Tag Archives: the howling

Mini Reviews: Dept. H, American Monster, The Howling, Smoketown, and more!

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for.

These are Graphic Policy’s Mini Reviews.


Christopher

Dept H. #14 (Dark Horse) – Unable to return to the surface, the surviving crew of Dept. H must make some difficult choices, with air and livable space at a premium. Will they have to sacrifice one of their own in order for the rest to survive? Meanwhile, we begin to see the larger role that Verve has played in the fate of our crew.Things are beginning to look up, as someone self-sacrifices to get the rest of the crew to the surface. Yet that still doesn’t answer who kills Mia’s father. Given they have two issue still to come, I hope they manage to answer that. Since that has been the lingering question throughout. Overall the story and art continue to impress. Merging both past and present. Writer and Artist: Matt Kindt Overall: 8.5 Recommendation: Buy

 

Ryan

Dead Inside #5 (Dark Horse)* – A thoroughly satisfying conclusion to John Arcudi and Toni Fejzula’s prison murder mystery complete with a Tarantino-esque Mexican stand-off on steroids? This is pretty much why I love comics in a nutshell. Overall: 9.0 Recommendation: Buy

American Monster #6 (Aftershock)* – Just when you think that all Brian Azzarello is capable of these days is mailing it in, along comes the second arc of this amazingly depraved series complete with Juan Doe’s usual gorgeous, eye-popping artwork. Every single character here is a reprobate — even those who only show up for a page or two such as the couple splitting up at the start of this issue — and I wouldn’t have it any other way. Lots of moving pieces and subplots within subplots going on here, so it pays to give every single word and ever single image very close attention indeed. Heady stuff, to say the least. Overall: 8.5 Recommendation: Buy

The Flash # 22 (DC Comics)* – So, “The Button” began with the death of the Reverse-Flash and ends with — the death of the Reverse-Flash? So, what was all that bullshit in between about, then? Spoiler time: Joshua Williamson and Howard Porter — at the behest of their editors, no doubt — contrive a way to bring back Jay Garrick for a few pages before exiling him off into the Speed Force again, and Dr. Manhattan goes from looming over events off-page to looming over events on-page, but if you’re looking for anything resembling a resolution, look elsewhere: this is pure set-up for DC’s sure-to-suck “Doomsday Clock” mini-series that will finally see the Big Blue-Vs.-Superman punch-up that none of us in our right minds ever wanted to come to fruition. Kill me now, please. Or better yet, kill this whole “Watchmen-Vs.-DCU” idea before it goes any further. I know, I know, it’s too late for that vain wish to come true, but still, one can live in hope. Overall: 1.0 Recommendation: Pass

Batman #23 (DC Comics)* – Seemingly out of left field, Tom King delivers the stand-alone story that almost makes the rest of his hugely disappointing run on this title worthwhile. Seeing the Dark Knight team up with Swamp Thing is always great, but King’s take on the former Alec Holland goes well above and beyond, giving us the best iteration of the character since a certain bearded gentleman from England, and Mitch Gerads’ art — apart from a couple of goofy-looking pictures of Batman on the last page — is just plain incredible. Both a moving tribute to Bernie Wrightson and a heartfelt rumination on the relationship between fathers and sons, this is straight-up comic book magic, not to be missed under any circumstances. Overall: 9.5 Recommendation: Buy

 

Allie

Night Owl Society #2 (IDW Publishing) – I had hopes for this. Not high hopes but hopes. Sadly, Night Owl Society #2 let me down again. As I mentioned in my review before, the writing and story presented here is bland and predictable. The main character has no redeeming qualities and the foils around him are all two-dimensional. Simply put, there’s just no reason to put any emotional stock behind these characters and reading made it feel like it was just a matter of when the “twists” would come less than what they would be. All in all, another disappointment that makes me want to drop the series entirely, if for no other reason than that I can probably call the ending right now. Recommendation: Hard Pass

 

Patrick

Nancy Drew & the Hardy Boys: The Big Lie #3 (Dynamite) – I finally nailed what’s been bothering me about this competently-written, competently-drawn series: it’s trying SO HARD to be Noir, when the actual genre of the Hardy Boys novels is Procedural. The former assumes that nothing can be solved; the latter assumes that every crime can be solved with the application of reason, science, and intelligence. So the mixing of the two genres could be interesting – but they just don’t dig in deep enough. Overall: 6 Recommendation: Pass

Will Eisner’s The Spirit: Corpsemakers #3 (Dynamite) – Normally I love Fernando Francavilla, and the Black Beetle is a favorite. But maybe I’ve just read too many Spirit stories, so anything more than 8 pages gets too far away from the Platonic ideal of Eisnerian. I had the same problem with the Cooke/Bone/etc version a while back. It’s also devilishly hard for us goyim to really nail the Yiddishkeit of the originals – that combination of pathos and humor, romance and tragedy. Overall 7.0 (because Francavilla after all) Recommendation: Pass

Smoketown #2 (Scout Comics) – As an Army brat, I’m always happy to see stories that explore the life of military personnel and the demands that are made of them without most civilians really understanding what we’re asking them to do. Writer Philip Kennedy Johnson does a pretty good job with this crime fiction of a soldier returned from Afghanistan and the demands that his new civilian life makes of him, without understanding what has happened to him and what he’s dealing with. Artist Scott Van Domelen is also pretty good here, though still I think in a no man’s land between graphically flashy and kitchen-sink drama (I can’t help but compare his war sequences to Leandro Fernandez on The Old Guard). There’s something there, but not quite there yet. Overall 7.5 Recommendation: Read

The Howling #1 (Space Goat Productions) – Try as they did to recap the 1981 movie in the first few pages to bring us up to speed for this sequel, I found myself having to go back and rewatch it. So how does writer Micky Neilson and artist Jason Johnson’s work stack up? Pretty poorly. The original movie at least had something to say about the end of the 70’s, California cults, and the beginning of the 80’s fascination with the media. But this comic is just another werewolf story, and not even a particularly scary one at that. The writing is paint-by-numbers and the art is just too well-lit and neatly-delineated for the genre. Overall: 4.0 Recommendation: Pass (but do watch the movie!)

 

Shean

Star Trek TNG: Mirror Broken #1 (IDW Publishing) – In this debut issue of the Mirror Universe implications for the TNG crew, what one finds is a much more sinister and cynical crew. We find a muscle bound Picard wanting to climb the ladder in rank but is stuck on a ship called the Stargazer. While at HQ, he stumbles upon what looks like plans for a new class of ship. He recruits Laforge into his dastardly evil plans and gives the reader, a familiar sight on the horizon. Story: 10 Art: 10 Overall: 10 Recommendation: Buy


Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

Space Goat Announces The Howling Comic and Board Game

Space Goat Productions is partnering with Studiocanal and Creative Licensing to produce a 4-issue comic book miniseries and board game based on the 1981 Joe Dante classic horror film, The Howling.

The comic book series will be written by two-time New York Times best-selling author and former  Blizzard Entertainment lead writer Micky Neilson. Neilson describes the film as his “favorite all-time werewolf film” and one that has led to his obsession with werewolves.

Line art for the comic book series will be provided by industry veteran Jason Johnson, who has worked on fan-favorite books like Wetworks, Gen13, and Knight Rider.

The 4-issue comic book mini-series The Howling: Revenge of the Werewolf Queen is scheduled to be released in Summer 2017, and will take place directly after the events of the first film. The release date of the board game will be announced at a later date.

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