpatrick Letterer: Saida Temofonte
Story: 8.6 Art: 7.1 Overall: 8.3 Recommendation: Buy

Valiant provided Graphic Policy with a FREE copy for review

Preview: He-Man and the Masters of the Multiverse #1

He-Man and the Masters of the Multiverse #1

Written by Tim Seeley
Art by Dan Fraga and Richard Friend
Colors by Matt Yackey
Lettering by Saida Temofonte
Cover by In-Hyuk Lee
Variant Cover by Dan Fraga and Matt Yackey
In Shops: Nov 20, 2019
Final Orders Due: Oct 28, 2019
SRP: $3.99

“By the Power of Hellskull…”

Anti-He-Man, the scourge of Anti-Eternia, has been unleashed! He-Men from across the Multiverse will unite! Blazing a trail across the dimensions, Anti-He-Man is devastating each version of Eternia and stealing the power of Greyskull. Now it’s up to a ragtag team of surviving He-Men to recruit the one man in existence, across every Multiverse, who might save them: Prince Keldor, the man who would be Skeletor. This all-new miniseries features the most iconic eras and beloved takes on the Masters of the Universe!

He-Man and the Masters of the Multiverse #1

Review: Livewire #11

Livewire #11

Amanda McKee—aka “Livewire”—continues the fight to clear her name in Livewire #11.

Teamed up with politician John Wright, Amanda learns there’s more to superhero-ing than just punching bad guys.  When masked men hold a charity rally hostage, Livewire is ready to show the world she can be a hero in the spotlight!

With Vita Ayala placing Livewire in a situation that finds her caught in the middle of a political battle being used as a pawn in an election battle between an incumbent senator and his challenger, we’ve been treated to a unique and interesting story that has a focus away from what we’ve been used to seeing; Livewire’s reputation being repaired through political means.

It’s a fascinating concept, and I’ve really enjoyed how Ayala has allowed this to play out while giving us an at first subtle subplot to the arc, as well.

There’s a touch less subtly this issue as Livewire attends a charity ball/event/whatever-it-is, which (as you may have guessed from the above preview text) leads to her having a very quick and very real impact on the lives of the party goers. Whether this furthers the agenda of the politician looking to make a career based on taking a stand for psiots. That there’s an underlying motive goes without saying, and it’s how both plots weave in and out of focus as the story progresses that has struck me.

Yes, Livewire’s redemption is a secondary concern to the councilman, but that doesn’t mean he isn’t playing the game to the best of his ability (and we still don’t know what his end game is, I’m enjoying the tidbits we’re getting).

Tana Ford‘s art still isn’t my cup of tea, but I still think that I just need time to adjust to the thicker lines and a style that gives me a rough pop art feel. I can understand the appeal, but I’m not there yet (and I say yet, because I wasn’t fond of Raul Allen and Patricia Martin’s style until after I spent a good few issues absorbing it).

Livewire #11 is, on the whole, a really solid comic with an interesting angle on the way politicians and public figures manipulate the general public’s perception and thoughts.

Story: Vita Ayala Art: Tana Ford
Colorist: Kelly Fitzpatrick Letterer: Saida Temofonte
Story: 8.4 Art: 7.1 Overall: 8.2 Recommendation: Buy

Valiant provided Graphic Policy with a FREE copy for review

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