Tag Archives: Moira McTaggert

Super-Articulate: Marvel Legends House of X

Greetings, mutants! This much is true: Jonathan Hickman and an army of collaborators totally reinvigorated the X-books with the twin House of X/Powers of X minis and the subsequent wave of related X-titles. The overall storyline gave the subline a much-needed shot in the arm and propelled the X-Men back to the forefront of comics conversation. Anyone that even vaguely pays attention knew that the story would get represented in figure form sooner rather than later. The (first?) House of X Marvel Legends is in stores now. Let’s take a look.

Overview: The initial figure selections are totally sensible. Charles Xavier, Magneto, and Moira McTaggert are crucial to this particular story. Cyclops, Marvel Girl, and Wolverine are likewise pivotal and among the most important X-characters (in fact, those three, Xavier, and Magneto appear on the House of X #1 cover). The Omega Sentinel appears as an antagonist early on, and the Tri-Sentinel looks cool as hell. So, onward.

Moira McTaggert: It’s about time. Moira McTaggert is about as important as a supporting character in the history of X-Men that I can think of. She should have been made years ago in her classic yellow and purple costume. I thought it was excellent that Hickman’s story elevated her profile and gave her an amazing and surprising backstory. Hasbro cleverly expounded on Moira’s multi-faceted role by making the figure in such a way that in can have two distinct looks. One is jaunty, mod-ish look with the cap and scarf, and the other, which I prefer, is the scientist look with the lab coat. This is another good example of Hasbro creating maximum value with extra parts and accessories that can completely change a figure. Here you have an extra head, two extra arms, extra hands, the removable lab coat piece, and the scarf, as well as a science book. The design team obviously put a lot of thought and care into the look. Amid iconic mutants, they made Moira stand out.

Professor Charles Xavier: The helmeted Xavier was an instantly iconic look. Nevertheless, the figure also comes equipped with an extra regular head and an attachable psionic power effect. The figure’s slim build is evocative of the fact that Hasbro really has developed a broader array of body types to more accurately capture a character. Maybe I like it more because I like the story, but I appreciate that it’s sometimes more difficult to nail the simpler design. This is a solid piece.

Magneto: I’ve been waiting for a white-costumed Magneto for some time, and I was not disappointed. This is a figure with presence. Great head/helmet and cape sculpts pull this together, and the extra grasping hands are perfect for poses to would illustrate Magneto using his powers. The stark white next to the primarily black costume of Xavier is a great contrast, and they look really good next to one another.

Marvel Girl: There were those that were unhappy with Jean taking back the Marvel Girl name and costume in the House storyline, but it’s hard to argue with an iconic name and look. In figure terms, this is an excellent representation of Jean from the storyline, and a solid take if you want to get a second one for your classic-era display.  The only negative for me is that the stiff vinyl of the skirt makes leg poseability a little bit difficult. Apart from that, it’s a good version.

Cyclops: As Cyclops is one of my all-time favorite characters, I’m always down for another version. I like the new blue-on-blue costume; it’s a deceptively simple, but cool, design. In terms of the sculpt, it’s a really good representation of Scott Summers. Like the previous Retro Cyclops in the X-Factor costume, this employs a second head and an attachable optic blast. This is another strong entry.

Wolverine: Let’s hear it for the fat claws! I vastly prefer the broader blades to the slimmer ones, and this figure gets that exactly right. And again, I’m happy that Hasbro makes a consistent effort to keep Wolverine shorter to be in proper scale with the other characters. While this costume is specific to the House/Powers story, this is actually a really strong Wolverine for those that collectors that just want a good version of each character.

Omega Sentinel: I’m always up for a previously unmade X-villain, so I was pleased to see this one added. The Omega Sentinel comes with two heads; the bald one reflects the House/Powers appearance, and the head with hair is an earlier look. Yes, the hair is a different color than the comics appearance, but the volume and detail of the hair sculpt is impressive. The interchangeable weaponized arms are great; they really make the figure pop and stand out from the other figures on the shelf.  This is a dark horse favorite for me in this wave.

Tri-Sentinel: I’m going to be completely honest: getting the three heads into the body was a MASSIVE pain in the ass. I can’t recall the last time I had this much trouble fitting a BAF piece in, let alone three. I had to go the hot water route on the neck joints in order to finally get them to fit. By contrast, the arms and legs fit extremely easily. Difficulty aside, I think it’s a great-looking BAF. As a big Neon Genesis Evangelion fan, I like the subtle referencing here. I also like BAFs that are big, and this fits the bill. It’s also surprisingly poseable. This and the Omega Sentinel look great next to each other; when I get a chance to do some shelf adjusting, I’ll be putting them next to Nimrod, too.

This is another strong showing from the Marvel Legends team. I do hope that we get some more House/Powers figures; I’d like to see a Marauders Kate Pryde, more New Mutants, and some undone characters, like Quentin Quire, in particular. I’m looking forward to seeing what happens next. What about you, readers? What’s your take?

Catching Up on Reviews, Part 9 — X-Men and X-Men Legacy

X-Men #8 (Marvel) – Chris Bachalo’s stylized art is near perfect in this issue and Victor Gischler’s story is both action-packed and a touching story about youth and alienation, making it one of the more thought-provoking stories from Marvel in the last year or so.

Story: 9.75 Art: 9.75 Overall: 9.75

X-Men #9 (Marvel) – The strange thing is that in the early days when I first saw Bachalo’s art, I wasn’t a big fan, thinking it was a bit too anime-like for my tastes. The more I see it, though, the more I like it and I’m starting to think that he might be one of my favorite artists. This issue is just as good as the predecessors and this particular X-Men-Spider-Man team up is one of my favorites in recent years.

Story: 9.75 Art: 9.75 Overall: 9.75

X-Men #10 (Marvel) – Paco Medina joins Bachalo on art duties this issue and, while it is still quite good, it isn’t as good as Bachalo’s previous solo work. I’m sad to see the end of the Spider-Man crossover, although I will say that I’m not a huge fan of the characterization of Emma Frost during this arc. It seems consistent with past portrayals of her, but she’s still a bit to stereotypically “female” for a woman of such stature.

Story: 9.75 Art: 9.25 Overall: 9.5

X-Men #11 (Marvel) – Gischler’s side-story here with Professor X is a bit subpar and the art just isn’t that great. This is an exception for this series — an issue that is pretty weak.

Story: 6 Art: 5 Overall: 5.5

X-Men #12 (Marvel) – I really like Christopher Yost’s story here and, despite my normal disdain for retcons, this one works out pretty well. It fits and it makes sense. The art is split between two different artists based on the flashbacks and the present and Medina’s present art is the better of the two, although far from perfect. There are a few epic shots, though, that make it worthwhile, though.

Story: 9 Art: 7 Overall: 8

X-Men #13 (Marvel) – The Eternals-oriented story continues here with the same creative team and Yost and Medina do even better this time around, but I still don’t like Dalabor Talajic’s art much.

Story: 9.25 Art: 7.25 Overall: 8.25

X-Men #14 (Marvel) – Everyone’s work in this issue continues to improve and I’m even okay with most of Talajic’s art, although I think his weakness is really close-ups of people’s faces.

Story: 9.5 Art: 7.5 Overall: 8.5

X-Men #15 (Marvel) – After a really strong story about evolution and mutants, the ending is a bit of a let-down. Hopefully this will also end the split artist trend that had dominated recent issues. Can we get Bachalo back?

Story: 9 Art: 7 Overall: 8

X-Men Giant Size #1 (Marvel) – This annual is part of the Eternals-related storyline and it has the best art that Medina and Talajic did during the story and there is some epic art here. The story is still more-than-capably handled by Yost.

Story: 8.5 Art: 8.5 Overall: 8.5

X-Men Legacy #245 (Marvel) – If there are two things I love more than the X-Men and post-apocalyptic stories, I don’t know what they are. It’s hard to think of anything I’d like more than a comic that combines the two. Over the years, the X-Men have given us a lot of post-apocalyptic things and Age of X is one of the better entries in a series of great stories.

Story: 9 Art: 9 Overall: 9

X-Men Legacy #246 (Marvel) – Clay Mann’s art isn’t my favorite, but it’s more than good enough and it’s appropriate to the Age of X story. Mike Carey’s writing is great, though, and I really like what he does with Scott Summers here, showing us what Scott would be like if he was just as bad-ass as he is now, but without the restraints he has as the leader of the mutant nation.

Story: 9.75 Art: 9.25 Overall: 9.5

X-Men Legacy #247 (Marvel) – Carey really goes a long way towards answering the question: “what’s better for mutants: isolation and protection or finding a way to live with humanity.” The idea of Moira McTaggert as a villain is quite interesting, too.

Story: 9.5 Art: 9 Overall: 9.25

X-Men Legacy #248 (Marvel) – Dealing with the aftermath of Age of X is handled well here by Mike Carey, although the story is, by necessity, a letdown. Jorge Molina’s art is a step down from what Mann was doing.

Story: 8.5 Art: 8 Overall: 8.25

X-Men Legacy #249 (Marvel) – I’ve never really liked the storylines that provided a romantic link between Rogue and Magneto and I really don’t think we need any more recaps of Magneto in Nazi Germany. I do, however, like the exploration of Legion as a character, since he is too powerful and has too much potential to be ignored as much as he has been over the years.

Story: 8 Art: 7 Overall: 7.5

X-Men Legacy #250 (Marvel) – In this giant-sized issue, Carey continues both the aftermath of Age of X and the tracking down of Legion’s escaped personalities. Neither story has great art (although neither has bad art, either) and the Legion story continues to be better than the Age of X aftermath. A reprint of an old New Mutants issue is here to remind me how much I never liked Bill Sienkiewicz’s art.

Story: 7 Art: 6.5 Overall: 6.75

X-Men Legacy #251 (Marvel) – Carey ramps up the intensity and quality of the Legion tale, but Koi Pham’s art is mixed in quality.

Story: 8.25 Art: 7.25 Overall: 7.75