Underrated: The Watchmen Movie
This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: The Zack Snyder directed Watchmen movie.
With the upcoming crossover taking place in issues of Batman and The Flash, coupled with the news that there would be an R-Rated animated version of the comic coming soon, I thought it was an ideal time to turn back and have another look at Zack Snyder’s adaptation. I’ll try and keep this as spoiler free as possible for those who haven’t read the comics or seen the movie – but honestly if you haven’t read the comic at this point, then why the hell not?
When talking about the movie, there are three different versions of the same flick that I’ll be referring too: the Theatrical Cut which was 162 minutes in length, the Directors Cut coming in at 186 minutes, and the Ultimate Cut which clocks in at 215 minutes. The Theatrical Cut is the version that everybody saw first in the cinema, and for a great may people it is the only version they have seen. It has been a long time since I watched that version, but I can recall when watching it that it was a good movie, but it wasn’t as great as it could be. Watchmen‘s director, Zack Snyder, had a very tough task ahead of him when he was charged with bringing Alan Moore and Dave Gibbon’s miniseries to the silver screen. Watchmen has been hailed by many people as one of the greatest graphic novels of all time; it’s a story that is near and dear to the hearts many a comic fan. Adapting the full story, and doing it well enough to meet the expectation of thousands of comic fans whilst at the same time appealing to those non-comic fans who had never read Watchmen, would have been nigh on impossible; even the Ultimate Cut is still missing at least two entire plot lines from the original comics, and that comes in at three and a half hours.
Although what was released to theaters was still a very good movie; the casting choices were fantastic (Jackie Earle Haley’s Rorschach was more than I could have ever hoped for), and the choices that were made when writing the script kept the movie as faithful to the source material as possible. Indeed, many scenes in the movie reflect certain panels almost exactly. The change to the ending I understand; to have the original ending included, without adding perhaps an extra thirty minutes of screen time to build the subplot that would be needed to have the ending from the comics make sense, would have taken away from the story as a whole. The movie’s ending worked very well for what it was, and while ultimately the same result was achieved, it was done so in a more believable method for cinema audiences. It wasn’t the same as the comics, no, but the movies are a different medium than the comics and face more constraints in terms of run time and budget. The version released to theaters was version of the movie that the studio, producers and directors felt was best suited to a theatrical release.
But when Watchmen was initially released, it wasn’t complete. It was a good movie, and the story told was coherent enough (especially for those of us who were familiar with the comics), but it did feel like something was missing.
That something missing largely disappeared wen the Directors Cut was released; the additional forty plus minutes of footage that really added to the film, and thanks to the extra run time it told a story that echoed the source material more than the Theatrical Cut did. Glimpses of one of the missing subplots were shown, and the movie felt much more complete; but when the Ultimate Cut was released which included the previously separately released animated Tales Of The Black Freighter woven into the extended Directors Cut, well then the movie took shape. The Ultimate Cut is still flawed, but it’s as great an adaptation as we can ever expect.
Unfortunately, however, the Ultimate Cut hasn’t been seen by as many people as the Theatrical Cut, which is a shame because the Ultimate Cut is as faithful a movie adaptation as we’ll ever see, and stands head and shoulder above the Theatrical Cut in terms of quality. Watchmen was a movie that had huge expectations heaped upon it, and when it appeared theatrically it never quite lived up to those expectations, the Ultimate Cut comes very, very close; although the Ultimate Cut is an outstanding movie, it has done little to elevate Watchmen‘s stature in terms of being talked about as a great movie; making this a surprisingly underrated gem.

Let’s not beat around the bush here: the theatrical cut of Batman Vs Superman: Dawn Of Justice wasn’t the greatest superhero movie of last year and while it wasn’t the worst comic book movie of the year, it was perhaps one of the most disappointing – for me at least. I had expected so much from the movie, because it was fucking Batman and Superman on the big screen together. And… well we got an average movie. There were parts that were great (Ben Affleck and Gal Gadot), and parts that were pretty good (Henry Cavil), and… some less than savoury parts. I left the theatre feeling quite unsure of how I felt; did the good outweigh the bad, or did it balance it out? What didn’t click for me? Could the movie had been better?
The Phantom (1996)
characters finding themselves and maybe foiling a more mundane threat to New York City. This isn’t a great movie, but it certainly isn’t as bad as the sequel.
Look, I’m not going to sit here and claim this is a fantastic movie, because it’s not. But if you go in with either an open mind or expectations that are lower than the Marianas Trench, then you’ll find something to enjoy. Nicolas Cage isn’t on top form here but he’s clearly enjoying the role, and treats the B-movie script with the respect it deserves when we see him on screen. It’s not one of his best movies, but I’ve seldom seen him give as entertaining a performance as he does in this movie, even if his characterization may not be on point given what fans of the character expect (even with my admittedly limited knowledge of Ghost Rider comics, it didn’t seem to jive too well).

Now I did go in with some pretty low expectations but, dare I say it, I actually enjoyed the movie; even though it seemed to do everything possible to prevent that from happening. Yes, there are moments that seem contrived only to move the plot from point A to B in the most straight forward manner, and there is a sense that there are two visions on display here due to the reshoots, but this isn’t as bad a movie as you’d expect based on the hatred and criticism that Fant4stic received upon it’s release.
The weekend is almost here! Some of our team is heading to the Marvel museum set up in Las Vegas! What geeky things are you all doing? Sound off in the comments!

Fair warning: There will be very minor spoilers for The Force Awakens within this post, centered largely on the awesomeness of Rey – I will try my utmost to ensure that no plot points are revealed, but there may be some comments on dialogue and her ability and prowess in the movie. I’ll try to be as vague as I possibly can, however, as the movie has only been out for a relatively short time and there’s a chance that some people may not have had a chance to see the movie yet; although you really should, if you haven’t this post shouldn’t completely ruin the movie for you.
It’s tough to talk about Rey too much wile keeping the spoilers to a minimum because a lot of what’s so great about her is highlighted so well; she is exactly the kind of character that needed to be seen on the silver screen. In an age when female led action movies don’t seem to garner the attention that others do – whether because of a lack of quality, star power, or interest – she shows little girls that they don’t have to rely on men to save them from peril; very early in the movie, Rey proves that she’s not going to be the stereotypical damsel in distress. Which is something that’s not unfamiliar to Star Wars fans; Leia wasn’t exactly useless in the original trilogy (I’ve only seen the Prequels once and I don’t remember much about them, or Amidala‘s role within them, and I couldn’t bring myself to rewatch them for this article).
