Zombie Love Studios in partnership with Snoopadelic Films have announced Tales From The Crip, the upcoming graphic novel from legendary rapper Snoop Dogg and Eisner Award nominated graphic novel creator and award-winning television writer-producer Rodney Barnes.
A horror anthology series in the tradition of the classic EC comics of old, Tales From The Crip will feature urban themed horror stories introduced by the legendary rapper and penned by Barnes. The title will be released under Barnes’ Zombie Love Studios (ZLOS) imprint this Fall, following the debut of the highly-anticipated Blacula, which will preview in September. The title joins Barnes’ burgeoning catalogue of graphic novels, highlighted by the popular Eisner-nominated Killadelphia created by Barnes and artist Jason Shawn Alexander.
Zombie Love Studios, the comic studio and publishing imprint founded by Eisner Award nominated graphic novel creator and award-winning television writer-producer Rodney Barnes, has announced it plans to release a graphic novel adaptation of the classic 1970s film Blacula. Securing the graphic novel rights from Metro Goldwyn Mayer (MGM), Barnes has reteamed with his Killadelphia collaborator and fellow Eisner Award nominee Jason Shawn Alexander to illustrate the property.
Expanding from the original film, Barnes’ Blacula builds a bridge from the 70’s version of the iconic bloodsucker to our present-day world and all of its complications. Under the agreement, Barnes will adapt and release the property through his Zombie Love Studios. The graphic novel is slated for a February 2022 release.
Originally released in 1972 by American International Pictures (AIP) and later acquired by MGM through the studio’s acquisition of Orion Pictures, Blacula quickly became one of the highest-grossing films of its year, landing at #24 on Variety’s list of top films. The original Blacula is widely considered one of the first depictions of a Black vampire on-screen, and has been credited with sparking a wave of Black-themed horror films that would follow. However, it is the film’s storytelling and layered subtext that sparked Barnes creative interest. Using vampirism as a metaphor for slavery’s long-term repercussions, the original film offered cultural commentary that spoke to a deeper social and psychological curse inflicted upon a whole people. This creative characteristic is one that falls very much in line with Barnes’ approach to genre and content as a whole, but also speaks directly to the inspiration and motivation for launching his own comic studio and publishing imprint.