(W) Gregg Hurwitz (A) Mike Deodato, Keron Grant, Mike Choi, Will Conrad (CA) Lee Loughridge, Marco Lesko In Shops: Dec 14, 2022 SRP: $9.99
This Black Mirror-style anthology examines the rapid proliferation of technology, the cultural and political polarization of the country, and the technocrats that have driven us to such extremes of thought that we need to present the present as something… futuristic. Each of the five issues is a stand-alone tale with its own art team.
(W) Peter Milligan (A/CA) Mike Deodato In Shops: Nov 30, 2022 SRP: $3.99
Nina Ryan was a hired killer who brought nothing but pain and suffering to the world. Now, she has a month to prove that she can change. A month to make up for her crimes and find absolution, or the bombs that have been implanted in her head will explode, killing her instantly. As her journey of atonement is live-streamed to a fickle public, Nina is about to discover that the road to redemption might be splattered with blood. In this concluding issue, Nina’s time grows short. Will she fill her Absolution Meter in time?
With over 840,000 Teenage Mutant Ninja Turtles: The Last Ronin issues in print and the newly released hardcover collection currently flying off shelves, IDWPublishing in partnership with Paramount Consumer Products have announced a follow-up to the popular comic book miniseries and graphic novel collection, Teenage Mutant Ninja Turtles: The Last Ronin–The Lost Years, debuting in November 2022. Written by TMNT co-creator Kevin Eastman and series veteran Tom Waltz and illustrated by SL Gallant and returning artist Ben Bishop, Lost Years digs deeper into the world of the Ronin-verse, adding breadth and scope to one of TMNT’s most ravenously devoured, widely beloved, and critically acclaimed entries of all time.
Teenage Mutant Ninja Turtles: The Last Ronin—The Lost Years #1 will be available in stores with three cover variants for fans and retailers to enjoy, including Cover A by Kevin Eastman and Ben Bishop, Cover B by SL Gallant, and a retailer incentive edition by Mike Deodato.
(W) Jeff McComsey (A) Lee Loughridge (A/CA) Mike Deodato In Shops: Feb 09, 2022 SRP: $3.99
Three dead bodies lay in a rural morgue – all murdered in the span of three weeks. It’s up to two detectives from opposite sides of the tracks to determine who put them there, if the murders are linked and what, if anything, they have to do with a pair of dueling car dealerships. A dark comedy mystery thriller by Jeff McComsey (Grendel, Kentucky) and Mike Deodato Jr. (The Amazing Spider-Man, The Resistance) that is inspired by an outlandish true crime story, The Fourth Man story will keep you guessing until the final page.
(W) Mark Russell (A) Mike Deodato, Lee Loughridge (CA) Rahzzah In Shops: Jan 05, 2022 SRP: $3.99
In the year 2056, robots have replaced human beings in the workforce. An uneasy co-existence develops between the newly intelligent robots and the ten billion humans living on Earth. Every human family is assigned a robot upon whom they are completely reliant. What could possibly go wrong? Meet the Walters, a human family whose robot, Razorball, ominously spends his free time in the garage working on machines which they’re pretty sure are designed to kill them in this sci-fi satire from Mark Russell (The Flintstones, Second Coming) and Mike Deodato Jr. (The Amazing Spider-Man, The Resistance). In this concluding issue, humans and robots deal with the fallout of tensions boiling over
(W) Mark Russell (A) Mike Deodato, Lee Loughridge (CA) Rahzzah In Shops: Jan 05, 2022 SRP: $3.99
In the year 2056, robots have replaced human beings in the workforce. An uneasy co-existence develops between the newly intelligent robots and the ten billion humans living on Earth. Every human family is assigned a robot upon whom they are completely reliant. What could possibly go wrong? Meet the Walters, a human family whose robot, Razorball, ominously spends his free time in the garage working on machines which they’re pretty sure are designed to kill them in this sci-fi satire from Mark Russell (The Flintstones, Second Coming) and Mike Deodato Jr. (The Amazing Spider-Man, The Resistance). In this concluding issue, humans and robots deal with the fallout of tensions boiling over
(W) Mark Russell (A) Mike Deodato (CA) Rahzzah In Shops: Oct 20, 2021 SRP: $3.99
In the year 2056, robots have replaced human beings in the workforce. An uneasy co-existence develops between the newly intelligent robots and the ten billion humans living on Earth. Every human family is assigned a robot upon whom they are completely reliant. What could possibly go wrong? Meet the Walters, a human family whose robot, Razorball, ominously spends his free time in the garage working on machines which they’re pretty sure are designed to kill them in this sci-fi satire from Mark Russell (The Flintstones, Second Coming) and Mike Deodato Jr. (The Amazing Spider-Man, The Resistance).
(W) Mark Russell (A) Mike Deodato (CA) Rahzzah In Shops: Oct 20, 2021 SRP: $3.99
In the year 2056, robots have replaced human beings in the workforce. An uneasy co-existence develops between the newly intelligent robots and the ten billion humans living on Earth. Every human family is assigned a robot upon whom they are completely reliant. What could possibly go wrong? Meet the Walters, a human family whose robot, Razorball, ominously spends his free time in the garage working on machines which they’re pretty sure are designed to kill them in this sci-fi satire from Mark Russell (The Flintstones, Second Coming) and Mike Deodato Jr. (The Amazing Spider-Man, The Resistance).
The robot takeover doomsday scenario, where humanity gets replaced by the machines they created, has been the basis for many a sci-fi story, but the aftermath is rarely given time to shine. Just what is life under robotic law and what does the new day-to-day look like after humanity’s gone extinct? Say Ultron finally gets one over the Avengers, what’s next? Aren’t robots near-perfect beings with infinite knowledge? Museums and libraries would become obsolete as robots store everything in their memory and can access it at a moment’s notice, not to mention grocery stores and bars. Well, maybe not bars.
Mark Russell (Prez, Billionaire Island) and Mike Deodato’s new AWA Studios comic, Not All Robots, offers readers an answer: the robots will eventually become more like us. Once you get to the top of the food chain, it’s possible that the only way forward is to downgrade. That is, unless they’re content with being static automatons surfing their own databases without a need to move around or physically engage with anyone.
Not All Robots is another great Mark Russell satire on the ridiculousness of existence and the things we do with our existential dilemmas. Humanity, what’s left of it, is very quickly becoming obsolete as worker robots have become the sole providers of living families by completely taking over the workforce. Humans are quite simply redundant at this point and robots are catching on to the fact of how superfluous they’ve become. There’s even a talk show within the story called Talkin’ Bot that puts everything into perspective and I am one-hundred percent certain this show will actually exist a few years from now.
The comic centers on a house bot called Razorball. He’s the main provider for the Walters, the family that owns him. Razorball has become a disenchanted worker, cynical at every turn. He complains about life, the monotony of it, and his disdain for all the unnecessary things he has to do at work.
Deodato (Marvel’s Original Sin, The Resistance) illustrates Razorball as a somewhat outdated and clunky machine, in need of an update or to be updated by a newer model. That’s where the Mandroids come in, robots that can easily be confused with humans given the quality of their build. In other words, the future.
Not All Robots #1
It’s hard not to confuse Razorball with the average Joe, an unhappy guy that hates his life and his job and feels unappreciated by society. Russell’s genius, though, comes in how he takes that archetype and injects classic Asimov-like science fiction ideas into the story to not let the metaphor consume the narrative entirely. The associations are easy to make between Razorball and his human counterparts, but there’s a real sci-fi heart beating at the center of it.
Deodato crafts a universe’s worth of worldbuilding into the story with futuristic vistas and designs that firmly place the story within the realm of plausibility. It keeps the characters grounded and the story human. Deodato’s panel layouts and overall page structure—which has evolved throughout his career and stands as one of his signature skills as an artist—keeps things busy too, as if the new standard of life is governed by on-going activity carried by the never-ending stamina of a well-oiled machine.
Russell, on the other hand, isn’t just content with making fun of humans through worker robots. The idea that machines have forced people into a sedentary lifestyle echoes current debates on how technology is eliminating jobs people used to do by hand and got paid for. The robots act as living cautionary glimpses into what our reality could turn into if progress is allowed to continue pushing forward unfettered. Also how disenchanted robots will get once they realize how mundane human existence actually was.
Not All Robots is a funny, scary, and plausible take on humanity’s self-authored descent into obsolescence. Readers will laugh hard the entire way through, but they’ll also have no choice but to think about the consequences of our exponential growth into a machine-dominated world. The kicker, though, is that regardless of how advanced these robots turn out to be, they might not have a choice but to become a bit human to find some meaning in the new status quo.
Story: Mark Russell, Art: Mike Deodato Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy and maybe consider throwing your iPhone into the ocean
AWA Studios provided Graphic Policy with a FREE copy for review
(W) Mark Russell (A) Mike Deodato (CA) Rahzzah In Shops: Aug 04, 2021 SRP: $3.99
In the year 2056, robots have replaced human beings in the workforce. An uneasy co-existence develops between the newly intelligent robots and the ten billion humans living on Earth. Every human family is assigned a robot upon whom they are completely reliant. What could possibly go wrong? Meet the Walters, a human family whose robot, Razorball, ominously spends his free time in the garage working on machines which they’re pretty sure are designed to kill them in this sci-fi satire from Mark Russell (The Flintstones, Second Coming) and Mike Deodato Jr. (The Amazing Spider-Man,The Resistance).