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Movie Review: Star Wars Episode VII: The Force Awakens

star-wars-force-awakens-official-poster30 years after the defeat of the Galactic Empire, a new threat rises. The First Order attempts to rule the galaxy and only a ragtag group of Heroes can stop them, along with the help of the Resistance.

One of my earliest memories is going to see Return of the Jedi in the theater, I was about four years old. The film made a lasting impression, as it’s one of the earliest memories I have, particularly a scene in the throne room featuring to guard dressed in red just standing at attention next to a door. I remember the experience as magical, and 32 years later I walked out of Star Wars Episode VII: The Force Awakens with that same magical feeling.

For the running time of a little over 2 hours, from the first Lucasfilm logo to the last, I felt something I haven’t felt in a theater in a log time, like a kid. I felt joy, and watched a film that hit me in a way I haven’t experienced in a film in years. And I’ll admit, I teared up quite a few times with an overwhelming feeling of joy. And this is from someone who is not a Star Wars fanboy. I own very little paraphernalia, but I can watch the original films (and even the three prequels) over and over.

The Force Awakens is nowhere perfect. Some plot lines aren’t explained, and some scenes could have been done without, but overall, the movie captures the feel of the original trilogy the second completely missed. The plot is almost a rehash of A New Hope mixed with some Empire. And that combination still feels like something new and fun.

It’s hard to write a solid review without spoilers, but here I go.

The Force Awakens does an amazing job of mixing characters old and new, and it truly feels like a passing of a torch in many ways. Daisy Ridley as Rey, John Boyega as Finn, Oscar Isaac as Poe Dameron, and BB-8, all are new characters but they seamlessly blend with Han, Leia, Chewy, and the Millennium Falcon (a character on its own). But, what’s fantastic is the series gives us so much in those characters that are new. Rey is a female lead who can stand on her own. Finn is a conflicted Stormtrooper who plays a more traditional gender role, highlighting Rey’s independence. Poe, the badass pilot. And new roles for old characters as well, Leia, now a General. These are faces that emphasize anyone can be a hero no matter your gender, size, or skin color. And, it’s done in a way that’s subtle, creating a modern Star Wars, a more inclusive world (weird to say about a film that had lots of aliens milling about with each other with no issues). The acting as a whole is what I’d expect for a Star Wars film, more on par with the original trilogy, than the substandard acting of the prequels.

The smartest move was the return to practical special-fx, moving away from digital, something that hurt the prequels. This created a sense of more realism and creatures and items you could touch. That adds to the magical feeling missing from the prequels.

The film too is nearly all action, taking some of the best moments of the six films, and just going with that, giving us dogfights and aerial maneuvers that take you for a ride, especially in 3D. And there’s more of that. A lot more of that.

The film isn’t perfect. The First Order isn’t explained. The Resistance/Republic relationship isn’t explained. How others can wield lightsabers so easy isn’t explained, or a Stormtrooper can parry one with their own sword like item. Poe getting back to base is left open. The Force is now more like a mutant power, emerging when angry or under stress. There’s a few sequences I’d have cut out, and the film hit some nostalgia so close, they might as well instead have done a shot for shot remake. Phasma was woefully underused in the film. And the score isn’t nearly as memorable.

But, what’s new, how it’s packaged and flows is what’s amazing. I really felt like I was at an experience, and I was getting to see old friends on the big screen again. The film is pure joy for its entire 2 hours and 15 minutes. It’s not perfect, but it’s damn near close. For a film to make me feel like I was 4 years old back watching Return of the Jedi in the theater, that’s magic.

Overall Rating: 9.5

Director – J.J. Abrams
Starring – Daisy Ridley, John Boyega, Oscar Isaac, Harrison Ford, Carrie Fisher
Rated – PG-13
Run Time – 135 minutes

The First Official Look at Psylocke and Apocalypse in X-Men: Apocalypse

Though a leaked, grainy version of the X-Men: Apocalypse teaser trailer is making its way around the web, as per usual Entertainment Weekly has the first official look at some of the characters for next year’s X-Men: Apocalypse directed by Bryan Singer.

The cover shows off Olivia Munn‘s Psylocke, as well as Oscar Isaac as Apocalypse. Also featured is Michael Fassbender in a new Magneto uniform.

We also get some info from EW as to what to expect from the film as well as who Apocalypse’s Four Horsemen are:

As the new film opens, 10 years have passed and Raven (Lawrence), Charles (McAvoy), and Erik (Michael Fassbender) are still estranged, but not for much longer. The Big A awakens from his Egyptian tomb, sizes up the global ’80s vibe, and decides he’s not down with the Reagan era. “It’s a chaotic world of conflict and war and destruction,” Singer says. “It’s one giant civilization that now requires one giant culling. That’s why he needs ­special assistants in this process.” He finds teenage Storm living on the streets in Cairo, Angel (Ben Hardy) duking it out in a fight club in Berlin, and Psylocke (Olivia Munn) working behind the Iron Curtain for the mutant-broker Caliban. But his big get is Erik, who has been attempting to live a “normal” life in Poland. “He’s fallen in love and he’s basically left his metal ways behind,” Fassbender says. Pretty quickly, though, his world is shattered and “normal” is no longer an option. Says Fassbender, “Apocalypse finds Erik at a low ebb and recruits him.”

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Movie Review – Sucker Punch


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Sucker PunchJudging by the post viewing reactions of the “elite” press at the sneak peek of Zack Snyder‘s Sucker Punch, I’m guessing it won’t be getting the best of reviews by Washington, D.C. publications.  One reviewer went on to say “Now I know why they gave out suckers.  It fit the movie, because boy did it suck,” while another turned to me and said “I’m sure there’s somebody out there that liked this.”  None realized I’m “press” and while I was torn about it, I liked the movie.

While I proclaimed Scott Pilgrim vs. The World as “the first real movie for the Nintendo generation,” Sucker Punch takes the kinetic and frenetic feel of that movie a step further with puzzles, themed boards and each “level” ending in a boss battle.  While Pilgrim had plot to hold it together, Sucker Punch throws that out the window instead loosely tying in settings and events into a pseudo narrative.

The press hated it, but f-them, as this was a movie for a generation who grew up on video games.  A generation that’s looking forward to Halo on the big screen and cheers when they’re able to initiate bullet time in their favorite game to get in that perfect “kill.”  If you don’t celebrate a bit after getting that head shot in Call of Duty, this movie isn’t for you.  This isn’t Oscar bait, hell it might be nominated for a few Razzies.  But, should you expect it to be?  Snyder’s the man who brought us Dawn of the Dead, 300 and Watchmen.  All enjoyable movies but not the deepest or most well acted movies out there.  Snyder is about the visual, and here he brings it.

The movie’s plot is simple, a bunch of beautiful women escape into a fantasy world in order to escape their incarceration.  How does the fantasy world tie into the real world?  What’s actually going on?  That’s sort of strung together by the loosest of plot in the beginning and end, but that’s not the point of the movie.  The movie is all about watching a pretty girl dressed like Sailor Moon use bullet time to effortlessly dance around bullets and blades and go in for the kill.  It’s those moments that draw me into my favorite video games and that’s what sucked me into this movie.

The movie is escapism, plain and simple.  Snyder has put together a nonsensical plot about escapism so that you can experience it yourself by seeing visuals we don’t get enough of and strong women whipping ass.  This is a mish-mosh of movies.  Steam punk nazis, mechas, robots, 10 foot tall samurai, dragons, orcs, it’s all there.  Snyder went into the movie wanting to throw in everything he loves and the things we geeks love too.  He succeeded in that.

The movie was  a quick hour and a half, but in a time when the world is falling apart, that escapism is something I need and want, and I’ll take what I can get.  This is brainless fun for the Nintendo generation.

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