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Straight Outta Compton Tops Chart, Man From U.N.C.L.E. Stumbles

Posted on August 17, 2015 by Brett

Straight Outta Compton ruled the weekend box-office coming in at number one with an impressive estimated earning of $56.1 million. It knocked Mission: Impossible – Rogue Nation out of the top spot into second place where it added an estimated $17 million to its total. Another high profile debut, The Man From U.N.C.L.E. didn’t fair so well, earning just $13.535 million for its first week at the domestic box-office.

Straight Outta Compton looks to have debuted as the sixth best August opening of all time, and adds to a stellar year for its distributor Universal which has crossed the $2 billion mark at the box-office on Saturday. It beats the previous record holder Warner Bros. by four months. They hit that mark December 25, 2009.

When it comes to comic movies Fantastic Four dropped to fourth, losing 68.9% from the previous week. While that might seem like a lot, it’s not the worst for a movie headlined by a Marvel character. Elektra, X-Men Origins: Wolverine and Hulk all did worse. Fantastic Four added $8 million to its total to bring its domestic earning up to $41.96 million. The film has earned $102.1 million worldwide so far.

Ant-Man was in sixth place adding an estimated $5.5 million to its domestic total. The film has earned $157.6 million domestically and $336.5 million worldwide. The film still sits in second to last as far as earnings for Marvel Cinematic Universe films.

The Diary of a Teenage Girl which is based off a graphic novel expanded its opening to 22 theaters and earned $112,000. The film earned a lot of buzz at Sundance and was purchased by Sony Pictures Classics for $2 million. The film has earned a total for $195,000 so far in its two weeks.

For the yearly totals, Jurassic World still reigns supreme. The film is at the top of the domestic box-office grosses with $637.9 million. It’s still earning a decent chunk, so that number has a ways to go before it’s done. It’s followed by Avengers: Age of Ultron in second with $457.2 million, Furious 7 in third with $351 million, Inside Out in fourth with $339.4 million and Minions rounds out the top five with $313 million.

The worldwide grosses are a little different with Jurassic World still on top with $1.6062 billion, and Furious 7 in second with $1.5117 billion. Avengers: Age of Ultron has earned $1.3988 billion to be in third place. Minions is fourth with $957.5 million, and Inside Out is fifth with $639.5 million.

Fantastic Four Gets Clobbered

Posted on August 10, 2015 by Brett

Fantastic Four movie poster The negative reviews, and negative buzz surrounding the latest reboot for Fox‘s Fantastic Four likely did in the film. The move was estimated to take first and earn around $40 million for the weekend, but the film actually came in second and was estimated to have earned a poor $26.2 million. Mission Impossible – Rogue Nation held on to first place adding an estimated $29.4 million to its haul.

Fantastic Four is probably done for the summer after its first weekend with a piss poor C- Cinemascore. To compare, Pixels earned a B. Pretty much, unless the film blows up huge overseas, the film will be a loss for Fox.

In other superhero movie news, Ant-Man added an estimated $7.83 million to its total. The film has now earned $326.3 million worldwide in its four weeks. Unadjusted for inflation the film is the second worse film in the Marvel Cinematic universe as far as earnings. It beats just The Incredible Hulk. It may move up a post before it finishes though….

So far this year, domestically (and internationally) Jurassic World is on top so far. The film is the domestic box office champ for the year so far earning $635,627,000 so far. Avengers: Age of Ultron is in second place with $456,942,727, Furious 7 has earned $351,032,910 and is in third, and Inside Out has earned $335,375,000 and is in fourth.

Worldwide, Jurassic World has earned $1.5812 billion to be in first, Furious 7 is in second with $1.5117 billion, Avengers: Age of Ultron has earned $1.3984 billion for third, and Minions is fourth with $912.6 million.

Mission: Impossible – Rogue Nation has a Successful Mission

Posted on August 3, 2015 by Brett

The mission was not impossible as Mission: Impossible – Rogue Nation was top at the box-office this past weekend. The film earned an estimated $56 million to put it in first. The competition was rather week as another debut Vacation was in second with just an estimated $14.85 million. Mission: Impossible continues Tom Cruise‘s streak as a bankable star.

Ant-Man moved into third place earning an estimated $12.6 million. The film has earned $291.6 million globally with $132.1 million of that domestically and $159.5 of that in foreign markets.

Not too far behind the film was Minions in fourth adding $12.2 million to its total and bringing it to $854.7 million globally so far.

In other movie earnings domestically Jurassic World added $3.8 million, Terminator: Genisys added $900,000, and Avengers: Age of Ultron added $155,000.

Domestically, Jurassic World stands at $631.5 million for the year to be in first, Avengers: Age of Ultron is second with $457 million, Furious 7 is third with $351 million and Inside Out has $329.6 million.

Globally things are different with Jurassic World at $1.5595 billion to be in first, Furious 7 is second with $1.5117 billion, Avengers: Age of Ultron is third with $1.3985 billion, Minions is fourth at $854.7 milllion, and Inside Out is fifth with $602.3 million.

Minions Dominate the Weekend

Posted on July 13, 2015 by Brett

minions-poster-1 Universal’s Minions dominated the weekend with an estimated $115.2 million in domestic grosses. The film also debuted in 30 additional territories worldwide on top of the 26 it was already playing in. The film at the foreign box-office earned $124.3 million to bring the international total to $280.5 million and a grand total worldwide of $395.7 million so far.

That’s the second highest animated opening of all time behind Shrek the Third which opened with $121.6 million.

In other movies news, Jurrasic World earned an estimated $18.1 million domestically and Inside Out took in $17.1 million. Terminator: Genisys was in fourth with $13.7 million.

Avengers: Age of Ultron continued to earn, adding $439,000 to its domestic earnings.

Domestically Jurassic World is in first place for the year earning $590.6 million with Age of Ultron second and $455.2 million.

Worldwide is a different story with Furious 7 still on top and $1.512 billion, Jurassic World second at $1.466 billion, and Age of Ultron third with $1.389 billion.

Jurassic World and Inside Out Battle for First

Posted on July 6, 2015 by Brett

jurassic_world Though there’s still some arguments and it’s not 100% settled, it looks like Jurassic World has retained first place at the box-office for the fourth weekend in a row. The film earned an estimated $30.9 million. Close behind is Inside Out, which is in second after three weeks in theaters. That film earned an estimated $30.1 million. It does look like Inside Out won the five day Fourth of July frame with $45.3 million compared to Jurassic World‘s $43.8 million.

Jurassic World also added $42 million overseas to bring it’s international total to $826.9 million, which when adding its domestic total (which crossed the $550 million mark) brings its grand total to $1.385 billion so far. That puts it in fifth place as far as highest grossing films ever, and has it passing Avengers: Age of Ultron which sits at $1.37 billion. That film just opened in Japan where it earned $6.5 million.

In movie openings Terminator Genisys was an apocalypse for that film franchise earning an estimated $28.7 million for three days and $44.1 million for five days. In 2009 Terminator Salvation earned $42.6 million in three days and Terminator 3: Rise of the Machines made $44 million. So, this film’s opening isn’t that great domestically. It did do decent overseas where it earned $74 million to bring its international total to $85 million, and it opened in first in a few countries. There are two more Terminator films slated to be released in 2016 and 2017, so it’ll be interesting to see if this film’s opening impacts that.

Magic Mike XXL opened with $12.04 million over three days, and $27.07 million over five, not all in ones. The film had a 96% female audience, and a budget of just $14.9 million.

Jurassic World Holds on to First, Crosses $500 million Domestically

Posted on June 29, 2015 by Brett

Jurassic World three-peat, taking the top spot at the box-office for the third week in a row. It earned an estimated $54.2 million. It narrowly beat Inside Out which earned an estimated $52.1 million in its second week.

Jurassic World has turned into a monster of a summer movie, crossing the $500 million mark at the domestic box-office. It now stands at $500.1 million, and at the foreign box-office it has earned $737.5 million. It’s well over the billion dollar mark, the third film to do so this year, earning $1.24 billion so far. It’s the fastest any film has crossed the $500 million mark doing so in 17 days. The previous record was 23 days by Marvel’s The Avengers. The film is in first place by a long shot in domestic earnings this year and is closing in on second. There’s a chance the film will give the all-time earning spot a run for its money.

Mad Max: Fury Road continues to do well adding an additional $1.74 million to bring its domestic total to $147.1 million. Avengers: Age of Ultron also hung on to tenth place earning an estimated $1.64 million to bring its domestic total to $452.4 million.

Jurassic World Still Rains Cash, While Inside Out Debuts Strong

Posted on June 22, 2015 by Brett

Jurassic World retained the top spot at the domestic earning an estimated $102 million. That’s only a 51% decline from its first weekend, which is much less than expected. That’s the second best second weekend earnings ever. The film has earned $398.2 million at the domestic box office. Internationally the film has brought in $583.1 million bringing its total worldwide to $981.3 million. World will cross the billion mark soon, making it the quickest a movie has gotten to that mark. The current record holder Furious 7 took 17 days and World will do it in 11 or 12. The film still hasn’t opened in Japan.

insideout1 Not to be outdone though, Inside Out debuted with an impressive $91.1 million. That’s actually the best debut ever for an original property. The film earned $41 million internationally giving it a total of $132 million for its first weekend. It’s only opened in 42% of the global markets. The film’s domestic opening is the second best ever opening weekend for a Pixar film.

In more comic related film earnings, Avengers: Age of Ultron continued to bring in the dollars adding an estimated $2.7 million at the domestic box office. The film has earned $1.37 billion so far.

When it comes to the 2015 top grosses, Age of Ultron still is on top as far as domestic earnings. Jurassic World will likely pass it. Worldwide, Furious 7 is still on top with Age of Ultron in second and Jurassic World has quite a bit to go, but is currently in third.

Movie Review: Inside Out

Posted on June 21, 2015 by

It’s been tough to be a Pixar fan the past few years, what with the total artistic flop of Monsters University as well as superior competition in the realm of animated film, like Frozen. That’s precisely why a downright incredible film like Inside Out is exciting for the film industry and especially exciting for fans of the once does-no-wrong animation studio. This wildly creative, emotionally-resonate and hilarious movie about what happens in our minds is not just better than the past few years’ worth of Pixar movies, it’s by far one of the studio’s best efforts.

The movie does good right from the start, with its protagonist Riley, an easy-to-like 11-year old girl who loves her family, her friends, and hockey. It’s great to have an unconventional sports-loving little girl star a movie that doesn’t simply pander to that audience. Riley isn’t a fantasy and not even exactly a role-model, but a real, honest-to-goodness person who doesn’t always make the right decision. The movie does play it safe with racial representation, unlike Dreamwork’s Home this year, but the background characters are suitably diverse for what that’s worth.

If you’re not yet privy, Inside Out’s premise focuses on the interworking of Riley’s mind, personified as five colorful characters named Joy, Sadness, Anger, Disgust and Fear, along with some others along the way. Most of the movie is spent in her mind, leaving the bulk of the charm to the all-star cast of Amy Poehler, Phyllis Smith, Lewis Black, Mindy Kaling and Jon Hader. The casting is perfect, each actor representing their respective emotion to a tee and pulling off endearing, hilarious performances.

The movie focuses on Joy and Sadness to deliver a theme about those two emotions in particular. Literally, Inside Out is about Riley’s family moving to another town during a pivotal moment of her life; the last bits of pre-pubescent childhood. Thematically, Inside Out is a surprisingly poignant, warm and complex affirmation of the relationship between joy and sadness along with all the rest of the emotions, as well as a coming-of-age story.

Perhaps the most impressive quality of Inside Out is its total and utter lack of missed potential. This fun look at the mind feels complete and massively inventive, throwing in lots of actual psychological jargon without being stuffy or confusing. From the part of the brain that produces dreams seen here as a movie studio producing short skits, to the sprawling rows of shelves containing orbs shown for long-term memory, Inside Out never ceases to be clever. It’s the kind of movie that had me constantly worrying it would misstep and half-ass an idea, but it never did. It just kept delighting and surprising.

As a work of film craft, Inside Out is magnificent. For the most part it’s standard Pixar, with a huge variety of color and the silkiest, most expressive and detailed CG animation possible for its time. At one point in the movie it takes things further, however, with experimentation in its animated style that makes it look unlike anything typically seen on the big screen. The plot calls for this shift in style in the exact same way as other animated movies, but the results are hard to argue with. Inside Out is also easily Pixar’s most cartoony movie yet, with energetic slapstick that often feels like Looney Toons.

Inside Out is a classic work of art that does more than it has to for the simple sake of being good. Pete Docter and the rest of the crew didn’t just check boxes to get an Oscar and butts in seats and toys on shelves (although they’ll be sure to get all of those too); they put their minds together and created something truly special.

Check out Matt’s online portfolio here

SDCC 2015: Funko Announces Their First Wave of Exclusives

Posted on June 8, 2015 by Brett

Funko has announced their first batch of San Diego Comic-Con exclusives!

Their goal was to cover as many beloved licenses and characters as possible to remind every Comic-Con attendee why they fell in love with these stories in the first place.

In an effort to provide more of their products to Con-goers, they are NOT offering a pre-buy option this year.

Without further ado, here is the first installment of Funko’s San Diego Comic-Con exclusives list!

Pop! Animation: Futurama – Gold Bender

Pop! Disney/Pixar: Inside Out – Sparkle Hair Sadness

Pop! Television: Doctor Who – Twelfth Doctor (Spacesuit)

Pop! Rides: X-Force Deadpool’s Chimichanga Truck

Hikari: Star Wars – Infrared Boba Fett

Vinyl Idolz: Ghostbusters – Slimed Dr. Peter Venkman

Dorbz XL: Batman – 6″ Batman

Funko’s Pop! Disney: Inside Out Out in May

Posted on January 18, 2015 by Brett

Meet the little voices inside your head! Inside Out is the latest Disney-Pixar 3D computer-animated feature!

Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith). The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.

Funko has shown off their latest POP! releases with Pop! Disney: Inside Out which hit shelves in May. Inside Out is in theaters June 19th!

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