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Review: Superman Special #1

It’s Wednesday which means it’s new comic book day with new releases hitting shelves, both physical and digital, all across the world. This week we’ve got a special issue of Superman!

Superman Special #1 is by Peter J. Tomasi, Patrick Gleason, Scott Godlewski, Gabe Eltaeb, Rob Leigh, Jorge Jimenez, Alejandro Sanchez, Andrew Marino, Paul Kaminski, Mark Russell, Bryan Hitch, Alex Sinclair, Tom Napolitano, Marie Javins, Ian Flynn, and Kaare Andrews.

Get your copy in comic shops today. To find a comic shop near you, visit www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology or TFAW

 

DC Comics provided Graphic Policy with FREE copies for review
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Preview: Superman Special #1

Superman Special #1

(W) Ian Flynn, Patrick Gleason, Mark Russell (A) Scott Godlewski, Bryan Hitch, Kaare Andrews (CA) Jorge Jimenez
In Shops: May 16, 2018
SRP: $4.99

“THE PROMISE”! Superman’s world is about to change in a big way, but before it does, the Man of Steel has some unfinished business to attend to…on Dinosaur Island! Superman and a forgotten soldier of the past take one last trip together into the abyss of tomorrow, as Captain Storm now stands face-to-face with the world of today! This extra-sized special also features stories by writers Mark Russell and Ian Flynn with art by Kaare Andrews and Bryan Hitch!

Review: Action Comics #1000 Captures Superman’s Inspirational Power

In Action Comics #1000, an all-star team of writers, artists, and colorists try and for the most part succeed at getting to the heart of Superman. Some stories touch on different eras of history from his time in the 1930s as a non-flying, slumlord buster and the Mort Weisinger Silver Age sci-fi kookiness to classic comics like Kingdom Come. Others look at his relationships with his parents, wife/co-worker Lois Lane, and his arch-nemesis Lex Luthor. One story even looks far in the future of the DC Universe while another acts as a semi-controversial prologue to Brian Michael Bendis’ upcoming Man of Steel miniseries and his runs on Action Comics and Superman.

To give each story the attention it needs, I will do a short review of each one and score it at the end of the paragraph. A final aggregated score  will conclude this (hopefully not that long) “80 page giant” review.

Action Comics #1000 opens with one hell of a curtain call from writer/penciler Dan Jurgens, inker Norm Rapmund, and colorist Hi-Fi that acts as a victory lap for Jurgens’ DC Rebirth run on Action Comics and his tireless work turning Superman from the edgy, armor wearing New 52 version to his classic role as a heroic hope bringer and a family man too. The story is simple. Metropolis is holding a Superman celebration day, but Superman doesn’t want their praise and adulation and wants to keep saving the day. However, through a little trickery from Lois and the Justice League, he ends up getting his moment in the sun. Jurgens’ writing cuts to the core of Superman and his positivity with a small-time Metropolis criminal named Benning talking about how he got him a job after prison so he wouldn’t keep relapsing and running with different supervillains. His art is a little old school, but that’s not a bad thing, and Rapmund’s inking helps make the crowd shots sharp in a story that shows Superman’s bond with the citizens of Metropolis and the superhero community while not neglecting the family elements that have been a big part of the Rebirth era of Superman. There really wouldn’t be a superhero genre without him.

Story: 9.5 Art: 8 Overall: 8.8

The next story “Neverending Battle” from the Superman creative team of Peter Tomasi, Patrick Gleason, and Alejandro Sanchez is a tiny bit philosophical, somewhat historical, and definitely epic as a story only done in full page spreads. It’s about Vandal Savage weaponizing Hypertime to trap Superman in his own history so he can’t get back to Jon and Lois to celebrate his birthday. Tomasi’s writing is a little corny at times with adages like “What doesn’t kill you makes you stronger” and “History repeats itself”, but Gleason and Sanchez’s glorious visuals and the through-line of Superman consistently overcoming great odds wins out just like Superman over Vandal Savage. The first spreads are the most iconic with Golden Age Era Superman punching out gangsters, stopping locomotives, and throwing tanks around with Tomasi commentating on the simplistic, good vs. evil nature of these early stories. But he and Gleason aren’t afraid to get vulnerable with a poignant homage to the scene in The Dark Knight Returns where Superman is weakened after stopping a nuclear explosion that blocks out the sun or a page where he’s trapped in the Phantom Zone. However, despite cunning and powerful enemies and occasionally death itself, nothing will stop Superman from being a hero or spending time with his loved ones on his birthday. Gleason has a strong handle on the moral clarity and goodness behind Superman’s strength and I look forward to his upcoming work as the main Action Comics artist.

Story: 8.5 Art: 10 Overall: 9.3

The third story “An Enemy Within” with a script from Marv Wolfman, Butch Guice and Kurt Schaffenberger inking over recently discovered Curt Swan, and colors by Hi-Fi straddles a thin line between optimism and naivete and definitely falls on the naive side. Superman is too busy fighting Brainiac in Japan so he relies on Maggie Sawyer and the Metropolis PD to take out a mind controlled teacher, who is holding his students hostage. There is an opportunity to address social issues, like school shooting, gun control, police violence, and even homelessness in a scene towards the end, but Wolfman, Swan, and Guice gloss over these issues with a simplistic “humanity is good and will save themselves” mantra and use the mind control plot device to cover their asses. Honestly, your enjoyment of this story will depend on how much you believe in the idea of original sin or your tolerance level for after school specials. Guice’s inks bring an interesting grit to Swan’s usually clean, bright pencils, and honestly, the best part of the story is a solemn Superman pinup at the end inked by the late Schaffenberger.

Story: 4.5 Art: 6.5 Overall: 5.5

Geoff Johns, Richard Donner, Olivier Coipel, and Alejandro Sanchez turn in a stoic, 1930s era Superman story about a small time crook named Butch who gets his car beat up when trying to fight Superman. It’s probably the car from the cover of Action Comics #1. Johns and Donner’s take on Superman is a little rougher and little more stern, but he has a solid moral compass and cares for humanity as shown by his empathy towards Butch, who lost his dad in combat during World War I. Coipel’s art is wonderfully rough hewn and is like Norman Rockwell’s work without the sentimentality, and he even plays the “It’s a bird, it’s a plane…” line for sardonic, silent comedy. His Superman commands the page and is someone who you would listen to and definitely take seriously. He doesn’t smile either. But the ending of “The Car” has an earned happiness and is a little spark of light in a cynical world. Johns and Donner really get that heroism is about the little things and not flying the world backwards or time travel shenanigans.

Story: 9.5 Art: 10 Overall: 9.8

Scott Snyder, Rafael Albuquerque, and Dave McCaig tell a quiet, yet time spanning story about the relationship between Superman and Lex Luthor, and how Superman chooses to see the good even in his worst enemy. The story starts intense with shadow wreathed art and dark colors from Albuquerque and McCaig as Luthor has assembled some powerful MacGuffins to take out Superman. But he’s actually just star gazing at the Smallville Planetarium? Albuquerque’s art is sharper and sadder after that with a nostalgic orange palette from McCaig as Lex tells Superman that the planetarium was an escape from bad weather and his abusive parents. They seamlessly blend past and present as it’s revealed that a young Clark Kent gave Lex’s space laser a little boost and saved his life. Snyder uses this anecdote/flashback sequence to hold out hope for a time when “maybe” the cycle of hero and villain will be broken between Superman and Lex Luthor as the story fades to black.

Story: 9.6 Art: 9.8 Overall: 9.7

Tom King makes a case for winning back to back Eisners for Best Short Story in his, Clay Mann, and Jordie Bellaire’s contribution to Action #1000, “Of Tomorrow”. It’s a tone poem about Superman’s last day on Earth as he says goodbye to Ma and Pa Kent one last time as the Earth is engulfed in the sun with flames and winds that are reminiscent of the last days of Krypton. King writes Superman as an old man wrestling with his past and legacy, wishing he could save more people, and being supremely proud of his wife and son. And it gets deep at the end when he reflects on his father’s blend of science and faith. Mann captures each tiny, beautiful moment in his artwork as he makes art with his strength, tears, and freeze breath: a frozen statuette of Jonathan and Martha Kent like the one of Jor-El and Lara-El in the Fortress of Solitude. Bellaire goes for Earth tones in her colors as Superman immerses himself in his adopted planet before flying off forever. He loves his parents, he loves Earth, but he realizes that all planets die and all story ends. (Except for his comic book for now.)

Story: 10 Art: 10 Overall: 10

Two veteran comics creators Louise Simonson and Jerry Ordway show they still have a lot in the tank in their “Five Minutes” story with colorist Dave McCaig that expertly intertwines Superman’s life as a superhero and Clark Kent’s life as a journalist in five minutes. Simonson’s narration shows that both Clark and Superman’s “powers” come in handy in different situation as Superman is able to dart from a train accident to a hold up and finally to save the city from an asteroid just like Clark is able to write a story and get it in under deadline. It’s a quick, zippy read with a lot of heart and a kind of cheesy “twist” ending, but Simonson and Ordway show how much passion Superman/Clark Kent has for both saving people and reporting. He is precise, efficient, and knows when to fly to next crisis just like a writer juggling different projects. Plus there’s a Bibbo Bibbowski cameo, which will be a treat for Superman fans of the 80s and 90s.

Story: 8.0 Art: 8.5 Overall: 8.3

Paul Dini, Jose Luis Garcia-Lopez, Kevin Nowlan, and Trish Mulvihill turn in a cheeky homage to Superman’s history, Garcia-Lopez’s ability to skillfully render almost every DC Comics hero and villain, and most of all, Mr. Mxyzptlk. Mxyzptlk has the ability to wipe out Superman from the existence in the blink of an eye, but he’s more of a prankster than a coldblooded villain and enjoys toying with him instead. Dini, Garcia-Lopez, and Nowlan also provide a little meta-commentary on how stories involving superheroes in comics never seem to end even after they’re killed off or have passed their mantle to sidekicks or legacy heroes. Probably, because they’re too much fun. This story’s kryptonite is Dini indulging his sleazy side towards the end, but the energy and humanity of Garcia-Lopez’s figures and Mulvihill’s heroic colors more than make up for it.

Story: 7.0 Art: 9.0 Overall: 8.0

In a much darker story than the previous one, “Faster than a Speeding Bullet” happens in a very short span of time as Superman tries to stop a domestic abuser from shooting his girlfriend, Lila, in the head. Artist John Cassaday tells the story in a series of freeze frames as you can see the strain of Superman flying to stop the bullet, and the red, yellow, and blue of Laura Martin’s colors as his chances increase. Brad Meltzer starts incredibly dark in his script with Superman running calculations in his head that he won’t be able to save Lila and ends with Superman admitting that he is inspired by humanity as much as they are inspired by him. “Faster than a Speeding Bullet” is a taut, mini-thriller that also captures Superman’s essence and the strength of his and the people he inspire’s resolves.

Story: 8.5 Art: 8.5 Overall: 8.5

The final story in Action Comics #1000 is Brian Michael Bendis’ DC debut with Jim Lee, Scott Williams, and Alex Sinclair doing the art. Lee and Williams definitely put the “action” in Action Comics, and most of the story is a third act of Man of Steel fight sequence with collateral damage galore as new giant sword wielding alien conqueror villain Rogol Zaar crashes all over Metropolis and tries to kill the last two Kryptonians on Earth. Yes, Supergirl has a cameo in this comic and is there to get her ass kicked as much as Superman. Bendis’ writing is quippy as ever and doesn’t really pair well with the disaster movie feel of Lee and Williams’ art. He seems to be going for an “Avengers Disassembled” type of throughline in his approach to Superman by physically breaking him down and also taking shots at his past. Yes, the final page of Action Comics #1000 is a huge retcon for Superman’s character, and hopefully, Bendis has the reasoning and great story to back it up, or Rogol Zaar might just be a Mongul knock-off with a cooler sword.

Story: 6.0 Art: 8.0 Overall: 7.0

 

Story: Dan Jurgens, Peter Tomasi, Marv Wolfman, Geoff Johns, Richard Donner, Scott Snyder, Tom King, Louise Simonson, Paul Dini, Brad Meltzer, Brian Michael Bendis  Art: Dan Jurgens with Norm Rapmund, Patrick Gleason, Curt Swan with Butch Guice and Kurt Schaffenberger, Olivier Coipel, Rafael Albuquerque, Clay Mann, Jerry Ordway, Jose Luis Garcia-Lopez with Kevin Nowlan, John Cassaday, Jim Lee with Scott Williams  Colors:  Hi-Fi, Alejandro Sanchez, Dave McCaig, Jordie Bellaire, Trish Mulvihill, Laura Martin, Alex Sinclair
Story: 8.2 Art: 8.8 Overall: 8.5 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Review: Action Comics #1000

Celebrate 1000 issues of Action Comics with an all-star lineup of top talent as they pay tribute to the comic that started it all! From today’s explosive action to a previously unpublished tale illustrated by the legendary Curt Swan to the Man of Tomorrow’s future-this very special, oversized issue presents the best of the best in Superman stories!

Action Comics #1000 feels like an end, a beginning, and a celebration of a landmark moment, one thousand issues and almost 80 years of Superman. The issue is full of some top notch talent with numerous stories of varied style and quality. All of it though is entertaining in some way.

The issue opens up with writer Dan Jurgens‘ finale to his latest run with “From the City That Has Everything.” It’s clear from his latest run (and all his Superman material) that he loves the character and this story which features art by Jurgens, ink by Norm Rapmund, color from Hi-Fi and letters by Rob Leigh, is that recognition as Metropolis honors the Man of Steel. It’s a cheesy story but one that is so in a way that a speech from someone honoring someone else might be. Touching and a fine way for Jurgens to wrap up his run.

The second story is a really cool one that weaves a story out of what is essentially pin-ups. It’s a great way to include such a thing in a comic without it just being images. I hope we see more of this and the art is from a who’s who of creators. It involves Superman going through time and gives a way for artists to take advantage to take us readers through Superman’s history, some of his key moments, and different artistic styles we’ve seen. It’s an utterly brilliant story and presentation and a highlight of the celebration.

Marv Wolfman and Curt Swan team up for “An Enemy Within” which feels like a bit of a retro story in both pacing and art. While not bad it’s an interesting reminder of how much storytelling has changed over the years. I don’t want to give too much away but the story has some nice twists involving a hostage situation.

“The Game” sees Superman and Lex Luthor match wits in a game of chess. Paul Levitz and Neal Adams team up for the story and it’s interesting and one you can probably debate about the deeper meaning. It’d be nice to see this story in a longer form as there’s a lot to work but with just a few pages we don’t get a lot of depth, just fun twists that feel like they’re from the 80s and an homage to an Adams classic moment.

Geoff Johns, Richard Donner, and Olivier Coipel come together for “The Car” which has a criminal recounting how his car was destroyed by a mysterious flying man. The art is fantastic and I think some of my favorite work by Coipel who seems to be channeling Frank Quitely. It’s such a simple story but one that really digs into what makes Superman super.

“The Fifth Season” sees Scott Snyder and Rafael Albuquerque come together as Superman and Lex Luthor come together in Smallvill. It’s an interesting story that again explores the relationship of the two characters. Particularly it focuses on Luthor being oblivious to the good that Superman does that he doesn’t acknowledge or is even aware of. It’s another story that can be debated as far as its deeper meaning and themes.

“Of Tomorrow” is Tom King, Clay Mann, Jordie Bellaire, and John Workman having Superman revisit Earth one last time before it’s consumed by the sun. It’s a reminder of the loss of the character and a deeply touching entry.

Louise Simonson and Jerry Ordway come together for “Five Minutes” which reminds us that Superman has a few jobs, hero and reporter (as well as husband and father). It’s a fun story that plays on the speed of the character and that how he can some times mess up one job due to the other. A funny ending that gave me a chuckle.

“Actionland!” has Paul Dini and José Luis García-Lopez focus on our favorite imp who has it out for Superman. It’s the odd story of the bunch with the focus on the villain but is a reminder that like Superman, some of them have infinite power that they hold back due to… something.

Writer Brad Meltzer and artist John Cassaday honor Christopher Reeve with “Faster Than a Speeding Bullet” that has Superman racing to prevent a gun going off and killing a woman. It’s a fantastic story and I had no idea how it’d resolve. Again though, it’s a reminder of some of the things that makes Superman great and boils the character down to his goodness and how he inspires and is inspired.

“The Truth” is Brian Michael Bendis‘ DC debut with art by Jim Lee and what is supposed to lead into the miniseries The Man of Steel which kicks off Bendis’ run. Out of all of the stories, this is the low point of the issue honestly. Maybe it’s the hype but there’s a new baddie who’s out to kill Kryptonians and while Metropolis is getting destroy two civilians are focused on Superman’s underwear? It’s very Bendis and while funny, especially with Lee on art, it doesn’t quite work and honestly lowered my excitement for what he has coming.

There’s a lot packed in here and something for everyone. No matter the era of your enjoyment there’s a story that fits it and this is really a comic that has an amazing amount of talent. It’s truly a celebration of such an iconic character and for the celebration alone it’s a purchase. At times, comics like this are a let down, but this is the exception with every story entertaining in some way and a few that shine. It’s the rare oversized celebration comic that lives up to the occasion.

Story: Dan Jurgens, Peter J. Tomasi, Marv Wolfman, Paul Levitz, Neal Adams, Geoff Johns, Richard Donner, Scott Snyder, Tom King, Louise Simonson, Paul Dini, Brad Meltzer, Brian Michael Bendis
Art: Dan Jurgens, Patrick Gleason, Curt Swan, Neal Adams, Olivier Coipel, Rafael Albuquerque, Clay Mann, Jerry Ordway, José Luis García-Lopez, John Cassaday, Jim Lee
Ink: Norm Rapmund, Butch Guice, Kurt Schaffenberger, Kevin Nowlan, Scott Williams
Color: Hi-Fi, Alejandro Sanchez, Dave McGaig, Jordie Bellaire, Trish Mulvihill, Laura Martin, Alex Sinclair
Letters: Rob Leigh, Tom Napolitano, Dave Sharpe, Nick Napolitano, John Workman, Carlos M. Mangual, Josh Reed, Chris Euopoulos, Cory Petit
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Preview: Superman #45

Superman #45

(W) Peter J. Tomasi, Patrick Gleason (A/CA) Patrick Gleason
In Shops: Apr 18, 2018
SRP: $2.99

“BOYZARRO RE-DEATH” finale! The challenge of the Bizarroverse continues as the Super Foes battle the Legion of Fun! As Superman and Son return to Hamilton for a quick recharge, they learn what the little town truly meant to them-and what they meant to the locals of the town.

C2E2 2018: The Action Comics #1000 Panel

At C2E2 this past weekend, I had the opportunity to attend the Action Comics #1000 panel, which had a lot of information about that specific issue as well as reveals of upcoming Superman artwork and stories, mostly involving new DC Comics writer Brian Michael Bendis. Along the way, the talented group of creators on the panel talked about their connection to Superman while teasing their stories, and some surprise swag was given out at the end…

It’s seriously insane that a monthly comic book has hit four digits in issue numbers and has basically been published since 1938. Some of DC’s best creators convened at the Action Comics #1000 panel to talk about their work on upcoming Superman titles, their relationship to the iconic hero, and most importantly, should his costume have underwear on the outside, or not? The panel included writer Brian Michael Bendis (Alias), who is making his DC Comics debut on Action Comics #1000, writer/artist Patrick Gleason (Superman), writer Tom King (Batman), artist Clay Mann (Batman), artist Jill Thompson (Beasts of Burden), and artist Philip Tan (Suicide Squad: Rebirth).

It kicked off with some information about the 80 page celebration that is Action Comics #1000 as well as a 384 page hardcover book called 80 Years of Superman with all kinds of essays, tributes, stories, and art that looked perfect for a coffee table along with an unpublished story by Jerry Siegel and artists from Joe Shuster’s studio. Continuing with the unpublished theme, Bendis reminded the moderator that Action Comics #1000 has some unpublished art by legendary Superman artist Curt Swan that Marv Wolfman scripted over and geeked out about it. He showed a real passion for being involved with Superman and DC Comics on the panel.

After saying he had almost no time off between doing his last Marvel book, Invincible Iron Man #600, and his first DC book so he could jump in on Action Comics #1000, Brian Michael Bendis set up the first reveal of the panel. It was four pages of lettered Jim Lee art as well as his and Bendis’ first original DC creation, the mysterious villain Rogol Zaar. (There was a snarky joke about red trunks in there too.) Bendis said that the villain will be connected to a secret from Superman’s past. The secret will be revealed in Action Comics #1000 and then expanded upon in the weekly Man of Steel miniseries. He then told Rogol’s secret origin, which was connected to his hospitalization for a MRSA infection in late 2017. Dr. Rogol was a no-nonsense doctor in the hospital, who helped him get better so he decided to name his first big DC villain after her. When Bendis told Dr. Rogel this, she nodded like he was crazy. The next day, she had Googled him and brought out an old Marc Silvestri drawing and said she should look like a bloodstained, bikini wearing barbarian woman. It’s safe to say she wasn’t impressed with Jim Lee’s final design. In his first DC story, Bendis made sure to “write big” for Jim Lee and was influenced by some of his collaborations with Geoff Johns and Scott Snyder on Justice League and Superman Unchained respectively in the salad days of the New 52.

The topic turned to May 2’s DC Nation #0, which is coming out the same week as Free Comic Book Day, but is on sale for $0.25 so the comic could feature more story pages. The book has previews of Tom King’s upcoming work on Batman and Scott Snyder’s upcoming work on No Justice as well as a brand new Superman story by Bendis and Jose Luis Garcia-Lopez. Working with the 70 year old Garcia-Lopez was on Bendis’ bucket list, and he came out of retirement to deliver some beautiful pages featuring group shots of the Daily Planet bullpen reacting to Superman. Also, apparently he’s a super nice guy and still lives for collaborating on comic book stories.

About a month after DC Nation, The Man of Steel #1 will be released with Brian Michael Bendis writing and Ivan Reis and Joe Prado on artwork. In each issue of this weekly miniseries, Bendis is collaborating with a new artist he’s never worked with before except Kevin Maguire and diving feet first into the DC Universe. Bendis talked about how he wanted to make Metropolis a lived-in setting where each nook and cranny has its own story much like Gotham and also how he wants to show why Clark Kent became a reporter to “tell the truth Superman can’t”. He pointed out that unlike his powers and coming to Earth as an infant, becoming a reporter was his choice. Plus there’s going to be a big space conspiracy story featuring various alien races, including the Guardians of the Universe, and its logo was based off of John Byrne’s Man of Steel even if the stories aren’t really similar.

The Man of Steel leads into Action Comics #1001, which will be written by Bendis and drawn by Patrick Gleason, who previously was the co-writer with Peter Tomasi and occasional artist on Superman. Gleason says that Action #1000 is the celebration/jam issue while the real story starts in issue 1001. He talks about how Superman is an all-out superhero book while Action Comics will focus on the Clark/Superman dichotomy and also build up Metropolis and the Daily Planet. He then proved that he is one of the harder working creators in comics and said that he had to draw 15 pages of Action Comics #1000 while also doing full interiors on Superman #45, his farewell to the title. Luckily, all 15 pages of his Action Comics #1000 story “The Neverending Battle” were splashes and was a love letter to Superman stories across time. One of them featured the old Superman “S”, which his six year old son said was incorrect. His son ended up appearing on a page where Superman stops a train, and all four of his kids helped ink a page with Superman fighting Nazis in World War II with Sgt. Rock.

The moderator turned the focus to Tom King and Clay Mann’s five page Action Comics #1000 story, which is already available online. It is set way in the future, fairly depressing, and King began with a little joke about how Batman was better than Superman. King said that he when was he younger that he thought Superman was a fairly “generic” hero. However, through his grandmother, who is from Nebraska and his wife, who is from Chicago, he began to see him as an embodiment of Midwestern values aka focusing on the solution, not just the problem. Then, artist Clay Mann got a nice ovation from the audience for his art skills and talked about King giving him reference material of Mars to draw this future Earth. He also joked about Superman’s tears not evaporating in the sun, which severely hurt Tom King’s “scientific” credentials. King’s explanation was “super tears”, which led to Bendis telling a story about how he wrote an angry letter to John Byrne while he was a comic book store clerk about how Superman shaves with a mirror and heat vision and ended up getting roasted by Byrne in the letters page of Next Men #8. The ghost of John Byrne definitely seemed to be haunting this panel.

Next, Jill Thompson teased some of her art for the upcoming Action Comics Special story with Mark Russellwhich is about Clark Kent roasting Lex Luthor at the White House Correspondents Dinner. It looks super hilarious, and various members of the Justice League are there in dressier versions of their costumes. The wrestler Alex Chamberlain posed for her art. Then, the moderator asked her and the panel who their favorite Superman artists were. Thompson said she liked Steve Rude, especially his work with Dave Gibbon on World’s Finest, where he gave Metropolis and Gotham two distinct looks. Philip Tan’s definitive artist was Alex Ross on Kingdom Come and Mann’s were the aforementioned Jose Luis Garcia-Lopez, Jim Lee, Dan Jurgens, and John Byrne. King picked Byrne and Curt Swan because “Whatever Happened to the Man of Tomorrow” is his favorite Superman story. Patrick Gleason said he liked the Superfriends and Bruce Timm Superman cartoons before getting into comics, but his favorite artists were Jurgens and Ross. Bendis closed by giving a shout out to the jam issue (He loves those.) Action Comics #400, which featured Steve Ditko, Jim Steranko, Moebius, and more’s take on Superman. And they all commiserated over the difficulty of drawing the Superman “S”.

Towards the end of the panel, Brian Michael Bendis talked about how what a solid foundation Dan Jurgens, Peter Tomasi, and Patrick Gleason left him on the Superman titles as they went from having two Supermen to just one hopeful, optimistic Superman even with some super crazy stories like the Boyzarro and Rozarro starring Superman #45, which is basically a Bizarro-verse version of the DC Rebirth one-shot. Bendis says the ideal is taking over a struggling book, like Frank Miller on Daredevil, because you have creative freedom, but it’s a tougher challenge to take over a book that has hit a creative peak like Superman.

Bendis said that his take on Superman wouldn’t be a reboot and that he had a seven page manifesto of Superman is relatable to him, especially as a father. (Of course, King quipped about Batman being more relatable.) Plus there is a lot of adoption in his family. He retold a story where as a struggling artist in Cleveland, he took on a gig to do art for a Superman parade where he was paid for Superman merchandise. Siegel and Shuster cancelled so Stan Lee of all people was the guest of honor and called him by name, but it was really because he was wearing a nametag. However, this parade gave him to the opportunity to talk with many comic creators about his career, including George Perez, who gave him 20 minutes of solid advice, including to focus on one project at a time, which has helped him with all those crazy deadlines and juggling multiple books.

The panel concluded with a roundtable discussion about the return of Superman’s red trunks, and Gleason talking about how he and Jim Lee basically designed around them when they were coming up with Superman’s new costume for DC Rebirth. But the panel seemed pretty pro-trunks, and each member of the panel audience was rewarded with their own pair of Superman trunks (Mostly XL.) with #TheTrunksAreBack embroidered on the back.

Basically, Action Comics #1000 seems like it’s going to be historic and epic, and you should pick it up when it drops on April 18.

Preview: Superman #44

Superman #44

(W) Peter J. Tomasi, Patrick Gleason (A/CA) Patrick Gleason
In Shops: Apr 04, 2018
SRP: $2.99

“BOYZARRO RE-DEATH” part three! Gathered together from the cosmic recesses of the universe are the most powerful forces of bad ever assembled! Now the Super Foes face the Legion of Fun-and the only heroes who dare to stand against this intergalactic threat of the Bizarroverse are Superman and son!

Preview: Superman #43

Superman #43

(W) Peter J. Tomasi, Patrick Gleason (A/CA) Patrick Gleason
In Shops: Mar 21, 2018
SRP: $2.99

“BOYzarro RE-DEATH” part two! What do you get when you try to fit a boy from a square planet into a round one? Boyzarro! Superboy and Kathy try to keep the lid on their Bizarro-sized can of worms as Boyzarro tears a rage-filled path of destruction from Metropolis to Hamilton and beyond! But what happens when Superman and Bizarro find out what their kids have been up to?

Preview: Superman #42

Superman #42

(W) Peter J. Tomasi, Patrick Gleason (A) Patrick Gleason
In Shops: Mar 07, 2018
SRP: $2.99

“BOYzarro RE-DEATH” part one! It’s a bizarre, Boyzarro world-and we just live in it! When Superboy comes face to face with Boyzarro, the Son of Bizzaro, a strange transformation begins to take place. But that’s not all that the Kents have knocking on their door! Superman versus Bizarro round one am not just the beginning!

Superman Gets Oversized 48-Page One-Shots in May

The creative talent of Action Comics writer Dan Jurgens and the Superman team of Patrick Gleason and Peter J. Tomasi have brought legions of Superman fans story after story filled with action, humor, emotion and candor–traits that have continued to present Superman as an enduring symbol of hope, optimism, truth and justice. This May, the conclusions to their epic runs serve as the centerpieces of two special one-shot issues.

On sale May 2, the 48-page Action Comics Special #1 features “The Last Will and Testament of Lex Luthor,” written by Jurgens with art by Will Conrad. Beginning with the events of Rebirth, Superman’s greatest enemy became his most unexpected ally. Is Lex finally on the heroic path, or is he still hiding his true colors? When he finds himself in an adventure where Superman could be destroyed, what will he do? Save the Man of Steel, or witness his demise at the hands of an unimaginable enemy? This oversize special also includes stories from Max Landis and Francis Manapul originally slated to appear in the DC Universe Holiday Special 2017 #1, and Mark Russell with artist Jill Thompson.

Available May 16, Superman Special #1 features Tomasi and Gleason’s “The Promise,” concluding a story from Rebirth that began in issue #8, 2016’s “Escape from Dinosaur Island.” Before Superman’s world goes through some drastic changes, he has unfinished business to attend to on Dinosaur Island. Superman and the Losers’ Captain Storm take one final trip together into the abyss of tomorrow, which brings the military man out of time into the world of today. This 48-page extra-size special also features bonus stories by Mark Russell with art by Bryan Hitch and Ian Flynn with art by Kaare Andrews.

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