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Rok of the Reds Transfers to Judge Dredd Megazine!

Rok of the Reds

Major news has hit the world of football today, highly sought-after free agent Rok of the Reds has been dramatically signed by Judge Dredd Megazine for a run in their 2024/25 Season!

The creator-owned series from legendary writers John Wagner, Alan Grant, and artist Dan Cornwell, Rok of the Reds is a hilarious and chaotic blend of sci-fi and sports that puts the shooting back into the penalty shoot-out!

The first explosive season will launch in the Judge Dredd Megazine later this year – to be followed by the second, and then a much-anticipated brand new third season by Wagner and Cornwell!

Originally published in two volumes, Rok of the Reds is a black comedy about revenge, redemption, and relegation. It follows Rok of Arkadi, an alien who seeks refuge on Earth after his homeworld is destroyed by bounty hunters. However, his attempts to hide under the radar are complicated when he has a chance meeting with arrogant young footballer Kyle Dixon, a bad boy who has been causing problems for his struggling team.

Assuming Kyle’s identity, Rok finds himself thrust unexpectedly into the spotlight: not only does he have to keep himself safe from ruthless alien bounty hunters – but he’s got games to win! Rok is going to have to learn to love the beautiful game if he’s going to keep his cover intact, or he’ll risk being captured by his enemies… or worse, relegated!

The first two Rok of the Reds stories will begin to be republished in Judge Dredd Megazine towards the end of 2024 – and will be followed by an all-new run from Wagner and Cornwell in 2025!

The Folio Society To Publish DC: Batman

The Folio Society, independent publisher of beautifully illustrated hardback books, in collaboration with DC, will celebrate the 85th anniversary of the first comic book appearance of DC’s Dark Knight Detective with the release of DC: Batman. Created by Bob Kane with Bill Finger, Batman first appeared in 1939’s Detective Comics #27 and since then the Dark Knight has stood as a symbol of determination, courage and justice to generations of fans for over 80 years. Batman is one of the most iconic fictional characters in the world, and is a self-made Super Hero, notable not for his super powers, but for his intelligence, determination, and tech savvy.

This collectible compilation includes twelve seminal comics, by a host of iconic writers and artists— including Bill Finger, Bob Kane, Jerry Robinson, Denny O’Neil, Neal Adams, Marshall Rogers, Frank Miller, Dave Mazzucchelli, Alan Moore, Brian Bolland and Kelley Jones—all selected and introduced by former DC President, Publisher and Editor-in-Chief of DC, Jennette Kahn. Along with the 320-page one-of-a-kind deluxe book, DC: Batman also comes with a stand-alone replica copy of Batman #1. Scanned in its entirety from an original 1940 copy, the replica copy of the Batman #1 comic book, which includes the original back-up strips and vintage ads and introduces DC’s Clown Prince of Crime, aka The Joker, and The Cat, who would come to be known as Catwoman.

DC: Batman includes:

Facsimile: Batman #1 (Spring 1940)
Writer: Bill Finger
Cover artists: Bob Kane, Jerry Robinson
Artists: Bob Kane, Sheldon Moldoff
Editor: Whitney Ellsworth

The Bat-Man
Detective Comics #27 (May 1939)
Writer: Bill Finger
Artist: Bob Kane
Editor: Vincent Sullivan

Batman and Green Arrow: The Senator’s Been Shot!
The Brave and the Bold #85 (September 1969)
Writer: Bob Haney
Cover artist: Neal Adams
Penciler: Neal Adams
Inker: Dick Giordano
Letterer: Ben Oda
Editor: Murray Boltinof

The Dead Yet Live
Detective Comics #471 (August 1977)
Writer: Steve Englehart
Cover artists: Marshall Rogers, Terry Austin, Tatjana Wood, Gaspar Saladino
Penciler: Marshall Rogers
Inker: Terry Austin
Colorists: Marshall Rogers
Letterer: John Workman
Editors: Julius Schwartz, E. Nelson Bridwell

Batman: Year One—Chapter One: Who I Am—How I Come to Be
Batman #404 (February 1987)
Writer: Frank Miller
Artist: Dave Mazzucchelli
Colorist: Richmond Lewis
Letterer: Todd Klein
Editor: Dennis O’Neil

The Last Arkham (Part One)
Batman: Shadow of the Bat #1 (June 1992)
Writer: Alan Grant
Cover artist: Brian Stelfreeze
Penciler: Norm Breyfogle
Inker: Norm Breyfogle
Colorist: Adrienne Roy
Letterer: Todd Klein
Editors: Scott Peterson, Dennis O’Neil

Robin—the Boy Wonder
Detective Comics #38 (April 1940)
Writer: Bill Finger
Artists: Bob Kane, Jerry Robinson
Editor: Whitney Ellsworth

The Crimes of Two-Face!
Detective Comics #66 (August 1942)
Writer: Bill Finger
Artists: Jerry Robinson, George Roussos
Letterers: Ira Schnapp
Editor: Whitney Ellsworth

Daughter of the Demon
Batman #232 (June 1971)
Writer: Dennis O’Neil
Cover artist: Neal Adams
Penciler: Neal Adams
Inker: Dick Giordano
Letterer: John Costanza
Editor: Julius Schwartz

The Dark Knight Returns
Batman: The Dark Knight Returns #1 (June 1986)
Writer: Frank Miller
Cover artists: Frank Miller, Lynn Varley
Penciler: Frank Miller
Inker: Klaus Janson
Colorist: Lynn Varley
Letterer: John Costanza
Editors: Dick Giordano, Dennis O’Neil

Batman: The Killing Joke (July 1988)
Writer: Alan Moore
Cover artists: Brian Bolland, Richard Bruning
Artist: Brian Bolland
Colorist: John Higgins
Letterer: Richard Starkings
Editors: Dennis O’Neil, Dan Raspler

Knightfall Part 1: Crossed Eyes and Dotty Teas
Batman #492 (May 1993)
Writer: Doug Moench
Cover artists: Kelley Jones, Bob LeRose
Penciler: Norm Breyfogle
Inker: Norm Breyfogle
Colorist Adrienne Roy
Letterer: Richard Starkings
Editors: Scott Peterson, Jordan B. Gorfinkel, Dennis O’Neil

The release of DC: Batman is the second release in the Folio Society publishing program with DC, following the release of the acclaimed DC: The Golden Age. DC: Batman has been made according to The Folio Society’s exceptional production standards. Scanned from original copies held in the DC archives, the comics have been reproduced in 10” x 7” treasury format. An anti-scratch laminated hardcover features Batman’s signature silhouette, with titles foil-embossed in yellow and midnight blue, the book itself cowled in a pitch-black slipcase bearing the famous Bat-Signal. A compendium of gothic artwork and Batarang-sharp storytelling, DC: Batman is an unmissable investigation into the adventures and pathology of one of the world’s most famous – and most troubled – DC Super Heroes. DC: Batman will be available from the Folio Society on February 20, 2024.

The Folio Society edition of DC: Batman, selected and introduced by Jenette Kahn, will be available for £65 / US $100 on February 20, 2024.  

Preview: Best of 2000 AD Vol. 5

Best of 2000 AD Vol. 5

(W) Rob Williams, Peter Milligan, Al Ewing, John Wagner, Alan Grant, John Smith, Gordon Rennie, Jamie Delano, Alan Davis (A) Chris Weston, Tony Wright, Henry Flint, Cam Kennedy, Sean Phillips, Frank Quitely, Alan Davis, Mark Farmer (CA) Annie Wu
In Shops: Feb 14, 2024
SRP: $22.99

Best of 2000 AD is a landmark series from the cult comic, bursting with our greatest stories for a new generation of readers. In this volume: Judge Dredd raises not only the law when Mega City One’s super-rich consider themselves above it all in Elevator Pitch; crash-land on a Death Planet as Al Ewing and Henry Flint introduce the monstrous, weaponized (but dead polite) Zombo; go Swimming in Blood with occult detective Devlin Waugh as he investigates a vampire outbreak in an underwater prison by John Smith and Sean Phillips; ride out into the Godless wasteland of the Cursed Earth and witness Gordon Rennie and Frank Quitely preach faith through firepower in Missionary Man. Boasting brand new covers from an all-star line-up of artists including Annie Wu and with designer Tom Muller, Best of 2000 AD is the essential gateway into the Galaxy’s Greatest Comic.

Best of 2000 AD Vol. 5

Preview: The Best of 2000 AD Vol. 4

The Best of 2000 AD Vol. 4

(W) John Wagner, Alan Grant, Peter Milligan, Jamie Delano, Tiffany Babb, Kek-W (A) Jamie Hewlett, Steve Dillon, Colin MacNeil, John Burns, Alan Davis (CA) Marguerite Sauvage
In Shops: Sep 13, 2023
SRP: $22.99

Best of 2000 AD is a landmark series from the cult comic, bursting with our greatest stories for a new generation of readers. In this volume: When Judge Dredd investigates a potential whistleblower, it’s hard to avoid paranoia when information is this Mega-City Confidential; from medieval Prague to the streets of Elizabethan London, Kek-W and John Burns sound the call to battle extra-dimensional Wurms and join The Order; a rolling stone gathers no mousse as Pete Milligan and Jamie Hewlett tangle you in Hewligan’s Haircut, a shear reality-warping victory roll that’s just the tonic; quake to the Cry of the Werewolf with an all-time Dredd classic by Alan Grant and Steve Dillon. Boasting brand new cover from Marguerite Sauvage (Archie) and \with designer Tom Muller (X-Men), Best of 2000 AD is the essential gateway into the Galaxy’s Greatest Comic.

The Best of 2000 AD Vol. 4

Around the Tubes

Bone Orchard: The Passageway

San Diego Comic-Con has kicked off. What news are you already excited about? What has stood out so far? Sound off in the comments below. While you think about that, here’s some comic news and reviews from around the web.

ICv2 – Famed Comic Book Writer Alan Grant Passes Away at 73 – Our thoughts are with his family, friends, and fans.

Comicbook – Resident Alien Renewed for Season 3 by SYFY – Awesome! Great news.

Kotaku – Activision Blizzard Workers Walk Out Over Lack Of Roe v. Wade Support – Good on them.

Reviews

Collected Editions – Bone Orchard: The Passageway
CBR – The Jurassic League #3
CBR – Moon Knight: Black, White, and Blood #3

Scott vs Demons Takes on Bureaucratic Mistreatment of Chronic Health and Disabilities

As part of the Edinburgh Art Festival, Artlink launches Scott vs Demons, a comic which takes a satirical look at the bureaucratic mistreatment of vulnerable people with chronic ill health and disabilities. The comic takes as its starting point the experience of Scott Davidson, a young man with autism, and goes on a flight of fantasy where we get to experience the Personal Independence Payments (PIP) assessment process for the ridiculous farce it is.

In these difficult times we can become come desensitised, unable to take in just what austerity measures mean to vulnerable disabled people. Artlink, as an arts and disability organisation, have witnessed the distress caused by PIP assessments and decided the best tools we have at our disposal to highlight this are art and humour. To expose the quite frankly absurd assessment process Artlink commissioned writer Alan Grant and artist Robin Smith, under the direction of Scott Davidson to explore the process and hopefully make people start to talk about its impact. Scott vs Demons is the second comic made by the team. In it they parody the PIP assessment questionnaire, use a ‘rat-zappa’ to remove the demons of red tape and Scott shifts from victim of an assessment process that has little understanding of his disabilities and its impact on his day to say life, to an action hero fighting social and political injustice.

“The Department for Work and Pensions has told its disability benefits assessors to discriminate against people with mental health conditions compared to those with physical problems. New guidelines from the department to assessors for the Personal Independence Payment (PIP) benefit appear to explicitly single out those with mental health conditions who suffer identical impacts as those with physical conditions.”
Jon Stone – Political Correspondent, Independent, March 2017

Personal Independence Payment (abbreviated to PIP and usually pronounced as one word) is a welfare benefit in the United Kingdom that is intended to help with the extra costs of living with a long-term health condition or a disability. PIP was introduced by the Welfare Reform Act 2012. In response to the austerity agenda it aimed to cut spending on benefits by 20%; instead costs have risen. In response, new rules were introduced in 2017 which, many charities say, has left vulnerable disabled people without support. The whole system needs urgent improvement if it is to accurately assess the support that people need. Charities that represent mental health and learning disability groups claim that people with these conditions are being negatively affected as current assessments do not recognise that these conditions are as severe as other impairments.

The Social Security (Scotland) Bill was introduced by the Cabinet Secretary for Communities, Social Security and Equalities, Angela Constance MSP on 20 June 2017. The main purpose of the Bill is to pass control of a number of social security benefits from the UK Government to the Scottish Government. The Social Security Committee is the lead Committee scrutinising the legislation and will begin taking evidence on the Bill at Stage 1 in September 2017. The Committee has issued a call for views on the Bill; the deadline for submissions is Wednesday 23rd August 2017.

Artlink is an arts and disability organisation established in 1984. Artlink believes participation in the arts has an important role to play in realising personal and social change. Their aim is to increase opportunities to take part in the arts for those who experience disadvantage or disability in the East of Scotland. The individual is central to all thei work; they inform what the organization does and how they do it. For more information visit http://www.artlinkedinburgh.co.uk. Scott Versus Demons is part of a series of publications commissioned by Artlink.

Comics are available through Artlink, and are priced at £2.99 or can be downloaded from http://www.artlinkedinburgh.bigcartel.com for £1.50. Comics will be on sale at various comic and book retailers as well as online.

Preview: Judge Dredd: Cry of the Werewolf

Judge Dredd: Cry of the Werewolf

John Wagner & Alan Grant (w) • Steve Dillon (a & c)

Re-presenting the classic tale that inspired this month’s Judge Dredd: Deviations! In the full-blooded horror of “Cry of the Werewolf,” Judge Dredd must descend into the Undercity to investigate how a flesh-eating werewolf ended up in Mega-City One and make sure no others make their way to the surface.

B&W • 48 pages • $5.99

Preview: Clive Barker’s Nightbreed Archive Vol. 1 HC

Clive Barker’s Nightbreed Archive Vol. 1 HC

Publisher: BOOM! Studios
Writers: Clive Barker, D.G. Chichester, Alan Grant, John Wagner
Artists: Jim Baikie, Paul Johnson, Martin Emond, Jackson Guice, Alfred Ramirez, Bret Blevins, Mike Manley, Ricardo Villagrán
Cover Artist: Mike Mignola
Price: $44.99

Explore horror master Clive Barker’s ’90s cult-classic Nightbreed series like never before in this comprehensive hardcover archive collection.

Features the adaptation of Clive Barker’s original screenplay; year 1 of the original ’90s Nightbreed Epic comic run; and theHellraiser/Nightbreed crossover, all remastered and collected for the first time.

First appearing in the cult classic 1990 film, the Nightbreed is a tribe of monsters and outcasts who hide out from society in an underground community called Midian.

Features a Foreword written by D.G. Chichester.

nightbreed_archive_001_cover

Review: Rok of the Reds #1

rok1Football (or soccer, depending on where you’re from. I’m English, and I’m writing this review, so it’s football). The Beautiful Game. The game that bores the ever loving shit out of my wife,  and probably some of you, I’d wager.

Rok of the Reds #1 won’t do that. No sir.

It has been more than a decade and a half since I paid any real attention to football, especially at the club level of the sport. The only reason this is relevant to this review is so that you, dearest reader, understand that while I have a tiny bit of familiarity with the sport, the comic itself doesn’t require any familiarity with the game in order to enjoy this comic. And if you are a footie fan?

Well that’s probably a bonus, but it isn’t a requirement to your enjoyment of the issue, especially if the thought of an intergalactic outlaw and an arrogant shit of a person interest you.

rok-scan-1

Planetary destruction has rarely looked so good.

And it has interested me for months; ever since I read a feature about  Rok of the Reds in the British magazine Comic Heroes months ago – long before the comic actually launched – and so when the review copy came through, my reaction was “Oh %^@# yes. I’ve been trying to work out how to get my hands on this for a month of Sundays.” I probably would have done a back flip if I was physically capable of doing so. Growing up reading the Scorer newspaper strip, while I did eventually stop reading them (more on that here) football comics have always held a soft spot in my heart. Needless to say I was pretty excited for this issue.

So was it as good as I hoped it’d be?

Yeah, yeah it really was.

Being the first of a six part series, this issue is more about setting up the action to come than giving you and crazy twists right off the bat, and it does that incredibly well. Rok, the alien fugitive, has a sense of desperation about him; whatever he’s running from seems to be tenacious enough to follow him through some pretty vast distances. What he’s fleeing from, and whether he’s one of the more heroic types of outlaw or not isn’t immediately stated in the opening of the comic (you’ll have to read the comic to find out whether that’s revealed in the first issue or not).

When it comes to the football bits there’s a fluidity to the movements that you’d hope to see from the artwork, with some of the on-pitch action losing a little detail – which I think is more intentional than not as it lends a sense of speed to the action. By having the spectators comments visible to the reader, Wagner & Grant are able to tell you quite a bit about Kyle Dixon in the first few panels of his introduction.

rok-scan-2The lack of announcer also serves  to bring the reader into the action; by not having the typically TV-only voice overs one gets the feeling that we’re a part of the crowd, and not watching the game in a pub or at home. It’s subtle, but I think it helps bring the reader into the comic that little bit more.

Rok of the Reds #1 isn’t your typical sports – or sci-fi – comic, but a joyfull blending of the two. Dan Cornwell‘s art is fantastic, with most of the people within the comic having a distinct enough look that you can’t tell them apart. His facial expressions are simple, just a couple of well placed lines in some cases, but very effective. Just take a look at the smirk on Kyle‘s face above to get an idea of what to expect from the line work. The colourist, Abby  Bulmer also deserves recognition for her work in the comic; just looking at the two scans above you can see the vibrant energy from the exploding planet, and the drab colours in the more mundane football game. It’s another subtle touch, but one that really pays off later in the comic.

Published by BHP Comics (short for Black Hearted Press), the folks also behind Glasgow Comic Con, this is an unashamedly British comic, and I bloody love it. It’s an unexpected, but wholly welcome, blending of two genre’s that works very well (so far at least). With only the first issue released so far, the question of whether it’s done enough to leave me wanting the next issue is answered with a pretty loud “yes.” After months of waiting for this comic, it actually turned out better than I had expected.

If you’d like to pick the issue up, you can do so digitally here.

Story: John Wagner & Alan Grant
Art: Dan Cornwell Colours: Abby Bulmer Letters: Jim Campbell
Story: 8.75 Art: 9 Overall: 9 Recommendation: Buy

BHP Comics provided Graphic Policy a FREE copy for review.

Review: Judge Dredd Classics: Dark Judges HC

JudgeDredd_CLASSICS_DarkJudges-e1441736448370-659x863I remember growing up in New York City, that when it came to comics, you could buy it at your local bodega, as they had a stand just for comics, and often stocked a good variety, so there really was no need to go to your comic book store unless they did not have something you were looking for . One of the first comics I remember picking up was Judge Dredd, which instantly grabbed me with its wild visuals, futuristic setting and procedural storylines. Soon after picking up my first issue, I wanted to know where it had been all my life . Eventually, I had to go to Jim Hanley’s Universe in Staten Island, to pick up back issues and then I found out there were other series which had Judge Dredd in it including 2000AD.

Eventually my interest in Judge Dredd waned due to the emergence of Image Comics, which offered even more interesting characters than I had been accustomed to in Dredd’s storylines. My interest was not helped by the lackluster movie starring Sylvester Stallone and Rob Schneider, which only reduced the character in mainstream media’s eyes as cartoonish mediocrity and a ripoff of Demolition Man (which I really do not see the connection?) It would not be until the superior Dredd starring Karl Urban, that my interest in the character and the comic was piqued again. It had been an almost 22 year time gap, since I picked up my last issue of Dredd, and picking up the Judge Dredd Classics single issues were the way to go, as they captured the essence of who the character was.

No storyline showed who Judge Dredd was more, than The Dark Judges. Within this volume, Judge Death, his brothers, Fear, Fire and Mortis, have judged that every life within Mega City One is sentenced to death and serves as the origin story of Judge Death in three separate stories. Within these stories collected for the first time in color versus the standard black and white in which it was originally published, you will not find better protagonists than Judge Death and his brothers. The most intriguing part of this collection is the way John Wagner and Alan Grant, writes Anderson, in this series, as I feel this is the first time she actually finds her voice. The collection ends with the Judges marooning Judge Death in limbo, and Anderson evading an enquiry.

Overall, this is definitely one of the better storylines written by Judge Dredd’s creators and definitely fits the title of “classic”. These stories by John Wagner and Alan Grant, shows us why everyone who reads these stories, are utterly engulfed in them. The art by Brian Bolland, Brett Ewins and Cliff Robinson, is gritty yet beautiful. Overall, an intriguing collection of stories which introduces newcomers to one of the better protagonists to come out of comics.

Story: John Wagner and Alan Grant Art: Brian Bolland, Brett Ewins and Cliff Robinson
Story: 10 Art: 9 Overall: 9 Recommendation: Buy

IDW Publishing provided Graphic Policy with a FREE copy for review

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