Aquaman and Iranian Superheroes

Dara Naraghi has an opinion of Iranians depicted in comic books.  Aquaman #7 had a potential interesting character that didn’t last that long… but don’t want to ruin that (however it is below).  Naraghi decided to speak out and write a letter to Aquaman writer Geoff Johns.

Dear Mr. Johns,

After reading Aquaman #7, I felt the need to share my thoughts on a topic close to my heart. To that end, allow me to very briefly share my background with you: I’m an Iranian-American writer, a lifelong fan of the medium of comics, and a big fan of the DC characters. I have over 10 years of published works to my credit, from self-published stories to comics and graphic novels from Dark Horse, Image, IDW, and DC Comics. My DC Comics contribution was a Spectre story set in Tehran, Iran, for the DC Universe Holiday Special 2010 #1, edited by Mike Carlin.

Needless to say, when I saw that a new superheroine introduced in Aquaman #7 was an Iranian woman, I was very excited. As far as I know, the only other Iranian character in the (pre-52) DCU was the villain Rustam (who, ironically, was named after the most famous and popular HERO from Iranian literature). So you can imagine my frustration and extreme disappointment when this new hero, Kahina, was summarily killed a mere 8 pages after being introduced!

Please understand, this is not one of those “DC Comics is racist/xenophobic” essays that you’ve undoubtedly encountered countless times in the recent past. I’ve been happy with, and supportive of, DC’s attempt at diversifying their universe with a sizable number of comics starring minority and female characters in the “New 52″ relaunch of books. But I just don’t understand the logic behind creating a new minority hero – one from a country and culture that’s often misrepresented in today’s media as “evil” – only to have her killed upon her first appearance. What purpose did her death serve, other than being a mere plot point?

In doing so, you deprived your readership of a character utterly unique by virtue of her ethnic background, a character different than the thousands of others in the DC universe. Imagine the new storytelling venues opened up to you and other DC writers, had this character been allowed to continue her adventures in your fictional universe. With Iran in the news cycle as of late, here was a chance to add an element of verisimilitude to DC Comics, and start something bold and unconventional.

I’m not asking that DC Comics create a plethora of Iranian characters, or that they should only be portrayed as heroes, or even that once created, they should never be killed. I understand narrative needs, primary characters and supporting ones, emotional beats and motivation. But when there are absolutely NO characters of a certain ethnic or cultural background in your stories, to casually kill off the ONLY example of one, after a mere 8 pages, seems very counterproductive to me. It’s a disservice to your audience, a step back in your strides towards diversity, and just reinforces the negative stereotypes about the stunted development of superhero comics.

I know that because of my background, I’m much closer to this situation than the majority of your readers, but I don’t feel that invalidates my thoughts on the matter. Embracing multiculturalism not only offers a wealth of new storytelling possibilities, but it also distinguishes them from the hundreds of other alternatives in the marketplace, and opens them up to a wider marketplace.

I hope that you will consider my thought on this topic in the spirit that they were written: not to condemn, but hopefully to illuminate.

Sincerely,
Dara Naraghi

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2 comments

  • I understand Mr. Naraghi’s concerns but this is the same writer who marginalized John Stewart during the fourth volume of GL and brought back Barry Allen, Hal Jordan, and a slew of white characters who had been killed off over the past several years. The kind writing Johns does tends to appeal to the kinds of fans who feel that DC went off-rails in the mid 80s starting with Crisis on Infinite Earths. They want a universe just like the DC they grew up with where minorities of all kinds were either never seen, never heard, or never acknowledged. So I’m sadly not surprised that he wrote a story like that. To be fair, he did create Mr. Teriffic but look at how he’s been used lately.

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  • By same writer I mean Geoff Johns, not Dara Naraghi.

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