It’s the moment the whole story has been building to…
Fergie comes face-to-face with Billy, the dad he’s never met. Or should that be
Beleth, banished prince of hell? But before that, have Sid and Fergie actually
found a way to stop being stuck together? And finally, Dorothy and Asif return
to London with Natalie in tow for a battle royale unlike any other. Don’t miss
“To the Underworld,” the smashing conclusion to our sophomore arc!
Butch and Sundance! Bonnie and Clyde! Laurel and Hardy! History is
littered with great double acts, but the ultimate boy-meets-ghost odd couple is
no more as Fergie and Sid go their separate ways. While Sid heads off to look
up old mates, Fergie finally meets his dad in London Calling: “To the Imitation Zone.”
In northern England, Fergie’s mom
Julie gets a fatal blow—while in London, Sid and Fergie… hit the pub? Plus, we take
a trip back to 2002 to learn the true story of why Fergie’s father disappeared,
and how super spy Dorothy Culpepper was involved. Hint: it’s basically all her
In the spirit of awkward house calls, Fergie and Sid’s urgent quest for Fergie’s long-absent father finds them holed up in a dilapidated London boozer… where they meet some unwelcome old enemies and make an interesting new friend. Back in Preston, Dorothy Culpepper of The Department of Extra-Usual Affairs gets a proper wallop and Fergie’s mom Julie and kinda-girlfriend Natalie end up with blood on their hands. The spirit of ’77 is alive by night with power chords and psychic grenades in London Calling: “To the Faraway Towns.”
Teenage geek Fergie Ferguson and his BF Sid,
the ghost of a punk rocker who only Fergie can see or hear, are on the lam for
a murder they didn’t exactly commit. They’ve made it to London but on their
tail are the police, the quirky paranormal investigation agency the Department
of Extra-Usual Affairs, and some really freaky magpie monsters, so there’s not
(much) time for sightseeing.
While Fergie tracks down his long-absent
father to get answers about his powerful new “abilities” (Sid calls them
“psychic grenades”), DfEUA’s old-school mod super spy Dorothy Culpepper and her
sensible young partner Asif Baig uncover evidence that links Fergie to the
underworld. Fergie’s mum Julie and his not-a-girlfriend Natalie also join
forces to save Fergie from life in prison… but with a psychopathic serial
killer showing an interest, everybody might soon be running out of time.
How does any of this connect to a visually
searing three-chord apocalypse? Never mind the bollocks—another season of the
critical darling PUNKS NOT DEAD is
here with endless pints of anarchy and social distortion!
PUNKS NOT DEAD: LONDON CALLING is a five-issue miniseries written by David Barnett (Calling Major Tom) and illustrated by Martin Simmonds (Friendo, Marvel: Jessica Jones, and Quicksilver covers). Featuring a variant cover by fan-favorite Rafael Albuquerque (Batgirl, A Study in Emerald). FC • 32 pages • $3.99
Without further ado, these are my favorite comics of 2018. This was the year I fell back on series that I had been checking out for years and found some new faves in the worlds of newspaper comics, symbiotes, gamma irradiated beasts, and maybe even a choose your own adventure game. Marvel seriously did a 180 this year, and I went from picking zero of their comics on my last year end list to three so well done on their part, and Donny Cates and Al Ewing should receive hefty bonus checks. But, honestly, this list should show you that visual humor, character driven narratives, and weirdness are my things, and I can’t wait to read more comics in that vein in 2019.
Honorable Mentions:Sex Death Revolution (Black Mask), Runaways (Marvel), Assassinistas (IDW/Black Crown), Punks Not Dead (IDW/Black Crown), That one really good issue of Peter Parker, Spider-Man that Chip Zdarsky wrote and drew (Marvel), Gideon Falls (Image)
10.Modern Fantasy (Dark Horse)
Modern Fantasy is a miniseries about a data entry worker named Sage of the Riverlands, who secretly wants to epic hero or maybe just a curator at a cool museum, and has a penchant for smooching handsome elves. Did Rafer Roberts and Kristen Gudsnuk have access to my most secret thoughts while writing this book? In all seriousness, this comic marries millennial angst and struggles (Dead end jobs, mooching friends, annoying co-workers) with all kinds of fantasy tropes, including urban, high, and good ol’ Lovecraftian. Gudsnuk’s art is both humorous and touching and filled with background details and jokes that reward a close reading. But what makes Modern Fantasy a great comic is the awkward friend group dynamic that Roberts and Gudsnuk craft filled with drama, jokes, a touch of romance, and a final showdown with a fire demon.
9.The Wicked + the Divine (Image)
Kieron Gillen, Jamie McKelvie, and Matthew Wilson’s story of young gods and fandom hit some dark bits in 2018 and had plenty of surprises to go with the formalism and “glimpse behind the curtain” of the “Mothering Invention” arc. However, at its best, WicDiv is the story of the girl, who thought she wanted something, and then painfully realized that she didn’t really want it. That girl, of course, is Persephone whose personal journey along with McKelvie’s amazing facial expressions, Gillen’s clever quips, and Wilson’s majestic color palette keeps me returning to this series as it is about to hit its fifth year. Also, the specials were spectacularly glorious in 2018 from the illustrated prose story/murder mystery in 1923to 1373’s dark piety. Then, there was the absolute bonkers nature of The Funnies where we find out the origin of Laura’s cracked phone and the Pantheon gets to solve a Scooby Doo mystery courtesy of Kitty Curran and Larissa Zageris.
8. Nancy (Go Comics)
I’ve been doing year end comics lists for five years, and this is the first time I’ve put a newspaper strip on one. However, Olivia Jaimes’ work on Nancy is one of the most hilarious things to come out of 2018. There are her “millennial” gags (Even though Nancy and Sluggo are definitely Generation Z.) about Nancy’s overuse of the Internet or swapping streaming service passwords with Sluggo, who is also “lit”. But she also has a firm grasp on meta-gags and the uniqueness of the comics medium like playing with panel layouts, lettering styles, reusing panels, and then having Nancy make a joke about it. Nancy is truly a ray of sunshine in a dark landscape while still being sarcastic and self-deprecating as hell and shows that even the proverbial old dog of the newspaper comic can learn some new tricks.
7. “Milk Wars” (DC Comics/Young Animal)
“Milk Wars” really brought the best of DC Rebirth and Young Animal together and was the only Big Two crossover I kept up with in 2018. The series brings together the Doom Patrol, Mother Panic, Shade the Changing Girl, and Cave Carson to fight warped versions of DC Comics heroes, who are under the control of the Retconn corporation. The story is a literal metaphor for how corporations sanitize characters and go for the retread instead of taking risks with iconic characters as Wonder Woman becomes a submissive housewife in her tie-in story from Cecil Castelluci and Mirka Andolfo. “Milk Wars” shows that it’s okay to be a little weird as milk goes bad if it’s left in the bridge past its expiration day. It also features some gorgeous layouts from Aco in the crossover’s first chapter, which was co-written by Gerard Way and Steve Orlando, and he and the artists did an excellent job of melding an indie and mainstream sensibility throughout “Milk Wars”. Also, the story had a real effect on Mother Panic, Cave Carson, and Shade in their solo titles and introduced Magdalene Visaggio and Sonny Liew’s wonderful, yet depressed Eternity Girl character.
Donny Cates, Ryan Stegman, and Iban Coello’s Venom ongoing series is filled with all the fun excesses of the 1990s (Especially in the Venom Annual where James Stokoe shows him going toe to toe with Juggernaut.) and none of its toxicity. The first arc of the series is about Eddie Brock and his symbiote going to war against Knull, god of the symbiotes and a symbiote dragon. This has a terrible effect on him, and Cates carefully uses the symbiote as a metaphor for PTSD while freeing Stegman to draw unhinged heavy metal battles. And this series wasn’t just a one arc wonder as Cates, Coello, and Stegman explore the after effects of the battle with Knull on Eddie’s symbiote and have him confront his father. Plus one of the most underrated Marvel villains, Ultimate Reed Richards aka the Maker pops up for a little bit. This series work because it explores the psychological effects of the symbiote as well as the oozy, shoot-y violent bits.
Crowded is a wicked bit of satire with a side of mismatched buddy adventure from the beautiful minds of Christopher Sebela, Ro Stein, Ted Brandt, and Triona Farrell. It is about an obnoxious woman named Charlie, who has a $2 million price on her head on an app called Reapr that is basically crowdfunded murder. Luckily, there’s an app called Defendr where Charlie hires a badass, meticulous, and noble woman named Vita to protect her. Stein and Brandt fill each page with oodles of panels, but you are able to follow every action scene, conversation, or Charlie ending up at the club or a bachelorette party even if she has a price on her head. The bounty hunting drives the plot while Sebela uses the quieter moments to develop the personality and relationships of Charlie and Vita as well as some of the “professionals” hunting them. Crowded is a thrill ride, but also looks at the dark, not so altruistic side of human nature through the Internet and constant connectivity.
4. You Are Deadpool (Marvel)
Al Ewing and Salva Espin’s You Are Deadpool was some of the most fun I had reading a comic book in 2018 beginning with Kieron Gillen showing up in the “tutorial” brandishing a sandwich as a weapon. It’s a combination spoof of different eras of Marvel Comics along with a pretty damn fun and addictive Choose Your Own Adventure Game. In some cases, you don’t even read the issues in order. Ewing and Espin also take cues from some not so table top RPGs and have the moral choices that Deadpool makes effect your reading and playing experience. Having Deadpool interact with both heroes and innocent passerbies during the Silver Age, horror/kung fu/blaxploitation, the edgy 80s, and of course, the good ol’ 90s is hilarious and shows Espin’s versatility as a cartoonist.
3. Archival Quality (Oni)
Archival Quality is a spooky graphic novel by Ivy Noelle Weir and Steenz about a young woman named Cel, who gets a job as an archivist at a medical museum. The comic tenderly explores Cel’s anxiety and depression and unexpected connection with a woman named Celine, who was a patient at the sanatorium that preceded the museum. It isn’t caught up in a fast paced thriller plot, but slowly unveils the mystery while focusing on Cel’s interactions with her boss Abayomi, super rad co-worker Holly, and her declining relationship with her boyfriend Kyle. Archival Quality has real atmosphere, and Steenz creates some fantastic spaces as Cel begins to explore her workplace with its skulls and lack of cellphone service. It is a fantastic story about mental health and relationships through the mystery genre.
2. Giant Days (BOOM! Studios)
Giant Days continues to be one of life’s true blessings thanks to John Allison, Max Sarin, Liz Fleming, Julia Madrigal, and Whitney Cogar. At this point, we know the characters and their quirks are on fully display, especially when Sarin draws the title because she is a real pro at expressive eyes and touches of surrealism to break up the slice of life. 2018 was full of drama to go with the Giant Days’ comedy as Daisy broke up with her a little too footloose and fancy free girlfriend Ingrid, and Esther missed her shot at being in a relationship with Ed when he begins a romance with Nina, a girl he met while recuperating from a pub related injury. Nina being Australian is the subject of this year holiday’s special, which was a special treat drawn and written by Allison as Ed fends for himself Down Under. Giant Days shows that it’s one of the pre-eminent slice of life comics as it enters its fourth year, and Esther, Daisy, and Susan’s relationships continue to ebb and flow.
1. Immortal Hulk (Marvel)
I will preface this by saying that the Hulk is one of my least favorite Marvel characters because he’s often used as a simplistic Jekyll/Hyde metaphor. Al Ewing, Joe Bennett, Ruy Jose, Lee Garbett, Martin Simmonds, and Paul Mounts blow that up in Immortal Hulk, which resembles an intelligent horror story rather than a superhero beat ’em up. It’s a road story with Bruce Banner on the run from the monster that comes out, wrecks, and kills when the sun goes down before morphing into a government conspiracy thriller and something more malevolent towards the end. Through cutting narration, Ewing reveals exactly what is going through Banner’s head while Bennett’s art shows the often gruesome effects of his rages. I also like how Ewing humanizes the supporting players from Walter Langkowski, who is struggling with his own monstrous nature to honest reporter Jackie McGee and even his opponent the Absorbing Man.
Immortal Hulk is the best comic of 2018 because it has a compelling plot, is a searing character study of an American pop culture icon, and is an homage to Jack Kirby and Bernie Wrightson while breaking new ground. (See issue 10’s final page.)
It was new comic book day yesterday! What’d folks get? What’d you like? What’d you dislike? Sound off in the comments below! While you think about that, here’s some comic news and reviews from around the web in our morning roundup.
As if being an awkward, bullied 15-year-old wasn’t enough, suddenly “Fergie” Ferguson can see ghosts. Well, one ghost specifically… a certain punk rocker named Sid.
Sid’s spirit has been trapped in London’s Heathrow airport for 40 years, until the day he meets Fergie. Now Sid’s ghost is stuck to Fergie, and Fergie has to content with an unruly Ghost sidekick and some weird, uncontrollable new “abilities.” How does the father Fergie never knew fit into all this? And why is the Department of Extra-Usual Affairs showing an interest? Never mind the bollocks—all of this, plus fish fingers, chunky chips, and endless pints of anarchy in the critically-acclaimed series that collects Punks Not Dead issues #1-6.
Everybody’s out to get Fergie Ferguson. The police want to speak to him about the death of a fellow pupil after a schoolyard fight, the Department for Extra-Usual Affairs are back on his tail after Dorothy Culpepper has a startling revelation, and a mysterious stranger who Fergie should totally have not been talking to on the internet is showing a keen interest… and a taste for casual murder. But Fergie’s mum Julie is realizing a few things as well… which means everybody better watch out because she’s going to kick some ass. With everyone closing in, where can Fergie and his ghostly BF Sid turn next? Find out in the anarchic conclusion to “Teenage Kicks.”
Take a Technicolor trip into the mysterious past of the Department of Extra-Usual Affair’s own Dorothy Culpepper as she carves her unique path of contained chaos across London in the swinging ‘60s! It’s part five of “Teenage Kicks.” You’ve been warned.