Tag Archives: godshaper

Preview: Godshaper SC

Godshaper SC

Publisher: BOOM! Studios
Writer: Simon Spurrier
Artist: Jonas Goonface
Letterer: Colin Bell
Cover Artist: Jonas Goonface
Price: $19.99

Eisner Award-nominated writer Simon Spurrier (The Spire, X-Men Legacy) and breakout talent Jonas Goonface introduce a vast world teeming with bold ideas exploring ownership, freedom, and the pettiness of possession—both physical and spiritual.

Ennay is a Godshaper—godless social pariahs with the ability to mold and shape the gods of others. Paired with Bud, an off-kilter but affectionate god without a human, the two travel from town to town looking for shelter, a hot meal, and the next paying rock’n’roll gig.

Collects the complete 6-issue limited series.

Preview: Godshaper #6 (of 6)

Godshaper #6 (of 6)

Publisher: BOOM! Studios
Writer: Simon Spurrier
Artist: Jonas Goonface
Cover Artist: Jonas Goonface
Price: $3.99

Final issue! Caught between the Demonstrators and the mob with his friends’ lives on the line, Ennay has one last chance to use every bit of cunning and shaping ability he has to get himself out of this mess.

Preview: Godshaper #5

Godshaper #5

Publisher: BOOM! Studios
Writer: Simon Spurrier
Artist: Jonas Goonface
Cover Artist: Jonas Goonface
Price: $3.99

Abandoning Bud and his quest for musical stardom, Ennay joins the dastardly Cumpa crew that has been hounding him since Chicago.

Preview: Godshaper #4

Godshaper #4

Publisher: BOOM! Studios
Writer: Simon Spurrier
Artist: Jonas Goonface
Cover Artist: Jonas Goonface
Price: $3.99

It’s an all-out underground nightclub fightorama…with Ennay stuck in the middle!

Preview: Godshaper #3

Godshaper #3

Publisher: BOOM! Studios
Writer: Simon Spurrier
Artist: Jonas Goonface
Cover Artist: Jonas Goonface
Price: $3.99

A gig at a kid’s birthday party turns out to be a trap set up by a mob boss for our traveling musician and his god pal.

Review: Godshaper #2

Godshaper_002_PRESS_4The last issue of Godshaper ended with Ennay coming to the aid of Clara Smith, after she confronted local sketchy businessman Benny and his supposed involvement with a load of missing military supplies. The action doesn’t last very long, considering the build up, and goes by without much of an impact to it. This issue does pass by with a wandering sort of feel, though the added exposition and character development is a nice change in pace from the chaotic trip of the introductory issue.

Simon Spurrier’s script is a little less concise this time around, with some comedic moments that don’t quite hit the mark and come across as more juvenile in their execution. There are some great moments that would have been nice to see extended out in conversation but perhaps information is being concealed for a later time. After Ennay and his trusty god sidekick Bud quickly leave the scene at Benny’s with Clara, the two make camp with another godshaper and friend named Clench. Clench has with him another young nogody and amateur godshaper, Sal. There is some more information learned regarding the life of a nogody and godshaper while they sit, reminiscing on their past young lives as orphans that were constantly travelling around and being put under the wing of various people. Constantly without a home and a steady sense of personal connection, godshapers like Ennay and Clench embody the life of a drifter, learning to survive through the places and people they encounter and unfixed to any particular purpose.

Godshaper_002_PRESS_6Jonas Goonface’s art continues to be very expressive and injects a boost of energy during the up and down pacing of this second issue. His attention to detail to capturing the array of emotions on the characters faces are fun to see; he has knack for showing the same emotion but with slight changes to someone’s eyes or mouth, attributing to his skills as an artist. Goonface could do wonders with a completely silent issue of the adventures of Bud, before Ennay came along. Background are not really drawn in all that much with more of an emphasis on the characters and their actions and instead chooses to use a consistent rotation of soft coloured backgrounds with warm blues, greens, yellows, etc. These colour choices continue to provide a surreal vibe to Godshaper, especially when contrasted to the bright, vibrant and prominently outlined gods. Goonface also specifically emphasizes anger with red, surrounding the frames of the frazzled individual with a dominant orange-red, similar to his playful use of borders in the first issue.

There are a few moments that stand out, providing some warmth, intimacy and social relevancy to the issue. Colin Bell’s lettering placements are especially important during the sequence in which Ennay and Clench get intimate, allowing for the moonlit pink and purple glow of their bodies to share a moment, entwined as one. Spurrier’s story during this single page is effective at adding a sense of melancholy while the artwork enhances the sense of loneliness expressed. Ennay’s narration suggests it’s better for fellow shapers to keep themselves separated, as having them together would only cause suspicion by others. Traveling, let alone remaining as a pair appears to dangerous for godshapers, and are fated to have just a moment of human to human compassion, only to be thrust forward before they know it on separate, wandering paths.

The sadness displayed here is further brought on by Sal as he describes being a runaway after a group of people, through distrust in him and the women taking care of him, assaulted them. Ennay’s response to the story is this: “Sometimes some folk just…need folk to blame, I guess.” Reminiscent of the classic townsfolk and Frankenstein’s monster dichotomy, the level of difference, of fear in a constructed otherness, is what places the godshapers into this kind of situation. The fact that the godshapers lack a sameness, a ‘normality’ that is represented in the accompanied gods for the majority, causes a platform of mistrust, anger and superiority to be created. There is an opportunity after this moment to dive deeper into this idea but it is quickly swept under the rug. Once again, there may still be room to dive further into these issues, especially if Ennay has faced them in his own past, soon enough. Through the introduction of a gang, the Crumpa Crew, whom Ennay denied a job with, the troubled past appears to be catching up to Ennay’s present.

Though somewhat not as tightly woven and energetic as the first issue, this second issue of Godshaper dives a bit more into world building, with a few humourous moments (though some are a bit awkward) and introduces some characters and elements that look to be early placeholders for being important, especially with their connection to Ennay.

Story: Simon Spurrier Art: Jonas Goonface Lettering: Colin Bell
Story: 7.5 Art: 9.0 Overall: 8.5 Recommendation: Buy

BOOM! Studios provided Graphic Policy with a FREE copy for review

Preview: Godshaper #2

Godshaper #2

Publisher: BOOM! Studios
Writer: Simon Spurrier
Artist: Jonas Goonface
Cover Artist: Jonas Goonface
Price: $3.99

Ennay and Bud are back on the road, but things don’t go quite as expected when they cross a fellow Godshaper’s turf.

Around the Tubes

The weekend is almost here! What geek things are folks doing? Sound off in the comments below! While you think about that, here’s some comic news and reviews from around the web in our morning roundup.

Around the Tubes

The Beat – A Year of Free Comics: ‘The Art Class is a Sanctuary City’ by Cara Bean – Free comics to read!

Newsarama – Battle Chasers Coming To Nintendo Switch – As a Kickstarter backer, can’t wait for this!

DC Comics – Announcing Shea Fontana To Write Wonder Woman – Very nice!


Around the Tubes

Comic Book Bink – All Time Comics: Crime Destroyer #1

The Beat – Godshaper #1

Review: Godshaper #1

Godshaper_001_COVER_PRESS_BWhat if all of a sudden, one day, the aspects of daily life that make it easier, such as electricity, were to just suddenly stop working? Now, in the present year of 2017, there are actual gods that have been manifested as personal helpers (how, it has been made unclear, as of yet at least) and, as it says early in the first few pages, “A god for every person. And a person for every god.” Each of them can contribute to a variety of needs to their human counterpart, varying from actual powers to simply printing out smut to sell. Such is the way of world in Godshaper, the new series from the incredibly talented voice of Simon Spurrier and the electric illustrations of Jonas Goonface. As much as the premise and world makes it known that gods fill the present world, the main focus is drawn towards Ennay, a ‘nogody,’ or, someone who doesn’t have a god as a companion.

Spurrier’s script is fast paced and dipped in a deep fried batter of an American Southern-type drawl, topped with slang and quick-witted. He gets the exposition out of the way in a mere two frames but is smart at filling in little curiosities here and there. For example, the cute and mysterious presence of Bud, the god without a person, whom is described as being a reclit: a god whose owner has died and should fade away in a few days now that they have nobody to worship them (presumably keeping it alive and well). Bud just so happens to be with Ennay, which makes their relationship all the more interesting since they both are ‘outsiders’ of their respective groups. Ennay is a ‘godshaper,’ someone who is incredibly rare, shunned by society, yet has the ability to physically alter the appearance and reconfigure the powers of the multitude of gods. The duo appear to be drifting around, from city to city, and are about to get themselves involved with the whereabouts of a large amount of missing supplies by the military.

Godshaper_001_PRESS_3Goonface’s art is spectacular. It’s a perfect fit for this high-concept story that is filled with liveliness and an energy that is a great one-two punch with the free-flowing words of Spurrier. Each of the gods is a vibrant, striking colour that is outlined with a thin white stripping and stands out consistently from their imaginative and slightly warped animal bodies. Their presence throughout causes the book to seem like the world is experiencing a rainbow-melted acid trip; and that is a compliment, for sure. Colin Bell’s lettering also does a great job at filtering the amount of word balloons and sound effects with the busy illustrated frames (with some notable, funny and literal sound effects as well). Bell’s placements allow for the script and art to continue to flow at a quick pace.

Goonface also does this very playful thing with colour, outlining some of the frames with the colours within the frames. It’s as if a particular source within is bleeding out on the edges, creating a wide array of enhanced emotion, depending on the scene. A couple sequences capture this dance with colour. One in particular, in which Ennay is hired to transfigure a local salesman’s god (to make it appear more ‘professional’ for an upcoming important sale), the colour green of the god and the maroon of Ennay’s clothes and skin, each respectively take up half of the frame as Ennay struggles to gain control of the god. Once Ennay fuses his hand within the god, the frame turns into a fully surrounded maroon edging, and finally, the page breaks free of its borders, as Ennay, the god handyman, goes to work.

Godshaper_001_PRESS_6Another great sequence is when Ennay is shown in his musical stage persona: Cantik (which is Indonesian for beautiful or lovely after a quick, curious internet search), a glam rock, androgynous presence who revels in his pure talent, without the need for gods to enhance himself. After Cantik’s explosion of noise, alongside a spread of purples, blues, oranges, reds, and yellows, Ennay is frequently placed multiple times amongst a double-page spread of a frozen crowd, being outspoken about bands who use gods to enhance their sound in profanity-laced tirades, making out with a variety of passerby, and reinforcing his own respect for letting the music be as natural as possible. With all this talk and appearance of performance and gender fluidity, whether it is intentional or not, the use of the combination of a soft blue and pink for this sequence is rather perfect.

It’s always a blast to see artists have fun with the medium and be playful with their work. The mere flashing of bright, sometimes pastel-like colours may seem overwhelming to some, and in certain books, but it really works here with the energy that both Spurrier and Goonface have provided on every page. There are other great double-page and single page spreads as well that show how Godshaper is in very trusting, talented hands.

Without giving too much away from the story, most of what appears to be the driving force for the title happens towards the final third of the first issue with the introduction of another character who has got themselves caught up in a conspiracy. The first two-thirds do a great job at setting up the world, without much really known, as well as making Ennay and his mute god Bud already likable as a duo. By the final few pages, it definitely looks like the enigmatic craziness of the first issue of Godshaper is only just the beginning.

Story: Simon Spurrier Art: Jonas Goonface Letters: Colin Bell
Story: 9.5 Art: 10 Overall: 9.5 Recommendation: Buy

BOOM! Studios provided Graphic Policy with a FREE copy for review.

Graphic Policy’s Top Comic Picks this Week!

Wednesdays are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!

We’re bringing back something we haven’t done for a while, what the team thinks. Our contributors are choosing up to five books each week and why they’re choosing the books.

Find out what folks think below, and what comics you should be looking out for this Wednesday.


Top Pick: Immortal Brothers: The Green Knight #1 (Valiant) – The Eternal Warrior has become one of my favourite characters, so this 48 page one-shot by Matt Kindt and Cary Nord that places him and his brothers in King Arthur’s court (another subject I’m very fond of) is going to rocket to the top of my pull list. I’ve been looking forward to this for months.

Old Man Logan #21 (Marvel) – Logan heads back in time to, I assume, various points in his past. I know nothing about this series beyond the front covers, but they look so incredibly exciting.

Redline #2 (Oni Press) – It’s not often I get excited about sci-fi comics… but this is one of the ones that tickles my fancy,

Voracious: Feeding Time #5 (Action Lab Entertainment/Action Lab: Danger Zone) – I make no secret of my love for this series whatsoever, and the finale to the second miniseries is going to be explosive – and awesome. My expectations are through the roof for this, but Markisan Naso and Jason Muhr have a habit of smashing those to smithereens with each issue.



Top Pick: Nancy Drew and Hardy Boys: The Big Lie #2 (Dynamite Entertainment) – Last issue introduced us to Hardy Boys noir, let’s see what’s in store for Nancy.

All-Time Comics: Bullwhip #1 (Fantagraphics) – The idea of this line is so perfect and ridiculous it’s a must for me.

Spencer and Locke #1 (Action Lab Entertainment/Action Lab: Danger Zone) – Calvin & Hobbes noir. I’ll take that for at least one issue.

American Barbarian Complete Series (IDW Publishing) – !!!



Top Pick: Old Man Logan #21 (Marvel) – I can’t believe Lemire’s run is almost over, but this four issue arc sounds like a hell of a way to go out on top.

Seven to Eternity #5 (Image) – It’s back! The book returns after a usual image trade release break, and I’m stoked to see what Remender does.

Grass Kings #2 (BOOM! Studios) – After a promising first issue from one of my favorite writers, Matt Kindt, I am hyped for the second one.

Action Comics #977 (DC Comics) – The Superman Reborn arc was a lot of fun, and this comic has been consistently great. What’s next for Supes?

Detective Comics #954 (DC Comics) – A classic villain and Batman prepare to battle? Or will they? Tynion is killing it on this book and I’m so excited to see where this story goes, especially involving Orphan so much.



It’s an amazing week to be a comic book lover. It was really hard to narrow it down to the seven titles I picked.

Top Pick: Neil Gaiman’s American Gods Shadow #2 (Dark Horse) – Shadow’s life is about to get even more interesting in this graphic serial version of almost everyone favorite Gaiman book. Come for the David Mack variant covers, stay for the amazing story.

Top Pick: Black Panther and the Crew #1 (Marvel) – YES PLEASE. So many black superheroes, such a strong story, so much action. Saying I am here for the page turning story arc is an understatement.

America #1 2nd Printing (Marvel) – If you don’t already own a copy or haven’t read it yet, then you should get to it. Despite the shady AF comments about diversity killing the Marvel’s print sales, we have a comic book about a Queer Latina requiring a 2nd printing proving that representation counts, diversity is important and  America (the superhero & the country) is for all of us.

Kingpin #3 (Marvel) – The hits keep on coming, take that however you want, and, Kingpin is becoming a complex, fully realized, multi-faceted character.

Suicide Squad #15 (DC Comics) – The “Burning Down the House” storyline comes to an end. Deadshot is about to go up against his old team with Harley leading the charge. Rustam and his crew had better bring their A-game because, the Squad is in a take no prisoners, crack all skulls kind of mood.

Honorable Mention: Deadpool vs Punisher #1 (Marvel) – A battle of the morally gray psycho “heroes” is upon us. The man of all the action and little words meets the man with all the words and all the action.  Got popcorn?

Honorable Mention: Weapon X #1 (Marvel) – building on the awesomeness of Logan, the newest version of the Weapon X will keep you on your toes and worried about the safety of some of our favorite clawed mutants. You should be worried, this Weapon X upgrade isn’t just about creating superior mutants, it’s about kicking off a mutant genocide.



Top Pick: Weapon X #1 (Marvel) – I’m a sucker for shadowy government agencies, and Weapon X has a long standing history in Marvel of being one of the most shadiest and deadliest.  I’m excited to see what this new agency’s agenda is, and I’m looking forward to seeing Domino and Warpath back on a team line up.

X-Men Blue #1 (Marvel) – I’m hoping this title brings some of the fun from this teams first book, but also get them more into playing the heroes they will one day grow up to be.  And it’s going to be interesting to see how Magneto performs as mentor and how he will influence this team.  I’m thinking this is going to be a good one.



Top Pick: Spencer & Locke #1 (Action Lab Entertainment/Action Lab: Danger Zone) – It’s Calvin and Hobbes meets Sin City and it’s amazing. One of my favorite debuts so far of 2017 it’s entertaining and subversive.

Godshaper #1 (BOOM! Studios) – A super interesting concept where everyone has a god. I’ve read the first issue and it’s a unique idea and intriguing start.

Heathen #3 (Vault Comics) – Have you read the first two issues? That alone is reason this is on my list. A solid LGBT comic that is set in the world of vikings.

Solar Flare #1 (Scout Comics) – An apocalypse story where power goes out, Scout has been putting out entertaining comics that fly under the radar. They’ve nailed it when it comes to quality and solid comics. So, when there’s a new release it’s always on my list to check out.

The Unstoppable Wasp #4 (Marvel) – So far, the comic has been a lot of fun with a positive entertaining vibe that I can’t help but smile when I read it.

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