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Review: X-O Manowar #2

X-O Manowar #2

In X-O Manowar #2, Aric,  better known as X-O Manowar, battles a robot who he finds out is linked to rich bad guy Troy Whitaker. After confronting Whitaker, he lets him off the hook, only to have Whitaker show the upper hand in a most villainous way. 

Writer Dennis Hallum’s take on X-O is interesting, for sure. He’s taken the character out of his comfort zones and left him as another person in the life of the Morris family, a mom and son who need a Visigoth warrior in their lives. Worse, after some of the actions caused by Whitaker, he’s painted as an enemy, complete with the law coming after him. There’s nothing wrong with that and a character like Aric needs a bit more humanity thrust upon him. For me, it stumbles, such as the cops who end up coming off like a couple of slouches who are clearly out of their league to do anything.

I like Emilio Laiso’s art on X-O Manowar #2. He shows an adequate amount of detail in his work. Honestly, it’s what a superhero book should look like. For the most part, I like the colors and thought Ruth Redmond pairs really well with Laiso’s art. Hassan Otsmane-Elhaou’s lettering is solid, for the most part. Also, I like all the covers on this issue.

The relationship between Aric and Shanhara has evolved through the different series. When X-O came back in 2012, the armor did not speak to Aric and when the series was rebooted a few years ago under writer Matt Kindt, the armor learned to communicate. With this latest series, Shanhara has taken on the personality of a bratty teen who quips back at Aric. It feels completely wrong. Aric’s dialogue isn’t much better between them.

There’s something that feels off on the onomatopoeia, or sound effects, where throughout this issue, they look incomplete. They don’t look fully colored or maybe they are just a wonky font but it looks off.

After reading this issue, I feel like we’re at a low point for the character. The art is fine but that’s never been an issue with X-O Manowar. The story is a bit uninspiring to keep with and there are elements that don’t feel complete. I really hope it’s a case of a mediocre issue and not something more indicative of the entirety of this run of X-O Manowar. As it stands, I’m left wanting more from X-O Manowar #2 and it can’t give it to me.

Story: Dennis “Hopeless” Hallum Art: Emilio Laiso
Colors: Ruth Redmond Letters: Hassan Otsmane-Elhaou
Story: 5.0 Art: 7.0 Overall: 6.0

Valiant provided Graphic Policy with a FREE copy for review


Purchase: comiXologyKindleZeus Comics

Review: X-O Manowar #2

X-O MANOWAR #2

Harvey Award-winning writer Dennis “Hopeless” Hallum and breakout star Emilio Laiso unleash Valiant’s most powerful protector! Torn from the past and bonded with a living alien armor, will X-O Manowar become the hero the world needs now? As a futuristic force arises to destroy the planet, only this ancient warrior king has the courage to stand against impossible odds!

This is an updated version of a review for X-O Manowar #2. The original review copy was largely black and white as the colouring hadn’t been finalized. As such, the text is largely unchanged aside from the specifically noted UPDATE section below.

I recall reading this comic the first time around about three months back; it was a super early version designed to give folks an early preview at what’s coming up for the series. I enjoyed the book when I first read it, but after everything that’s happened in the world since first reading the book, I realized that there was more to X-O Manowar #2 than I first noticed – or maybe I’m looking at the comic with a different perspective. A lot has happened in the last three months, so it’s not surprising that a piece of art resonates with me in a different way.

Dennis “Hopeless” Hallum continues his polarizing depiction of Aric as he lives within a larger city with a single mother and her teenage son. Seeing the former king and emperor in this role hasn’t been popular with some readers, but personally I’m really enjoying seeing Aric trying to find a new way to fit into the modern world now that he’s lost everything but Shanhara. We’re seeing Aric adjust to being a modern man (sort of) in a totally unfamiliar world, and Hallum is using the fish out of water to let some humor into the comic. Not at Aric’s expense, but rather more along the lines of how the jokes are made in the first Thor movie.

The story in this issue is about how X-O Manowar, for all his power and access to knowledge from across human history, is still relatively unaware how to present himself in today’s world as the media falls out of love with him and he struggles to understand the complexity of certain situations. It’s an interesting angle to take with the character, and one I hope Hallum continues to explore as the series progresses.

I’m still all in for this comic, and I can’t wait to see how it improves when the finished product arrives. Although the book doesn’t have any color in it, Emilio Laiso‘s art still brings a wonderful quality to the proceedings. If the art is as good as the last issue, then I can’t wait to reread and update this again.

UPDATE: Well shit, what a difference a finished product makes. X-O Manowar #2 has the unenviable task of catching the attention of people after a long gap between issues who may or may not have read the first issue (And who may not really recall what happened in that issue). I’m honestly impressed that Valiant didn’t slap a big fat number one on the cover to draw attention to the young series.

Now there’s no doubt I enjoyed the story the last time through, and still do, but there’s something about Ruth Redmond‘s vibrant colouring work that makes the entire story pop. I love black and white comics, but there’s a difference between comics with art that should be black and white, and art that is yet to be coloured – and the swooping skies as Aric chases a robot across the water are understated and simplistic in design, but that simplicity conveys a sense of speed that’s underscored by the banter between Aric and Shanhara.

Redmond’s colours that elevate Laiso’s art into a level of fun that I didn’t realize I needed after a rough couple of days technology wise for myself. Ultimately, that’s why I love comics – their ability to take you away from reality (if only briefly). I enjoyed this book a lot when I first read this comic months ago, but the finished product is just so much better than I had expected it to be.

Story: Dennis “Hopeless” Hallum Art: Emilio Laiso
Colors: Ruth Redmond Letters: Hassan Otsmane-Elhaou
Story: 9.2 Art: 9 Overall: 9.2 Recommendation: Buy

Valiant provided Graphic Policy with a FREE copy for review


Purchase: comiXology

Preview: X-O Manowar #2

X-O MANOWAR #2

Written by DENNIS HOPELESS
Art by EMILIO LAISO
Colors by RUTH REDMOND
Letters by HASSAN OTSMANE-ELHAOU
Cover A by CHRISTIAN WARD
Cover B by NETHO DIAZ
Preorder Variant Cover by FRANCESCO FRANCAVILLA
1:25 Sword of Shanhara Variant Cover by DANIEL WARREN JOHNSON
On sale NOVEMBER 25th | 32 pages, full color | $3.99 US | T+

A new threat emerges from the fires of X-O’s latest battle!

Can X-O save the day, or does the world need a new kind of hero?

X-O MANOWAR #2

Preview: X-O Manowar #2

X-O MANOWAR #2

Written by DENNIS HOPELESS
Art by EMILIO LAISO
Colors by RUTH REDMOND
Letters by HASSAN OTSMANE-ELHAOU
Cover A by CHRISTIAN WARD
Cover B by NETHO DIAZ
Preorder Variant Cover by FRANCESCO FRANCAVILLA
1:25 Sword of Shanhara Variant Cover by DANIEL WARREN JOHNSON
FOC is 11/02/20 (Reviews by then are greatly appreciated)
On sale NOVEMBER 25th | 32 pages, full color | $3.99 US | T+

A new threat emerges from the fires of X-O’s latest battle!

Can X-O save the day, or does the world need a new kind of hero?

X-O MANOWAR #2

X-O Manowar Returns this November

Valiant‘s flagship hero returns this November in X-O Manowar #2!

Aric of Dacia, aka X-O Manowar, is back and heading in a bold new direction with Harvey Award-winner Dennis “Hopeless” Hallum, astonishing artist Emilio Laiso, colorist Ruth Redmond, and letterer Hassan Otsmane-Elhaou. The first issue earned a spot in the top 100 best-selling comics when it debuted. Now, the action-packed second issue is set to arrive in comic shops on November 25th, 2020, with covers by Eisner Award-winning artist Christian WardNetho Diaz, and a 1:25 variant by Daniel Warren Johnson.

Check out the first four pages of X-O Manowar #2, below.

X-O Manowar #2

Review: Quantum and Woody #4

QUANTUM & WOODY #4

Home Alone, the boys are left to defend their lair against would-be bandits! What is Woody’s dark secret? The truth is finally revealed in Quantum and Woody #4!

The finale to the four-part miniseries finds writer Christopher Hastings, artist Ryan Browne, and color artist Ruth Redmond coming together one more time (though hopefully not for the final time) for a comic I have waited nearly three months to read. Was it worth the wait? Was I able to just pick it up and enjoy it without refreshing myself by reading the first three again?

Two kill two birds with one stone, the answer is yes.

While not everybody will want to just pick the book up and dive in after three months, the way the Hastings has been crafting the story over three almost standalone issues means that while there are some elements that cross the four issues, the specific events don’t need to have been memorized to enjoy Quantum and Woody #4 (though if you do want a refresher, there’s no reason not to go back and read the other three).

Hastings has once again packed a full story, start middle and end, into a single comic, though with the finale he also wraps up the threads he had left over the course of the previous three issues. It is in many ways a bitter sweet comic, because as far as we currently know, there aren’t any plans to bring Hastings back to Quantum and Woody, but he ends his story on a high note without leaving any real loose ends dangling – but you’ll be wanting more from him and the creative team by them time you turn the final page.

Browne’s art has been perfectly suited to the chaos that has been this series, and both he and Redmond shine in the final issue. There’s often a lot occurring on every page, but the comic never loses its ability to tell a coherent visual story. The art is bright, bold, absolutely insane, and I love it. There’s a lot going on in almost every page, but you’re never lost; this is a book that you’re going to want to take your time reading, or read it a second time so that you can really appreciate the talent on display here.

I’ve never really been the biggest Quantum and Woody fan, but Hastings, Brown, Redmond, and letterer Hassan Otsmane-Elhaou have delivered one of my favourite series this year. This is a nigh-on perfect comic book in its own right, but when you take it as the final part of a four-part miniseries, then it becomes an absolute must-read book.

If every comic that I read after Diamond started delivering again was half as good as this, I’d be happy.

Story: Christopher Hastings Art: Ryan Browne
Colors: Ruth Redmond Letters: Hassan Otsmane-Elhaou

Story: 9.6 Art: 9.6 Overall: 9.6 Recommendation: Buy

Valiant provided Graphic Policy with a FREE copy for review


Purchase: comiXologyKindleZeus Comics

Preview: Quantum & Woody #4 (of 4)

QUANTUM & WOODY #4 (of 4)

Written by CHRISTOPHER HASTINGS
Art by RYAN BROWNE
Colors by RUTH REDMOND
Letters by HASSAN OTSMANE-ELHAOU
Cover A by DAVID NAKAYAMA
Cover B by RAHZZAH
Preorder Cover by GURIHIRU
Extra Virgin Variant Cover by DAVID NAKAYAMA
On sale JULY 8th | 32 pages, full color | $3.99 US |T+

Home Alone, the boys are left to defend their lair against would-be bandits!
What is Woody’s dark secret? The truth is finally revealed in the miniseries finale!

QUANTUM & WOODY #4 (of 4)

Advance Review: X-O Manowar #2

X-O MANOWAR #2

Harvey Award-winning writer Dennis “Hopeless” Hallum and breakout star Emilio Laiso unleash Valiant’s most powerful protector! Torn from the past and bonded with a living alien armor, will X-O Manowar become the hero the world needs now? As a futuristic force arises to destroy the planet, only this ancient warrior king has the courage to stand against impossible odds!

The version of X-O Manowar #2 I have read for this review was a mostly black and white comic. For this reason, I’m going to be largely avoiding talking about the color art.

I recall reading this comic the first time around about three months back; it was a super early version designed to give folks an early preview at what’s coming up for the series. I enjoyed the book when I first read it, but after everything that’s happened in the world since first reading the book, I realized that there was more to X-O Manowar #2 than I first noticed – or maybe I’m looking at the comic with a different perspective. A lot has happened in the last three months, so it’s not surprising that a piece of art resonates with me in a different way.

Dennis “Hopeless” Hallum continues his polarizing depiction of Aric as he lives within a larger city with a single mother and her teenage son. Seeing the former king and emperor in this role hasn’t been popular with some readers, but personally I’m really enjoying seeing Aric trying to find a new way to fit into the modern world now that he’s lost everything but Shanhara. We’re seeing Aric adjust to being a modern man (sort of) in a totally unfamiliar world, and Hallum is using the fish out of water to let some humor into the comic. Not at Aric’s expense, but rather more along the lines of how the jokes are made in the first Thor movie.

The story in this issue is about how X-O Manowar, for all his power and access to knowledge from across human history, is still relatively unaware how to present himself in today’s world as the media falls out of love with him and he struggles to understand the complexity of certain situations. It’s an interesting angle to take with the character, and one I hope Hallum continues to explore as the series progresses.

I’m still all in for this comic, and I can’t wait to see how it improves when the finished product arrives. Although the book doesn’t have any color in it, Emilio Laiso‘s art still brings a wonderful quality to the proceedings. If the art is as good as the last issue, then I can’t wait to reread and update this again.

Story: Dennis “Hopeless” Hallum Art: Emilio Laiso
Colors: Ruth Redmond Letters: Hassan Otsmane-Elhaou
Story: 9.2 Art: NA Overall: 9.2 Recommendation: Buy

Valiant provided Graphic Policy with a FREE copy for review

Review: Quantum and Woody #4

QUANTUM & WOODY #4

Home Alone, the boys are left to defend their lair against would-be bandits! What is Woody’s dark secret? The truth is finally revealed in Quantum and Woody #4!

The finale to the four-part miniseries finds writer Christopher Hastings, artist Ryan Browne, and color artist Ruth Redmond coming together one more time (though hopefully not for the final time) for a comic I have waited nearly three months to read. Was it worth the wait? Was I able to just pick it up and enjoy it without refreshing myself by reading the first three again?

Two kill two birds with one stone, the answer is yes.

While not everybody will want to just pick the book up and dive in after three months, the way the Hastings has been crafting the story over three almost standalone issues means that while there are some elements that cross the four issues, the specific events don’t need to have been memorized to enjoy Quantum and Woody #4 (though if you do want a refresher, there’s no reason not to go back and read the other three).

Hastings has once again packed a full story, start middle and end, into a single comic, though with the finale he also wraps up the threads he had left over the course of the previous three issues. It is in many ways a bitter sweet comic, because as far as we currently know, there aren’t any plans to bring Hastings back to Quantum and Woody, but he ends his story on a high note without leaving any real loose ends dangling – but you’ll be wanting more from him and the creative team by them time you turn the final page.

Browne’s art has been perfectly suited to the chaos that has been this series, and both he and Redmond shine in the final issue. There’s often a lot occurring on every page, but the comic never loses its ability to tell a coherent visual story. The art is bright, bold, absolutely insane, and I love it. There’s a lot going on in almost every page, but you’re never lost; this is a book that you’re going to want to take your time reading, or read it a second time so that you can really appreciate the talent on display here.

I’ve never really been the biggest Quantum and Woody fan, but Hastings, Brown, Redmond, and letterer Hassan Otsmane-Elhaou have delivered one of my favourite series this year. This is a nigh-on perfect comic book in its own right, but when you take it as the final part of a four-part miniseries, then it becomes an absolute must-read book.

If every comic that I read after Diamond started delivering again was half as good as this, I’d be happy.

Story: Christopher Hastings Art: Ryan Browne
Colors: Ruth Redmond Letters: Hassan Otsmane-Elhaou

Story: 9.6 Art: 9.6 Overall: 9.6 Recommendation: Buy

Valiant provided Graphic Policy with a FREE copy for review

Exclusive: Christopher Hastings Talks Quantum and Woody Plus an Exclusive Look at issue 4!

Quantum & Woody is the world’s worst, to us one of the best, superhero teams. Fans will be able to get their hands on the finale to the current volume, Quantum & Woody #4, on July 8 with the final order cut off on June 15th from writer Christopher Hastings, artist Ryan Browne, colors by Ruth Redmond, and lettering by Hassan Otsmane-Elhaou.

Home Alone, the boys are left to defend their lair against would-be bandits! What is Woody’s dark secret? The truth is finally revealed!

Quantum & Woody #4

Writer Christopher Hastings talked to us about the series and we have an exclusive first look at the final issue.

Graphic Policy: Before we get started, I’ve got to warn you that the first three issues have been some of my favorite comics from the last year. I’m really enjoying the approach you’re taking with the story and the characters; how did you end up writing the World’s Worst superheroes?

Christopher Hastings: Well, thank you very much! I’ve been a lifetime fan of these characters, and it’s a massive honor to contribute to their ongoing story. As for how I wound up writing them, that’s all on our editor, Heather Antos. Heather was my editor on Unbelievable Gwenpool, and thank goodness it seems like I did a good enough job that she thought I would be good for Valiant’s best action-comedy characters.

GP: As I read the first three issues, I’ve noticed that the creative team has been in a groove from the first page. Did you know any of the creative team prior to the first issue?

CH: As our scheduling went, I don’t think we actually had our full team set by the time I finished the script for the fourth issue, which is unusual. Heather and Valiant really did me a kindness as far as getting the story down well ahead of time, which allowed us all to really make sure that the story across all the issues is cohesive. That said, Ryan Browne and I came up in a similar time of webcomics, and I think we always had similar sensibilities, so when Heather suggested putting us together, it was a no-brainer. Ryan and I are two celestial objects that have been in a decaying orbit for years, and Quantum and Woody is the project where we finally collided.

GP: How does working with Valiant differ from working with other publishers?

CH: I think the biggest thing is how much I’ve been able to get to know the sales and marketing folks. These are the people who take my insane little fantasies and have to get them into comic shops. It’s been a really wonderful experience getting to talk to them on a regular basis, take road trips to signings with them, and just get to see what that side of the comics industry looks like. It’s easy for the writer of a comic to be removed from the whole picture, but with Valiant, I feel like I get to be along for the whole trip, from inception to every individual reader.

GP: Do you approach writing for an ongoing series differently than a miniseries?

CH: Certainly! If I know a miniseries is 4 issues, I’m not going to introduce something in issue 2 that I’ll “pick up later”. When I write, I’m really conscious of the beats of various plots, and I want to make sure there is room for all of them. I don’t want to do a beat 1 and 2 if I can’t do a 3.

Quantum & Woody #4

GP: Each issue so far has essentially been a self-contained story; did the series initially set out that way, or did it evolve as you were writing?

CH: This was probably my top priority/artistic goal when I got the chance to even just pitch for Quantum & Woody. I miss episodic comics, and I wanted to make a real effort at putting them out myself. A comedy is especially well suited for this style of serialized storytelling. Drop in for a particularly funny issue, even if you haven’t read the previous! You can watch any episode of Cheers without seeing another one. Why can’t we do that in comics? I’ve also read just about every comic Marvel put out in the 60s thanks to their Essential collections, and it was the same there. If it’s good enough for Stan Lee, it’s good enough for me.

GP: Can you talk a little about your inspiration behind Woody’s “disguise” in the first issue? I thought that the sewer sequence was a great reminder to not see what you wanted to see.

CH: Clark Kent can convince people he isn’t Superman with a dumpy suit, glasses, and his hair parted on the other side of his head. Why can’t Woody?

GP: You’ve been using the brother’s powers in unique ways throughout the series; do you ever feel you’re in danger of making them competent heroes?

CH: Haha, no I think they are far enough down on the ability ladder that it left some room for them to get a little better without totally destroying their entire deal. That said, one of my favorite things in comedy is when the all around idiot happens to show off the one tiny thing they are good at. A little bit of competence goes a long way as far as character likability goes.

Quantum & Woody #4

GP: Ryan Browne’s linework and layouts have been really exciting at times in this book, especially around the ice-skating scene. I’m always interested in how much direction writers give to artists in scenes such as those. Did it come out how you expected?

CH: Ryan is in my favorite class of artist where he can look at a fairly specific, panel-by-panel, shot-by-shot written out script, see what I’m *actually* trying to communicate, and make changes from the script to do it better, punching up the whole thing. Ryan gets down everything important in the story, and then he just PEPPERS the rest of it with a million fun extra things. It makes the book a very satisfying one to reread several times, honestly.

GP: Was there anything you wanted to include in this series, but had to end up saving it for the next?

CH: I have SO MANY ideas for what I would want to do with Quantum and Woody after this. I sure hope I get the chance. Fingers crossed x1M.

GP: If you could write any other Valiant character, who would it be?

CH: Top choice is easily Archer & Armstrong. Such a great premise, great world, infinite potential for hijinks. Close for second place is Ninjak, just because I am a long time fan. And third place, I’d love to do Bloodshot like an 80s action movie.

GP: Thanks so much for answering our questions!


Check out the exclusive preview below!

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