Tag Archives: sicario: day of the soldado

The Worst Movies of 2018

One of the things I found most interesting about 2018 was it actually seemed like there were a lot fewer bad movies. Instead, we had a big middle of mediocre, forgettable fare.

So several of these I wouldn’t say are “bad,” but merely disappointing. As with my lists from previous years, I’m trying to keep this away from merely being a slam dunk contest, and to ignore films for whom I am not the intended audience. There’s also a large number of films that were never screened for critics and I had zero interest in seeking them out on my own. So I have no opinion on, for example, Insidious: The Last Key, Holmes and Watson, or The Week Of.

However, I’m going to stray from my principles in a few places here because these film are so egregiously, aggressively awful that I can’t help but say something. But I like to think of this more as an exercise on what went wrong in movies in 2018 and what we can do so much better in the coming year that I hope we can learn from.

10. Pacific Rim: Uprising

Pacific Rim: Uprising

There are, actually, worse films out there than this sequel, but it was just so egregiously bad that I had to start the list here. How do you take such a surefire premise as giant robots fighting monsters and make it bad? Step 1: don’t bring back director Guillermo del Toro or star Idris Elba. Step 2: Make Charlie Day the bad guy for some reason. Step 3: End your film with a snowball fight!

It’s not all bad. There is, in fact, a decent amount of enjoyment to be had here if you don’t pay too close attention. Just turn the sound down and pretend you’re watching a better version of the movie.

9. Take Your Pills

Netflix brought us some great things in 2018. One of them was not this documentary, which premiered at SXSW, which was where I caught it and was immediately enraged. Hey kids, did you know that if you’re being treated for ADHD, you’re basically just doing meth? This film takes the overly complex issues surrounding treatment of attention deficit and basically makes the case that not only are we over-prescribing medication, but it’s being used as a party drug, and drug companies are evil and everyone should just stop taking their medication.

This is a complex subject and this documentary offers no solutions, but shames people for having ADHD and suggests we’re better off not being treated at all. Thanks. Thanks a lot.

8. Rampage

Does The Rock really just say yes to every ridiculous movie they pitch him? This film was not at all based on the 1980’s arcade game involving a giant ape, lizard and wolf attacking the city because that game was fun and this was a tedious mess. This film had a great cast — Jeffrey Dean Morgan, Naomie Harris, Malin Ackerman, Jake Lacy — all of whom are just wasted here. As are a giant effects budget and a premise that might have been interesting if they’d done it properly.

PS- Watch the first five minutes of this movie and the first five minutes of Venom and tell me they aren’t the exact same movie. Mysterious goo on a satellite causes a malfunction and it crashes, infecting people while the evil corporation tries to control their discovery. It’s the same. damn. movie.

7. Gotti


I just want to know what the hell was going on with this movie. Who told them to make this movie this way? Not only is John Travolta’s hair and makeup somehow even more ridiculous in every single scene he’s in (begging the question. . . why?) but this movie seems like it was made by someone whose only exposure to organized crime or the mafia was by watching The Godfather and Goodfellas. It’s like that fresco painting of Jesus they tried to restore and it turned out looking like some weird deformed monkey. It’s like the cooking disasters you see on Nailed It or Cake Wrecks. Oh, it was written and directed by Kevin Connolly from Entourage. Nailed it.

For a film with so much voice-over exposition and cutaways to the news to explain what was happening and long car rides explaining the structure of the Gambino crime family, this film doesn’t actually make any sense. There’s also no bigger story or theme. Am I supposed to feel some way about John Gotti other than I please want this movie to be over now please? At least Vice made you feel some things about its characters– and managed to coherently explain recent events.

There’s also this weird soundtrack which tries to remind us we’re in the 80’s and 90’s by playing The Bangles and Duran Duran but also this weird hip hop that samples what sounds like the Nina Rota / Carmine Coppolla scores for The Godfather movies.

This film is also deserving of some special scorn for being financed by MoviePass. At the same time MoviePass was running out of money and limiting the movies you could go see, somehow, you could go see Gotti with your MoviePass. Even for free, this movie was not worth it.

6. Den of Thieves

It’s a testament to what a slog 2018 was that this movie from January feels like it was from eight years ago. Or maybe that’s just because it was so tired and hackneyed it felt like that watching it. Cops and robbers, but maybe we’re rooting for the robbers because the cops are bad guys, too? By the end, I wanted everyone to die and I mostly got my wish. Too bad it took two and a half hours to get there.

5. Sicario: Day of the Soldado

As disappointing a sequel as Pacific Rim: Uprising was, this was far worse. The original Sicario is such a taught, gripping film. And prior to this, I felt like Tayler Sheridan could do no wrong in writing scripts. This, apparently, is what you poop out when the dollar signs are right. The film misses its moral compass in not including Emily Blunt, but it also perpetuates some ridiculous ideas about ISIS terrorists coming across the Mexican border to blow up a Wal-Mart. This is like the fever dream of someone who’s been watching way too much Fox News and doing a lot of cocaine.

And then we get the conflict between Josh Brolin and Benecio Del Toro, and also Brolin bristling at government bureaucrats who won’t let him do his job! (More coke + Fox News)

We deserve better from our movies. We deserve better from our Sicario sequels. (Note: I saw this movie back to back in a double feature with my #1 movie of the year, putting an even better comparison on just how terrible this was.)

4. Midnight Sun

I almost feel sorry for how bad this movie was. A teenage girl is so deathly allergic to sunlight that even a few errant ray can kill her. Spoiler alert: they do. This tragic teen romance is made even more ridiculous by Rob Riggle trying his best as the dad role here.

3. Red Sparrow

Red Sparrow

A movie that glorifies violence against women, has multiple rape scenes, and actually had potential to be the Black Widow movie we all really wanted? It was just terrible, maybe even worse than Jennifer Lawrence’s Boris-and-Natasha Russian accent. In the era of #MeToo, maybe producers would’ve been wise to let this sit on a shelf for a while, instead of explicitly showing on screen how sexual violence is used to subjugate and control women, how their agency is stripped from them in a government-run spy program that is essentially state-sponsored sex slavery where failure to comply means a bullet in your head. It was also incredibly long, which is even more unforgivable, especially given how boring it was.

2. Fifty Shades Freed

Normally I make an exception for the Fifty Shades movies because I’m just not the intended audience. But this year? This abomination came out right in the middle of the #MeToo movement and showed an incredible tonedeafness on the part of the film’s producers. These are a lot of the same problems I had with Red Sparrow, but at least that had a spy storyline going on as well. The best thing I can say about this is I will never have to review another one of these films again.

1. Death of a Nation

Again, I normally wouldn’t include this because I am not the target audience, but convicted felon pardoned under corrupt circumstances by Trump likely in an attempt to suborn perjury or obstruction of justice from his associates Dinesh D’Souza has produced his masterpiece of alt-right agitprop. His major contention is that Donald Trump is basically Abraham Lincoln, and just like Lincoln, those mean ol’ Democrats are going to use violence (including civil war) to overturn a legitimate election.

Death of a Nation

Except a) it wasn’t legitimate, you buffoon, or perhaps you haven’t noticed the increasing number of indictments around Individual 1 (or maybe Dinesh doesn’t think campaign finance law matter, since, after all, that was what he was convicted of breaking) and b) after all of those marches like the Women’s March, March for Our Lives, People’s Climate March, March Against Family Separation we have yet to see any violence from them, but yet we have alt-right violence in Charlottesville (covered in the far better film, Alt-Right Age of Rage) pipe bombs, politically-motivated attacks on synagogues and mosques. If this is a proto-civil war, it is a war of right wing aggression.

And then there’s the weird fascination with Trump being like Lincoln. This is just so baffling on multiple levels.

As a movie, it’s also just garbage. I was not kind to Michael Moore’s latest earlier this year (in fact, if this were a top 13 worst movies list, Fahrenheit 11/9 would be on it), but at least the guy knows how to make a movie. D’Souza loses his narrative so many times, it’s like he’s piecing this together from an underground bunker wearing a tinfoil hat.

But, none of this happens in a vacuum. Whenever I see a movie, I ask myself, “What is this trying to say? How does that add to the cultural conversation we’re having as a society?” This throws gasoline on the worst types of fires, including the beliefs of people who also believe in QAnon and Pizzagate. D’Souza’s films in the past have been terrible and wreckless, but never dangerous. This gives crazy people the fuel they need to commit future acts of violence– in the belief that they are fighting a new civil war.

The First Amendment protects his right to make this movie, and it also protects my right to say this is the worst piece of garbage to be shown in cinemas this last calendar year.

Well, that’s it. That’s the worst. But, I hate being negative, so I’ll come back here in the next day or two with the best of 2018, as well as a look at My Top 5 of Everything and “Who won the year?” If you think it might be the Disney corporation, well. . . you’ll have to read the article.

See you in 2019, where we hopefully avoid these types of awful movies.

Ant-Man and the Wasp Takes First Place Beating the First by Almost $20 Million

Ant-Man and the Wasp was a winner for Marvel this weekend with an estimated $76 million. That tops the original film which opened with $57.2 million in 2015. That’s the ninth weekend of the year’s 27 that a Marvel film has topped the box office in 2018.

What’s interesting is the film’s Friday was a higher percent for the weekend compared to other Marvel films Friday accounted for 44.5% of the film’s earnings, the highest amount for a Marvel film. The film received an “A-” CinemaScore for the opening weekend, down from the original’s “A.” 55% of the audience was male and 58% was over the age of 25.

Internationally, the film opened in 48% of overseas markets and it earned $85 million for a $161 million worldwide debut.

In second place was Incredibles 2 which earned an estimated $29 million which has it crossing $500 million domestically with $504.4 million. The film debuted in France where it earned an estimated $10.6 million. Worldwide the movie has earned $772.8 million.

Jurassic World: Fallen Kingdom came in third with an estimated $28.6 million to bring its domestic total to $333.3 million. The film crossed the billion dollar mark as it has also earned $725.3 milllion. It stand at $1.059 billion worldwide.

In fourth place was another new film, The First Purge which brought in an estimated $17.2 million off of a $13 million budget. Internationally, the film debuted in 26 markets with an estimated $10.9 million. That’s a total of just shy of $42 million so far.

Rounding out the top five was Sicario: Day of the Soldado which brought in an estimated $7.3 million. The film has earned $35.3 million domestically and $43.6 million worldwide.

When it comes to comic film adaptations…

Deadpool 2 rounded up the top 10 with an estimated $1.7 million to bring its domestic total to $314.5 million. The original earned $363.1 million domestically ($387.4 million adjusted for inflation). Worldwide, Deadpool 2 has earned $727.3 million and the original stands at $783.1 million. The budgets are the biggest difference. The original’s was just $58 million while the sequel ballooned to $110 million. The sequel would have to cross well in to $825 million to equal the success of the original.

Avengers: Infinity War was #15 for the week with an estimated $865,000 to bring its domestic total to $674.8 million. The film has also earned $1.364 billion at the foreign box office for a worldwide total of $2.039 billion.

Black Panther is still earning and came in at #30 for the weekend. The film brought in $38,000 for the weekend to bring its domestic total to $699,882,707. It’ll be interesting to see if the film crosses $700 million domestically which would make it only the third film ever to do so (not adjusting for inflation). Worldwide the film has earned $1.347 billion worldwide.

We’ll be back in an hour for a deeper dive into this year’s comic adaptations.

Jurassic World: Fallen Kingdom and Incredibles 2 Repeat One Two

It was a repeat at the top of the box office as Jurassic World: Fallen Kingdom was the top of the box office with an estimated $60 million, a 59.5% drop from the previous weekend. The film also earned an estimated $56.1 million from 68 international markets. Domestically the film has earned $264.8 million and internationally it has earned $667.6 million for a worldwide total of $932.4 million. It will surely cross $1 billion in the next two weeks. Jurassic World grossed $652.3 million domestically, $1.019 billion at the foreign box office and $1.672 billion worldwide.

In second place was Incredibles 2 which earned an estimated $45.5 million to bring its domestic total to $439.7 million. The film has earned $207.1 million at the foreign box office for a worldwide total of $646.8 million. After this week, the film has passed the original even when adjusted for inflation.

Sicario: Day of the Soldado came in third with an estimated $19 million off of a $35 million budget. That beats expectations and about $7 million more than the first film. That film went on to earn $46.8 million. the film also earned an estimated $8.4 million internationally from 55 markets.

In fourth place was Uncle Drew which earned an estimated $15.5 million. Not bad for a joke spawned in college by a basketball player.

Rounding out the top five was Ocean’s 8 which earned an estimated $8 million domestically and $13.8 million internationally. Domestically it has earned $114.7 million and $95 million at the foreign box office for a worldwide total of $209.7 million.

When it comes to comic film adaptations…

Deadpool 2 dropped to seventh earning an estimated $3.5 million domestically. It has now earned $310.3 million domestically, $408.7 million internationally, and $719.1 million worldwide. The film is $64 million short of the original which was released in 2016.

Avengers: Infinity War came in at #12 which earned $1.4 million domestically. The film has brought in $672.5 million domestically, $1.362 billion internationally, for a grand total of $2.034 billion worldwide. The film is about $34 million short of passing Star Wars: The Force Awakens in worldwide grosses.

Black Panther slipped just one spot to come in at #32 and earned an estimated $32,000. The film remains the top grossing domestic film of 2018 with $699.8 million. Internationally the film has earned $646.6 million for a worldwide total of $1.346 billion.

This coming week sees the release of Ant-Man and the Wasp which will most likely top the box office and potentially sets up a third 2018 blockbuster for Marvel this year.

We’ll be back in an hour for a deeper dive into 2018’s comic adaptations.