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Super-Articulate: What Will the Wizarding World Bring?

These things we know. We know that McFarlane Toys has the Harry Potter/Wizarding World license. We know that four figures (Harry, Ron, Hermione, and Voldemort from HP&TDH2) and one Hippogriff are up for pre-order. We know that McFarlane will likely bring their long history of A-game sculpting to the line. Here’s what we don’t know: why has no one else ever made a successful long-term go of a Harry Potter action figure line?

Early in the life of the films, Mattel picked up the license for the line. And they, well, they Matteled, didn’t they? Those early figures (shown on the shelves in the pictures) lack inspired sculpting; consider that these figures were coming out against Toy Biz’s Lord of the Rings line, among others, and you’ll see that they effort just wasn’t there. Factor in early gaffes like the famously backward-armed Dumbledore, unequal pack-outs of Fred and George, and other weirdness, and one might remember those early message boards being rife with complaints. A second group came out for the second film, but the scale was off and they kind of stiffed at retail.

NECA picked it up later with some good sculpts (like this Harry and Sirius), but they didn’t make an overly large amount. In 2007, PopCo picked up the European license and did some decent figures. Mattel even recently came back to make some “action figure dolls” of the leads, McGonagall and Dumbledore. However, the fact remains that there’s never been a truly comprehensive line at U.S. retail.

Mattel Harry Potter Figures

McFarlane has a crack at changing that. Aside from their general quality, they have wide-ranging distribution. The first four figures also have clever accessories; Harry, Hermione, and Ron each come with their patronus, and Voldemort is packed with Nagini. I also like the idea that McFarlane is starting with The Deathly Hollows Part II. For one thing, it’s the last film in the series, and the one that is the freshest in our minds, overall; for another, these versions of the cast have simply never been done before. It’s also a film that includes a huge variety of characters (the Weasleys, the Order, the Malfoys, most of the professors, Neville, Cho, Hagrid, etc.), so you could conceivably go about knocking out a big portion of the cast just from that film before reaching back into other stories and characters.

It’s important to note that the license in for the Wizarding World, so it also includes Fantastic Beasts. Buckbeak the Hippogriff looks great, so I’m already looking forward to what they do with other magical creatures. I think it would be smart for McFarlane to do an assortment of the main four humans (Newt, Tina, Queenie, and Jacob) at some point in the near future to plant a flag for the franchise, given that the third film now won’t be released until 2021.

What do you think, muggles? Are you interested in the new line? What would you like to see? Have you placed pre-orders? Talk to us. Thanks for reading.

Movie Review: Fantastic Beasts: The Crimes of Grindelwald

Grindewald posterFans of the Potterverse can rejoice: you have a great sequel on your hands. While the first Fantastic Beasts seemed more concerned with worldbuilding and funny side-business, this second act of a planned five Fantastic Beasts films goes deeper and darker than we’ve ever gone before. The adage goes that in act 1, you introduce characters; act 2, dig a giant pit and throw them in; act 3, get them out. This is a deep, dark wizarding pit and definitely in my top 3 favorite Potterverse films.

From the get-go, it hits you with a fierce intensity. An opening scene re-introducing our villain Grindelwald (Johnny Depp) and a subsequent jailbreak have more action crammed into the first ten minutes than the entire first film combined.

We also get continued beautiful character development of our hero Newt Scamander (Eddie Redmayne) as he is recruited by Albus Dumbledore (Jude Law) to try to track the escaped Grindelwald down. Grindelwald is obsessed with finding Credence (Ezra Miller), who against all odds survived the confrontation at the end of the first film and is now hiding in Paris. Dumbledore is hiding a mystery of why he won’t move against the dark wizard himself, but fears the Ministry of Magic’s Auror office, headed by Newt’s brother Theseus, and their heavyhanded tactics will play into Grindelwald’s plans.

There’s another wrinkle, as Theseus is set to marry fellow Auror Leta Lestrange (Zoe Kravitz) who was a Hogwarts girlfriend of Newt’s in the perfect Hufflepuff-Slytherin relationship the fandom has always wanted. Newt, however, is still in love with American Auror Tina who is also in Paris searching for Credence and Grindelwald. So when her sister Queenie and now-fiance Jacob Kowalski show up on Newt’s doorstep, they all head to Paris searching for each other, for Credence, for Grindelwald.

Everybody get that? Sorry, it’s complicated.

The plot is more layered and delicate than a perfect french pastry. Even better, the characters and their arcs also feed in to the broader themes of the film. A big part of this is also about accepting and loving people because of, not just in spite of, their differences.  Expanding the main quartet from the first film to six by adding in Theseus and Leta is a brilliant move that is executed flawlessly. You have a half dozen people who are so incredibly different from each other and they all love one another in very different ways. Whether related by blood or not, they are like family. And so much of Credence’s story — despite him being the macguffin for this story — is very much about his own search for meaning and who his family is.

There’s also great commentary woven in here about how we co-exist with one another. A major plot point revolves around the legality or acceptance of marriage between the magic world and the non-magic world. There’s a complex morality about whether maybe wizards and witches should reveal themselves to the human world in an attempt to help the humans? Or just outright rule them. And ultimately identity and who we love is the main focus of this film. It is heartbreaking on multiple levels.

You also have Dumbeldore and Grindelwald as these perfect foils for one another. While not mentioned in the film, it would be worthwhile to review their early relationship around searching for The Deathly Hallows and the fateful three-way duel between them and Albus’s brother Aberforth which resulted in the death of their sister. (Note that all of those events take place several years before the first Fantastic Beasts film– you’ll want to get your timeline straight when you see this.)

The film also delivers a climax of epic proportions. When I compare this to the artistry and moral stakes of the finale of The Empire Strikes Back, I do not invoke that comparison lightly, but it is the best analog to what we have in this film. There are emotional stakes. There are plot twists. Bring tissues.

Sounds pretty amazing, right? It is. But the film has some other, er. . . problematic areas.

The first is the casting of Claudia Kim as Nagini. In later films/books, we know Nagini becomes Voldemort’s pet/horcrux, and fans have (rightfully) pointed out the racism in casting a Korean actress as a character who later becomes a pet. Rowling also caught justifiable flak for defending her choice saying:

Yikes. Koreans are not Indonesian, Chinese, Javanese, or Betawi. Ok, so this is hella problematic.

Here’s the deal, though: Claudia Kim in this movie is magic– no pun intended. She gives one of the best performances of the movie. Her character is a strong woman with agency, morals, and a personal story arc. She can also transform into a snake and is Credence’s best friend. It’s actually really terrible that she has to be Nagini and not just some other unnamed Maledictus, as she was originally listed in the casting. This is, of course, a problem endemic to prequels.

The other giant glaring problem with this movie is Johnny Depp. I don’t care what you think of Depp as a person or as an actor. But he is garbage in this movie. I haven’t seen someone so clearly just picking up a paycheck and not expending any effort since…  well, Johnny Depp in the last Pirates of the Caribbean movie. I haven’t seen a character so grating and unappealing in a tentpole franchise film since… well, Johnny Depp in the last Alice in Wonderland movie. He is terrible, and Warner Bros need to cut their losses and recast him for the inevitable (and well-deserved!) sequel. He’s a distraction every time he’s on screen, because he is expending so little effort that it’s simply, “Look! Johnny Depp in a platinum wig!”

The film’s saving grace is he isn’t in it very much despite being the title character. The downside is, this character deserves better. Here’s the real deal: Grindelwald has a point. Like Thanos, like Erik Killmonger, like the best baddies of 2018, he is a villain whose logic is sound, whose grievances are real, but whose methods are immeasurably unconscionable.

This is otherwise a near-perfect film– easily the equal of an Infinity War. But Johnny Depp’s magic spell he casts on this film is to drag it down by an entire star just by himself. In a cruel twist of either irony or tonedeaf marketing, most prints are being paired with the trailer for Aquaman starring Amber Heard as Mera. If there is any sense of cosmic justice, Aquaman will kick Grindelwald’s butt at the box office and Warner Bros may wise up that, hey, maybe having Depp star in our tentpole franchise is a bad idea.

Just sort of expend as little effort as possible in paying attention to Depp– at least as little as he is expending in performing– and try to enjoy the film pretending he is replaced by, oh, say, Christopher Plummer– just kidding. But seriously– Ewan MacGregor. Or Russell Crowe. Or Javier Bardem. Or Paul Bettany.

If you can do that, you will absolutely fall in love with this film. It raises the stakes, dashes expectations, and leaves you wanting more. Bring on the third Fantastic Beasts movie — and look for a spoiler-filled article from me later about why Newt Scamander is the hero we all need for 2018.

4 out of 5 stars

Almost American