Tag Archives: Steve Trevor

Chris Diamantopoulos chats about Steve Trevor and Justice Society: World War II

Chris Diamantopoulos provides the voice of Steve Trevor in Justice Society: World War II, the next entry in the popular series of DC Universe Movies.

The interview bites feature Diamantopoulos chatting about voicing the resolute, passionate, archetypal hero; Steve Trevor’s devotion to and love for Wonder Woman; and the unique joy of playing the only protagonist in the film without superpowers.

Diamantopoulos is no stranger to DC animated productions with past roles as Aquaman in Harley Quinn and Green Arrow in both Justice League Action and the Batman Unlimited franchise. He is active in live-action and animation films and television series with a starring role in the upcoming Netflix film Red Notice (opposite Dwayne “The Rock” Johnson, Gal Gadot & Ryan Reynolds) as well as notable turns in Silicon Valley, Episodes and 24. Diamantopoulos is also a regular on American Dad!Invincible and as the voice of Mickey Mouse for various Walt Disney Studios productions.  

Produced by Warner Bros. Animation, and DC, the feature-length animated Justice Society: World War II is now available via Warner Bros. Home Entertainment on Digital, and coming to 4K Ultra HD Blu-ray Combo Pack and Blu-ray on May 11, 2021. 

Review: Event Leviathan #1

Event Leviathan #1

There’s gorgeous, atmospheric art and colors from Alex Maleev, but also tiresome, repetitive arguments about Talia al Ghul from Brian Michael Bendis even after the previous Leviathan Special basically proved that the destruction of all the DC Universe’s secret organizations isn’t her doing. This sentence shows that Event Leviathan #1 is the ultimate mixed bag. However, it does a nice job setting the mood for the ultimate DC Universe closed door mystery unless it veers off and does a Heroes in Crisis, which I don’t expect from the writer of Powers and two of Marvel’ greatest crime sagas (Alias, Daredevil).

In true decompressive fashion, Event Leviathan #1 is all set up, and it doesn’t really introduce any new information that previous issues of Action Comics, the Leviathan Special, and marketing material haven’t covered. However, Bendis and Maleev give readers Batman, Lois Lane, Steve Trevor, and a couple surprise guests in the ruins of ARGUS asking questions, bickering, and generally acting very paranoid. Except for a couple glorious flashbacks showing the destruction of ARGUS and the other organizations, Maleev predominantly uses small box panels or quite thin vertical panels to show how characters have been stretched to their breaking point as they figure out the identity and mission of Leviathan.

In particular, Brian Michael Bendis and Alex Maleev’s Steve Trevor is a revelation as he somehow survived the destruction of ARGUS’ Odyssey, a building that was the brainchild of the mysterious Dr. Strand and was supposed to bridge superheroes and ordinary humans. The fact that he survived such a colorful and complete explosion has basically given Trevor PTSD, and he is worlds away from the competent agent and occasional Wonder Woman squeeze.

Bendis gives his dialogue almost a babbling pattern with a veneer of self-awareness that clashes with the sharp deductions of Lois Lane, brooding presence of Batman, and the quips of Green Arrow. He’s paranoid as hell and starts pointing and firing guns when Batman is just a little soft on Talia’s connection to Leviathan, probably, because she is Damian’s mother. (Lois Lane and Steve Trevor don’t know this.) But Trevor has a badass side too like when he lands a solid jab at Batman by saying ARGUS always comes up with a countermeasure when he comes up with a new gadget.

That line is the perfect setup for the flashback to the ARGUS explosion, which allows Maleev to work in a more widescreen mode with a sunnier color palette. (Even if that sun is more of a sunset.) It represents Dr. Strand’s optimism in her project contrasted with Trevor’s stubble sporting realism as he knows what happens to the DEO and other organizations, just wants to get the hell out of there, and doesn’t care about optics or lofty ideals.

Then, there’s a symphony of colors like blues, reds, oranges, and yellows with just a touch of Kirby krackle that builds to a full page crescendo that almost looks like Maleev’s painted work. Yeah, it’s just a big explosion like readers have seen in almost every summer event comic/blockbuster movie. But Maleev’s choice of palette and staging make it stick in the brain for an extra half second and ponder why Steve Trevor was caught in a kind of blue force field while the rest of his team perished. It’s the raw material that the team of detectives will sift through in future issues.

Maybe, I’m getting blinded by cool Alex Maleev visuals and storytelling techniques, and Event Leviathan will be five issues of circular banter and quickly resolve the plot in issue six. However, the Batman/Lois Lane dialogue will at least crackle as two of the most competent individuals on the planet try to find a needle in the DC Universe haystack. And did I mention that they have a complex relationship with the most powerful person on the planet too? Plus it’s fun to see the crack team of Bendis and Maleev get down and noir-y in a new universe. Maleev’s use of shadows that imply Batman is hiding something are a thing of beauty, and as long as you’re okay with a little bit of decompression with your espionage noir, Event Leviathan #1 is worth checking out and is more Agatha Christie than Michael Bay.

Story: Brian Michael Bendis Art: Alex Maleev Letters: Joshua Reed
Story: 7.0 Art: 9.0 Overall: 8.0 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Review: DC Comics: Bombshells #1

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“A Justice League of their own”

DC Comics: Bombshells opens its tale with an all too familiar setting. A young boy and his family are exiting from having just seen an iconic presentation of “Zorro” and they unwisely venture into a dark alleyway. Of course true to the test of time, a man suddenly steps from the shadows wielding a gun in his hand. Even the narrator’s booming verbage “Out for a summer stroll, an unsuspecting family couldn’t possibly know what lay in wait..”, leads you to believe you know what’s coming next. If you’ve read a comic before you know what a young couple going down a dark alley with their young son, represents.

All of a sudden, in a moment that twists what we know and hangs it upside down by its ankles we are treated to something new. We hear the phrase “Who is this masked madam?” , as we are treated by a young redhead in a modified baseball uniform, complete with bat-symbol jersey and  ball cap with bat ears, with her wooden bat thrashing the would be attacker! (Biff! Pow!)

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This scene was tremendous and a breath of fresh air I have to say. I was very worried that they were going to go the time-honored route of showing Bruce Wayne’s origin (Yet again!) but they quickly swerved me and pulled out this amazing intro. What made it even better was the fact the narrator’s voice was actually an announcer’s voice doing an intro for a baseball game at Gotham Stadium. By day she is a star player for the local Gotham Knights, but by nightfall she is the Batwoman! (How simply elegant and appropriate) What makes this even better is she still wears her mask on the field thus preserving her secret. Ah but even during a game does not mean time off for our sporty heroine, as a gang of muggers are attempting to rob the fans in the front row. How does she avoid this catastrophe? Why, she throws a wicked curve ball at top velocity right into the stands hitting the mugger in the jaw! The Batwoman makes short work of the hoodlums and then hits the showers. Not before bowing to the crowd to bask in the credit first. (very cool, nice break from all the grim who stick to the shadows archetypes)

DC_Bombshells_1_12At this moment we are introduced to another strong femme, Detective Maggie Sawyer of the GCPD and significant other of one Kate Kane: the true identity of the beloved Batwoman. (I have to give the writer’s credit here for going this route and using this iteration of Kate Kane rather than taking the easy way out and using the Kathy Kane version) This take on a such a modern style relationship done in a 40’s time period is very intriguing to me. Maggie is certainly the more gung-ho of the two while Kate still has reservations about the public perception. They are two strong-willed and intelligent ladies. Their banter is fantastic and Kate has the line of the book. “Also, Hemmingway can’t shoot anything better than whiskey.”  Classic.

After some minor bickering, the lovely couple retire to their chambers only to be woken abruptly by a loud noise from the roof. Maggie grabs her gun and Kathy follows her to the roof only to find a helicopter piloted by none other than Commander Amanda Waller. She asks the girls “Would you like to end the war?” (Hmm Waller in any form is never good news. Be wary ladies.)

As we look up to the sky we are whisked to Greece where above a remote island, two groups of aircraft wage aerial assault on each other. The US forces seem to have the upper hand until two pilots are blindsided by an attack and one is completely obliterated. The other pilot makes his escape but crashes down in the waters below where he is washed up on a most unusual shoreline. As he lay unconscious he recalls the sight he saw above a short time ago, thinking he saw Valkyries but he knows he is not dead and not in Valhalla. So where is he? As he looks around he sees a small gathering of tall beautiful women cloaked in sheets and wielding weapons.

amazons-at-aEverything is not pleasant because the warrior women want answers for retribution for the intrusion on their sacred island. The pilot identifies himself as Steve Trevor and the ringleader Princess Diana, lets him know he will stand trial to answer for his transgressions. He tries to explain that he was being attacked by enemy forces and was just trying to protect himself. Diana informs him while that might have been the case, the fallout of bullets from their war in the sky has claimed many victims. Women and children alike have fallen because of the bullets that have rained down. She takes mercy on him but he must still answer to her. (I found this interesting because I have always wondered what would occur if this was happening over a crowded area. I mean what goes up, must come down and it’s not like bullets just evaporate. This was a very interesting plot point here that I feel should come into play more often in comics in movies during epic battles.) 

Overall: The majority of this issue served as an introduction to this brave new world (Where women handle every corner of society: business, marketing, even all sports) being adapted here. I loved every second. It all clicked wonderfully. The characters were colorful. The dialogue was snappy and the twists on classic icons were well welcomed. Both Marguerite Bennett and Marguerite Sauvage blew me away. Everything about the comic felt right. The art was a perfect fit. It was a mix of cheesecake and unique stylization which really gave the book a distinct identity. True it’s being published in 2015, I felt like this could have been ripped directly from the 1940’s without seeming corny or dated. Even though concept of this was born from some variant covers and collectible statues, it translates quite well and really holds its own here. With Agent Carter being at the height of her popularity over at Marvel, this was the perfect time for DC to pull the trigger on this franchise. The remainder of the story served as introduction to a very familiar female icon that had a twist too cool to ruin in these paragraphs here. This book definitely got the sleeper of week award here for me. Enough of me gushing. Go out and give this a view. It may not be a mad man’s world anymore but these ladies do such a bang up job, that it is just fine with me. I cannot wait to see where it goes next. Now if you need me I will be busy taking cocktail orders in the women’s wing of a smokey lounge till next month. Have a good one…

Story:  Marguerite Bennett Art: Marguerite Sauvage
Story: 9 Art: 9 Overall: 9  Recommendation: Definite Buy