Tag Archives: jeff eckleberry

Preview: Flash Gordon Quarterly #4

Flash Gordon Quarterly #4

(W) David Hazan, Sarah Cooke, Marc Andreyko (A) Leo Chiola, Igor Mark Lima (C) Ceci De La Cruz, Maksim Streklov, Mark Englert (L) Jeff Eckleberry, Adel E. Talemie, Taylor Esposito

An all-new Quarterly special featuring a multiverse of stories! Dr. Hans Zarkov is always there when Flash Gordon needs a mad genius. But when the spacefaring hero is nowhere to be found, who can help Zarkov? David Hazan’s ‘The Golem of Mingar V’ cuts deep into the hard heart of one of Flash’s most beloved allies! Then, Marc Andreyko and Igor Lima continue their Cthulhuan mystery in the finale to ‘The Madness of M’nnngh’! And finally, Dale Arden gets the spotlight in ‘Dale, Hero of Mongo’ by Mad Cave talent winners Sarah Cooke, Leo Chiola, Maksim Streklov & Adel Talemi!

Flash Gordon Quarterly #4

SDCC 2025: Peter Cannon Thunderbolt Strikes This November!

Striking first this November, Dynamite Entertainment announces a brand new series starring the legendary Peter Cannon, Thunderbolt from Fred Van Lente and Jonathan Lau. The creative team is rounded out by colorist Andrew Dalhouse, letterer Jeff Eckleberry, and editor Nate Cosby.

The last surviving member of an order of mystics that have unlocked the full, unbound potential of their brains has arrived on the streets of New York City. Their mission? To confront the renegade master who destroyed the teachers of this clan — including their own parents. Their target? Peter Cannon himself. The hidden one has become entrenched within the city’s elite and has his sights set on Peter. Yet they’ll be biting off more than they can chew, as their mark is the one and only fabled Lightning Vessel of the Awakened, able to collapse time with a single strike and defy death itself, Peter Cannon is… the living Thunderbolt!

The 21st century is awash with would-be messiahs, crazed conspiracists, and cults of all stripes. A child of this environment himself, Peter Cannon grew up in the secluded culture of “The Awakened,” a compound blending New Age psychology, Tibetan Buddhism, extreme fitness, and further mysterious elements. A mass suicide and fire wiped out almost all of the Awakened’s followers, leaving an orphaned and abandoned Peter to vie for his place in the world.

In a journey across action and intrigue-packed issues, Peter Cannon will meet his companion Tabu, investigate more of the remains of his backstory, clash with rivals and similar-such militia groups, cults, and powerful fighters. In his final showdown, he will have to prove whether he has indeed unlocked the full potential of his both his body and mind to become the Destroyer of Death!

Further details on the story, cover artists, and more for this exciting upcoming series will be revealed soon!

Captain Planet #1 kicks things off for a new generation in a debut everyone can enjoy

Earth. Fire. Wind. Water. Heart.

With their powers combined, they summon Earth’s greatest champion: Captain Planet. But they need to learn to trust each other first. Gaia, the latest High Priestess of the Earth has been kidnapped! Our Planeteers are forced to come together against the newly formed might of Lucian Plunder! Even with Captain Planet on their side, will it be enough to save the very Earth itself?!?

Story: David Pepose
Art: Eman Casallos
Color: Jorge Sutil
Letterer: Jeff Eckleberry

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Things Get More Dangerous for Peter Pan in The Last Boy #3

BOOM! Studios has released a first look at The Last Boy #3. Legendary writer Dan Panosian takes on another classic tale in The Last Boy. Panosian, along with rising star artist Alessio Avallone, colorist Valentina Pinto, and letterer Jeff Eckleberry, reimagine the adventures of Peter Pan in the newest issue of this can’t-miss series out on May 28, 2025.

Peter Pan… defeated?

The last boy has suffered his first ever loss in Neverland, a shocking turn of events that leaves most everyone stunned and unsure of how to deal with this strange new threat. With the Neverbird’s nest and Neverland Forest now in danger, Peter’s will is put to the test as he’s forced to find a way to drive it back. In London, Wendy’s own troubles seem to escalate as tensions rise with her new fiancé.

The Last Boy #3 features main cover art and a one-per-store variant by series creator Dan Panosian with variant covers by Abigail Harding, and A. L. Kaplan.

The Last Boy #3

Peter Calls In The Lost Boys In Your First Look at The Last Boy #2

BOOM! Studios has revealed a first look at The Last Boy #2. Legendary writer Dan Panosian takes on another classic tale in The Last Boy. Panosian, along with rising star artist Alessio Avallone, colorist Valentina Pinto, and letterer Jeff Eckleberry, reimagine the adventures of Peter Pan in the newest issue of this can’t-miss series out on April 23,2025.

After the shocking events of the last issue, Peter finds himself at a loss as he tries to comprehend the new status quo.

Needing help to move forward, he’ll need to call on the Lost Boys once again… except, they’re no longer boys themselves and they’ve got a dire warning about a new threat that could further change Neverland forever!

The Last Boy #2 features main cover art by series creator Dan Panosian with variant covers by Elizabeth Torque and Gabriel Rodríguez.

The Last Boy #2

SilverHawks #1 revives the classic property

SilverHawks #1

In the nearby galaxy of Limbo, the deadly mob boss Mon*Star has escaped from his confinement on Penal Planet 10 – and he’s looking to take revenge on everyone who put him there! At the top of that list is Commander Stargazer, the grizzled space cop who personally took Mon*Star down the last time he went on a rampage. To recapture Mon*Star and his gang of super-criminal associates, Stargazer must put his retirement on hold and assemble a new team of his famed bionically enhanced law enforcers – the SilverHawks! SilverHawks #1 kicks off the return of the property with a bit of a classic vibe.

I grew up in the 80s and part of that was watching so many animated series. Either rushing to get home afterschool or getting up early on Saturday mornings, there were so many shows to choose from, many considered classics, some long forgotten, and some with a solid cult classic fandom. SilverHawks was one of those shows I remember watching but don’t remember the specifcs and definitely remember the toys. My memory basically was that there were a few heroes each with a bird inspired design and each with a different color metal as a suit. But, beyond that, I couldn’t tell you their names or much lese. So, it was fun to dive into SilverHawks #1 as so much rushed back to me including their cool villain designs and their general space cop theme (there were a lot of animated cop shows it seems).

Written by Ed Brisson, SilverHawks #1 is the setup. We get a sense of the world, the characters, and what they’re up against. Brisson lays out the basics and does so in a relatively entertaining way. But, overall, the comic feels a bit flat in some ways. It hits a lot of tropes, old grizzled cops, the cop that wants to retire, but there doesn’t quite nail an emotional connection. It’s almost like a Cliff’s Notes version of the old series for a new generation quickly running us through the motions and getting the details out of the way. But still, it’s entertaining in that not much depth flashy 80s cartoon sort of way.

The art by George Kambadais adds to the comic’s strengths and weaknesses. With coloring by Ellie Wright and lettering by Jeff Eckleberry, the comic hits the notes to tell its story but the characters come off rather void of emotion. Their expressions in their faces and their bodies just misses any sort of reactions you might expect. A criminal escapes and characters say what you’d expect but the reaction to the news, there’s no shock, frustration, anger, nothing. But, the team does put together a world and characters who look great. It captures all of the original designs and feel of the animated series quite well.

SilverHawks #1 is a fine debut. It dusts off a concept and characters that have been on the shelf for quite some time. It does a solid introduction to it all. But, it doesn’t give us much of a connection to anyone. It’s very surface level in that way. Overall, it hits the nostalgia buttons but doesn’t add much beyond that.

Story: Ed Brisson Art: George Kambadais
Color: Ellie Wright Letterer: Jeff Eckleberry
Story: 7.5 Art: 7.5 Overall: 7.5 Recommendation: Read

Dynamite Entertainment provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Zootopia #1 is a cute start but feels a little flat overall. This one might be more for fans

It’s another beautiful day in the bustling city of Zootopia, where every animal is free to strive to realize their full potential – and one of the most successful of those strivers is Tripp Zebrando, owner of the PB&J cell phone company. Unfortunately, somebody has it in for PB&J, or Tripp (or both), and the resulting sabotage threatens to bring the house down – right on top of the unsuspecting crowd!

Story: Jeff Parker
Art: Alessandro Ranaldi
Letterer: Jeff Eckleberry

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

The Terminator #2 is an interesting concept but rough execution

The Terminator #2

Saigon, 1975-The war is winding down, and American forces are in retreat. One G.I. is enjoying his final leave in South Vietnam’s capital city when he is urgently recalled to the front. Back on the line, Private Duggan finds that his sector is being overrun by a mysterious enemy force one that doesn’t operate like any Viet Cong or NVA unit he’s ever faced. As rumors spread through the ranks about a ‘one-man Charlie platoon,’ Duggan suddenly come under murderous fire. Through the thick jungle air the trapped men spy their attacker a lone figure, seemingly impervious to bullets and grenades, completely devoid of fear or hesitation. Implacable. Inescapable. Inhuman. The Terminator #2 takes us back in time to the end of the Vietnam War for a comic whose concept is far better than the execution.

Written by Declan Shalvey The Terminator #2 is a decent idea but the details are where it falls apart. The story focuses on a US soldier named Dug who is scrambling to get something important as the order for evacuation from the country is given. But, in Dug’s search for whatever he needs, he comes across a Terminator who has come from the future and battling local forces.

And that battle begins the silliness. While bullets are pumped into the Terminator and that’s fine, the killing machine also goes up against a tank, throws items in an odd motion, and generally acts even stiffer than normal. The comic as a whole has a stiffness around it in its storytelling and execution, emphasized by the art from David O’Sullivan.

O’Sullivan’s art is what drags the issue down. With color by Colin Craker and lettering by Jeff Eckleberry, the Terminator and its actions feels almost like a kid playing with an action figure lacking articulation. The positions and placement are odd and awkward. The design too feels silly at times. It’s just such an odd visual choice and step back from a debut issue that was so good.

Further hampering The Terminator #2 is a back-up story that’s just one page. Written by Sal Crivelli with art by Colin Craker and lettering by Eckleberry, the story is far too short. I don’t remember if it was a continuation of the back-up story from the first issue or something completely new. But, from what we do get to see, the art is really solid and looks good. It’s inclusion as a whole is a bit of a headscratcher. It feels like a second of a story.

The Terminator #2 as a whole is numerous steps back from a fantastic debut issue. The art is stiff, the storytelling choppy, then the inclusion of a back-up story that’s one page all add up to a very odd reading experience. As part of a trade or anthology it’d all be fine but as a single issue, it’s a tough one.

Story: Declan Shalvey, Sal Crivelli Art: David O’Sullivan, Colin Craker
Color: Colin Craker Letterer: Jeff Eckleberry
Story: 7.0 Art: 6.0 Overall: 6.5 Recommendation: Pass

Dynamite Entertainment provided Graphic Policy with a FREE copy for review


Purchase: TFAWKindle

The Terminator #1 is a welcome return of the property to comics and way to celebrate 40 years

The plans to kill Sarah Connor and her son John have failed, but the genocidal Skynet isn’t out of options yet. There are still a few more avenues into the past that will allow it to destroy the human resistance that is poised to smash its processors into silicon shrapnel — it just needs to expand its theater of operations.

Opening a new front in the war, Terminators are dispatched across the globe and throughout time to target current resistance fighters, their ancestors, and anyone else unlucky enough to be in the strike zones. And while none of these secondary assignments are as straightforward as the missions of the first T-800 and T-1000, time is literally on the machines’ side. When all of history becomes a war zone, nowhere — and nowhen — is safe!

Story: Declan Shalvey, Sal Crivelli
Art: Luke Sparrow, Colin Craker
Color: Colin Craker
Letterer: Jeff Eckleberry

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

TFAW
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

ThunderCats: Cheetara #1 delivers an origin story of one of the show’s most iconic characters

ThunderCats: Cheetara #1

As a child of the 1980s, I cannot believe it has been 40 years since my adolescence. I hated many things about growing up but I also loved many things about it as well. I never could have imagined a time when I had less worries. This is why whenever I am reminded of that time, sometimes; I cannot help but get teary eyed, impacted by the nostalgia of it all.

One of those things I enjoyed was Saturday morning cartoons, which included the ThunderCats. As much as the show was written for kids my age, I always wondered how it would be like it was geared towards a more mature audience. In ThunderCats: Cheetara #1, we get the origin story of one of the show’s most iconic characters, making her even more intriguing.

We are taken to Thundera before the ELE took place, as Cheetara reminisces on the majesty of the planet and its people. We find Cheetara and Jaga as they roam the halls of one of Thundera’s sacred temples, one which holds the Sword of Omens. We soon find out that they are royalty, as they meet up with Tygra, who starting to doubt himself and his place in the royal court. As we find out what happened to Lion-O’s father, how became the ward of Jaga, and how the royal court took a part in his upbringing. By the issue’s end, Cheetara receives a vision that connects Thundera’s past and its impending fatalistic future.

Overall, ThunderCats: Cheetara #1 is an excellent origin story that every ThunderCats fans like me have been waiting four decades for. The story by Soo Lee is enlightening. The art by the creative team of Domenico Carbone, Chiara Di Francia, and Jeff Eckelberry is glorious. Altogether, ThunderCats: Cheetara #1 is a story fans of the franchise will love.

Story: Soo Lee Art: Domenico Carbone
Color: Chiara Di Francia Letterer: Jeff Eckleberry
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

Dynamite Entertainment provided Graphic Policy with a FREE copy for review


Purchase: TFAWKindle

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