Mags Visaggio, Eva Cabrera, and Claudia Aguirre continue to showcase one of the best friendships period in Kim and Kim Love is a Battlefield #2 with some real talk, ass kicking, and humorous Terry Pratchett with touch of matriarchal worldbuilding as Kim Q and Kim D run after Kim D’s ex Laz, who has a vial of blood from their last bounty that is worth a hell of a lot of money. Cabrera and Aguirre can sure choreograph a fight scene against faceless mooks featuring sick bass guitar moves, but it’s the conversations after and before the battles that really hit home. This is because Kim and Kim: Love is a Battlefield #2 is about a strained relationship between two friends because one friend keeps trying to make up with an ex, who continually tries to hurt her. And they happen to be interplanetary bounty hunters, who go to literal Hell sometimes.
Visaggio keeps Kim and Kim Love is a Battlefield fresh by switching the character dynamic and making Kim Q basically even though she totally hooked up with former enemy and definite fuzzy dude Saar last issue. Exhibit A through Z is the final fight scene of the issue where Kim Q is painfully taking out a horde of Laz’s goons while Kim D chases after her ex. Through Cabrera’s facial expressions, it’s pretty obvious that Kim D is grasping at one last reunion with Laz, which Kim Q totally calls her out on while getting sewn up back in the van. Never underestimate the power of physical attraction and deep sexy chemistry to trump reason and morality.
Kim Q and Kim D’s “descent into the underworld” is yet another nice riff off classical storytelling tropes from Mags Visaggio because Hell isn’t ruled by an emo rocker and his ugly friends or a blue flamed hair guy, who keeps women against their will, but a wise and badass grandmother figure, who happens to be Kim D’s ancestor. Claudia Aguirre uses some sick yellows and purples to show the transfer in dimensions while Eva Cabrera adds some shiny glitter to the background to show different it is from the waking world. Also, both Kim’s are incredibly truthful in Hell with Kim D waxing incredibly poetic about a giraffe necklace that she got from Laz for her “monthiversary” that turns out to be a fake. On the other hand, a bright eyed Kim Q pours out her heart about how Kim D is “stuck” with her, and those eyes return when Kim Q continues to tell Kim D how much she cares throughout the issue. As always, Visaggio tempers the emotional moments with clever humor like having Kim Q remark about how the patriarchy is destroying romance novels.
Even though their physical fights are against death-shades and masked goons, the real battle in Kim and Kim: Love is a Battlefield #2 is between emotional honesty and deflection. Early on in the issue, Kim Q says that she’s there for Kim D to pour out her feelings after the messiness of the previous installment. However, Kim D keeps ducking the question and won’t even clear up why her necromancy had some unnecessary side effects although the caption boxes reveal that Laz was on her mind too much while she was in Hell. Usually, Kim D’s trademark wink followed by a question about Kim Q’s sexy times is adorable or funny, but it’s a little annoying when she has some real things to work through. And this annoyance erupts like a volcano when the usually bound-at-the-hip Kim Q and Kim D take a little break from each other. It’s not a melodramatic “Cyclops leaves the X-Men and becomes a shirtless fishing boat crew member” break, but there’s definitely a little more space between them than usual.
Kim and Kim: Love is a Battlefield #2 combines soul searing friend chats about relationships past and present with ass kicking, interdimensional travel, and a fierce fashion aeshetic. Mags Visaggio, Eva Cabrera, and Claudia Aguirre continue to do fantastic work crafting one of the most complicated, funny, and plain awesome female friendships in comics.
Story: Mags Visaggio Art: Eva Cabrera Colors: Claudia Aguirre
Story: 8.5 Art: 9.5 Overall: 9.0 Recommendation: Buy
Black Mask Studios provided Graphic Policy with a FREE copy for review