Tag Archives: Orion

The New Gods #1 is an epic first chapter in the ongoing saga of some of the DC Universe’s most powerful beings

The New Gods #1

The New Gods #1 is an epic first chapter in the ongoing saga of some of the DC Universe’s most powerful beings from Ram V, Evan Cagle, and Francesco Segala. The Jorge Fornes-drawn opening is pure Jack Kirby: florid prose, krackling stars, and of course, “The Old Gods died”. However, this comic isn’t a nostalgia trip, but creates a new conflict for the residents of the New Genesis in light of Darkseid’s passing in the DC All In Special. (You don’t need to read that comic to understand what’s going on here though.) There’s a new New God on the horizon to balance the scales between dark and light, but this also threatens Highfather’s domain so its coming isn’t necessarily seen as a positive. Caught in between are key players like Orion, Mister Miracle, Metron, and a napping Big Barda. (Being a mom and a Bird of Prey is hard work.) V and Cagle give these powerful beings humanistic traits in both their dialogue and mannerisms while not shying away from the universe-spanning scope of the book.

Seriously, if you’re a fan of anything cosmic, then New Gods #1 is the book for you. Fornes plays the previously mentioned overture, then Evan Cagle leads off his portion of the interior art with a Jonathan Hickman-meets-Leonardo Da Vinci’s journals data page, and it’s off to races. Cagle and Segala never lose sight of storytelling fundamentals like character acting and panel transitions while depicting the glittering spires of New Genesis, the corridors of a Parademon-controlled corporate mining planet warehouse, or the puke-stained couch at the Free residence. Tom Napolitano’s lettering also accentuates key moments in the comic like a static-ringed bubble when Highfather interrupts Orion’s ass kicking with a dark message. Evan Cagle’s visuals match the flow of Ram V’s dialogue. His linework is more fluid when Scott Free and Orion are shooting the breeze and more rigid when Metron is warning Highfather of an upcoming prophecy. Also, Doom-Crow being Highfather’s name for Metron is like something straight out of Tolkien, but V writes sassier dialogue than the Oxford don.

Hear me out, but at times, New Gods #1 feels like a modernization of a long lost Stan Lee and Jack Kirby collaboration. The Kirby side is Cagle’s cool sci-fi visuals mixed with craggy faces for characters like Highfather and Orion (In one panel.) plus any time V’s writing feels like cracking open the Hebrew Bible. The Lee side is Free’s insecurity about being a father, Orion debating between duty and morality, or even Lightray and Fastbak flying through New Genesis and vying for Allfather’s favor like a B-list hero trying to make the Avengers or a young Spider-Man trying to join the Fantastic Four. New Gods #1 combines timeless archetypes and relatable neuroses to make an enjoyable not unlike those classic Silver Age Marvel Comics. Thankfully, Ram V uses a lot less narrative captions than Stan Lee and lets Evan Cagle’s layouts sing.

New Gods #1 checks all the boxes for a great first issue. It has an aesthetically memorable opening scene, a cast of characters that are easy to latch onto and introduced in a way that flows with the plot, and moral dilemma that also acts as a series hook. Plus it ends on a splash page that is Kirby-meets-Akira Toriyama. Even if the last time you cared about the New Gods was their appearances in Grant Morrison’s JLA or in the DC Animated Universe, this is still worth picking up and immersing yourself in this messy, mythic world.

Story: Ram V Art: Jorge Fornes, Evan Cagle
Colors: Francesco Segala Letters: Tom Napolitano
Story: 9.0 Art: 9.2 Overall: 9.1 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review


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Around the Tubes

Doctor Strange: Fall Sunrise #3

It’s one of two new comic days! What are you all getting? What are you excited about? Sound off in the comments! While you think about that, here’s some comic news and reviews from around the web.

The Beat – Graphic Novel winners at 2023 ALA Awards: Victory. Stand!, Frizzy, Himawari House and more – Congrats to all the winners!

CBR – American Born Chinese: Gene Luen Yang & Kelvin Yu Detail Updating the Graphic Novel – We’re beyond excited for this one.

Book Riot – Dig Into These Excellent Bisexual Comics – What would you add to the list?

The Beat – A Year of Free Comics: Check out the comic adaptation of THE INNKEEPER CHRONICLES – Free Comics!

Kotaku – Report: Microsoft, Sony & Nintendo All Skipping E3 2023 – Maybe companies figured out they don’t need massive conventions?

Reviews

CBR – Doctor Strange: Fall Sunrise #3
Collected Editions – Orion Omnibus by Walter Simonson

Review: Mister Miracle #1

Mister Miracle #1“Yet it was the Lord’s will to crush him and cause him to suffer…”- Isaiah 53:10(NIV)

In honor of the 100th anniversary of Jack Kirby’s birth, writer Tom King and artist Mitch Gerads have teamed up to tell a twelve part saga featuring the New Gods, who are probably the King’s finest creation and an inspiration for Star Wars. But Mister Miracle #1 isn’t just about bright costumes, boom tubes, and the anti-life equation. It’s a story about a man, who although he is the greatest escape artist ever, finds out that cheating death is more painful than he bargained for. The comic opens up with cheerful, carnival barker like narration from King, but Gerads’ close-up of the dying Scott and the distorted blood around him in the bathroom

Mister Miracle #1 effortlessly sets the stage for a final, epic battle between the New Gods and Darkseid with the repeated use of the pitch black “Darkseid is” panel and references to Mister Miracle being a Christ figure: the suffering son of Highfather. Isaiah 53, a famous passage in the Hebrew Bible about the suffering of the Messiah, could easily be used to describes Scott’s experiences in this story. His half-brother Orion, the son of Darkseid who was raised on New Genesis, beats him almost senseless when he gets out of the hospital like some kind of bullying ritual until his wife Barda intervenes and shuts him up with a reminder that she and Scott grew up in the torture pits of Apokolips while he got to chill with the New Gods. Later, Barda slaps him when he hesitates to return to New Genesis to fight Darkseid, and the moments of peace are few and far between as Mister Miracle is either getting hit, trying to escape out of one trap or another, or wandering around sleepless.

In his rare moments of peace, Scott is usually talking with or in the arms of Big Barda. Mister Miracle #1Based on the relationship between Jack Kirby and his wife Roz, Scott Free and Barda are one of the iconic superhero couples and are adorable based on their height difference alone. Early in Mister Miracle #1, King and Gerads use the nine panel grid to show Barda’s grief in the hospital while she waits to see how Scott is. Even though they’re immortal beings, Gerads draws Scott and Barda with lines, wrinkles, and human expressions like when tears stream down Barda’s face when Scott has to stay in recovery longer. He even uses subtle visual shorthand like Scott growing a beard to mark the passage of time, one of many tools in his TARDIS-meets-Batman’s utility belt of storytelling skills. For example, Gerads’ Orion has a similar chin to his estranged father Darkseid that is colored in a more shadowy manner compare to his silver helmet and bright, red suit. He is definitely overcompensating for something, and even Highfather dresses more casually than him.

Before getting cosmic, Tom King and Mitch Gerads probe the psyche of one of the most fearless people in the DC Universe. Throughout Mister Miracle #1, Scott experiences his own mortality and has difficulty coping with it like when he hallucinates his old friend Oberon, who died from throat cancer, smoking and telling an old joke. Until Barda tells Scott that he’s alone, it seems like he is just bantering with his old friend because Gerads doesn’t draw their chat like his hazy flashbacks of a TV interview where Mister Miracle darkly jokes about suicide. Scott is a Chosen One figure as hinted by the “I drew God” joke that repeats in the issue, but he struggles with self-doubt and the fact that maybe death is the one trap he can’t escape. The black “Darkseid is” panels that end up engulfing Gerads’ grid show his stress and fear about the war to come. However, Barda is here for him every step of the way helping him up when they return to New Genesis at the end of the comic.

In Mister Miracle #1, Tom King and Mitch Gerads begin their likely-to-be-classic tale on a micro level honing on Scott Free’s thoughts, feelings, and relationships as he hangs out at his house, walks on the beach with his family before going to the macro level of the conflict between New Genesis and Apokolips.  They give us a power couple to root for in the Biblical battle between light and darkness, life and anti-life, a tyrant and the world’s greatest entertainer, and Gerads’ art makes the nine panel grid fresh and sometimes freaky again.

Mister Miracle #1 is character-driven, visually innovative comics at its finest and continues the time-honored Jack Kirby tradition of giving godlike heroes feet of clay.

Story: Tom King Art: Mitch Gerads
Story: 9.0 Art: 10 Overall: 9.5 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review