Tag Archives: matt milla

Preview: The Lion and the Eagle #2

The Lion and the Eagle #2

Writer: Garth Ennis
Artist: PJ Holden
Colorist: Matt Milla
Letterer: Rob Steen
Cover: Tim Bradstreet
Incentive Cover: Keith Burns

Oversized prestige format miniseries from the mind of Garth Ennis!

The battle begins in earnest as the British unleash a holocaust of high explosive on their enemy, and fanatical Japanese courage comes face to face with the fury of the Gurkhas. But a change in command sees the Chindits’ mission change from offense to defense, and soon the British unit is surrounded — and fighting for survival against increasingly heavy odds.

The Lion and the Eagle #2

Review: The Lion & The Eagle #2

World War II, the jungles of Burma and a British special force unit is deep behind Japanese lines.

Story: Garth Ennis
Art: PJ Holden
Color: Matt Milla
Letterer: Rob Steen

Get your copy in comic shops! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

comiXology/Kindle
Zeus Comics
TFAW


AfterShock Comics provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Exclusive Preview: The Lion and the Eagle #2

The Lion and the Eagle #2

Writer: Garth Ennis
Artist: PJ Holden
Colorist: Matt Milla
Letterer: Rob Steen
Cover: Tim Bradstreet
Incentive Cover: Keith Burns

Oversized prestige format miniseries from the mind of Garth Ennis!

The battle begins in earnest as the British unleash a holocaust of high explosive on their enemy, and fanatical Japanese courage comes face to face with the fury of the Gurkhas. But a change in command sees the Chindits’ mission change from offense to defense, and soon the British unit is surrounded — and fighting for survival against increasingly heavy odds.

The Lion and the Eagle #2

Review: The Lion & The Eagle #1

World War II, the jungles of Burma and a British special force unit is deep behind Japanese lines.

Story: Garth Ennis
Art: PJ Holden
Color: Matt Milla
Letterer: Rob Steen

Get your copy in comic shops! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

comiXology/Kindle
Zeus Comics
TFAW


AfterShock Comics provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: Knock Em Dead

Pryor Brice has wanted to be funny but is a failed comedian. After an accident that changes and he finds out what success can bring.

Story: Eliot Rahal
Art: Mattia Monaco
Color: Matt Milla
Letterer: Taylor Esposito

Get your copy in comic shops! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon
Kindle
comiXology
Bookshop


AfterShock Comics provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

AfterShock Reveals Lion and Eagle by Garth Ennis, PJ Holden, Matt Milla, and Rob Steen

LION AND THE EAGLE #1

Writer: Garth Ennis 
Artist: PJ Holden 
Colorist: Matt Milla 
Letterer: Rob Steen 
Cover: Tim Bradstreet 
Incentive Cover: Keith Burns
$7.99 / 48 pages / Color / On Sale 02.16.22

Oversized prestige format miniseries from the mind of Garth Ennis! 

1944: Imperial Japan still commands most of Asia. Determined to regain their hold on Burma, the British send a special forces unit – the Chindits – deep behind Japanese lines. Their mission is to attack the enemy wherever they find him. What awaits them is a nightmare equal to anything the Second World War can deliver. 

Colonel Keith Crosby and Doctor Alistair Whitamore have old scores to settle, being veterans of the long retreat through Burma two years before. But neither the jungle nor the foe have gotten any less savage, and when the shooting starts and the Japanese descend on the smaller British force in their midst, every man will be tested to his limit. 

Writer Garth Ennis (The Boys, Preacher, DREAMING EAGLES) and artist PJ Holden (The Stringbags, World of Tanks, Judge Dredd) present a tale of hellish jungle warfare, as apparently civilized human beings descend into an apocalyptic heart of darkness.

LION AND THE EAGLE #1

Hulkling & Wiccan Infinity Comic Launches on Marvel Unlimited

Hulkling & Wiccan

Have Hulkling and Wiccan finally found their happy ending? Find out in Hulkling & Wiccan a brand new digital comics series that has launched on Marvel Unlimited.

The all-new Infinity Comic is a 4-part series that will be available on the app every Monday. Hulkling & Wiccan is written by Josh Trujillo, and an all-star creative team including artist Jodi Nishijima and colorist Matt Milla, and edited by Alanna Smith.

Hulkling & Wiccan have found their happy ending at last…or have they? When a magical artifact shows them the paths not taken in life and love, will Billy and Teddy find their way back to each other? Will they even want to? 

Marvel Unlimited features over 29,000 comics spanning the entire Marvel Universe. The app available on For iPhone, iPad, Android devices and web.

Review: Captain America #30

Captain America #30

Captain America #30 wraps up Ta-Nehisi Coates’ run on Captain America. Captain America will (yet again) finally face off with his biggest foe, the Red Skull. After thoroughly thrashing Crossbones, Cap’s plan to defeat his foe lies not in punching him out but in exposing his true intentions to the many internet followers that the Red Skull has.

My first thought after reading this issue is that Coates wraps up his take on the character with not a bang but a whisper. There have been so many fights between Cap and the Skull and it’s maybe as damaging to expose your enemy to their blindsided followers as it is to beat them unconscious. But, it did feel a tad bit lackluster. This run hasn’t been about establishing power levels or memorable fights; it’s been more thought-provoking. I think there’s some legitimate darkness and evil to some of the rhetoric of the Red Skull that’s been used in this storyline and you can certainly see it reflected in our very real lives. I love that Coates tapped into that to see how damaging it can really be. To some, that’s boring and bland but I have an appreciation for stories driven like this. Cap is in a good place for when the next creative team relaunches the title.

I thought the overall look of Captain America #30 was good but not anything really special. I’ve liked Leonard Kirk’s work more on other books but there was just something about it with Cap that almost felt wasted on this issue. His artistic style really shines on a book with a lot of colorful suits and big action. Matt Milla’s colors work with the art and Joe Caramagna’s letters don’t hide anything but there’s almost a lack of energy to the overall product.

Captain America #30 is a fine end to the Coates era of Captain America. I think there were some important ideals tackled with this particular story and it really puts some thoughts in your head about extremism. It would have been nice to also see someone like the Red Skull get punched out, too. I think if you have passion for what Coates did with Cap or if you are critical of his work on the character, an issue like this is going to do little to sway your opinion. I found it to be a decent end for another memorable run of Captain America.

Story: Ta-Nehisi Coates Art: Leonard Kirk
Colors: Matt Milla Letters: VC’s Joe Caramagna
Story: 7.0 Art: 6.0 Overall: 6.5

Marvel provided Graphic Policy with a FREE copy for review


Purchase: comiXology – Kindle – Zeus Comics – TFAW

Review: The United States of Captain America #1

The United States of Captain America #1

The United States of Captain America #1 is a comic I’ve been looking forward to reading for some time. The concept of exploring what Captain America “means” and “stands for” is a comic that interests me. This debut issue lays out some of that as the adventure begins and the result is a bit mixed.

Writer Christopher Cantwell lays things out pretty well as the issue begins. Steve Rogers, relaxing at home as he thinks about what he stands for. Waxing poetically about the American “dream” he thinks about how dreams are fleeting and that this is a nation of two dreams. One dream involves fences and exclusion while the other is shared. The first dream can become a lie and raw deal and the second dream can become a raw deal. Cantwell nails something and in today’s shifting national narrative, there’s a worthy discussion to be had about America and what it stands for and what it’s made up of.

That interesting thought exercise as Steve is attacked and his shield stolen by an unknown assailant. From there it’s a race and a question as to who is behind it. An attack on a train and an attempted assassination later, and it’s a comic that shifts from an interesting discussion to a buddy road trip.

Teaming up with Sam Wilson, Captain America, Steve meets an individual inspired by his actions. Aaron Fischer is a teen runaway who has taken up the mantle of Captain America riding the train rails and protecting travelers. The idea of Captain America inspiring individuals also is an interesting concept. But, the overall concept is a bit fantastic moving beyond a more grounded reality I’d have liked to see. As if putting on a mask you can suddenly take on a group of guards holding you hostage. There’s something that breaks a wall in a way giving us something the reader can no longer connect to. We the reader can no longer connect to Cap ourselves and this new Captain America isn’t a character we can connect to. What was hinted at a trip across America with individuals inspired by Cap that we might see ourselves in feels more like an introduction of the next generation of heroes that has happened in comic annuals over and over.

The art of the two stories within is nice. Dale Eaglesham handles the main story with Jan Bazaldua on the second. The layouts are the most interesting thing about that main story as the pages feel almost like an scrapbook in a way. Panels overlay panels as if pictures are laid over pictures telling the story of a trip. Bazaldua’s art is good with some nice “hero” moments as Aaron’s origin is revealed and he first dons the mask and shield. The visuals are good overall but there isn’t that moment that really pops. They’re joined by Matt Milla on color and Joe Caramagna on lettering and everything together is visually nice.

The United States of Captain America #1 isn’t a bad debut. There’s a lot packed in and there’s a lot that’s fun and enjoyable. The problem is there’s been quite a few deconstruction of heroes stories lately, and there’s quite a few that are just far better. There’s something almost surface-level deep about this start. It feels like it’s attempting to straddle a line of deep look and typical superhero escapism. We’ll see as the series progresses in how it balances those two forces.

Story: Christopher Cantwell Art: Dale Eaglesham, Jan Bazaldua
Color: Matt Milla Letterer: Joe Caramagna
Story: 7.25 Art: 7.25 Overall: 7.25 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


Purchase: comiXology – Kindle – Zeus Comics – TFAW

Review: Heroes Reborn #3

Heroes Reborn #3

Continuing the rather interesting split issue format of the series, Heroes Reborn #3 is the strongest issue of the main event so far. The Marvel Universe has changed. The Avengers were never formed at the Squadron Supreme has stepped into their place. The only one who remembers the world that was is Blade who’s on a mission to find out what’s going on and fix everything. Heroes Reborn #3 begins to eliminate some of the possibilities for what’s going on while also putting the focus on Blur, the speedster member of the Squadron Supreme.

“Race Through the Dread Dimension” dives into Blur. And as a standalone story, it does a hell of a job in doing everything it needs to do. Impressively, we get hints as to an origin. We also get a solid idea as to who Blur is as a person and character. The answer is, an absolute ass. Writer Jason Aaron continues to use Marvel’s creations as an examination of classic DC characters, in this case, the Flash with some others thrown in. Stanley Stewart is the classic DC speedster mixed with the arrogance of Johnny Storm. He’s a character you want to punch.

The story does an excellent job of running through who Blur is as he watches television, plays on his phone, laments he’s “too fast” to do certain things, and brags about his dating. This is an arrogant person granted massive abilities and can’t sit still. Like his introduction, the story focuses on Silver Witch as she steals his soul and he attempts to get it back while racing through the Dark Dimension.

The story works far better than previous chapters as it focuses on Blur. The story feels less like a game of “see what’s different” as opposed to focusing on Blur. We get a good sense of who he is with a minimal amount of “guest stars”. There also seems to be a real focus on giving us a twisted take on The Flash. Gorilla City is replaced by Grizzly City as an example. On its own, it’s a very enjoyable story and great introduction to the character.

Federico Vicentini provides the art which does an excellent job of capturing the motion, and lack of it. With Matt Milla on art, the look of the comic is great as it attempts to mimic what really works with The Flash. It’s solid visuals to go along with a strong narrative.

“The Silent Inferno“, also written by Aaron, is the real focus on the main story. Blade is organizing his team to try to fix the world. He and Captain America recruit a new member that’s unexpected. The move eliminates one of the possible causes for what’s going on and also answers some questions in how they’ll deal with the Squadron Supreme’s heavy hitters. With art by Ed McGuinness, ink by Mark Morales, and color by Matthew Wilson, the story is an interesting chapter but feels too short. What stands out is the chapter’s ability at intrigue. I was sucked in as I wanted to see where it was going, who was the focus, and what was being said. It’s a solid entry in the greater story. But, overall, it emphasizes the issues with the event, it feels like it’s being dragged out and not focused enough on the main story.

Heroes Reborn #3 is the best release so far in the event. But, like the previous issue, at times it feels like a tie-in than the main story. But, what’s presented is really good, so there’s good and bad with the release. Overall, the event is a bit frustrating in how it’s presented and the pacing but we are at least getting some solid moments within all of the distraction.

Story: Jason Aaron Art: Federico Vicentini, Ed McGuinness
Color: Matt Milla, Matthew Wilson Ink: Mark Morales
Story: 8.35 Art: 8.35 Overall: 8.35 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review


Purchase: comiXology – Amazon – Kindle – Zeus Comics

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