Tag Archives: mark ruffalo

The Hulk Dips Into Brazilian Politics

Mark Ruffalo, the actor who you might know as Bruce Banner/the Hulk in Marvel’s movies, is outspoken when it comes to politics and numerous issues he finds important. He’s been involved in numerous international issues, and forums. Recently he waded into Brazilian politics, endorsing a presidential candidate, Marina Silva, then reversed his position the next day.

“Marina Silva is probably one of the most interesting and exciting politicians on the world stage today,” he said in a YouTube video, endorsing the presidential candidate.

This endorsement (you can watch the video below) got legions of gay rights activists to urge Ruffalo to reconsider citing the candidates lack of support for gay marriage.

Ruffalo asked the candidate whose aide responded she was, linking to her campaign platform with pledges support for the gay community. Many activists pressed further doubting the actual support. This playing out on Twitter got Ruffalo’s name to trend in Brazil.

Ruffalo then backtracked:

It has come to my attention that the Brazilian Candidate for President, Marina Silva, may be against gay marriage… It is a little bit murky and unclear presently. I have to apologise for not doing a better job of vetting this decision.

…my support is null and void.

Silva is one of three leading candidates for the presidency in Sunday’s election.

(via BBC)

Movie Review – The Avengers

Jon is the latest contributor to join Graphic Policy.  Expect many more reviews to come.

The Avengers started life as a marketing gimmick.

Desperate for another super-hero title to part kids from their hard earned nickels, Stan Lee commissioned Jack Kirby to throw together Marvel’s B list characters in a single series. Eventually the team uncovered  Captain America, frozen in a block of ice, and the comic book incarnation finally surpassed it’s lackluster origins with a few rare moments of brilliance. In the movie version Captain America has already de-frosted before the opening titles, but even the living legend of World War II can’t help this cinematic turd from falling flat on it’s face.

The story begins with Loki, last seen causing mischief in Thor, being sent by a race of mysterious aliens, to recover The Tesseract, the cosmic McGuffin featured in Captain America, and lead an invasion of Earth. It all goes down hill from there as Samuel L Jackson assembles his team of super heroes to save the world. They fight with each other for a bit, have their asses handed to them by the enemy, finally get their act together and, SPOILER ALERT, they save the day and go out for swarma. It’s  enough of a  plot for a 24 page comic or a two hour film but after being bloated to two and a half hours by unnecessary complications and a lot of superfluous thud and blunder (much like modern comic book story arcs),  it becomes a real chore to sit through. By the end I was squirming in my seat, waiting for it to be over so I could eat and wishing I had mowed the lawn instead of going to the movies.

Of all the elements of storytelling that Avengers fails at, characterization is perhaps the weakest link.  Loki’s motivation is muddy and his intentions seem a little unclear from the word go. He’s also much too active in battle and doesn’t display any of his trademark tricks, preferring to slug it out with all comers, and relying on a form of alien mind control that’s so effective it can be undone with a bump on the head. Several characters do things that are just plain dumb just so that the plot can move along (trusting the guy whose been Loki’s puppet for the entire movie to fly a jet into battle is a good example). The dialog displays Joss Whedon‘s usual flair for the sarcastic, and adequately differentiates the characters from one another, but the actors don’t quite manage to pull it off and it winds up coming out flat. That’s not to say that the acting is bad.  Everyone except Scarlett Johansson (who seems painfully aware that her role exists solely to get some feminist cred while showcase a good looking butt in black leather) does a competent job.  I think part of  the problem is that  Whedon’s genius as a director is his ability to cast actors that work well in an ensemble and to pick people who can really make the words sing. It’s hardly surprising that the one stand out performance is delivered by Mark Ruffalo in the role of Bruce Banner, Whedon’s one major casting decision. It’s a shame that he wasn’t the point of view character for the entire narrative, as he is at once a likeable every-man and a deeply troubled, compelling individual with a problem that many in the audience can understand and sympathize with.

The Avengers lacks the emotional core that is essential to all of the best stories. It is a turgid behemoth of the movie that we are conditioned to believe is fun because of it is full of  bright colors, big explosions and beautiful people. I really hope that Whedon decides not to return for a sequel, though the sad irony is that Disney will probably give him helicarriers full of money for Avengers 2, but not a penny for more Firefly.

Overall rating: 6.5

Movie Review – The Avengers

Ron is Graphic Policy’s newest contributor…. WARNING SPOILERS!!!!

Hello all.   Brett has asked me to write up a review of The Avengers for you all, and I accepted the request with some cautious optimism.  As this is my first official review, I may ask you all to be kind in your criticism, as my writing can be confusing, and my opinions can sometimes be narrow (whether right or wrong).

As a quick background, Brett & I have been friends for the greater part of 14 years since college.   Our comic book geekdom knows no bounds when we get going, and I always graciously defer to his knowledge, as he (to me) is a far better authority when it comes to the subject matter.  But, without further adieu, on with the review.

To preface this, I made sure to see the movie twice to try and really hone what I am feeling about the movie.  My first experience was in IMAX 3D.  We sat about dead in the middle row, in the middle of that row.  The experience was overwhelming, as I’ve found in the past with some movie moments in IMAX (ask my wife about Quidditch matches during Harry Potter movies; hold onto your lunch!).  Initially I enjoyed the movie overall before really digesting it a second time.  There were highs & lows, but until I went a second time, I didn’t really gain true understanding of how I felt.

My second viewing was in Digital Real 3D, with the new D-Box experience.  If you’ve never had the opportunity to sit in these seats, allow me tell you what they are.

The corporate jargon:  http://www.d-box.com

Personal Opinion #1: D-Box are seats that move to the movements & actions of the movie you’re watching for a 4D experience.  The movie houses literally program the seats to move precisely by the frame, so it is virtually a way to feel part of the action as it happens.  The Pro: It is really neat at times.  You can feel helicopter blades pulsate, you can feel the banking of turns when Iron Man is flying, you can feel jarred when something spooks you, and you feel HULK SMASH.  It is definitely an experience.  The Con: It does take some getting used to.  It’s a bit jarring at first, as your body is not used to what is happening.  But by the end of this 2.5 hr epic, your body is one with the seat, and you enjoy it.  Oh, then there is the cost.  I shelled out $19+ for the seat.  Keep in mind this is Movie cost + Real 3D + D-Box experience.  I would only spend this on a movie you know will give you a rush.  Something with action, or a horror movie that you can feel nervous heartbeats & scary jolts.  For something with lots of dialogue, you’ll be sitting in a non-moving seat for a premium price, but I digress.

Personal Opinion #2:  After Real 3D and IMAX 3D experiences back-to-back, may I suggest you go to Real 3D 100% of the time vs the alternative.  I’m sure there will be backlash from this statement.  But let me tell you.  The glasses are better (you don’t get those crazy lines that distort the image if you turn your head that can get you all sorts of messed up).  The image is clearer (keep in mind movie houses film in HD formats that fit wide screens.  Now they have to digitally manipulate that image to a MUCH LARGER IMAGE… the result is more grainy due to the initial resolution getting stretched out) which makes the 3D more impactful.  And lastly, IMAX can be overwhelming if you don’t sit far enough away.  You make even miss subtle periphery things of note as your eyes can only absorb so much.  Trust me, you want Real 3D.

Haha, told you.  I rant.  I’m one page in, and NOW I’m getting to the movie.  WELL, I suck… and you’re along for the ride.  Just as The Avengers was 2.5 hrs, and you may have looked at your watch early, you’ll be here for the long haul and hopefully won’t look now until the end!

The movie is a sequel of sorts.  By that, I mean, the plot assumes the following:

  1. You’ve seen, at minimum, Captain America and Thor
  2. If you haven’t, these questions MAYplague you
    • Who are some of the pivotal characters?
    • Loki?
    • Dr. Selvig?
    • I’m assuming you can figure out the title characters from those movies
  • What is The Tesseract?

If you’ve done that homework, you can SORT OF get by.  Do yourself a favor and take in Iron Man 1 & 2, as well as The Incredible Hulk so that some of my rants make sense.

In any case, LONG story short: Loki shows up. He steals the Tesseract to bring an army from across the Universe to Earth to take over as its ruler.  The rest is putting the Avengers together, some minor battles, and the epic conclusion.  Seems pretty simple for such a long movie, right?  Well, before I get into the plot problems from a comic stance, how about from a directorial/producer stance.

  1. Explaining Loki, the Tesseract, & how Thor arrived are just some examples how the script and Joss Whedon (the director who has done such “fine” work as Buffy the Vampire Slayer (TV), Angel (TV), Firefly (TV), etc – lots of TELEVISION work, but minimal big-screen experience on his resume) tried to throw a bone to the unknowing portion of the audience, and explain away some things that were otherwise ignored.  Part of me thinks Jon Favreau (director on the Iron Man movies; executive producer for The Avengers) may have spoke up & said, “You may want to explain that a bit more,” and this is what we got.
  2. More holes from previous movies:
    • The Bifröst bridge was destroyed in Thor
      • Explain away his returning by a one liner: Loki – “Your father must have used a lot of dark energy to send you here to stop me”; it’s a plot-line cop-out
    • Um, Loki was tossed into the Abyss… how did he return?  How did he get out?  Is the abyss just another dimension where the Chitauri live and they helped him out so that is why they are doing this together?  That’s a pretty long assumption.
  3. Common frustrating action movie stereotypes:
    • The Loki chase seen in the beginning: REALLY?  I mean, could it be any more stereotypical?  A truck seen in a tunnel as the antagonist taunts from the back of his ride.
    • When Hawkeye is asked by Loki about what the Tesseract told him – the dramatic opening of his bow for no good reason… really?!
    • The team bursting at the seams with rivalries, only to come together when they’re needed most… really didn’t seem like they were apart that long… oh wait, it really was a few hours
    • Did you really need Agent Coulson to spell out his death as a rallying point?  We get it, they’re upset.  You could’ve spelled out some of the other plot portions than that one Joss
  4. Black Widow just did not feel right from the first scene on… not BAD, but not on.  I felt her character with Favreau at the helm in Iron Man 2 was far better, and suited as a secondary role.  As her role progressed in this movie, it never really grabbed me.  I mean, she’s scared after the Hulk confrontation… but shouldn’t she be a tough-as-nails spy who has experience everything?  Subtle detail, but really emphasizes a character flaw.
  5. Dr. Banner felt like he was directed to be overly UN-emotional, almost shy to a fault in his interactions, so as to not “unleash the fury”.  I really felt someone told Mark Ruffalo (the actor portraying Dr. Banner/The Hulk) to be different than Ed Norton’s version, who was more stressed about his condition and controlling it.  Mr. Ruffalo’s/Mr Whedon’s interpretation was so unemotional, it felt detached & uninterested.  There were some dialogue moments that were very good: in the lab with Tony Stark & then with everyone; oh wait, they wanted to show growing emotion (or did they want to show Loki having God-like influence on the situation?).  But that didn’t make up for the numerous interactions he had from about a ½ hour into the movie.
  6. Who the heck are the Chitauri and why do they want anything to do with Humanity? And how do they know Loki?  What is this all about???  Seriously, what is their motivation for helping him and coming here?!  More-so, why are the so hyper-focused on The Avengers and not the planet?  I mean, they weren’t even a team until recently, and Loki’s quarrel is with Thor and the planet he loves so much.  I digress, who are the Chitauri?!
  7. Oh, the Chitauri are a race of aliens who are helping Loki for complete Universe domination, so he can rule humanity… I guess.  They also have laser-shooting speedsters that fly, and their biggest part of their invasion is a large flying snake/eel that carriers regiments of ground troops on its side.  Otherwise it flies aimlessly destroying things and chomping on stuff.
    • This is where I need more Michael Bay and less small-screen Whedon thinking.  (Ok everyone groaning, I get that Bay really mucked up the Transformers battle scenes to the point of confusion, but you have to admit they are epic and world-destroying scenes).  We have THE AVENGERS fighting an alien race set to take over the world with lazer bikes and snakes…
    • Oh, when one snake dies, the idea of bigger is 3 snakes… Joss, you couldn’t come up with something bigger and more insurmountable by our heroes?
  8. Lastly, did anyone else figure out the Chitauri were nothing more than a race of Borg-like individuals electrically tied to a mother ship?  Borg meets Independence Day.  So the Chitauri can’t live without whatever energy is powering them… huh… weird way to stop the battle, but it makes Tony finally… OH (my ADD is kicking in!)
    • ANOTHER STEREOTYPE: Tony Stark (the character with the narcissus complex) actually (almost) lays his life on the line, flying the nuke through the portal to save the world.  Oh, sorry Pepper didn’t  take your call either. Don’t get me wrong, I liked this scene, just a pretty easy plotline to write
    • And another assumption moment for this point: The Chitauri used to have possession of the Tesseract, which has powered their Borg-like race, as well as the staff they give Loki, which allows him to find it as well as why the gamma signatures are the same… huh, another long stretch Mr. Whedon.

And while my rants are on the movie specifically right now, I’d like to bring up some geeky questions that seem odd.  I will not elaborate for those of you who aren’t familiar with the lore that has built up this franchise since the Silver Age of comics; I don’t have the time.  Feel free to do the comic industry a favor, and read up on this.  Your curiosity will be rewarded.

  1. Why is the Tesseract not “The Cosmic Cube”, which it looks like, and is minorly being used as
    • Loki really could’ve taken over the entire planet without an army with it; just saying
  2. The Chitauri:  Are they supposed to be the Skrulls?  Even comic book aficionados are perplexed by this… they look like them, act like them, but they are called something else and we weren’t really given much to work with

My other plotline inconsistencies would fit here too  (Bifröst Bridge, Abyss, Loki’s seemingly underutilized powers).

You may think I hated this movie with all these criticisms.  You would be wrong.  I think this was a “GOOD” movie.  It’s written as the first summer blockbuster.  It’s for enjoyment and less thinking.  Watch and enjoy.  To be honest, there were other moments that were cheesy, but added to the lightness of the movie:

  1. Hulk punching Thor in the last battle
  2. Black Widow stating that “That, in no way, resembles a party”
  3. Hawkeye stating to Black Widow “You and I remember Budapest very differently”
  4. Loki still listening to Thor after Iron Man knocks him off the hilltop
    • This was a little too cheesy, but it was made up for with the action that commenced, and Tony’ s  Shakespeare reference

On a quick aside, and take it for what it’s worth, but Samuel L. Jackson plays Nick Fury as one would suspect. His quick one-liners are humerous.  You will either laugh or be upset because it’s not original for him, other than the eye patch.

Speaking of character interpretation, I cannot imagine Tony’s smugness being portrayed any better than Robert Downey Jr.;  excellent character portrayal.  Also, Chris Hemsworth as Thor simply shines.  Another fine interpretation.   Chris Evans’ also does a fantastic job as Captain America.  These heroes make for the lion’s share of dialogue thankfully, with the exception of Scarlett Johansson’s lackluster performance in this rendition of Black Widow.   Lest I forget Tom Hiddleston as the archnemesis Loki.  He continues his dominating performance from Thor into this movie.  A jealous, conniving God of mischief who’s sadistic qualities knows no bounds; just an excellent job.

From a technical standpoint, the CGI used in creating The Hulk in his scenes was extraordinary.  The D-Box addition made for some amazing moments of smashing and destruction.  Probably the best use of the monster in film thus far.  I say that, in no way, to state that The Incredible Hulk was lesser.  I just state it because it is a highlight of the movie, and really they are engaging moments.  Whedon, to his credit, sets us up with so much non-emotion from Banner, that when he becomes “The Other Guy” it is impactful and you get a sense of how important his sheer strength is to the team.  That is something to be commended.

In conclusion, it is well worth seeing.  If you can handle some slow dialogue in the beginning as the team forms, as well as the gaping holes that, to the common viewer who is less critical, will not take away from the movie’s meaning, you are in for a treat.  I  encourage you to see the digital Real 3D, and if you can, try to experience the D-Box seating.  For the traditionalist, they’re just more gimmicks that allow a studio to be liberal when it comes to good plots & writing.  But for something more experiential, these add layers that enhance the movie just enough to get through the movie remembering more than a bad line here & there, but the fact you jumped from shock as Hulk jarred the seat as he threw something straight at you.   I encourage you enjoy this one, and I hope it’s soon. By the time The Dark Knight Rises arrives, this will feel less than what it could’ve been, but thoroughly enjoyable at the time.

Overall rating: 7.5

Movie Review – The Avengers

I’ve actually been sitting and delaying my writing a review for The Avengers for almost a day, having seen it in 3D at midnight on opening night.  It’s because I was torn.  So much of the movie I really enjoyed, then what I didn’t…. I really didn’t.  And it took me a while to figure out why.  I went to the show with someone who knows comics, but doesn’t know the ins and outs of the Avengers universe.  She knows the characters, but not specific details, so being able to discuss it with her has been interesting and helped me figure out my issues with the film.

The movie is uneven to me.  Some great action parts are followed with slow scenes that drag on.  There’s awkward pauses and lines that sound like horrible B movie material.  Special effects at times have the same result.  The parts of the movie that work, work really well, and the rest, feel like a Joss Whedon television show.  And there’s the rub and what my issue is… I’m not a Whedon fan.  I didn’t enjoy Buffy, Angel, Firefly or Serenity.  And his rather small scale of the past at times shows in a big budget film like this.

The first quarter of the movie, up until they’re all on the S.H.I.E.L.D. Helicarier is rubbish.  The acting is bad, the lines laughable, and pacing completely off.  Scenes make no sense and things aren’t explained (we’ll get back to that).  It’s not until Thor’s arrival the movie takes off and then everyone’s “A” game begins to show.  It takes Loki (a brilliant scene chewing Tom Hiddleston) and Thor (Chris Hemsworth) to get everyone else to step up a bit.

But, I come back to the plot which have holes that giant mechanical space worms could fit through and questions that aren’t addressed at all.  Here’s a few:

What happened to Loki at the end of Thor?

How did Thor arrive since the Bifrost bridge was destroyed?

Who the hell are Loki’s army and why do they give a shit about Earth?

What is the way too many numerous plans that Nick Fury references as if we’re supposed to know them?

Who is the Council and why do they have a say in anything?  And why is a “world council” all white?

The highlights of the movie are Tom Hiddleston as Loki and the Hulk (not Ruffalo, but the CGI beast).  Both steal the show.  This is really the definition of a summer popcorn movie.  Go in without notions, turn your brain off and watch things blow up and ignore the plot holes and lack of explanation of anything.  But, even attempting to do that, I still wondered at times “What would Michael Bay do?”  And the fact I did that got me to pause.  Whedon is talented, but his lack of experience on this scale shows.

Direction:  As explained above, this was the Joss Whedon show.  There’s a pop culture zing at times and some great interaction, but it all seemed a bit too cutesy.  This was The Avengers done Buffy.  The tone was much more “comic booky” than the previous films.  There were some great moments, even in the quieter times.  Lines zinged along and punchy dialogue that’d make Kevin Smith’s head spin.  Whedon though falls in the action part.  The end battle uses shaky cam way too much, when a steadier shot would do.  Special effects look like a Roger Corman Fantastic Four movie.  This wasn’t the quality we’ve seen from those previously at the helm.  Grade: 6

Acting: Hiddleston steals the show chewing every scene but not coming off as a goof.  He’s excellent as Loki, much as he was in his previous appearance in the role.  Robert Downey Jr. as Tony Stark/Iron Man is at his arrogant best.  Chris Evans does quite well as Steve Rogers/Captain America and Chris Hemsworth as Thor continues the quality he showed off in his own movie.  It was a CGI Hulk though that got the crowd going and I expect to see his own movie again in a few year’s time.  The rest of the cast did their job not adding anything, but also not taking away from the enjoyment.  Grade: 7

Plot: Holes the size of that giant thing at the end.  So much not addressed, so many questions not answered.  There’s just issues and issues here.  Turn your brain off for this one.  Grade: 5

Overall:  The movie really sums up the issues many perceive of comics.  It’s popcorn entertainment for kids that doesn’t challenge the mind.  There’s also another issue that’s a problem for comics.  This was one part of a multi-part story started in Iron Man, Hulk, Captain America and Thor.  Much is left unanswered and not explained expecting you to have seen those movies.  I get asked by my friends where to start to read comics, and often I’m left not sure of the answer.  To me, this movie has a similar problem.  Can you see it by itself?  Sure.  Is it coherent if you do?  Not really.  Marvel attempted to do something impressive with this movie by having a shared movie universe.  But, in this execution, they fell a bit short.  The movie is fun and enjoyable and definitely for the big screen where the giant explosions will get you to stop thinking for just a tiny bit.  Overall Grade: 7

Marvel’s The Avengers Red Carpet World Premiere at 9pm ET

Join us LIVE at 6 p.m. PT on Wednesday, April 11 from the El Capitan Theatre in Los Angeles for the red carpet premiere of Marvel’s The Avengers–the Super Hero team up of a lifetime!

Hear directly from the biggest names in the biz. Scheduled to appear are: Robert Downey Jr (Tony Stark/Iron Man), Chris Evans (Steve Rogers/Captain America), Mark Ruffalo (Bruce Banner/Hulk), Chris Hemsworth (Thor), Scarlett Johansson (Natasha Romanoff/Black Widow), Jeremy Renner (Hawkeye), Cobie Smulders (Maria Hill), Tom Hiddleston (Loki), Joss Whedon (Director) and many more!

The Avengers Grace the Cover of Entertainment Weekly

Hitting the shelves this week, Marvel‘s next big movie, The Avengers  graces the cover of Entertainment Weekly.  The issue features  some behind the scenes insight into next summer’s monster movie which comes out May 4.  The movie brings together Robert Downey Jr.‘s Iron Man, Chris Hemsworth‘s Thor, Chris EvansCaptain America, Scarlett Johansson‘s Black Widow, Samuel L. Jackson‘s Nick Fury and newcomers Mark Ruffalo as The Incredible Hulk and Jeremy Renner as Hawkeye.  The film is directed  and written by Joss Whedon.

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