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Small Press Expo 2025: SPX Announces Tom Gauld, Gigi Murakami, Paul Karasik, Kayla E, and Dean Haspiel as Special Guests

Small Press Expo has announced the first batch of Special Guests for SPX 2025. The show takes place on Saturday, September 13, and Sunday, September 14, with programming and workshops about the amazing world of independent comics as well as an exhibitor floor featuring over 500 creators.

Additional Special Guests will be announced over the next few weeks.

SPX 2025 has announced the following creators as Special Guests to this year’s show:

Tom Gauld

Tom Gauld

What happens to a cat who goes through a wormhole?

Tom Gauld returns with Physics for Cats, his second collection of science-based cartoons for the New Scientist. Find out why every scientist worth their sodium chloride has a Tom Gauld cartoon taped to their electron microscope. This new batch of hilarious gags will be as important to every self-respecting scientist as a lab coat and goggles and oversize rubber gloves.

Gigi Murakami

Gigi Murakami

Gigi Murakami will be present at SPX all weekend, signing her Ignatz-nominated supernatural horror manga RESENTER, her self-published horror anthology zine, Midnight Bites, and Abrams-published Are You Afraid of the Dark? Sinister Sisters horror anthology.

Paul Karasik

Paul Karasik

In 1994, Paul Auster’s City of Glass was adapted into a graphic novel and became an immediate cult classic.

In his SPX talk, Special Guest Paul Karasik will outline the journey in adapting Auster’s complete “New York Trilogy” with the aid of master cartoonists, David Mazzucchielli (“Asterio Polyp”) and Lorenzo Mattotti (New Yorker cover artist). Hidden secrets and comics Easter eggs will be revealed.

The Guardian has called the 3-in-1 graphic novel, “…a stone cold masterpiece.”

Kayla E

Kayla E

Eisner-nominated artist Kayla E is a Special Guest at SPX! She’ll be signing her bestselling graphic memoir, Precious Rubbish. Although it’s her debut book, it’s been garnering a remarkable amount of praise, with everyone from The New York Times (“Precious Rubbish is a scream as precisely pitched as a middle C from a tuning fork”) to The New Yorker (“Her wry portrait reveals a fresh eye, at once vulnerable and undaunted.”) to Publishers Weekly (“This four-color atomic bomb of a comic signals the arrival of a formidable talent.”) designating Kayla as an artist to watch!

Dean Haspiel

Dean Haspiel

In Spring of 2023, Dean Haspiel launched a self-publishing concern focusing on a series of crowdfunded Deep Cuts from his pantheon of creator-owned characters, featuring COVID COPBILLY DOGMA + JANE LEGITTHE RED HOOK, and CHEST FACE. Dino continues to grow his heartfelt roster of dumb luck nobodies, exploring hybrids of action comix and speculative memoir.

Review: How to Read Nancy: The Elements of Comics in Three Easy Panels

I remember the first time I saw a comic strip, it was on the back of the newspaper my Dad was reading when I was 5. I wanted to know more, I wanted to understand what they were talking about. This lead to my Dad taking me and my sister to picking up our first comic books when I was 7. This lead to me want to read, comic strips, first, then comic book s and eventually everything I was inquisitive about.

Yet the comic strip is the building block from whence I came, and how thousands of kids around the world came to want to read. As true as those may have been when I was growing up, it no longer is as true now. Now the world, could care less for reading comic strips in newspapers, as everything you can find digitally. In Paul Karasik and Mark Newgarden’s How to Read Nancy: The Elements of Comics in Three Easy Panels, it reminds well-worn readers and novices how one should enjoy sequential art.

We are introduced to Ernie Bushmiller, the creator of Nancy, as we get to find out how he started drawing comic strips. As fascinating as the history of the strip is, the creation of many nuances of the comics were created at the same time. We get to find out not only the details of how comics are made, but also the business side of it. By book’s end, the reader is more informed of both the process and the business and ultimately the creators who make them.

Overall, an excellent and painstaking investigated book that will give the reader a better understanding of the comics Industry.  The research by Karasik and Newgarden, show their love for the medium. The writing, never lulls, which is miracle for a research book. Altogether, even if you never read Nancy, you will love this book.

Story: Mark Newgarden and Paul Karasik
Overall: 10 Recommendation: Buy