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Review: Powers of X #2

Powers of X #2

As a science fiction story, Powers of X #2 is fantastic. As an X-Men comic, things are a bit more debatable. Writer Jonathan Hickman continues to reshape the X-Universe with this issue.

Powers of X #2 picks up from the debut issue taking us through numerous time periods in X-history. It leaves a lot of questions out there but Hickman is more focused here. There’s a theme that permeates through each segment challenging the reader to think. In that way, the comic is a science fiction success. It uses the story and concepts to explore humanity and our world. If it weren’t set in the Marvel and X-Universe, the comic would be a triumph but as is, there’s an issue in that it leaves too much unexplained and contradictory.

With the revelation of a mutant that can reincarnate and has been shifting the Marvel Universe history, Hickman has created a means to explain X-history, contradictions, and his new take in a deus ex machina. Here it’s used to drive the story and issue highlighting how intertwined the series is with House of X. With that out of the way, Hickman can begin to explore some themes and concepts, a tradition of the best X-Men stories.

There’s a more traditional X-Men story presented as two attacks are planned in two eras. It has more of a feel of an X-Men comic as they see the threat and take it head on with a battle with odds they can’t win. It’s about as close to a classic X-Men story that Hickman has reached so far.

The art by R.B. Silva continues to be stellar. With ink by Silva and Adriano Di Benedetto, color by Marte Gracia, and lettering by Clayton Cowles, the story is beautiful to look at. Designs are familiar and new at the same time. Classic characters are reinvented in a new way and it’ll have you staring at pages. The art compliments Hickman’s science fiction direction with some inspired looks and design.

Powers of X #2 is the best release so far as Hickman’s vision is clearer and the set up is out of the way. His hook has been presented elsewhere and he can now focus on his voice. We’ll see where things go from here but the issue is a challenge to the reader to think about visions of society. It does what science fiction does best. Now, to get that whole X-Men thing in there a bit better.

Story: Jonathan Hickman Art: R.B. Silva
Ink: R.B. Silva, Adriano Di Benedetto Color: Marte Gracia
Letterer: Clayton Cowles Design: Tom Muller
Story: 8.0 Art: 8.5 Overall: 8.0 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review

Returning To The X-Men: Powers Of X #1

It’s been nearly six years since I last picked up a new X-Men comic with any real consistency. The last series I read with any regularity featuring the merry mutants was Jason Aaron‘s Wolverine and the X-Men. Which apparently ended around six years ago. It’s fair to say that I’m a little out of touch with that side of the Marvel Universe (though I have been following both Old Man Logan and Dead Man Logan, but those series didn’t really involve the X-Men as much as a team book would). More than a little, honestly. A lot has happened in the six years I’ve been away, and since I barely pay attention to solicitations I have missed most of it.

But with Johnathan Hickman steering the X-Men in a new direction with last week’s House Of X #1 I thought this might be a good time to start reading X-Men comics again.

But how easy is it to jump back in relatively blind after more than half a decade away? Join me, and I’ll tell you.


Expect spoilers as I try to make sense of the comic.


I’ve been deliberately going into these comics completely blind. I’ve ignore any and all solicitations beyond knowing that House/Powers Of X is replacing all current ongoing X-Books and setting up the next decade or so of X-Men stories going forward (if the change is well received, if not I’d expect another event in a few years to reestablish the status quo). That being said, I’ve no idea if the future depicted in this comic has been visited before in previous issues of X-Men or one of the many off shoots.

Once again I have questions. Although this time it’s primarily just one; how old is Magneto, anyway? If we’re to assume that he is one of the very few comic book characters whose origin remains unchanged in terms of the year – and honestly, with his time in the Nazi concentration camps during World War II being such an important pillar of his character, there’s no way Marvel could rewrite that to reimagine the origin in a more recent time – then how the fuck is he still looking like he’s only in his late 50’s or so? Does his magnetism powers slow his aging? Is he immortal? A clone? Or is this one of those things we just ignore because Magneto is one of the most complex and interesting characters in comics?

Other than that, the comic reads almost as if it’s a condensed story taking place over three periods (ten, a hundred and a thousand years in the future). There’s also a prologue of sorts with a bald Xavier (which answers my question from last week as to whether he has hair) set more or less in the recent past and a brief moment in the same time frame as House of X #1. What this does, for me at least, is leave the comic largely forgettable as we don’t really get as much time with the newer characters as I would have hoped for. Unlike the excitement I felt after House Of X #1, Powers Of X #1 left me feeling a touch flat. Is it essential reading to the story? It’s far too early to tell, and I don’t want to lead you down the garden path until we’ve got more context.

Now despite the book having its struggles in the memorability department, I still enjoyed it. The introduction and conclusion of a huge conflict between humanity, mutants and machines is perhaps the primary focal point in this comic, though there’s also the constant railing against who you were expected to be that simmers just beneath the surface.

Just as in the previous issue covered in this column, Powers Of X #1 also includes some handy dandy exposition pages that come almost immediately after you’ve read the pages that’ll make you wonder what the future terms mean. It’s a great way to add in some additional information without over burdening the dialogue with information for the readers.

As far as being able to get into the comic as someone who hasn’t been around the X-Men in over half a decade (I feel old), it was about as easy as jumping into any first issue that’s effectively the second part of a story. The hidden code within the pages (it can be decoded if you have the time or the google skills) also adds a nice interactive element to the series.

Once again, the artists are on point. R.B. Silva is the artist and is joined on inking by Adriano Di Benedetto and colour artist Marte Gracia. The trio are solid, giving the comic and each time period within a unique visual flavour that comes together to form a perfect pecan pie (there’s no reason I chose pecan other than for alliteration).

Although my personal highlight of the overarching story so far is below, there are quite a few moments that’ll have you grinning ear to ear; Rasputin’s charge, Wolverine calling somebody else old despite the white hair on his chin and Cardinal simply being Cardinal.

There’s nothing in Powers Of X #1 anywhere close to as spine tingling as this moment from House Of X #1. Full quote below.

“You see I know how you humans love your symbolism, almost as much as you love you religion. And I wanted you – I needed you – to understand… you have new gods now.”

Magneto, House Of X, #1 p.47.

Powers Of X #1 is a pretty good comic – it is one that’s almost worth the elevated price of admission (at regular price this’d be absolutely worth it). As it is, it’s still worth a read; especially if you’re an X-Fan , new or old, who wants to know what’s going to happen in the company’s future.


Will I understand next week’s installment in the saga, House Of X #2? Do I regret skipping six years of X-Books? Am I ever going to find out how Xavier is walking again*?

We might find out next week. We might not.

Marvel provided a FREE copy for review purposes, but I read the comic in print from my LCS.

*The answer is yes, but it made no sense when two of my friends told me individually last week, but it basically boils down to “comics being comics” which I’ve kind of accepted with an air of nonchalance.

Review: Powers of X #1

Writer Jonathan Hickman continues to build his epic vision of the X-Men in Powers of X #1.

Story: Jonathan Hickman
Art: R.B. Silva
Ink: R.B. Silva, Adriano Di Benedetto
Letterer: Clayton Cowles
Color: Marte Gracia
Design: Tom Muller

Get your copy in comic shops now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon
TFAW

Marvel provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: Uncanny X-Men #19

Uncanny X-Men #19

Uncanny X-Men #19 is when the magician reveals how they did their trick. Focused entirely on Emma Frost, the issue weaves her story and machinations. We learn about her manipulation and game of chess and how that’s impacted the X-Men. Why did Logan and Scott team up? Why did Scott have a list? What was up with that Mr. Sinister fight? Captain America is doing what? Anole stole what? It’s all explained here and it’s impressive.

Writer Matthew Rosenberg takes us in to the Hellfire Club. It’s a new club with very interesting members. Each makes you ponder what it all means and how things have shifted. Emma Frost sits at the head of it all, manipulating her way through life. But why is she doing it? Rosenberg reveals that too. We get a clear motivation and some struggles as she attempts to outmaneuver the person pulling her strings.

This is very much the moment in the film where you learn how the robber pulled off the heist. As each piece of the puzzle is shown, it all makes a bit more sense.

Rosenberg does kill off yet another character. It’s something this run will become known for, for better or worse.

The art is pretty solid in the issue. That’s in spite of numerous artists and inkers. The transition from one to the other is fairly smooth and doesn’t hinder the issue at all.

Uncanny X-Men #19 brings it all together. Uncanny X-Men #19 explains so much as to what has been going on. The issue also explains why some things have felt off in this run, though still fun. If you’re not more excited by the time the issue wraps up, I don’t know what to say, but this one has me loving the X-Men again. If you’re an X-fan, this is a must buy.

Story: Matthew Rosenberg Art: Carlos Villa, Carlos Gómez, Bob Quinn
Ink: Juan Vlasco, Adriano Di Benedetto, Michelle Delecki, Carlos Gómez, Bob Quinn
Color: Guru-eFX Letterer: Joe Caramagna
Story: 8.0 Art: 7.85 Overall: 7.95 Recommendation:
Buy

Marvel provided Graphic Policy with a FREE copy for review

Review: Uncanny X-Men #8

Uncanny X-Men #8

From the Age of Apocalypse to the end of the X-Men…and the dawn of the AGE OF X-MAN???

After the last issue detour which took us to the Age of Apocalypse, things are explained a bit better in Uncanny X-Men #8. The previous issue was a bit disjointed missing some key information and it’s this issue that lays things out a bit better putting the previous into better context. It’s an example where comics need to be judged by single issues as well as complete arcs.

Writers Matthew Rosenberg, Kelly Thompson, and Ed Brisson return us to Earth Prime where the debate that raged last issue continues with the rest of the X-Men. With the younger X-Men trapped with X-Man, is it worth sacrificing them to stop the greater threat? It’s an interesting debate, just like last issue and it’s a bit surprising who does what to resolve the issue.

The issue is a good mix of that moral debate along with the crazy you can expect in an X-Men comic, along with action… like a battle with Apocalypse!? Yeah, things are ramped up this issue leading us closer to the coming Age of X-Man. It’s a bit clearer by the end of this issue how that might come about.

The art too is improved. R.B. Silva delivers the pencils with Adriano Di Benedetto on ink, Rachelle Rosenberg on color, and Joe Caramagna handling the lettering. Silva, and the team’s, style really fits the issue and the action within. There’s a lot packed in with a lot to cover and different concepts and it all works really well. Apocalypse looks fantastic and Bishop too stands out as just looking like his old bad-ass self.

The issue is an improvement over last issue’s side quest and it gets the event back on track. Again, this is a prime example of having to judge the individual issue as well as the arc it’s a part of of. It lifts the previous issue and itself stands out as an action focused chapter of the event. Uncanny X-Men #8 feels like old-school X-Men and ups the excitement for what comes next.

Story: Matthew Rosenberg, Kelly Thompson, Ed Brisson
Art: R.B. Silva Ink: Andriano Di Benedetto

Color: Rachelle Rosenberg Letterer: Joe Caramagna
Story: 8.0 Art: 8.35 Overall: 8.15 Recommendation: Buy

Marvel Comics provided Graphic Policy with a FREE copy for review

Review: Uncanny X-Men #5

Uncanny X-Men #5

Just when things didn’t look like they could get worse… The ride of the Four Horsemen of Salvation? The coming of X-Man? And…a return to the Age of Apocalypse? The weekly epic that threatens to leave the X-Men in tatters rolls on toward its explosive conclusion!

The X-Men are confused and doing what they can to protect individuals and stop the chaos X-Man is causing. But, what’s X-Man really thinking? Uncanny X-Men #5 reveals a bit more of what’s going on and why he’s kidnapped the individuals he has. Again, it’s an interesting twist to this event which gives a new spin on some old themes.

Writers Matthew Rosenberg, Kelly Thompson, and Ed Brisson have put together a story where you need to question what evil truly is. X-Man wants to create a world of peace, much like Apocalypse, and the two are coming from different directions to do just that. But, is X-Man evil? Is his act of peace an act of war? It’s an interesting concept and the trio make it more so with the echoes of a classic such as “Age of Apocalypse.”

They also up the desperation of this issue. We really feel like the odds are against the X-Men here as they go up against Magneto and Warren and the end of the issue delivers a hell of a turn with a nice horror tinge to it.

All of this is delivered with solid art by R.B. Silva, with ink by Adriano Di Benedetto, color by Rachelle Rosenberg, and lettering by Chris Eliopoulos. There’s a lot packed into this issue with some panels filled with characters and while there’s some slip of detail here and there, overall, it’s a solid issue where the art helps convey the emotion and desperation. Then there’s that last page… the team nailed it.

This is a good issue. It’s the moment of desperation of our heroes as they struggle to figure out what to do. The event continues a slight throwback vibe to it all that’s a nice welcome back for the Uncanny X-Men.

Story: Matthew Rosenberg, Kelly Thompson, Ed Brisson
Art: R.B. Silva Ink: Adriano Di Benedetto
Color: Rachelle Rosenberg Letterer: VC’s Chris Eliopoulos
Story: Art: Overall: Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review

Preview: X-Men: Blue #26

X-Men: Blue #26

Story: Cullen Bunn
Art: R. B. Silva
Ink: Adriano Di Benedetto
Color: Rain Beredo
Letterer: VC’s Joe Caramagna
Cover Art: Mike Choi, Federico Blee
Graphic Designers: Jay Bowen, Anthony Gambino
Group Editor: Jordan D. White
Editor: Darren Shan
Assistant Editor: Chris Robinson
Rated T+
In Shops: Apr 25, 2018
SRP: $3.99

Cry Havok Part 4
• Project: Mothervine has been unleashed, and new mutants are emerging all over the world!
• Even though these new mutants cannot control their powers, MISS SINISTER can!
• A new team of X-MEN stand against the WHITE QUEEN, HAVOK, BASTION and MISS SINISTER!

Review: X-Men: Blue Vol. 3 Cross Time Capers

It’s Wednesday which means it’s new comic book day with new releases hitting shelves, both physical and digital, all across the world. This week we’ve got the time displace X-Men!

X-Men: Blue Vol. 3 Cross Time Capers features issues #16-20 by Cullen Bunn, Thony Silas, Rain Beredo, Arthur Adams, Ian Herring, R.B. Silva, Adriano Di Benedetto, Peter Steigerwald, Federico Blee, Joe Caramagna, Christina Harrington, Chris Robinson, Mark Paniccia, and Darren Shan.

Get your copy in comic shops today and in book stores April 3. To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology or TFW

 

Marvel​ provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

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