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Review: The Incredible Hulk: Last Call #1

The Incredible Hulk: Last Call #1

The Incredible Hulk: Last Call #1 is a celebration of two creators who have had a massive impact on the character. It re-teams writer Peter David with artist Dale Keown for an oversized one-shot that packs a punch.

Bruce Banner is tired of being the Hulk. Heck, he’s tired of being. Taking place after the death of Betty Ross, Banner is broken and wants the pain to end. He’s debating if he should remain in this world and contemplating suicide. Not so much contemplating as Banner has tried it multiple times. But, now he has a plan that might work. But, instead of pulling the trigger right away, he reaches out to a help line.

David delivers a story focused on Banner’s ups and downs. It’s a “this is your life” type tail going through his history, both good and bad. All the time he’s contemplating if he should continue on.

The Incredible Hulk: Last Call #1 is a tough read. The comic’s a rough emotional ride focused on depression and loss. But, that’s also where the comic soars. It creates an emotional impact in the reader and when art can impact you like that, it’s a success.

The art by Keown has ups and downs. For the most part it’s dazzling and engaging. But, it’s clear Keown’s strength is the monster himself. So, when presented with Banner, things just aren’t as impressive. What’s interesting is that Keown forgoes the expected splash pages and full page spreads to let us soak in the Hulk. Instead the art matches the emotional tone with a subdued style to it all. It’s more emotional horror than monster. The art also has a lot of inkers and colorists and the shift is noticeable. None of it enough so to hamper the issue. But, it is something that sticks out while reading the comic. Keown’s work still holds up though. The art brings home the emotional story David has put together adding a depressing tone to it all through the art style and look.

The comic is an emotional one that needs a trigger warning to start. It’ll impact you at an emotional level and that’s a good thing. When art hits you at that level, it’s a success. The Incredible Hulk: Last Call #1 is a comic you may want to grab a box of kleenex while reading. These two are still a hell of a team and hopefully we get some more down the road.

Story: Peter David Art: Dale Keown
Ink: Mark Farmer, Marc Deering, Walden Wong, Scott Hanna
Color: Peter Steigerwald, John Starr Letterer: Cory Petit
Story: 8.1 Art: 7.65 Overall: 8.0 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review

Preview: War of the Realms: War Scrolls #2 (of 3)

War of the Realms: War Scrolls #2 (of 3)

(W) Jason Aaron, Devin Grayson, More (A) Andrea Sorrentino, More (CA) Alan Davis, Mark Farmer, Matt Hollingsworth
Rated T+
In Shops: May 29, 2019
SRP: $4.99

THE MUST-READ COMPANION TO THE WAR OF THE REALMS!

From the Asgardian Bifrost, Daredevil watches Malekith and his forces lay waste to realms. Jason Aaron and Andrea Sorrentino take Daredevil – the God Without Fear – to places he never believed he would see! Then, Devin Grayson spins a tale of magic and its consequences as Doctor Strange casts a spell that will cost him dearly – and devastate the Asgardian pantheon! All this and more straight from the battlefield of WAR OF THE REALMS!

War of the Realms: War Scrolls #2 (of 3)

Preview: War of the Realms: War Scrolls #1 (of 3)

War of the Realms: War Scrolls #1 (of 3)

(W) Jason Aaron, Chip Zdarsky, Josh Trujillo, Ram V. (A) Andrea Sorrentino, Joe Quinones, Ricardo Lopez-Ortiz, CAFU (CA) Alan Davis, Mark Farmer, Matt Hollingsworth
Rated T+
In Shops: Apr 17, 2019
SRP: $4.99

THE MUST-READ COMPANION TO WAR OF THE REALMS!

Gifted the sight of the Bifrost, Daredevil watches all Midgard burn under Malekith’s invasion. How will the Guardian of Hell’s Kitchen…guard an entire Earth turned to Hell? Find out in a story by Jason Aaron & Andrea Sorrentino! All this and more (including a new Howard the Duck story by Chip Zdarsky & Joe Quinones!), straight from the battlefield of WAR OF THE REALMS!

War of the Realms: War Scrolls #1 (of 3)

The Art of Comic Book Inking Gets an Expanded Edition in May 2019

The Art of Comic-Book Inking is the industry-standard manual for aspiring comic book inkers and industry professionals alike. Now, Dark Horse presents an expanded edition with new art and text by Gary Martin and a bonus chapter on digital inking by artist Leo Vitalis. Along with pen, brush, and stylus, no inking tool is more useful than The Art of Comic-Book Inking

Gain insights into the techniques, tools, and approaches of some of the finest ink artists in comics, including Terry Austin, Mark Farmer, Scott Williams, Alex Garner, and many more. Also included are eight full-sized blue-lined art boards featuring pencil art by top comics illustrators Steve Rude, Terry Dodson, Jack Kirby, Adam Warren, and others to use for practice or as samples to show editors and publishers.

The Art of Comic-Book Inking TPB goes on sale May 29, 2019.

The Art of Comic-Book Inking TPB

Review: Fantastic Four Wedding Special

The Fantastic Four wedding is approaching but before that some things need to get done. The Fantastic Four Wedding Special comic features three stories from Gail Simone, Laura Braga, Jesus Aburtov, Joe Caramagna, Dan Slott, Mark Buckingham, Mark Farmer, Matt Yackey, Fred Hembeck, and Megan Wilson.

Get your copy in comic shops December 12! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

TFAW

Marvel provided Graphic Policy with FREE copies for review
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Review: Captain America: Promised Land

The year is 2314, and the grandson of Steve Rogers lives in the utopian America Captain America dream about.

Captain America: Promised Land collects issues #701-704 from Mark Waid, Leonardo Romero, J.G. Jones, Adam Hughes, Howard Chaykin, Rod Reis, Alan Davis, Mark Farmer, Jordie Bellaire, Paul Mounts, Jesus Aburtov, Irma Knivila, and Joe Caramagna.

Get your copy in comic shops and book stores today. To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology or TFAW

 

Marvel provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: Civil War II #8

civil_war_ii__8Ulysses’ precognitive powers grow stronger with each passing moment. As they reach their peak, what horrors from the future will be unleashed? And seeds sown here will bear bitter fruit for the Marvel Universe of tomorrow. Protect the future or change the future?

It all gets decided here!

After a bit of a delay, Marvel‘s latest event wraps up in Civil War II #8 launching the publisher’s line in another direction. Written by Brian Michael Bendis the comic ends in pretty much the exact way I expected.

Driven mostly by action and relying on David Marquez‘s art to make it interesting, the issue continues the battle between Captain Marvel and Iron Man over the nation’s capitol. Full of flash, the issue isn’t too deep as has plagued the series, and frustratingly shows what could have been with a different direction in script.

The issue is mostly battle, but that battle is broken up with a flash of possible Marvel futures which is something we’ve seen done before in previous events. We get flashes of what’s to come, or may come, each drawn by the different artists below. It’s a tease and a way to sell comics attempting to get fans excited and stick around. It didn’t work before, and I don’t expect it’ll work now as a tactic, but that’s a discussion for another time.

But, lets focus on what could have been.

After the battle between Carol and Tony there’s a coda of sorts giving us the fate of Tony (which you can figure out through the various Marvel NOW! series that have already launched negating a major point of the issue) as Carol discusses his status with Beast. There, the philosophy and moral and philosophical quandary we were promised in the beginning is actually discussed. For a story that had such an interesting premise, precognition preventing crime, it relied on shock deaths and fighting never really dipping too deep into the meat of the discussion. And that’s why I describe the event as a whole as paper thin. But, for a few pages and a dozen or so panels we get an interesting discussion of why Tony did what he did in fighting Carol. It’s an epilogue of sorts that attempts to add some depth to a comic filled with fight scenes.

Marquez’s art is on point as usual. The fight is dramatic and use of panels is really impressive in how scenes are broken up and reactions are thrown in there that way. There is an issue in seeing how much damage Carol is doing to Tony and at some points I think it’s more than a later panel shows, but the dramatic effect is there. Other artists provide glimpses into possible futures and it’s generally good. A little jarring since it wasn’t expected but it doesn’t kill the flow at all.

The comic wraps up the event, resolves the issue of having someone like Ulysses around, and actually makes a case for the idea that the series is supposed to be about. It’s a paint by numbers Marvel event in the end where the final issue’s goal is to wrap things up quickly so we can sell whatever comes next. It’s not as overt as previous events, but it’s a noticeable pattern at this point.

The event wraps up as I expected, a summer blockbuster film with little to challenge the reader relying on flash and shock instead of its cerebral promise.

Story: Brian Michael Bendis Art: David Marquez, Adam Kubert, Leinil Francis Yu, Daniel Acuña, Alan Davis, Mark Farmer, Marco Rudy, Mark Bagley, John Dell, Esad Ribic
Story: 6 Art: 8 Overall: 6.5 Recommendation: Pass

Marvel provided Graphic Policy with a FREE copy for review

Review: Civil War II – Totally Awesome Hulk #7

34733fec-afb7-4529-8307-24f499462e89_Screen20Shot202016-06-3020at206.14.0720PMFor those of you who have been keeping up with Marvel’s Secret Wars saga along with the new Civil War II series, Totally Awesome Hulk #7 will answer the one question folks have had since the franchise introduced Amadeus Cho as the new version of Hulk. In the 8 months since the Secret Wars ended, what happened to Bruce Banner? And where has he been since the Hulk’s gamma powers were transferred to Cho?

The story starts with Bruce Banner coming to at the side of a road, freaked out and stealing clothes from a nearby farmhouse in classic post-Hulk-out fashion. (This opening reminded me of the Bill Bixby/Lou Ferrigno Hulk TV Show where Bruce would wander up a random road at the end of almost every show). When Banner tries to make a phone call at a nearby bar the owner of the stolen clothes recognizes him and confronts him, (I always used to wonder why that never happened more often). Only this time, when Bruce is threatened, he doesn’t Hulk out. In fact, he seems to be suffering from temporary amnesia, because he can’t remember why he can’t feel the Hulk anymore.

Amadeus Cho, the new version of the Hulk does make an appearance in this issue and he shares the Cliff’s Notes version of how he and Bruce changed places. Cho’s version of the Hulk is very different, because, as he explains, he’s different. Cho’s transformation appears effortless, less agonizing both during and post Hulk out compared Banner’s. He embraces his new role as a hero, but as previous issues have revealed, he’s never looked at Hulk or Banner any other way. Cho is smart, confident, and not at all freaked out by his psyche’s new green roommate.

theblerdgurl_Totoally-awesome-hulk-7-insert2.jpg

On the flip side, remember how when Bruce wasn’t the Hulk, he was socially awkward, always on the run, anxiety-ridden and plagued by guilt? Well, this version of Bruce is still like that…just..all the time. This is a bit of a mid-life crisis for Bruce as this is the first time in his life that he hasn’t had to worry about accidentally hurting people or property damage, and it has a profound effect on him.

 

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What I Think

I have been a little wary of Marvel’s “All New All Different” all e’er thing, because as many of us cry for diversity in comics we often get reboots of only one or two characters thrown at us in tribute. However, I think this is a fun series and I think Greg Pak and Frank Cho have everything to do with that.

With issue #7, Pak’s writing is reminiscent of Peter David’s classic tormented Banner mindset, (which I really liked) and my only wish here is that there were a couple more pages of it. Alan Davis replaces Frank Cho as the penciler in this issue and personally, I miss him, but Chris Sotomayor’s colors make everything feel congruous enough that the switch isn’t too jarring. I did feel, however, that Cho in human form, resembled more of a skinny Kpop star on his day off rather than a super-scientist.

But then again, Cho isn’t Banner.

Screen Shot 2016-06-30 at 4.48.45 PM.png

I believe this is the point of this issue. The storyline definitely feels like we’re being prepped for something, and it wraps up what happened to Banner fairly well.  I feel Banner’s representation here is exactly what Bruce would do if he woke up and realized that the Hulk was no longer a part of him. For good. I really wanted one comic totally devoted to the retelling of how this switch happened, instead of being spoon fed the story in flashbacks and memories, but this will do.

This is classic all-ages Marvel, but this issue is a slight departure from the main arc and is definitely for folks who are Banner fans since Cho really only makes a guest appearance. This comic is definitely worth a read and I’m curious what will happen next. What are they going to do with Banner? Are we being prepped for two Hulk’s in the Marvel U like we have two Spideys and two Captain Americas? I also find it interesting that in each case one version of each of the aforementioned characters is a person of color.

Writer: Greg Pak Penciler: Alan Davis Inker: Mark Farmer
Colorist: Chris Sotomayor Letterer: VC’s Cory Petit
Cover Artists: Alan Davis, Mark Farmer & Matt Hollingsworth Editor: Mark Paniccia


screen-shot-2016-01-14-at-6-47-27-pm@theblerdgurl is a commercial film/video editor by day and comic book reading, anime watching, TV live tweeting,  K-Pop listening, blog writing, geek gurl by night. She is on a mission to shine a light on indie, female and comic artists of color and highlights them and their work on her blog theblerdgurl. She currently lives in a century old brownstone in Brooklyn with 2 cats who plot her demise daily. You can also find her on twitter, facebook, instagram,  tumblr and snapchat.

Alan Davis Joins Ed Brubaker For Captain America #6!

Alan Davis Joins Ed Brubaker For CAPTAIN AMERICA #6!

Cut off one of its heads, and two more take its place! An all-new Hydra has risen and they have their sights set on the Sentinel of Liberty in your first look at Captain America #6! Critically acclaimed writer Ed Brubaker is joined by legendary artist Alan Davis for an important new chapter in the life of Steve Rogers. Throughout Fear Itself, Rogers has been harboring a dark secret and its one that may leave the leader of Earth’s Mightiest….powerless. Can Cap and his closest allies take on the revitalized Hydra and stop them before it’s too late? Find out in Captain America #6!

CAPTAIN AMERICA #6 (OCT110599)
Written by ED BRUBAKER
Pencils & Cover by ALAN DAVIS
Inks MARK FARMER
Colors by LAURA MARTIN
FOC – 11/14/11, ON SALE – 12/7/11

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