Tag Archives: red sparrow

The Worst Movies of 2018

One of the things I found most interesting about 2018 was it actually seemed like there were a lot fewer bad movies. Instead, we had a big middle of mediocre, forgettable fare.

So several of these I wouldn’t say are “bad,” but merely disappointing. As with my lists from previous years, I’m trying to keep this away from merely being a slam dunk contest, and to ignore films for whom I am not the intended audience. There’s also a large number of films that were never screened for critics and I had zero interest in seeking them out on my own. So I have no opinion on, for example, Insidious: The Last Key, Holmes and Watson, or The Week Of.

However, I’m going to stray from my principles in a few places here because these film are so egregiously, aggressively awful that I can’t help but say something. But I like to think of this more as an exercise on what went wrong in movies in 2018 and what we can do so much better in the coming year that I hope we can learn from.

10. Pacific Rim: Uprising

Pacific Rim: Uprising

There are, actually, worse films out there than this sequel, but it was just so egregiously bad that I had to start the list here. How do you take such a surefire premise as giant robots fighting monsters and make it bad? Step 1: don’t bring back director Guillermo del Toro or star Idris Elba. Step 2: Make Charlie Day the bad guy for some reason. Step 3: End your film with a snowball fight!

It’s not all bad. There is, in fact, a decent amount of enjoyment to be had here if you don’t pay too close attention. Just turn the sound down and pretend you’re watching a better version of the movie.

9. Take Your Pills

Netflix brought us some great things in 2018. One of them was not this documentary, which premiered at SXSW, which was where I caught it and was immediately enraged. Hey kids, did you know that if you’re being treated for ADHD, you’re basically just doing meth? This film takes the overly complex issues surrounding treatment of attention deficit and basically makes the case that not only are we over-prescribing medication, but it’s being used as a party drug, and drug companies are evil and everyone should just stop taking their medication.

This is a complex subject and this documentary offers no solutions, but shames people for having ADHD and suggests we’re better off not being treated at all. Thanks. Thanks a lot.

8. Rampage

Does The Rock really just say yes to every ridiculous movie they pitch him? This film was not at all based on the 1980’s arcade game involving a giant ape, lizard and wolf attacking the city because that game was fun and this was a tedious mess. This film had a great cast — Jeffrey Dean Morgan, Naomie Harris, Malin Ackerman, Jake Lacy — all of whom are just wasted here. As are a giant effects budget and a premise that might have been interesting if they’d done it properly.

PS- Watch the first five minutes of this movie and the first five minutes of Venom and tell me they aren’t the exact same movie. Mysterious goo on a satellite causes a malfunction and it crashes, infecting people while the evil corporation tries to control their discovery. It’s the same. damn. movie.

7. Gotti

Gotti

I just want to know what the hell was going on with this movie. Who told them to make this movie this way? Not only is John Travolta’s hair and makeup somehow even more ridiculous in every single scene he’s in (begging the question. . . why?) but this movie seems like it was made by someone whose only exposure to organized crime or the mafia was by watching The Godfather and Goodfellas. It’s like that fresco painting of Jesus they tried to restore and it turned out looking like some weird deformed monkey. It’s like the cooking disasters you see on Nailed It or Cake Wrecks. Oh, it was written and directed by Kevin Connolly from Entourage. Nailed it.

For a film with so much voice-over exposition and cutaways to the news to explain what was happening and long car rides explaining the structure of the Gambino crime family, this film doesn’t actually make any sense. There’s also no bigger story or theme. Am I supposed to feel some way about John Gotti other than I please want this movie to be over now please? At least Vice made you feel some things about its characters– and managed to coherently explain recent events.

There’s also this weird soundtrack which tries to remind us we’re in the 80’s and 90’s by playing The Bangles and Duran Duran but also this weird hip hop that samples what sounds like the Nina Rota / Carmine Coppolla scores for The Godfather movies.

This film is also deserving of some special scorn for being financed by MoviePass. At the same time MoviePass was running out of money and limiting the movies you could go see, somehow, you could go see Gotti with your MoviePass. Even for free, this movie was not worth it.

6. Den of Thieves

It’s a testament to what a slog 2018 was that this movie from January feels like it was from eight years ago. Or maybe that’s just because it was so tired and hackneyed it felt like that watching it. Cops and robbers, but maybe we’re rooting for the robbers because the cops are bad guys, too? By the end, I wanted everyone to die and I mostly got my wish. Too bad it took two and a half hours to get there.

5. Sicario: Day of the Soldado

As disappointing a sequel as Pacific Rim: Uprising was, this was far worse. The original Sicario is such a taught, gripping film. And prior to this, I felt like Tayler Sheridan could do no wrong in writing scripts. This, apparently, is what you poop out when the dollar signs are right. The film misses its moral compass in not including Emily Blunt, but it also perpetuates some ridiculous ideas about ISIS terrorists coming across the Mexican border to blow up a Wal-Mart. This is like the fever dream of someone who’s been watching way too much Fox News and doing a lot of cocaine.

And then we get the conflict between Josh Brolin and Benecio Del Toro, and also Brolin bristling at government bureaucrats who won’t let him do his job! (More coke + Fox News)

We deserve better from our movies. We deserve better from our Sicario sequels. (Note: I saw this movie back to back in a double feature with my #1 movie of the year, putting an even better comparison on just how terrible this was.)

4. Midnight Sun

I almost feel sorry for how bad this movie was. A teenage girl is so deathly allergic to sunlight that even a few errant ray can kill her. Spoiler alert: they do. This tragic teen romance is made even more ridiculous by Rob Riggle trying his best as the dad role here.

3. Red Sparrow

Red Sparrow

A movie that glorifies violence against women, has multiple rape scenes, and actually had potential to be the Black Widow movie we all really wanted? It was just terrible, maybe even worse than Jennifer Lawrence’s Boris-and-Natasha Russian accent. In the era of #MeToo, maybe producers would’ve been wise to let this sit on a shelf for a while, instead of explicitly showing on screen how sexual violence is used to subjugate and control women, how their agency is stripped from them in a government-run spy program that is essentially state-sponsored sex slavery where failure to comply means a bullet in your head. It was also incredibly long, which is even more unforgivable, especially given how boring it was.

2. Fifty Shades Freed

Normally I make an exception for the Fifty Shades movies because I’m just not the intended audience. But this year? This abomination came out right in the middle of the #MeToo movement and showed an incredible tonedeafness on the part of the film’s producers. These are a lot of the same problems I had with Red Sparrow, but at least that had a spy storyline going on as well. The best thing I can say about this is I will never have to review another one of these films again.

1. Death of a Nation

Again, I normally wouldn’t include this because I am not the target audience, but convicted felon pardoned under corrupt circumstances by Trump likely in an attempt to suborn perjury or obstruction of justice from his associates Dinesh D’Souza has produced his masterpiece of alt-right agitprop. His major contention is that Donald Trump is basically Abraham Lincoln, and just like Lincoln, those mean ol’ Democrats are going to use violence (including civil war) to overturn a legitimate election.

Death of a Nation

Except a) it wasn’t legitimate, you buffoon, or perhaps you haven’t noticed the increasing number of indictments around Individual 1 (or maybe Dinesh doesn’t think campaign finance law matter, since, after all, that was what he was convicted of breaking) and b) after all of those marches like the Women’s March, March for Our Lives, People’s Climate March, March Against Family Separation we have yet to see any violence from them, but yet we have alt-right violence in Charlottesville (covered in the far better film, Alt-Right Age of Rage) pipe bombs, politically-motivated attacks on synagogues and mosques. If this is a proto-civil war, it is a war of right wing aggression.

And then there’s the weird fascination with Trump being like Lincoln. This is just so baffling on multiple levels.

As a movie, it’s also just garbage. I was not kind to Michael Moore’s latest earlier this year (in fact, if this were a top 13 worst movies list, Fahrenheit 11/9 would be on it), but at least the guy knows how to make a movie. D’Souza loses his narrative so many times, it’s like he’s piecing this together from an underground bunker wearing a tinfoil hat.

But, none of this happens in a vacuum. Whenever I see a movie, I ask myself, “What is this trying to say? How does that add to the cultural conversation we’re having as a society?” This throws gasoline on the worst types of fires, including the beliefs of people who also believe in QAnon and Pizzagate. D’Souza’s films in the past have been terrible and wreckless, but never dangerous. This gives crazy people the fuel they need to commit future acts of violence– in the belief that they are fighting a new civil war.

The First Amendment protects his right to make this movie, and it also protects my right to say this is the worst piece of garbage to be shown in cinemas this last calendar year.

Well, that’s it. That’s the worst. But, I hate being negative, so I’ll come back here in the next day or two with the best of 2018, as well as a look at My Top 5 of Everything and “Who won the year?” If you think it might be the Disney corporation, well. . . you’ll have to read the article.

See you in 2019, where we hopefully avoid these types of awful movies.

Black Panther Wins The Weekend Again and Crosses $1 Billion

Black Panther was won the weekend for the fourth straight weekend a first for a movie part of the Marvel Cinematic Universe. The film earned an estimated $41.1 million domestically and it now has earned $562 million domestically.

The film also debuted in China, its final major market. There it opened with an estimated $66.5 million. Internationally the film earned an estimated $100 to bring its foreign earnings to $516.6 million.

The film has earned $1.079 billion. It’s the second highest domestic total ever for a comic adaptation, behind Marvel’s The Avengers. It’s ranked #7 overall not adjusted for inflation. When it comes to worldwide total, the film is just $6 million behind The Dark Knight Rises and is currently #21 for all films released also not adjusted for inflation. There it’s #6 for comic adaptations.

In second place was A Wrinkle in Time which debuted with an estimated $33.3 million. The studio expectation was $35 million and it’s believed that Black Panther’s dominance hurt this film. It also earned $6.3 million at the foreign box office where it opened up in about 14% of markets with many more to come.

In third place was another film, Strangers: Prey at Night which earned an estimated $10.5 million.

Red Sparrow was in fourth place with an estimated $8.15 million which brought its domestic total to $31.1 million after ten days. Worldwide the film has earned $82.9 million.

Finishing off the top five was Game Night which earned an estimated $7.9 million over three days. Domestically the film has earned $45 million after three weeks and globally it has earned about $70 million.

The Death of Stalin debuted in four theaters earning $181,308. The film has a comic adaptation tied with it which was released before the film debuted.

Thor: Ragnarok continued to bring in money earning $41,000 to bring its domestic total to $315 million and $853.9 million worldwide.

We’ll be back in an hour for a deeper dive into comic adaptations at the movies.

Black Panther Repeats, Crosses $500 Million Domestically, and Nears $900 Million Worldwide

Black Panther pulled off the three-peat continuing to dominate the movie market worldwide. The film earned an estimated $65.7 million over the weekend pushing the film over the $500 million mark domestically. It has earned $501.1 million in 17 days, the third fastest a film has crossed the $500 million mark. That tied Jurassic World and one day behind Star Wars: The Last Jedi. The film is also the tenth highest grossing domestic release of all time and third highest comic adaptation domestically.

The film also added $56.2 million internationally. Overseas it has earned $396.6 million and now is at $897.7 million worldwide. The film opened in Japan with $4.2 million including previews. The film opens in China this coming weekend.

We’ll have more on where the film stands in an hour.

Two new films took second and third…

Red Sparrow came in second with an estimated $17 million which is about estimations. The film also earned $26.5 million internationally. The film received a “B” CinemaScore. The film had a reported budget of $69 million.

In third place was Death Wish, the remake of the Charles Bronson classic. The film earned an estimated $13 million and received a “B+” CinemaScore. The film had a reported budget of $30 million.

In fourth place was Game Night which dropped from last weekend’s second. The film earned an estimated $10.7 million to bring its total to $33.5 million domestically and $49.5 million worldwide.

Rounding out the top five was Peter Rabbit and earned an estimated $10 million. The film stands at $84 million domestically and $101.9 million worldwide.

In other comic film earnings….

Thor: Ragnarok earned an estimated $124,000 to bring its domestic total to $315 million. Worldwide the film has earned $853.8 million.

This coming weekend sees the release of A Wrinkle in Time which should give Black Panther a run for the top of the box office.