Tag Archives: norm rapmund

Deathstroke’s “Shadow War” Continues in April!

Fan-favorite writer Joshua Williamson ramps up the action, intrigue and surprises this April as “Shadow War” continues in the pages of Deathstroke Inc., Batman, and Robin!

Part Two of “Shadow War” continues April 5, 2022, in Batman #122, with Howard Porter providing the art and main cover.

Ra’s al Ghul is dead, and Talia is out for revenge! Batman is on the case, in a race against time to find Deathstroke before Talia’s elite assassins do! But as the World’s Greatest Detective starts piecing together clues, he realizes that not all is what it seems when it comes to the death of “The Demon’s Head,” and the questions lead back to Talia herself! What added strain will this place on the relationship of these two former lovers? In the backup story, artist Trevor Hairsine joins Williamson revealing for the first time the secret first fight between Batman and Deathstroke!

Batman #122 also features a main variant cover by Gabriele Dell’Otto, a linking 1:25 ratio variant cover by Roger Cruz and Victor Olazaba, and a 1:50 ratio variant cover by JOCK.

Artist Paolo Pantalena joins Williamson as artist for Part Three of this exciting event on April 26 in issue eight of Deathstroke Inc! Following the death of Ra’s al Ghul, Deathstroke Inc. has been destroyed, his villain associates have been killed by the Demon’s Shadow, and Slade and Respawn are on the run! If they can survive this deadly gauntlet of skilled and bloodthirsty assassins, maybe Deathstroke will be able to explain to Batman why he killed Ra’s!

Deathstroke Inc.#8 features a main cover by Jonboy Meyers, a variant cover by Chris Burnham, plus the second of three linking 1:25 ratio variant covers by Roger Cruz and Victor Olazaba.

Williamson, and artists Roger Cruz and Norm Rapmund, close out the April action in Part Four of “Shadow War”, also on sale April 26. Robin and Ravager finally catch up with Deathstroke and Respawn, but will they convince Slade to turn himself in, or does this become a fight to the death? And what startling revelation does Robin learns that is sure to rock Shadow War to its very foundation? Plus, Batman goes deeper into the conspiracy behind Ra’s al Ghul’s death and discovers that it’s bigger than he thought. He’s calling in backup, just not the backup that readers will expect!

Roger Cruz provides the main cover, with Crystal Kung providing the variant cover for this issue, with Cruz and Victor Olazaba also providing art for the 1:25 ratio variant that completes the three linked images.

It’s the Death of the Justice League in Justice League #75

The Death of the Justice League is only the beginning of the story. Writer Joshua Williamson and artist Rafa Sandovel bring you the beginning of the next big DCU event starting in Justice League #75, available at local comic book shops and participating digital retailers on April 19

A new  Dark  Army  made  up  of  the  DCU’s  greatest  villains  has  formed  on  the  edges  of  the  Multiverse and the best and most powerful heroes are pulled together in an epic war to push the darkness back. In the end, the Justice League are killed by the Dark Army with only one survivor to warn the remaining heroes of Earth about what is coming for them!

In addition to the main special acetate cover featuring artwork by Daniel Sampere and Alejandro Sanchex, Justice League #75 will feature an extensive variant cover program to celebrate the final issue of the series. Some of the top names in comics, including Alex Maleev, Dan Jurgens & Norm Rapmund, Mikel Janin, Tony Harris, Simone Di Meo, Tony Harris, and Todd Nauck, have contributed variant covers.

The CW’s Earth-Prime Comes to Comics with a 3 Month Event!

The creative minds behind The CW’s hottest DC super hero shows are bringing their talents and the characters they’ve made so popular to comic books in a can’t-miss comic book event!

Earth-Prime is a three-month, six-issue event set entirely in the universe of DC’s popular super hero TV shows. All issues are part of the Warner Bros. Television show canon, approved by CW television show producers. Each of the first five issues spotlights a different CW/DC super hero show, with the sixth issue serving as a cross-over finale.

Earth-Prime #1 (The CW’s Batwoman) – Out April 5

Ryan Wilder, aka Batwoman, makes her costumed comic book debut in a story co-written by series writers Natalie Abrams and Kelley Larson, plus series cast member Camrus Johnson (Luke Fox/Batwing), with art by Clayton Henry.

Ever since the tech that created many of Batman’s rogues hit the streets, Ryan Wilder has been running herself ragged trying to contain the new villains popping up around Gotham City. But when Clayface’s (making his CW debut) mud binds itself to a local high schooler, Batwoman will need help from an unexpected source to contain this muddy foe! Also, follow how Luke Fox balances his life as a super hero and a boyfriend!

EARTH-PRIME #2 (The CW’s Superman & Lois) – Out April 19

Superman & Lois series writers Adam Mallinger, Jai Jamison and Andrew Wong join DC fan-favorite artists Tom Grummett and Norm Rapmund in a story spotlighting Clark Kent and Lois Lane’s first anniversary. Trying to celebrate their marital bliss is never easy when you’re a super hero husband and news reporter wife; especially when world-saving and creating hard-hitting stories continue to spoil your plans! Plus, the true origins of the evil Superman from John Henry Irons’ world are finally revealed!

Both issues feature cover art by Kim Jacinto and will feature photo variant covers based on each individual show. Subsequent issues will spotlight The CW television shows DC’s Legends of Tomorrow, DC’s Stargirl and The Flash, all written or co-written by creative talent from the shows. Each issue will also include bonus material created by cast members of The CW shows, as well as “teasers” that will provide clues to the nature of the final crossover in issue #6.

Review: I Am Batman #0

John Ridley delivers the start of Jace Fox’s next chapter and steps to becoming Batman.

Story: John Ridley
Art: Travel Foreman
Ink: Norm Rapmund
Color: Rex Lokus
Letterer: Dave Lanphear

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

comiXology
Kindle
Zeus Comics
TFAW


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: I Am Batman #0

I Am Batman #0

In DC’s Future State, we met a new Batman, Jace Fox. The future Gotham has turned into a neon fascist nightmare where masks are outlawed and the Gotham PD are overshadowed by a private military police force called the Magistrate. The result created a nightmare future where Batman was the enemy and freedom as an illusion. When DC launched its current line and focus, the Batman comics started to lay the ground for that nightmare future. One of those series was The Next Batman: Second Son which laid the groundwork for Jace’s new role. I Am Batman is the next chapter in Jace’s evolution as he takes his first steps in the Batman persona.

Writer John Ridley returns to tell Jace’s story and continues to explore how his family dynamic and past mistakes drive his focus. Ridley’s storytelling has a brilliance about it. He does an amazing job of balancing outright telling the reader what they need to know and seeding enough hints and details for them to put things together themselves.

What Ridley also gives us is a flawed hero. Jace messes up, a lot. He doesn’t know everything he’s doing and we’re really getting an “origin’ story with some pretty hard lessons for the hero to learn. And that extends beyond just the physical part. Jace has to deal with public relations and perception as well and due to the past Ridley has driven home, we understand why.

But, Ridley also delivers a story that has relevance. The issue’s tension, at multiple times, is about the clashes between the Gotham PD and protestors. It’s hard not to think about Black Lives Matter and the real life protests that regularly occurred over the past year. Ridley is a master of mixing entertainment and social relevance.

Travel Foreman‘s art is good though never quite excites. With ink by Norm Rapmund, color by Rex Lokus, and lettering by Dave Lanphear, the art does its job of conveying the tension, emotion, and action. But, it misses the mark for those iconic moments. The comic’s art works best during the quieter moments like when Jace has trouble talking to a potential romantic interest. The protests, and Batman’s moments, never quite deliver the punch needed. It does well but not great.

I Am Batman #0 is a nice bridge from the previous series and this one. We get to see Jace’s initial steps as Batman after his discovery in the previous series. We get more of his thoughts, motivation, and his view as to what he needs to do next to succeed. It gives us a flawed individual who we can see grow and while we might not always agree with what he does, we can understand his viewpoint. It gives us a well-rounded character that could very well be the future of the DC Universe.

Story: John Ridley Art: Travel Foreman
Ink: Norm Rapmund Color: Rex Lokus Letterer: Dave Lanphear
Story: 9.0 Art: 7.5 Overall: 8.5 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review


Purchase: comiXologyKindleZeus ComicsTFAW

Review: Infinite Frontier #2

Infinite Frontier #2

While the recent Death Metal storyline was a bit mixed in its quality, its legacy is potentially massive for the DC Universe. The event has opened up a comic universe of infinite possibilities. Characters are back and an infinite amount of worlds and universes exists. Infinite Frontier is the series that looks to explore all of those possibilities and Infinite Frontier #2 expands that a lot as it continues its investigation of the mysteries set up in the debut issue.

Written by Joshua Williamson, Infinite Frontier #2 packs a lot into the issue. There’s the mystery of the disappearance of Jade and some characters who may not have returned from the dead. There’s the new Black Lantern. Then we have Thomas Wayne’s crash landing. Finally, there’s the D.E.O. that looks like it’s getting back in business. Any one of those storylines could be an entire issue. But, Williamson balances them well delivering just enough for each to move forward in a satisfying way.

And he still delivers a hell of a shock at the end.

Infinite Frontier #2 is solid in not just putting the pieces of the storylines together but also feels like a fun tour of the DC Universe for new readers. As President Superman and Thomas Wayne examine Wayne’s appearance we get to see ship crashes on different Earths. It’s a fun tour and there’s a few that may have some massive implications. And implications is part of what this issue is about. It’s not just what’s to come but also what it means for the return of all of these characters. Which versions are back? Who hasn’t returned? All of that is thrown out making the series even more intriguing.

With so many stories and worlds, the art is handled by the trio of Paul Pelletier, Jesús Merino, and Xermánico. Norm Rapmund, Merino, and Xermánico handle the ink with Romulo Fajardo, Jr. on color, and Tom Napolitano on lettering. The art works and works well. There’s little issues with the trio all handling different aspects and the art flows together. There’s also a nice build-up to the end of the issue. The surprise hits you as the issue builds. You get a sense of something coming but not exactly what. With some of what else is touched upon in the issue, there’s coming to be some waves over events.

Infinite Frontier #2 is a fun comic. It just feels like a throwback to that time that anything can happen while also building towards something. This is THE series to keep an eye on and looks to be key for the future of the DC Universe.

Story: Joshua Williamson Art: Paul Pelletier, Jesús Merino, Xermánico
Ink: Norm Rapmund, Jesús Merino, Xermánico Color: Romulo Fajardo, Jr. Letterer: Tom Napolitano
Story: 8.25 Art: 8.25 Overall: 8.25 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review


Purchase: comiXologyKindleZeus ComicsTFAW

Review: The Next Batman: Second Son #4

Jace is attempting to turn his life around. As one chapter ends for him a new one begins as this mini-series wraps up.

Story: John Ridley
Art: Travel Foreman
Ink: Norm Rapmund, Le Beau Underhood
Color: Rex Lokus
Letterer: Andworld Design

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon
comiXology
Kindle
Zeus Comics
TFAW


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: The Next Batman: Second Son #3

What’s the secret of Jace Fox? What’s the lawsuit that’s being hinted at? What’s his “origin”? Find out in The Next Batman: Second Son #3.

Story: John Ridley
Art: Travel Foreman
Ink: Norm Rapmund, Mark Morales
Color: Rex Lokus
Letterer: Andworld Design

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

comiXology
Kindle
Zeus Comics
TFAW


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

The Inkwell Awards has announced the winners of its 14th annual awards for excellence

Inkwell Awards

The Inkwell Awards has announced the winners of its 14th annual awards for excellence in the comic-book inking art form. Results are normally first made public at its live awards ceremony during its host show, The Great Philadelphia Comic Con, but at present, due to uncertainties with the Covid-19 pandemic, the show status is unknown and the ceremony is canceled.

Nominees were chosen by a separate and independent nomination committee on their own as well as from artist submissions. Voting by professionals and fans took place for one week in March on the official ballot at the non-profit advocacy’s website. After 1587 ballots were tallied, one winner was chosen in each of five categories based on printed American interior comic-book work cover-dated 2020.

As begun last year, the Inkwells’ internal committee chose to not limit lifetime achievement awards within a given year. They selected four inductees for the annual Joe Sinnott Hall of Fame and three recipients for the Stacey Aragon Special Recognition Award (SASRA). There were no internal Silver Inkwell Awards recipients this year but there were two internal Above & Beyond Awards given to Bob Bretall and Johnny B. Gerardy for 10 years of Nomination Committee service.

Ballot nominees are listed below with their credits and the percentage of votes received by the winners, along with the other nominees in alphabetical order.

  • FAVORITE INKER (Favorite ink artist over the pencil work of another artist; cannot also be nominated for the “Props” award): Ruy Jose (41%) (Immortal Hulk [Marvel]).
    Other nominees: Jonathan Glapion, Klaus Janson, Joe Prado.
  • MOST-ADAPTABLE (Artist showing exceptional ink style versatility over other pencillers): Norm Rapmund (42%) (Batman Beyond, Detective Comics, The Flash, Flash Forward, Dark Nights Death Metal: The Multiverse Who Laughs (one-shot), Wonder Woman [DC]).
    Other nominees: Marc Deering, Daniel Henriques, Matt Santorelli, LeBeau Underwood.
  • PROPS (Inker deserving of more attention): Eber Ferreira (41%) (Speed Metal (one-shot), Freedom Fighters, Justice League [DC]).
    Other nominees: Adriano Di Benedetto, Daniel Henriques, Le Beau Underwood.
  • S.P.A.M.I. (Small Press And Mainstream Independent): Adelso Corona (69%) Snake Eyes [IDW]; Bloodshot [Valiant]).Other nominees: Le Beau Underwood.
  • ALL-IN-ONE (Favorite artist known for inking his/her own pencils): Chris Samnee (40%) (FirePower [Image]).
    Other nominees: Marco Santucci, Liam Sharp.

In alphabetical order, the lifetime achievement awards were as follows:

THE STACEY ARAGON SPECIAL RECOGNITION AWARD (SASRA): Alfredo Alcala, Frank Frazetta, and Wendy Pini.

THE JOE SINNOTT HALL OF FAME: Sal Buscema, Mike Esposito, Pablo Marcos, and Mike Royer.

Mark Sinnott, Joe’s son/agent, said, “It is an honor for me to keep with the tradition that my dad, Joltin’ Joe Sinnott started over 10 years ago. On behalf of the Inkwell Awards, I would like to welcome its four newest members to its hallowed halls: Sal Buscema, Mike Esposito, Pablo Marcos and Mike Royer. It is great to have you all as members of the Joe Sinnott Hall of Fame class of 2021. Welcome to the Inkwell family! You have all brought a great deal of talent and class to the comic book world, and we thank you for that. Keep slingin’ ink, and never let your inkwell run dry!”

Full acceptance statements from Sinnott and the winners will be found in the “Award Recipients” section of the Inkwell Awards’ website in the near future.

Review: Tales From the Dark Multiverse: Dark Nights Metal #1

Tales From the Dark Multiverse: Dark Nights Metal #1

And with that, it seems like Tales From the Dark Multiverse has come to an end. For a while now, DC Comics has been delivering entertaining one-shots. Tales from the Dark Multiverse has given us “dark” takes on classic events of the DC Universe. The comics generally entertained with some stronger than others. The concept as a whole was a fun idea that delivered a bit of “what if?” with an Elseworlds feel. Tales From the Dark Multiverse: Dark Nights Metal #1 seems to wrap up the concept with a Dark Multiverse version of Dark Nights: Metal.

The original Dark Nights: Metal was written by Scott Snyder. Snyder has a story credit along with writers Collin Kelly and Jackson Lanzing. Tales From the Dark Multiverse has been presented and framed by Tempus Fungnaut. Fugnaut’s a being whose role is search “the dark for a single spark of light”. Through the stories presented there has been lots of death and destruction and little hope. This issue attempts to deliver that as a group of heroes make a stand against Barbatos and his twisted “dragons”.

What’s interesting is Kelly and Lanzing deliver a take on Snyder’s concepts that’s a little bit easier to understand. Though the story is rather compressed, it does a good explanation of the villain Barbatos’ creation and the general events of the real Dark Nights: Metal.

Tales From the Dark Multiverse: Dark Nights Metal #1 is the final stand against Barbatos with the final Justice League battling it out. Who remains is interesting and while there are hints at how they’ve remained the comic could have been helped by being expanded. Like so many of the Tales From the Dark Multiverse, the issue is worthy of being a miniseries or even more expanded issue or graphic novel. The comic is a bit too compressed in that way. Some great concepts that I’d love to see more of.

The comic also does a lot more on the “metal” concept. Snyder and the team of creators he’s worked with have often talked about the musical aspects of their two events. The events take on a “metal” attitude but neither has really played heavily on that concept. Here, it’s leaned into heavily with one weapon being a guitar reminiscent of guitar blasters of the past. Within one character we get more of the “metal” attitude than the whole of both of the real events this riffs off of.

The art by Karl Mostert is interesting. Mostert is joined by Trevor Scott and Norm Rapmund on ink, Romulo Fajardo, Jr. on color, and Andworld Design on lettering. Some of the design reminded me of the video game Brutal Legend but overall, there’s some solid concepts in characters and the world. There’s a death and destruction of it all without it being overly dark and depressed. The opening of the comic features a great use of panels and a character running from one to another. It helps speed along the story and really nails home what’s going on. The design of the comic overall has a very “rock and roll” feel about it while still delivering bright colors evoking a little bit of 70s van art in a good way.

Tales From the Dark Multiverse: Dark Nights Metal #1’s ending would lead me to believe this series of one-shots is done which is a shame. It provided an interesting outlet for creators to deliver something different, infusing a darker/horror/twisted take on classic DC stories. Who knows what lies on the other side of Dark Nights: Death Metal but here’s hoping it leaves space to explore more of the idea and let us see the adventures of The Final Knight.

Story: Scott Snyder, Jackson Lanzing, Collin Kelly Writers: Jackson Lanzing, Collin Kelly
Art: Karl Mostert Ink: Trevor Scott, Norm Rapmund
Color: Romulo Fajardo Jr. Letterer: Andworld Design
Story: 7.5 Art: 7.5 Overall: 7.5 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review


Purchase: comiXologyAmazonKindleZeus Comics

« Older Entries Recent Entries »