Tag Archives: lois lane

Review: Justice League 3001 #3

jl3001-003There is some controversy brewing with this title.  It acts as little more than a rehash of Keith Giffen’s heyday on the Justice League in the 1980s and 1990s, but it is said as well that the treatment of the re-imagined male heroes now in female bodies (the Flash and Guy Gardner, though particularly Guy) is offensive to the transgendered community.  While this may be the case, such an approach to this title is perhaps a little off the mark in terms of its overall theme, that is to say, that the presentation of characters is not only offensive to transgendered women, but probably to most people overall.

Conversely thus far the story has followed a pretty decent concept as the heroes of the JL 3001 world have had to deal with a strange Starro infested world.  They come to grips with that here as the heroes have to deal with the fallout of their intervention to the Starro planet and it is not what it seems (and in fact probably could have been a pretty engaging story under different circumstances.)  Instead the story once again focuses too much on the multitude of problems associated with this series.  For some reason, Giffen just cannot stay away from Booster and Beetle, and they make a return appearance here alongside Fire and Ice.  To some degree one can see this as the evolution of the old Justice League series, just 25 years down the line after a fairly progressive evolution of comics left it behind.  The problem with this series, especially in respect to the transgendered question is that it is offensive, but not only to transgendered.  The presentation of the female Flash character is sterotypical of what men think of teenage girls, without a thought in their heads beyond having a slumber party.  The males of the series, and particularly Superman, are so devoid of real emotion either that they are also caricatures of themselves, especially as Superman is made into a womanizer.

The underlying concept behind this series is inherently fun, as it gives the creative team a wider scope in which to tell their stories, but it proves that Giffen, while successful in some ways, is also a bit of a one-hit wonder with his collection of Super Buddies.  The story here is even serviceable or better, but it ends up being derailed with too much comic relief, which in turn is based too much on gender stereotypes.  There will undoubtedly be fans of the older Giffen works that look to this one with some fondness, but as modern stories in the medium go, this one is off the mark.

Story: Keith Giffen Art: J.M. DeMatteis
Story: 6.0 Art: 6.0 Overall: 6.0 Recommendation: Pass

Review: Superman #42

superman042Truth and Justice have thus far been somewhat bizarre story arcs for Superman.  They have focused on the loss of his powers and the outing of his Clark Kent persona, but they have done so in a haphazard way.  The problem with the approach to this new Superman is the that the story is being told in four different ways in four different series by four different creative teams.  While Action Comics and the pair-up titles with Batman and Wonder Woman have looked at how Superman is going to deal with the changes in his life, the main Superman title has mostly looked at what happened to make him into the weakened version of his former self, and is thus filling in the blanks that most of the readers are wondering about how this happened and why Lois revealed his identity.

The story here follows on the previous issue, and tells the background story of the changes in Superman’s life.  After a confrontation between Lois and Clark near the beginning of the issue where Lois confirms that Clark and Superman are one and the same, the mysterious figure known as Condesa tells the assembled group that there is a lot more going on here that what it seems.  She is part of an organization called Hordr which a group of hacker like people who live in a high-tech pocket dimension, and who try to obtain as much information as they can about everyone.  It is through them that Clark’s identity has become known, at least in part.

This issue kind of works and kind of doesn’t.  The story is lacking in parts, and specifically in that Lois’ character is so off in terms of her characterization over the years.  So too is there is a bit of a problem with Hordr.  If Superman’s identity is to become public knowledge, it would be more impressive with a big story, not just a group of high-tech hackers.  More so, Hordr is a bit of a miss, just as police brutality was treated in a superficial way in the last Action Comics, so too are modern questions about the likes of Snowden and Anonymous treated superficially here.  That being said though, the story is better here than it has been elsewhere in this odd new angle for Superman, but it seems like those making the decisions about this new direction for the character need a lot more coherence in their decisions.

Story:  Gene Yang Art: John Romita Jr.
Story: 6.8 Art: 6.8 Overall: 6.8 Recommendation: Pass

The Lipstick Incident and a Short History of Lipstick in Comics

lipstick003

Captain Marvel, maybe wearing “Cherries in the Snow” or “Toast of New York”?

Lipstick is one of the strangest objects when it comes to comic book characters, specifically its female characters.  If one looks at an average female character, the color of their lips is almost always one which could be achieved by women in the real world only with lipstick.  On the other hand, the modern female character almost never actually applies any lipstick, or at least is not seen to be.  Normal lipsticks would be at least smeared in basic fistfights, and would be subject to all kinds of weird forces from other superpowers.  Imagine Captain Marvel flying at super speeds while wearing lipstick.  Lipstick is basically a thick wax or oil applied to the lips, and it is hard to imagine that anything resembling a liquid oil which would stay put at that speed and pressure, even if it was designed to be somewhat sticky or to stay in place.  The only times that some superheroines might be seen to be applying lipstick (or any cosmetics for that matter) is if they are going out, usually for a night on the town, under the guise of their alter egos.  These moments are rare enough though, and don’t really have any bearing on the superheroics.  The only other uses of lipstick are those as poison, primarily through the Joker and Poison Ivy.  Strictly put lipstick does not exist in comics except as it applies to something else, and never to superheroics.  It is always on but never put on.

lipstick001There is an exception to the lipstick question in comics though, and that is through the role of romance comics.  This is perhaps the flip side of the argument, because as opposed to being rarely shown, it is quite often shown.  In the old time comics, lipsticks were often shown, but more so their application was used as a setting in themselves, as many lovestruck girls wondered into their vanity mirrors whether they should be date Darren or Brad, or whether Tom next door would ever find the courage to ask them out.  The role of romance comics was so strong as to infiltrate even superhero comics, as the Lois Lane series from the 1960s was primarily focused around the same concepts as romance comics.  Romance comics have obviously come and gone from the mainstream of the comic medium, even if there seems to be a minor resurgence underway.  The last major romance comics with any following were the major holdovers from the earlier days into the early to mid 1970s, with series such as Young Romance or Secret Hearts holding out until the end that a resurgence was coming.  The only remaining stalwart in the romance department has been Archie Comics, who have managed to continue their long run in romance by infusing it with a healthy dose of humor.  Nonetheless lipstick has often shown up in these comics in modern years, as they often have a feminine enough approach while also focusing on the romantic side of teenage life.

lipstick004This all ties together to make the new Archie series all the more interesting.  After a long run it was finally decided to reboot Archie with a new look and modified background into a new series.  Apparently gone is the focus on humor, to be replaced instead with a focus on storytelling.  Things are not looking as good for some of them, as Archie and Betty are facing a rocky road after a long time dating.  What made them break up?  No one knows yet, not the characters inside the book, nor the readers outside, but there is one clue, which is incidentally one which the company has cleverly used to create its own buzz, #lipstickincident.  It is not exactly clear what this is, although there are several mentions of the incident throughout the issue, as various characters react to the news and and speculate as to reasons and meanings.  While it is interesting as a hashtag, it is also interesting as it throws an otherwise unknown or ignored item to the forefront of comic books, at least for a short time.  It might not be as engaging as trying to guess the identity of Thor, but lipstick is being used to explain the tumultuous times in a relationship for two of comics’ longest running sweethearts.

Review: Superman #41

superman041So far since the end of DC’s Convergence company wide crossover, a different direction has been taken for Superman.  As told through the loosely connected Truth story line, Superman has been depowered to a relative degree and seemingly repurposed as something closer a street level character.  The implementation of this new direction has been a bit clunky across various titles as it has affected Action Comics, Superman/Batman and Superman/Wonder Woman.  As this story line returns to the titular series for the hero, it goes back a bit to explain just what has happened to the hero to turn him from super-everything to more like an enhanced street fighter.

This issue starts off with the new Superman, presumably to remind us that he is in fact depowered, but then quickly flashes us back to the time before (though to be fair almost right before.)  Clark and Jimmy are on a story, trying to figure out what is going on with a suspected arms deal, and Superman is forced to intervene after the arms deal goes bad.  More troubling, there is someone behind the scenes that is playing the two of them, including the fact that they have figured out that Clark and Superman are one and the same.  In pursuing this story, Superman almost inadvertently exposes his secret to Lois as well as he is forced into saving a hostage.

The Truth story line has been a bit disappointing thus far, as it has attempted to take a different look at the hero, and mostly has come up a bit short.  This carries on here, but inexplicably this is not so much of a look at the new hero, but rather gives us what is basically the old Superman back, save for a few panels mixed in with the newer version.  As opposed to the story line which can’t seem to find a good direction in which to take the character, this newest installment instead can’t decide whether to give fans the new version or the old version.  There are likely still fans clamoring for answers as to what exactly happened to Superman to get him where he presently is, but aside from those readers, this issue comes off as a bit too ordinary.

Story: Gene Luen Yang Art: John RomitaJr.
Story: 6.7 Art: 6.7 Overall: 6.7 Recommendation: Pass

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It’s the weekend, and I saw Green Lantern last night.  Expect a review later on today.  For those who’ve seen it, thoughts?

Around the Blogs:

Public Broadcasting – Commentary: Green Lantern And America – Um… interesting.

ICv2 – Over 1 Million Customers Visited a Comic Store – Now, how to keep that up?

ICv2 – Analysts see ‘Green Lantern’ at $50-$60 Million – This is my guess as well.

Robot 6 – Dan DiDio signals the end of the Clark Kent/Lois Lane marriage – Divorce rates are going down people!

ICv2 – Green Lantern’ Solid at Midnight Shows – Strangely my regular midnight screening movie theater wasn’t showing it.

Bleeding Cool – Frank Miller’s Holy Terror From Legendary Comics In September – Can’t wait for this.  Now if I could actually contact Legendary Comics or Legendary Pictures.  Fail folks.

Around the Tubes Reviews:

IGN – The Avengers #14

IGN – Batgirl #22

IGN – Cinderella: Fables Are Forever #5

IGN – Daken: Dark Wolverine #10

IGN – Deadlands: The Devil’s Six Gun #1

IGN – DeadpoolMAX #9

IGN – Flashpoint: Legion of Doom #1

IGN – Gladstone’s School for World Conquerors #2

IGN – Godzilla: Gangsters & Goliaths #1

IGN – Hulk #35

IGN – Invincible #80

IGN – Legion of Super-Heroes #14

MTV Geek – Level Up

IGN – Malignant Man #3

IGN – Northlanders #41

IGN – Uncanny X-Men #538

IGN – Witchblade #145

IGN – X-Factor #221

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VCU is going to the Final Four.  That’s be a college basketball thing for folks out there not in the know.  The team didn’t even pay attention to the seeding and took out the number one ranked Kansas.  Congrats!  On to this weekend comic book news.

Around the Blogs:

Bleeding Cool – Racebending With The X-Men – Do these products give you super powers too?

Comicvine – Breaking: Amy Adams to play Lois Lane – That’s a good looking cast.

Kotaku – Sunday Comics – Kotaku wraps up what they consider the best of webcomics.

Around the Tubes Reviews:

Good Comic Books – Ultimate Spiderman #156

Choice Quotes:

Osbron #4

Norman Osborn – Politics.  The struggle for power.  It always comes back to politics.  And these people, my people, their lives are the casualties of that struggle.

and

Norman Osborn – Gray, green or blue — if they were born on American soil, those little devils have rights!

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