Tag Archives: jeff eckleberry

Peter Calls In The Lost Boys In Your First Look at The Last Boy #2

BOOM! Studios has revealed a first look at The Last Boy #2. Legendary writer Dan Panosian takes on another classic tale in The Last Boy. Panosian, along with rising star artist Alessio Avallone, colorist Valentina Pinto, and letterer Jeff Eckleberry, reimagine the adventures of Peter Pan in the newest issue of this can’t-miss series out on April 23,2025.

After the shocking events of the last issue, Peter finds himself at a loss as he tries to comprehend the new status quo.

Needing help to move forward, he’ll need to call on the Lost Boys once again… except, they’re no longer boys themselves and they’ve got a dire warning about a new threat that could further change Neverland forever!

The Last Boy #2 features main cover art by series creator Dan Panosian with variant covers by Elizabeth Torque and Gabriel Rodríguez.

The Last Boy #2

SilverHawks #1 revives the classic property

SilverHawks #1

In the nearby galaxy of Limbo, the deadly mob boss Mon*Star has escaped from his confinement on Penal Planet 10 – and he’s looking to take revenge on everyone who put him there! At the top of that list is Commander Stargazer, the grizzled space cop who personally took Mon*Star down the last time he went on a rampage. To recapture Mon*Star and his gang of super-criminal associates, Stargazer must put his retirement on hold and assemble a new team of his famed bionically enhanced law enforcers – the SilverHawks! SilverHawks #1 kicks off the return of the property with a bit of a classic vibe.

I grew up in the 80s and part of that was watching so many animated series. Either rushing to get home afterschool or getting up early on Saturday mornings, there were so many shows to choose from, many considered classics, some long forgotten, and some with a solid cult classic fandom. SilverHawks was one of those shows I remember watching but don’t remember the specifcs and definitely remember the toys. My memory basically was that there were a few heroes each with a bird inspired design and each with a different color metal as a suit. But, beyond that, I couldn’t tell you their names or much lese. So, it was fun to dive into SilverHawks #1 as so much rushed back to me including their cool villain designs and their general space cop theme (there were a lot of animated cop shows it seems).

Written by Ed Brisson, SilverHawks #1 is the setup. We get a sense of the world, the characters, and what they’re up against. Brisson lays out the basics and does so in a relatively entertaining way. But, overall, the comic feels a bit flat in some ways. It hits a lot of tropes, old grizzled cops, the cop that wants to retire, but there doesn’t quite nail an emotional connection. It’s almost like a Cliff’s Notes version of the old series for a new generation quickly running us through the motions and getting the details out of the way. But still, it’s entertaining in that not much depth flashy 80s cartoon sort of way.

The art by George Kambadais adds to the comic’s strengths and weaknesses. With coloring by Ellie Wright and lettering by Jeff Eckleberry, the comic hits the notes to tell its story but the characters come off rather void of emotion. Their expressions in their faces and their bodies just misses any sort of reactions you might expect. A criminal escapes and characters say what you’d expect but the reaction to the news, there’s no shock, frustration, anger, nothing. But, the team does put together a world and characters who look great. It captures all of the original designs and feel of the animated series quite well.

SilverHawks #1 is a fine debut. It dusts off a concept and characters that have been on the shelf for quite some time. It does a solid introduction to it all. But, it doesn’t give us much of a connection to anyone. It’s very surface level in that way. Overall, it hits the nostalgia buttons but doesn’t add much beyond that.

Story: Ed Brisson Art: George Kambadais
Color: Ellie Wright Letterer: Jeff Eckleberry
Story: 7.5 Art: 7.5 Overall: 7.5 Recommendation: Read

Dynamite Entertainment provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Zootopia #1 is a cute start but feels a little flat overall. This one might be more for fans

It’s another beautiful day in the bustling city of Zootopia, where every animal is free to strive to realize their full potential – and one of the most successful of those strivers is Tripp Zebrando, owner of the PB&J cell phone company. Unfortunately, somebody has it in for PB&J, or Tripp (or both), and the resulting sabotage threatens to bring the house down – right on top of the unsuspecting crowd!

Story: Jeff Parker
Art: Alessandro Ranaldi
Letterer: Jeff Eckleberry

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

The Terminator #2 is an interesting concept but rough execution

The Terminator #2

Saigon, 1975-The war is winding down, and American forces are in retreat. One G.I. is enjoying his final leave in South Vietnam’s capital city when he is urgently recalled to the front. Back on the line, Private Duggan finds that his sector is being overrun by a mysterious enemy force one that doesn’t operate like any Viet Cong or NVA unit he’s ever faced. As rumors spread through the ranks about a ‘one-man Charlie platoon,’ Duggan suddenly come under murderous fire. Through the thick jungle air the trapped men spy their attacker a lone figure, seemingly impervious to bullets and grenades, completely devoid of fear or hesitation. Implacable. Inescapable. Inhuman. The Terminator #2 takes us back in time to the end of the Vietnam War for a comic whose concept is far better than the execution.

Written by Declan Shalvey The Terminator #2 is a decent idea but the details are where it falls apart. The story focuses on a US soldier named Dug who is scrambling to get something important as the order for evacuation from the country is given. But, in Dug’s search for whatever he needs, he comes across a Terminator who has come from the future and battling local forces.

And that battle begins the silliness. While bullets are pumped into the Terminator and that’s fine, the killing machine also goes up against a tank, throws items in an odd motion, and generally acts even stiffer than normal. The comic as a whole has a stiffness around it in its storytelling and execution, emphasized by the art from David O’Sullivan.

O’Sullivan’s art is what drags the issue down. With color by Colin Craker and lettering by Jeff Eckleberry, the Terminator and its actions feels almost like a kid playing with an action figure lacking articulation. The positions and placement are odd and awkward. The design too feels silly at times. It’s just such an odd visual choice and step back from a debut issue that was so good.

Further hampering The Terminator #2 is a back-up story that’s just one page. Written by Sal Crivelli with art by Colin Craker and lettering by Eckleberry, the story is far too short. I don’t remember if it was a continuation of the back-up story from the first issue or something completely new. But, from what we do get to see, the art is really solid and looks good. It’s inclusion as a whole is a bit of a headscratcher. It feels like a second of a story.

The Terminator #2 as a whole is numerous steps back from a fantastic debut issue. The art is stiff, the storytelling choppy, then the inclusion of a back-up story that’s one page all add up to a very odd reading experience. As part of a trade or anthology it’d all be fine but as a single issue, it’s a tough one.

Story: Declan Shalvey, Sal Crivelli Art: David O’Sullivan, Colin Craker
Color: Colin Craker Letterer: Jeff Eckleberry
Story: 7.0 Art: 6.0 Overall: 6.5 Recommendation: Pass

Dynamite Entertainment provided Graphic Policy with a FREE copy for review


Purchase: TFAWKindle

The Terminator #1 is a welcome return of the property to comics and way to celebrate 40 years

The plans to kill Sarah Connor and her son John have failed, but the genocidal Skynet isn’t out of options yet. There are still a few more avenues into the past that will allow it to destroy the human resistance that is poised to smash its processors into silicon shrapnel — it just needs to expand its theater of operations.

Opening a new front in the war, Terminators are dispatched across the globe and throughout time to target current resistance fighters, their ancestors, and anyone else unlucky enough to be in the strike zones. And while none of these secondary assignments are as straightforward as the missions of the first T-800 and T-1000, time is literally on the machines’ side. When all of history becomes a war zone, nowhere — and nowhen — is safe!

Story: Declan Shalvey, Sal Crivelli
Art: Luke Sparrow, Colin Craker
Color: Colin Craker
Letterer: Jeff Eckleberry

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

TFAW
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

ThunderCats: Cheetara #1 delivers an origin story of one of the show’s most iconic characters

ThunderCats: Cheetara #1

As a child of the 1980s, I cannot believe it has been 40 years since my adolescence. I hated many things about growing up but I also loved many things about it as well. I never could have imagined a time when I had less worries. This is why whenever I am reminded of that time, sometimes; I cannot help but get teary eyed, impacted by the nostalgia of it all.

One of those things I enjoyed was Saturday morning cartoons, which included the ThunderCats. As much as the show was written for kids my age, I always wondered how it would be like it was geared towards a more mature audience. In ThunderCats: Cheetara #1, we get the origin story of one of the show’s most iconic characters, making her even more intriguing.

We are taken to Thundera before the ELE took place, as Cheetara reminisces on the majesty of the planet and its people. We find Cheetara and Jaga as they roam the halls of one of Thundera’s sacred temples, one which holds the Sword of Omens. We soon find out that they are royalty, as they meet up with Tygra, who starting to doubt himself and his place in the royal court. As we find out what happened to Lion-O’s father, how became the ward of Jaga, and how the royal court took a part in his upbringing. By the issue’s end, Cheetara receives a vision that connects Thundera’s past and its impending fatalistic future.

Overall, ThunderCats: Cheetara #1 is an excellent origin story that every ThunderCats fans like me have been waiting four decades for. The story by Soo Lee is enlightening. The art by the creative team of Domenico Carbone, Chiara Di Francia, and Jeff Eckelberry is glorious. Altogether, ThunderCats: Cheetara #1 is a story fans of the franchise will love.

Story: Soo Lee Art: Domenico Carbone
Color: Chiara Di Francia Letterer: Jeff Eckleberry
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

Dynamite Entertainment provided Graphic Policy with a FREE copy for review


Purchase: TFAWKindle

A Mind-Bending Murder Mystery on the Streets of LA in Profane #1

BOOM! Studios has revealed a first look at Profane #1, the debut issue of a brand new mind-bending murder mystery from comics legend Peter Milligan, veteran artist Raül Fernandez, colorist Giada Marchisio, and letterer Jeff Eckleberry, that treads the precarious razor’s edge between reality and fiction. Coming to comic shops on June 5, 2024.

Will Profane is a seasoned private eye, and solving murders in the sunbaked streets of Los Angeles is his daily bread. But something is strange about his latest case. Every clue leads him back to a world-famous crime novelist lying at the center of this mystery–and dangerous truths about Profane’s own life.

Profane #1 features main cover art by star artist Javier Rodriguez and variant covers by acclaimed illustrators Mike Deodato with Jão Canola, and Marguerite Sauvage!

Profane #1

ThunderCats #2 has some interesting moments but is a bit too predictable

ThunderCats #2

In the aftermath of his first battle with the Mu’Tants, Lion-O attempts to use the Sight Beyond Sight to ask for guidance from their lost leader, Jaga. The vision he receives instead leads the ThunderCats to discover another Thundarian survivor on Third Earth! Meanwhile, Slithe and his Mu’Tant band have discovered the pyramid of Mumm Ra – and they’re about to learn firsthand how dangerous the Ever-Living one can be! ThunderCats #2 isn’t bad but overall is a bit too predictable.

Written by Declan Shalvey, ThunderCats #2 is an entertaining comic and has some fantastic moments but is hampered with plot points that you can see coming from a mile away. The comic, like the debut issue, invokes a style that hearkens back to the television show. There’s some moments that feel classic in some ways but it takes the easy route.

Where Shalvey’s take really stands out is its interaction between the ThunderCats themselves. Lion-O is a leader who is young and untested and attempting to organize a group that is thrust in a difficult situation. Their base is tattered, supplies limited, they’re marooned and besieged. They’re off their game and Lion-O’s inexperience isn’t helping. It leads to friction in the team and some disagreement about priorities and how to handle things. It feels right for a group in this situation and shows some good character growth and depth. Lion-O will need to learn how to lead and Shalvey’s focus on a kid suddenly thrusted to being a man is the best part of the series.

That inexperience leads Lion-O dive into the deep end when it comes to a brand-new character. While the rest of the team is skeptical, it’s clear and pretty obvious there’s more to this new mysterious character. It all feels like it’d fit quite well in the animated series but it all is a bit all too obvious as to where it’s going.

The art by Drew Moss is good. With color by Ciara Di Francia and Martina Pignedoli and lettering by Jeff Eckleberry, the comic has a look slightly different than the traditional from the animated show and toys, but still good. For the most part everyone looks like their classic self but there’s some small changes. The only gripe is things are a bit too neat and tidy right now. The ThunderCats and even the Mu’Tant ship all feel a bit too organized and not haggard enough. The world itself comes off as dusty and grimy but that doesn’t extend to the ThunderCats or base.

ThunderCats #2, like the debut, shows potential. There’s some things that are fantastic but there’s also aspects that feel a bit too easy. Like the sword shattering in the first issue, the comic goes for plots that are predictable and the narrative itself has a choppy aspect at times, like a record skipping a bit. It’s a series that feels like it can be tightened just a bit and it’d be one that stands out on the shelf.

Story: Declan Shalvey Art: Drew Moss
Color: Ciara Di Francia, Martina Pignedoli Letterer: Jeff Eckleberry
Story: 7.0 Art: 7.15 Overall: 7.0 Recommendation: Read

Dynamite Entertainment provided Graphic Policy with a FREE copy for review


Purchase: TFAWZeus ComicsKindle

ThunderCats #2 Debuts a New Character Calica!

Dynamite and Warner Bros. Discovery Global Consumer Products have announced a huge new addition to the ThunderCats mythos, with the introduction of a brand new character in issue #2!

A brand-new member is being added to the core cast by the creative team of Declan Shalvey and Drew Moss. Fans will get the chance to meet Calica early into the second issue, which arrives in stores March 13. A potential love interest for a Lion-O trying to mature and establish himself as a worthy leader, Calica’s story could go any number of ways in the forthcoming chapters and story arcs…

As her name may imply, this new young Thunderian is inspired by the appearance of Calico cats, with a tri-color fur pattern and a distinctive black patch around one of her eyes. She’s found among the wreckage of a Mu’Tant ship. More of her backstory will be revealed in the issue and beyond for readers.

Alongside the character’s first appearance, Dynamite will be unveiling a surprise second cover for the issue by series writer and superstar artist Declan Shalvey.

ThunderCats #2 will be in stores March 13. It is written by Declan Shalvey, drawn by Drew Moss, colored by Arancia Studio, lettered by Jeff Eckleberry, and edited by Nate Cosby. In addition to the newly announced covers by Shalvey, Moss, and Ken Haeser, the issue features variant covers by David Nakayama, Lucio Parrillo, Jae Lee, Ivan Tao, and an action figure cover.

ThunderCats #1 kicks off a new era for the beloved franchise

ThunderCats #1

ThunderCats #1 has a tough task. It kicks off a new era for a franchise that has had a resurgence in toys but hasn’t had much else for some time. It’s a property full of nostalgia. And, as a new series, it must play to long time fans as well as welcome new readers for something that originally launched nearly 40 years ago. Written by Declan Shalvey, ThunderCats #1 does a decent job of delivering a balance that sets up what’s to come and establishes what this take of ThunderCats is about.

I wasn’t the biggest ThunderCats fan, but remember watching the animated series in the 80s and had some of the toys. There were other 80s cartoons I was far more into. But, I remember the basics of who the good guys and bad guys are and the general personalities. The specifics, that eludes me. Thankfully, ThunderCats #1 delivers all of that, focusing on the ThunderCats escape from their dying world and being attacked, eventually winding up on Third Earth. But beyond that, the rest feels new and fresh and I have no idea how much has changed and how much remains the same.

Shalvey’s main focus seems to be Lion-O, the leader of the ThunderCats. In this take Lion-O aged up during his space travel, creating a man without the experience of his years. Lion-O is also forced into leadership, though it’s never quite explained why this has to be. That’s part of the issue with the debut, there’s a lot packed in and a lot delivered in broad strokes. It feels like the comic rushes through some of its more interesting aspects to get to its “shocking” ending. That creates for a somewhat choppy read.

The art by Drew Moss to isn’t quite as consistent as I’d hope. While the characters are familiar and overall the comic looks good, there’s slight panels where the characters don’t quite look themselves. It’s small quibbles and here but it’s noticeable. The interior doesn’t quite have the polish of the covers or the excitement and like the story itself, the art feels a little choppy at times. With color by Chiara Di Francia and Martina Pignedoli, and lettering by Jeff Eckleberry, the overall looks is good but not great. Moments that should pop, don’t. There’s nothing visually that I get excited about.

ThunderCats #1 is a good start that lays the groundwork for what’s to come. It mostly rushes through it’s story to get to its finale which is the real hook for what’s to come. It teases too much and doesn’t focus enough on what makes the debut comic truly interesting. It’s a bit scattered. But still, it’s nice to see this classic property return and as a debut, it’s more than enough to see what comes next.

Story: Declan Shalvey Art: Drew Moss
Color: Chiara Di Francia, Martina Pignedoli Letterer: Jeff Eckleberry
Story: 7.35 Art: 7.0 Overall: 7.2 Recommendation: Read

Dynamite Entertainment provided Graphic Policy with a FREE copy for review


Purchase: Zeus Comics

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