Author Archives: theblerdgurl

Concrete Park Creators Make Their Mark at DNC

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The award-winning creative team behind the graphic novel series Concrete Park (Dark Horse), Tony Puryear and Erika Alexander will be in Philly to show their support to Hillary Clinton at the Democratic National Convention this week. Puryear will be continuing his work with art as protest group Comixcast while Alexander will actually be speaking on Tuesday, July 25 at the DNC.

“As a Black artist, I make a comic, “Concrete Park”, featuring people of color in the future. Lately, there are days when I worry we won’t make it there. This is why I was so honored to be invited to be  part of Comixcast 2016.” – Tony Puryear

Comixcast is a diverse group of progressive comics creators, artists and activists joining together with the stated goal of stopping Donald Trump. Helmed by veteran political comics writer Joyce Brabner, their efforts began last week in Cleveland during the RNC, where there were plenty of police and security teams, but apparently, few protestors. Puryear will share his unique perspective with commentary from the convention floor at the Wells Fargo Center from July 25th through July 28th. Using their pens, brushes, cameras and words, Puryear, along with other Comixcasters, including Tim Fielder (Dieselfunk), will contribute to a live feed of political comics, cartoons, photos, YouTube videos and commentary.

Follow Tony on Twitter, Instagram, Facebook and his website to stay updated on his DNC converage!

tony puryear, hillary clinton, dnc, graphic policy

2008 Hillary Clinton Campaign poster created by Puryear

Puryear is no stranger to the Clintons’ political spotlight. His iconic poster for Hillary Clinton’s 2008 presidential campaign is in the National Portrait Gallery at the Smithsonian Institution in Washington DC. His wife, the actress Erika Alexander, another Hillary supporter, is scheduled to speak in prime time at the DNC on Tuesday, July 26.

“This is a historic moment for America. It’s awesome. I am honored to have been asked by Hillary to introduce Ryan Moore. It’s a bonus to do so in my adopted hometown of Philadelphia.” – Erika Alexander

Best known to TV viewers as “Maxine Shaw” from FOX’s classic sitcom Living Single, Alexander grew up in Philadelphia, was discovered and began her show-biz career there. On Tuesday night, in an emotional homecoming, she takes the national stage before a packed Wells Fargo Center audience.

Alexander will introduce Ryan Moore. Ryan, originally from South Sioux City, NE, has Spondyloepiphyseal Dysplasia Dwarfism and has known Hillary Clinton since 1994, when his family came to Washington, DC for an event to advocate for health care reform. Brian Moore, Ryan’s father, lost his job when his employer was unwilling to cover treatment for Ryan’s health condition. Ryan has stayed in contact with Hillary ever since.

About Tony Puryear

In 1996, Puryear became the first African-American screenwriter to write a $100 million-dollar summer blockbuster with his script for the Arnold Schwarzenegger film Eraser. He has written films for Oliver Stone, Mel Gibson, Jerry Bruckheimer and Will Smith. He co-created and co-writes (with Erika Alexander) Concrete Park, 2016 Glyph Award Winner and a Best American Comic, 2013. He also draws the book. Together they have taught comics and graphic novel-making from Los Angeles to Central America to Harvard. He recently contributed illustrations for Dark Horse Books’ new adult coloring book Bait: Off-Color Stories for You to Color from best-selling author Chuck Palahniuk (Fight Club).

About Erika Alexander

The role of “Cousin Pam” was created for Erika Alexander on The Cosby Show in 1990 and she went on to a star as fan favorite “Maxine Shaw” in the hit series Living Single in 1993, winning two NAACP awards for Best Actress in a Comedy. She recurs on the ABC Tim Allen comedy, Last Man Standing as Carol Larrabee “The Black Sarah Palin,” on Freeform’s 2017 sci-fi drama Beyond and on Oprah Winfrey’s and Ava Duvernay’s new drama, Queen Sugar, debuting on OWN, September 2016. She also co-stars in Jordan Peele’s horror movie, Get Out. Erika is the co-creator and co-writer of the critically acclaimed, award-winning graphic novel, Concrete Park, a Best American Comic 2013, and a 2016 Glyph Award winner, published by Dark Horse Comics.Alexander is an advocate for women and children and a national surrogate for Hillary Clinton 2007-2016.

Artist Tony Puryear Is Here To Make Comics, Stop Trump and Chew Bubblegum and He’s All Out of Bubblegum

Award-winning graphic novelist Tony Puryear announced today that he will be part of Comixcast 2016. A diverse group of comics creators, and activists voicing their opposition to Republican presidential candidate Donald Trump. The artists will join tens of thousands of like-minded protesters in Cleveland at Ground Zero at the Republican National Convention. Using their pens, brushes and cameras they will contribute to a live feed of political comics, YouTube videos and commentary.

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Political cartoon by Tony Puryear

Comixcast.com is a platform for live-streaming video and political cartoons with the urgency and immediacy of breaking news. Puryear joins Joyce Brabner, a pioneer in comics journalism and widow of Cleveland indie comics legend Harvey Pekar (American Splendor) , and their intentions are as clear as the campaign’s slogan: “Here To Make Comics, Here To Stop Trump”. Puryear is no stranger to political activism through art, his iconic poster for Hillary Clinton’s 2008 presidential campaign is in the National Portrait Gallery at the Smithsonian Institution in Washington DC.

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Poster designed by Puryear for Hillary Clinton’s 2008 Campaign

“I grew up in a Movement family, (Civil Rights Movement, Anti-War Movement, you-name-it-movement) dating back to the 60s, and street activism was what we did. Now, as a multimedia artist, as a cartoonist, I have a voice, and in this crucial time for our country, I have to speak out against Trump and his politics of fear, hate and division. I have to be out in the street in Cleveland, and I have to share what I’ll witness there.”

Adding his voice to an already loud week of protest Puryear hopes to make s difference. “As a Black artist, I make a comic, “Concrete Park”, featuring people of color in the future. Lately, there are days when I worry we won’t make it there. This is why I was so honored to be a part of Comixcast 2016.”

Puryear will join such respected comics artists as Mark Zingarelli (Second Avenue Caper), Seth Tobocman (World War 3 Illustrated), Marguerite Dabaie (The Hookah Girl and Other True Stories) as well as Tim Fielder (Matty’s Rocket) for Comixcast 2016.

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About Tony Puryear

In 1996, Puryear became the first African-American screenwriter to write a $100 million-dollar summer blockbuster with his script for the Arnold Schwarzenegger film Eraser. He has written films for Oliver Stone, Mel Gibson, Jerry Bruckheimer and Will Smith.

Tony Puryear directed classic hip-hop videos for legendary old-school acts like EPMD, K-Solo and LL Cool J. He co-created and co-writes (with Erika Alexander) Concrete Park, 2016 Glyph Award Winner and a Best American Comic, 2013. He also draws the book. Together they have taught comics and graphic novel-making from Los Angeles to Central America to Harvard. He recently contributed illustrations for Dark Horse Books’ new adult coloring book Bait: Off-Color Stories for You to Color from best-selling author Chuck Palahniuk (Fight Club).

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Tony Puryear’s, political, personal and travel writing as well as his cartoons, can be found on his blog, Tony Puryear Out In The World.

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Tony Puryear Out In the World

Comixcast

Concrete Park

 

 

Riri, Rhodey and Re-Skinning: How Marvel is Misunderstanding Diversity

(originally posted here)

As most of you in the comic book world know, this week Marvel announced that Tony Stark a.k.a. Iron Man will be replaced with a young African-American girl named Riri Williams. I applaud Marvel’s efforts to give another black female character her own comic. Riri joins the ranks of Lunella Lafayette of Moongirl and Devil Dinosaur and Anwen Bakian as Nova along with veteran Storm of the X-Men as black female characters recently having their own comic book series. However, I am not as excited as I originally was when I first heard the news, as there are no black women involved with the creation or shaping of this character.

This is going to be a bit long, but I ask you to hear me out.

theblerdgurl, riri williams, iron man, marvel, diversity

Riri Williams – Iron Man

Riri Williams’ turn as Iron Man will officially begin in October, but since May of this year, she has actually been featured in The Invincible Iron Man Vol 2 starting in Issue #7. She is a young genius attending MIT (just like Tony Stark was) and basically created her own Iron Man suit in her dorm room from scraps she pilfered from MIT’s labs and her own ingenuity. When security finds out what she’s up to she ends up making an escape in said suit. If it sounds familiar, that’s because part of Stark’s origin story is that he originally escaped from Wong-Chu forces in the Mark I made from scraps that he and fellow captive Ho Yinsen cobbled together. Only Riri did it alone, with more time, sans the heart condition and terrorist organization after her. She also manages to save a few lives in the process. (For a detailed explanation of Riri’s origins please see this article by Evan Narcisse).  Personally, I think it’s amazing that a little girl who looks like me can now read a comic with a genius, natural-haired, dark-skinned sister in it. That is definitely a step in the right direction for a mainstream company like Marvel, but, I have many questions:

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Bill Foster – Goliath

Why does a black man always die or get maimed near the beginning of a Marvel Civil War? In the original Civil War comic it was Goliath (Bill Foster), and this time it’s War Machine (James “Rhodey” Rhodes) in CWII, and even in the MCU Rhodey’s paralyzed. Why was Riri the choice for the “new” Iron Man as opposed to Misty Knight, whose arm was personally created for her by Stark? Or even Rhodes’ genius niece Lila, (I’m referring to the Earth-616 version) who helped maintain Rhodey’s War Machine armor? Clearly she would know something about how the suit works, right?

Why does Marvel keep “re-skinning” original characters like Iron Man, Captain America, Wolverine and Thor? Why not just make new ones? Or at least bring back old ones (Isaiah Bradley, Josiah X or the Patriot?) And how come Riri won’t be called Iron Maiden, or Iron Girl or even Iron Woman (Earth-3490) like Natasha Stark was?

Hey, here’s a thought, call her War Machine. (Since Rhodey clearly won’t be needing the title.)

In addition, most of the current reiterations of characters were brought on when a mainstream character was either dead or depowered (Captain America, Hulk, Spider-Man, Thor, Wolverine), But now both “versions” of the characters are existing in the Marvel lineup. Are they just waiting for Trump to win office so that they can “Rhodey” the POC versions? (that’s a thing now). Or are trying to create multiple characters with the same titles and powers just different ethnicities, orientations and genders to keep everyone happy? Why are there now more black female characters in the Marvel universe than black male ones, but still no black female writers? Why did they go out of their way to include a Korean-American to write Amadeus Cho as the Hulk (Greg Pak), a Muslim woman to write for Muslim female character, Kamala Khan Ms Marvel (G. Willow Wilson) and black men to write both Black Panther (Ta-nehisi Coates) and Power Man and Iron Fist (David Walker) but they couldn’t find a single black woman to write Moongirl, Nova and now Iron Man?  While we’re on the subject, why has neither Marvel or DC EVER hired a black female staff writer?

Ever.

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Monica Rambeau – Spectrum

(DC hired freelance writer Felicia D. Henderson to write for several issues of Teen Titans during 2009 and Static Shock – 2011.) Yes, there have been black characters and POC characters in comics for a long time. All of which of which (with the exception of Milestone) were originally created by white men. Even the Black Panther that everyone is so excited about was created by Stan Lee and Jack Kirby. I don’t care how many of you were told that Magneto was inspired by Malcolm X, Magneto’s character was never black and neither were its creators (also Lee and Kirby). Social media banter and indie sales dictate that African Americans do buy a lot of comics, but we seem to have a hard time proving that because buyer fragmentation, comic book shop gatekeeping and uneven distribution don’t provide accurate numbers, and Diamond’s not sharing those numbers with us anyway.

And please don’t tell me that black women don’t read comics. Not only do we read them, I talk to fellow blerdgurls ALL THE TIME who are reading, reviewing, tweeting and BUYING them.

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Lunella Lafayette – Moon Girl

The interesting thing about “the whole diversity thing” in comics (and one of the reasons why I started this blog) is that there are plenty of indie artists out there that are creating some amazing diverse characters of color, and have been doing so for YEARS. And in addition to some mainstream titles, that is the work that I like to read and continue to support. What kind of indie comics am I referring to? Feel free to search the comics here on my site, my Tumblr, Twitter, Facebook or IG and you’ll find quite a few.

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“Norah” from Agents of the Realm by Mildred Louis

Please do not take any part of this post as an attack on either Brian Michael Bendis or new Invincible Iron Man artist Stefano Caselli. Bendis might have created Riri’s story, but he is a staff writer, and that’s what he gets paid to do. He’s not in charge of hiring new writers or scouting out new talent. My issue is not with him. But Marvel (and DC) will continue to take our money because they know we’ll give it freely, especially if they create a character that looks like us, because they have the money and the resources to get the images out into the mainstream market faster and more efficiently than the indie comic book creator does. They also know, that the image of a smart black girl will sell as seen with the success of Moongirl and Nova.

Let’s be clear, my idea of diversity does NOT mean asking Marvel to hire black female writers to just write black female characters, just as I can’t expect Marvel to force all the white male writers to just write for white male characters. But there are NO BLACK WOMEN writing at Marvel right now, so that’s not even an issue until they hire some. My mother always used to tell me “When you ask for something, be specific.” So Marvel, listen up, I’m going to be VERY specific here:

Start hiring Black female writers to write for any and all characters at Marvel NOW*. And don’t just hire one either.

And for those of you who don’t believe that there are any black women out there actually writing comics, (I get this question at least once a week) I invite you to check out the list below.

I’ve got over 60 reasons why you’re out of excuses.

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Eve Bakian – Nova

 

Current Indie Black Female Comic and Webcomic Writers

This list is comprised of Black women  that I am currently aware of have written comics or webcomics that were printed or released digitally within the past few years. This list does NOT include anyone that is currently working on their first project that is not out yet. I will be adding this list to a larger database that I am putting together so please let me know if I have missed anyone. A BIG thank you to Regine Sawyer of the Women in Comics Collective NY International and Lockett Down Productions Publications for help curating this list!

Alitha Martinez
Amandla Stenberg
Angela Robinson
Ashley A. Woods
Avy Jetter
Barbara Brandon-Croft
C. Spike Trotman
Che Grayson
Cheryl Lynn Eaton
Christina Steenz Stewart
Dana Mcknight
Dani Dixon
Donyale Walls
Dorphise Jean
Erika Alexander
Felicia Henderson
Gisele Jobateh
Jasmine Pinales
Jennifer Cruté
Jewels Smith
Joamette Gil
Juliana Smith
Julie Anderson
Kimberly Moseberry
KL Ricks
Lashawn Colvin
Leland Goodman
Marguerite Abouet
Marqueeda LaStar
Melanie Reim
Melissa DeJesus
Micheline Hess
Mikki Kendall
Mildred Louis
Myisha Haynes
Neeka Neeks (Taneka Stotts)
Ngozi Ukazu
Nilah Magruder
Nnedi Okorafor
Olivia Stephens
Regine Sawyer
Shauna J. Grant
Shawnee and Shawnelle Gibbs
Tee Franklin
Vita Ayala
Whit Taylor

*Pun intended


@theblerdgurlscreen-shot-2016-01-14-at-6-47-27-pm is a commercial film/video editor by day and comic book reading, anime watching, TV live tweeting,  K-Pop listening, blog writing, geek gurl by night. She is on a mission to shine a light on indie, female and comic artists of color and highlights them and their work on her blog theblerdgurl. She currently lives in a century old brownstone in Brooklyn with 2 cats who plot her demise daily. You can also find her on twitter, facebook, instagram,  tumblr and snapchat.

Review: Civil War II – Totally Awesome Hulk #7

34733fec-afb7-4529-8307-24f499462e89_Screen20Shot202016-06-3020at206.14.0720PMFor those of you who have been keeping up with Marvel’s Secret Wars saga along with the new Civil War II series, Totally Awesome Hulk #7 will answer the one question folks have had since the franchise introduced Amadeus Cho as the new version of Hulk. In the 8 months since the Secret Wars ended, what happened to Bruce Banner? And where has he been since the Hulk’s gamma powers were transferred to Cho?

The story starts with Bruce Banner coming to at the side of a road, freaked out and stealing clothes from a nearby farmhouse in classic post-Hulk-out fashion. (This opening reminded me of the Bill Bixby/Lou Ferrigno Hulk TV Show where Bruce would wander up a random road at the end of almost every show). When Banner tries to make a phone call at a nearby bar the owner of the stolen clothes recognizes him and confronts him, (I always used to wonder why that never happened more often). Only this time, when Bruce is threatened, he doesn’t Hulk out. In fact, he seems to be suffering from temporary amnesia, because he can’t remember why he can’t feel the Hulk anymore.

Amadeus Cho, the new version of the Hulk does make an appearance in this issue and he shares the Cliff’s Notes version of how he and Bruce changed places. Cho’s version of the Hulk is very different, because, as he explains, he’s different. Cho’s transformation appears effortless, less agonizing both during and post Hulk out compared Banner’s. He embraces his new role as a hero, but as previous issues have revealed, he’s never looked at Hulk or Banner any other way. Cho is smart, confident, and not at all freaked out by his psyche’s new green roommate.

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On the flip side, remember how when Bruce wasn’t the Hulk, he was socially awkward, always on the run, anxiety-ridden and plagued by guilt? Well, this version of Bruce is still like that…just..all the time. This is a bit of a mid-life crisis for Bruce as this is the first time in his life that he hasn’t had to worry about accidentally hurting people or property damage, and it has a profound effect on him.

 

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What I Think

I have been a little wary of Marvel’s “All New All Different” all e’er thing, because as many of us cry for diversity in comics we often get reboots of only one or two characters thrown at us in tribute. However, I think this is a fun series and I think Greg Pak and Frank Cho have everything to do with that.

With issue #7, Pak’s writing is reminiscent of Peter David’s classic tormented Banner mindset, (which I really liked) and my only wish here is that there were a couple more pages of it. Alan Davis replaces Frank Cho as the penciler in this issue and personally, I miss him, but Chris Sotomayor’s colors make everything feel congruous enough that the switch isn’t too jarring. I did feel, however, that Cho in human form, resembled more of a skinny Kpop star on his day off rather than a super-scientist.

But then again, Cho isn’t Banner.

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I believe this is the point of this issue. The storyline definitely feels like we’re being prepped for something, and it wraps up what happened to Banner fairly well.  I feel Banner’s representation here is exactly what Bruce would do if he woke up and realized that the Hulk was no longer a part of him. For good. I really wanted one comic totally devoted to the retelling of how this switch happened, instead of being spoon fed the story in flashbacks and memories, but this will do.

This is classic all-ages Marvel, but this issue is a slight departure from the main arc and is definitely for folks who are Banner fans since Cho really only makes a guest appearance. This comic is definitely worth a read and I’m curious what will happen next. What are they going to do with Banner? Are we being prepped for two Hulk’s in the Marvel U like we have two Spideys and two Captain Americas? I also find it interesting that in each case one version of each of the aforementioned characters is a person of color.

Writer: Greg Pak Penciler: Alan Davis Inker: Mark Farmer
Colorist: Chris Sotomayor Letterer: VC’s Cory Petit
Cover Artists: Alan Davis, Mark Farmer & Matt Hollingsworth Editor: Mark Paniccia


screen-shot-2016-01-14-at-6-47-27-pm@theblerdgurl is a commercial film/video editor by day and comic book reading, anime watching, TV live tweeting,  K-Pop listening, blog writing, geek gurl by night. She is on a mission to shine a light on indie, female and comic artists of color and highlights them and their work on her blog theblerdgurl. She currently lives in a century old brownstone in Brooklyn with 2 cats who plot her demise daily. You can also find her on twitter, facebook, instagram,  tumblr and snapchat.

Review: Thief of Thieves #32

thief-of-thieves-32-theblerdgurl-review-insertConrad is a professional thief and he’s good. Very good. But to clear his conscience and make up for past deeds he only steals from thieves. If you have never read Thief of Thieves then this is definitely the issue for you to jump in on as it begins a new story arc. Previous issues had him rethinking his life choices and whether or not he should stay in the game. Now, he’s successfully doing what he does best and honoring his own moral code.
For those of you who are new to the Thief of Thieves verse, this comic book series is from Robert Kirkman’s (Walking Dead) Skybound Entertainment. Skybound is considered indie because they are an imprint of Image Comics. The series premiered in 2012 and features rotating writers, however, Shawn Martinbrough has been the artist for the entire run. (The series is also supposed to be in development on AMC so I’m really excited to see that).

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This new arc introduces a couple of new characters who are not really interested in Conrad’s new job description or moral compass. They are, however, assembling a team of thieves for an unnamed mission, which in and of itself is interesting, because Conrad (even when forced) always plans his own ops and picks his own team. His former apprentice and now love interest Celia, “has his six” both on the job and off and is his unfiltered conscience on occasion. She’s always there for him, both figuratively and literally as is the case when a quick exit has him jumping out of a skyscraper with a previously stolen artifact unexpectedly.

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Everything seems to be going well until Conrad’s new gig forces Conrad from being the cat who caught the canary to a mouse in a maze.

What I Think

thief-of-thieves-32-theblerdgurl-review-coverI am a fan of this series because no one is “powered”. It’s just good writing that plays out like episodic television. I like how Andy Diggle writes the banter between Celia and Conrad and how in a split second she can go from doting to deadly. I am a fan of his writing style because it’s not overly descriptive, but realistic and allows the reader to shift between the dialogue and Martinbrough’s artwork effortlessly.

I also enjoy how Martinbrough interprets action scenes*. The energy and direction that he puts into the line work seamlessly follow the action without missing any of the unfolding narrative. Adriano Lucas’ bold color palette only adds to the energy and gives the artwork a welcome dimension and give this work a look of it’s own.

Thief of Thieves is definitely a noir comic with enough violence and innuendo that I would not recommend it for kids, but teens and up can handle it. The Bond-like action scenes are drawn and written exceptionally well and although I miss Special Agent Elizabeth Cohen, (I hope to see her pop up somewhere in this arc) I’m excited to see this new turn and can’t wait to see how Conrad gets out of it.

* Definitely check out the fight scene he drew between Luke Cage and Tombstone in the rain in Luke Cage Noir as an example.

Writer: Andy Diggle Artist: Shawn Martinbrough Colorist: Adriano Lucas
Editor: Jon Moisan Cover Art: Shawn Martinbrough & Adriano Lucas


screen-shot-2016-01-14-at-6-47-27-pm@theblerdgurl is a commercial film/video editor by day and comic book reading, anime watching, TV live tweeting,  K-Pop listening, blog writing, geek gurl by night. She is on a mission to shine a light on indie, female and comic artists of color and highlights them and their work on her blog theblerdgurl. She currently lives in a century old brownstone in Brooklyn with 2 cats who plot her demise daily. You can also find her on twitter, facebook, instagram,  tumblr and snapchat.

Rosarium Launches New Campaign for Diverse Comics and Books

Indie scifi novel and comic book publisher Rosarium Publishing announced this week that it is raising funds via crowdfunding to help pay for production of a minimum of 10 more titles this year. The campaign, entitled Rosarium Publishing: The Next Level, has set out to raise $40,000 on Indiegogo to cover the costs of offset printing and marketing of fiction in the  science fiction, children’s, crime, steampunk, satire and comics genres.

Rosarium Publishing is an independently run, minority-owned publishing company specializing in speculative fiction, comics, satire and a touch of crime fiction. The company was founded in May 2013 by science fiction/fiction writer Bill Campbell with a focus on multicultural stories told from the voices of diverse artists. The publisher currently supports over 40 artists and writers from all over the world and currently has over 18 fiction novels and over 20 comic book titles. You can find Rosarium Publishing titles at Amazon, Barnes and Nobles, Comixology and PeepGame Comix. Bill Campbell had one goal when he started Rosarium: to bring true diversity to publishing so that the high-quality books and comics the company produces actually reflect the fascinating, multicultural world we truly live in today.

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Bill Campbell – Founder, Rosarium Publishing

 

 

“I believe it’s imperative that people are able to tell their own stories. They can build their own tables rather than ask for a place at the table.” –  Bill Campbell, founder, Rosarium Publishing

 

 

 

Rosarium has grown from a company of one to a full roster of over 40 artists and writers of different nationalities, genders, orientations and religious beliefs. From a story about a day walking vampire bitten as a slave to science fiction stories told by Latin American protagonists to a Southeast Asian Steampunk anthology to an anthropomorphic retelling of the Iranian revolution as told by a fish, Rosarium is redefining diversity in literature by simply publishing well-written stories, with stunning artwork by people who reflect the identities and cultures of the larger population.

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In just 3 short years, Rosarium has been able to produce several critically-acclaimed projects such as Mothership: Tales from Afrofuturism and Beyond, Stories for Chip: A Tribute to Samuel R. Delany, The SEA Is Ours: Tales of Steampunk Southeast Asia and APB: Artists against Police Brutality. Rosarium titles are a being read in high school and college classrooms across the country and the company has been mentioned, reviewed, and featured in literary publications such as Publishers Weekly, Chicago Tribune, Library Journal, Locus, Boston Globe, Washington Post, countless websites and blogs as well as The New York Times. Projects such as the indie comic DayBlack and the crime novel Making Wolf have also won literary awards. Rosarium has been able to accomplish all this through hard work, fan support and print-on-demand.

Now it’s time to Level up.

Print-On-Demand is the choice for many indie publishers starting out that can’t afford the upfront investment of printing, have low print runs or are looking for distribution. Rosarium, whose books are now distributed to bookstores by IPG, now has the opposite problem. They have been so successful that demand has now dictated that a switch to offset printing is more cost effective. Bu the company has to foot that bill themselves. If the Rosarium Publishing: The Next Level Indiegogo campaign is successful, the company will be able to print thousands of books and continue their mission to further their quest for diversity in publishing with the high-quality work they are known for.

So Rosarium’s fate is really up to us, the fans, those of us who want to keep seeing diverse characters in comics and fiction. Those of us that understand that diversity doesn’t mean just adding one Black guy to a storyline, it’s up to us, the people that are interested in reading stories written by marginalized voices, to support this project and this indie company.

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To contribute to the Rosarium Publishing: The Next Level Campaign go to http://bit.ly/rosariumpub

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@theblerdgurl is a commercial film/video editor by day and comic book reading, anime watching, TV live tweeting,  K-Pop listening, blog writing, geek gurl by night. She is on a mission to shine a light on indie, female and comic artists of color and highlights them and their work on her blog theblerdgurl. She currently lives in a century old brownstone in Brooklyn with 2 cats who plot her demise daily. You can also find her on twitter, facebook, instagram and tumblr.

 

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