The cyborg samurai Rai’s consciousness becomes trapped in cyberspace in Rai #3! Will he find his way back before being obliterated from existence?

I absolutely loved the first issue of the current volume of Rai. I was quite taken with the second issue, too. Hoping I’d enjoy this series after how much I loved 80% of the five issues of Fallen World, I wasn’t expecting to enjoy it as much as I have.

The series overarching plot has Rai and Raijin search for more pieces of Father. Father’s the AI who ran New Japan like a god before Rai brought the floating nation down to Earth in a catastrophic confrontation in an attempt to kill him. You can read about in the 4001 A.D. miniseries. Rai failed to kill Father, who took control of Bloodshot’s body and needs only a small number of the Offspring to remake himself entirely. It’s a situation that holds a level of menace in the background. It’s just out of sight for the most part, but always within reach, as you read.

The first issue had Rai and his older/younger brother Raijin confront a semi stereotypical group of post-apocalyptic enemies in a roving gang of gear heads and dinosaurs. It was a mere backdrop to the more interesting exploration of the evolution of machines, and what it means to be human. The second issue saw Rai and Raijin continue their hunt for an Offspring. That took them through a sector of New Japan that fell to Earth. It bore a strong resemblance to a derelict North American city circa the turn of the 21st century. It was here the duo came across an idyllic looking model home that felt like an incredibly advanced Alexa or Google Home.

The first two issues have been stellar comics. It’s also worth praising each issue for the different angle that they take. The series has touched upon how reliant we’re becoming on technology and whether we’re losing sight of who we are without it.

Rai #3, somehow, lived up to my expectations.

We find Rai effectively comatose with no explanation. Raijin’s trying to make sense of why his companion is nonresponsive to any stimuli. Without wanting to get into spoiler territory, it’s difficult to explain why this comic met my expectations. Doing so in any great detail will probably reveal far more than I’d like to regarding the story. Suffice to say that the comic made me think about personal security in the digital age. This may also be in part because of my day job and the training I’ve been doing at work. As seems to be the case, I’ll probably touch more on this in the review for the next issue.

Dan Abnett has woven a compelling story. It features some real-world commentary that has never been more relevant nor timeless when it comes to the use of technology. But my love of the between-the-lines story isn’t at the expense of the comic itself; Abnett has delivered an incredible story in every way.

Rai #3 is rounded out by one of the finest artists in comics in Juan Jose Ryp along with the versatility of colorist Andrew Dalhouse. The futuristic visual style in the comic must be somewhere between a dream and a nightmare for an artist; depending on the comic, Ryp has had to draw flying cars, dinosaurs, and a perfect house. To say that I have yet to be tired or bored by the art would be an understatement because I can’t remember a time when I have been as excited as I have been to scroll down in the review copy just to see the art. And then when reading it again in print to see the art without a watermark.

Usually when you get writing or artwork of this caliber then the other tends to be a little overshadowed, but that’s not the case here. The comic is as visually exciting as the story is deep.

As a series, Rai has transcended any expectation I had for it; this is a gem of science fiction storytelling and a damn fine comic. Please, don’t miss this series.

Writer: Dan Abnett Artist: Juan Jose Ryp
Colorist: Andrew Dalhouse Letter: Dave Sharpe
Story: 9.7 Art: 9.9 Overall: 9.8 Recommendation: Buy

Valiant provided Graphic Policy with a FREE copy for review

The cyborg samurai Rai’s consciousness becomes trapped in cyberspace in Rai #3! Will he find his way back before being obliterated from existence?

I absolutely loved the first issue of the current volume of Rai. I was quite taken with the second issue, too. Hoping I’d enjoy this series after how much I loved 80% of the five issues of Fallen World, I wasn’t expecting to enjoy it as much as I have.

The series overarching plot has Rai and Raijin search for more pieces of Father. Father’s the AI who ran New Japan like a god before Rai brought the floating nation down to Earth in a catastrophic confrontation in an attempt to kill him. You can read about in the 4001 A.D. miniseries. Rai failed to kill Father, who took control of Bloodshot’s body and needs only a small number of the Offspring to remake himself entirely. It’s a situation that holds a level of menace in the background. It’s just out of sight for the most part, but always within reach, as you read.

The first issue had Rai and his older/younger brother Raijin confront a semi stereotypical group of post-apocalyptic enemies in a roving gang of gear heads and dinosaurs. It was a mere backdrop to the more interesting exploration of the evolution of machines, and what it means to be human. The second issue saw Rai and Raijin continue their hunt for an Offspring. That took them through a sector of New Japan that fell to Earth. It bore a strong resemblance to a derelict North American city circa the turn of the 21st century. It was here the duo came across an idyllic looking model home that felt like an incredibly advanced Alexa or Google Home.

The first two issues have been stellar comics. It’s also worth praising each issue for the different angle that they take. The series has touched upon how reliant we’re becoming on technology and whether we’re losing sight of who we are without it.

Rai #3, somehow, lived up to my expectations.

We find Rai effectively comatose with no explanation. Raijin’s trying to make sense of why his companion is nonresponsive to any stimuli. Without wanting to get into spoiler territory, it’s difficult to explain why this comic met my expectations. Doing so in any great detail will probably reveal far more than I’d like to regarding the story. Suffice to say that the comic made me think about personal security in the digital age. This may also be in part because of my day job and the training I’ve been doing at work. As seems to be the case, I’ll probably touch more on this in the review for the next issue.

Dan Abnett has woven a compelling story. It features some real-world commentary that has never been more relevant nor timeless when it comes to the use of technology. But my love of the between-the-lines story isn’t at the expense of the comic itself; Abnett has delivered an incredible story in every way.

Rai #3 is rounded out by one of the finest artists in comics in Juan Jose Ryp along with the versatility of colorist Andrew Dalhouse. The futuristic visual style in the comic must be somewhere between a dream and a nightmare for an artist; depending on the comic, Ryp has had to draw flying cars, dinosaurs, and a perfect house. To say that I have yet to be tired or bored by the art would be an understatement because I can’t remember a time when I have been as excited as I have been to scroll down in the review copy just to see the art. And then when reading it again in print to see the art without a watermark.

Usually when you get writing or artwork of this caliber then the other tends to be a little overshadowed, but that’s not the case here. The comic is as visually exciting as the story is deep.

As a series, Rai has transcended any expectation I had for it; this is a gem of science fiction storytelling and a damn fine comic. Please, don’t miss this series.

Writer: Dan Abnett Artist: Juan Jose Ryp
Colorist: Andrew Dalhouse Letter: Dave Sharpe
Story: 9.7 Art: 9.9 Overall: 9.8 Recommendation: Buy

Valiant provided Graphic Policy with a FREE copy for review

Can the cyborg samurai Rai and his robot boy sidekick escape a sentient madhouse in Rai #2?!

I absolutely loved the first issue of the current volume of Rai. I think it’s volume three technically, though it’s the second first issue since Valiant relaunched in 2012. Every aspect of the first issue blew me away. I honestly expected this issue to come off a little poorer in comparison due to that.

Spoiler: It doesn’t.

The first issue had Rai and his older/younger brother Raijin confront a semi stereotypical group of post-apocalyptic enemies in a roving gang of gear heads and dinosaurs. It was a backdrop to the more interesting exploration of the evolution of machines. This issue sees Rai and Raijin continue their search for more pieces of Father – the AI who ran New Japan like a god before Rai brought the floating nation down to Earth in a catastrophic confrontation in an attempt to kill him. Rai failed to kill Father, who took control of Bloodshot’s body and needs only a small number of the Offspring to remake himself entirely.

Rai #2 begins with Rai and Raijin in the hunt for one of the Offspring Father needs to absorb. It takes them through a sector of New Japan that fell to earth which bears a strong resemblance to a derelict North American city circa the turn of the 21st century. That strikes quite the dichotomy with a rather idyllic looking model home. It isn’t much of a spoiler to say that Rai and Raijin approach and enter the home. By the time the fourth page is over they’re in the house.

Dan Abnett comes at the artificial intelligence angle from a slightly different perspective in the second issue. Rather than a discussion between two brothers (though the dynamic is a unique one; the chronologically older one is the child, whilst the younger one act much more adult like), Abnett uses the AI within the house to ask whether it is ethical to create artificial assistants with enough autonomy to function and then leave them alone for a significant period of time. For anyone who talks to a Siri, Alexa or Google, I’m sure that you’ve often wanted a physical representation of the virtual assistant to make you a real cup of coffee. What if you were able to get one that eventually fell into disuse?

It’s at this point that the comic distinguishes itself as more than just a follow up to an issue of the year contender. It stands as a fantastic issue in its own right. Dan Abnett two for two when it comes to fantastic issues. If he can keep this level of quality up, Rai will go down as one of the best comic series.

Yes, I think it’s that good.

Joining Abnett is the ever astounding artist Juan Jose Ryp and colourist Andrew Dalhouse. The pair were spectacular last week, and are just as good here. Ryp’s hyper detailed style is superbly suited for a post apocalyptic world, and the way he shifts from the derelict and abandoned streets to the manicured lawn and clean lines of the model home is almost jarring. Dalhouse’s colouring also plays a part in the transition between the two settings. His work is also top notch in Rai #2; the starkness of the streets contrasts powerfully with the model home, as is emblematic of the comic’s soul.

Rai #1 was one of the best comics I’d read all year, and much to my surprise the second issue is every bit as good as the first. Welcome to your new favorite series.

Writer: Dan Abnett Artist: Juan Jose Ryp
Colorist: Andrew Dalhouse Letter: Dave Sharpe
Story: 9.7 Art: 9.9 Overall: 9.8 Recommendation: Buy

Valiant provided Graphic Policy with a FREE copy for review