Tag Archives: death

Wonder Woman: Bloodlines Gets Its First Trailer

Wonder Woman: Bloodlines

Experience an all-new adventure with DC’s most powerful heroine – filled with intrigue, mythology and relentless battles on shores near and far – in Wonder Woman: Bloodlines, the next entry in the popular series of DC Universe Movies. Produced by Warner Bros. Animation and DC, the feature-length animated film arrives – accompanied by the DC Showcase animated short Death, inspired by Neil Gaiman’s “The Sandman” – from Warner Bros. Home Entertainment on Digital starting October 5, 2019, and on 4K Ultra HD Combo Pack, and Blu-ray Combo Pack on October 22, 2019.

Wonder Woman: Bloodlines will be available on 4K Ultra HD Combo Pack (USA $39.99 SRP; Canada $43.99 SRP) and Blu-ray Combo Pack (USA $24.98 SRP; Canada $34.97 SRP) as well as on Digital. The 4K Ultra HD Combo Pack features an Ultra HD Blu-ray disc in 4K with HDR, a Blu-ray disc featuring the film in hi-definition and a digital version of the movie. The Blu-ray Combo Pack features a Blu-ray disc with the film in hi-definition, a DVD with the film in standard definition and a digital version of the movie.

In Wonder Woman: Bloodlines, Amazon princess Diana of Themyscira chooses to save fighter pilot Steve Trevor and return him to his home in America – setting in motion one of Wonder Woman’s most captivating chapters. Fulfilling the role of both ambassador as well as protector, Diana soon earns the name Wonder Woman from the gracious people of Earth. Equally strong in body, heart and will, she makes it her mission to help a troubled young girl enlisted by a deadly organization known as Villainy, Inc., whose criminal members have their sights set on invading Themyscira, Diana’s paradise home. Prepare for a thrilling quest packed with brutal battles, mysterious mythology and endless wonder!

Rosario Dawson (Jane the Virgin, Rent, Luke Cage) returns as the voice of Wonder Woman for the sixth time, leading a sensational Wonder Woman: Bloodlines voice cast that includes Jeffrey Donovan (Fargo, Burn Notice) as Steve Trevor, Marie Avgeropoulos (The 100) as Silver Swan, Adrienne C. Moore (Orange Is the New Black) as Etta Candy, Kimberly Brooks (DC Super Hero Girls, Mass Effect, Winx Club) as The Cheetah & Giganta, Courtenay Taylor (Regular Show, Fallout 4) as Dr. Poison, Constance Zimmer (Entourage, House of Cards, Unreal) as Veronica Cale, Nia Vardalos (My Big Fat Greek Wedding) as Julia Kapatelis, Michael Dorn (Star Trek: The Next Generation, Star Trek: Deep Space Nine, Arrow) as Ferdinand, Cree Summer (Batman Beyond, Rugrats) as Hippolyta, Mozhan Marno (The Blacklist, House of Cards) as Dr. Cyber, and Ray Chase (Justice League Dark) as Lead Bandit.

Wonder Woman: Bloodlines is co-directed by Sam Liu (Reign of the Supermen) and Justin Copeland (Batman: Hush) from a script by Mairghread Scott (Justice League Action, Guardians of the Galaxy animated series). Jim Krieg (Batman: Gotham by Gaslight) is co-producer. Sam Liu and Amy McKenna (The Death of Superman) are producers. Executive Producers are Sam Register and James Tucker (Batman: Hush).

“Wonder Woman has been inspiring fans for generations and Wonder Woman: Bloodlines will further stoke that flame with an action-packed adventure that offers new and cherished characters from across Diana’s impressive comics history,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation Marketing.

Wonder Woman: Bloodlines Special Features

4K Ultra HD Blu-ray Combo Pack, Blu-ray Combo Pack and Digital

DC Showcase: Death (Animated Short) – Inspired by Neil Gaiman’s “The Sandman,” Death is produced & directed by Sam Liu (Justice League vs. The Fatal Five) and written by J.M. DeMatteis (Batman: Bad Blood). In the story, Vincent, an artist with unresolved inner demons, meets a mysterious girl who helps him come to terms with his creative legacy … and eventual death. Leonard Nam (Westworld) provides the voice of Vincent, and Jamie Chung (The Gifted, Big Hero 6) is the voice of Death. The voice cast includes Darin De Paul, Keith Szarabajka and Kari Wahlgren.

The Cheetah: Ferocious Archenemy (New Featurette) – Ferocious. Clever. Deadly. It’s the thrill of the hunt and the prey is Wonder Woman. This is the story of The Cheetah, Diana’s greatest enemy.

A Sneak Peek at the next DC Universe Movie, Superman: Red Son – An advanced look at the next animated film in the popular DC Universe Movies collection.

Wonder Woman: Bloodlines will also be available on Movies Anywhere. Using the free Movies Anywhere app and website, consumers can access all their eligible movies by connecting their Movies Anywhere account with their participating digital retailer accounts.

Fans can also own Wonder Woman: Bloodlines via purchase from digital retailers beginning October 5, 2019.

DIGITAL DISTRIBUTION ELEMENTS

On October 5, 2019, Wonder Woman: Bloodlines will be available to own in high definition and standard definition from select digital retailers including Amazon, the Apple TV app, FandangoNOW, PlayStation, Vudu, Xbox and others. On October 22, 2019, Wonder Woman: Bloodlines will be made available digitally on Video On Demand services from cable and satellite providers, and on select gaming consoles.

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DC Showcase Delivers New Animated Shorts Starting with Sgt. Rock

Warner Bros. Animation and Warner Bros. Home Entertainment, in partnership with DC, are in production on five new DC Showcase animated shorts for release in 2019-2020.

Inspired by characters and stories from DC’s robust portfolio, the all-new series of shorts will be included on upcoming DC Universe Movies releases, with exception of an innovative Batman: Death in the Family long-form animated short, which will anchor a compilation set for distribution in late 2020.

Each of the five shorts – entitled Sgt. Rock, Adam Strange, Death, The Phantom Stranger, and Batman: Death in the Family – opens with a new, live-action branding sequence that features a few Easter Eggs specially added for observant fans.

DC Showcase Sgt. Rock

Sgt. Rock is executive produced and directed by Bruce Timm (Batman: The Animated Series) from a script by award-winning comics writers Louise Simonson, Walter Simonson and Tim Sheridan (Reign of the Supermen). The original tale finds battle-weary Sgt. Rock thinking he has seen everything that World War II can dish out. But he is in for the surprise of his life when he is assigned to lead a company consisting of legendary monsters into battle against an unstoppable platoon of Nazi zombies. Karl Urban (Star Trek & Lord of the Rings film franchises) provides the voice of Sgt. Rock. Also voicing characters in Sgt. Rock are Keith Ferguson, William Salyers, and Audrey Wasilewski.

Adam Strange is produced and directed by Butch Lukic (Batman Unlimited franchise), who also conceived the original story – which is written by J.M. DeMatteis (Constantine: City of Demons). On a rugged asteroid mining colony, few of the toiling workers are aware that their town drunk was ever anything but an interplanetary derelict. But when the miners open a fissure into the home of a horde of deadly alien insects, his true identity is exposed. He is space adventurer Adam Strange, whose heroic backstory is played out in flashbacks as he struggles to save the very people who have scorned him for so long. Charlie Weber (How To Get Away with Murder) provides the voice of Adam Strange, alongside with Roger R. Cross, Kimberly Brooks, Ray Chase, and Fred Tatasciore.

Inspired by Neil Gaiman’s “The Sandman,” Death is produced and directed by Sam Liu (Justice League vs. The Fatal Five) and written by J.M. DeMatteis (Batman: Bad Blood). In the story, Vincent, an artist with unresolved inner demons, meets a mysterious girl who helps him come to terms with his creative legacy … and eventual death. Leonardo Nam (Westworld) provides the voice of Vincent, and Jamie Chung (The Gifted, Big Hero 6) is the voice of Death. The cast includes Darin De Paul, Keith Szarabajka, and Kari Wahlgren.

The Phantom Stranger has Bruce Timm (Batman: The Killing Joke) at the helm as executive producer and director, and the short is written by Ernie Altbacker (Teen Titans: The Judas Contract). Set in the 1970s, the short follows young adult Jess as she joins her friends at a party in a dilapidated mansion hosted by the mysterious Seth. When odd things begin to happen to Jess and her friends, the Phantom Stranger intervenes to save her from a dreary fate. Peter Serafinowicz (The Tick) gives voice to The Phantom Stranger, and Michael Rosenbaum (Smallville, Impastor) provides the voice of Seth. The Phantom Stranger also features the voices of Natalie Lander, Grey Griffin, and Roger Craig Smith.

More information regarding Batman: Death In The Family will be available in 2020.

All five new DC Showcase shorts credits include Jim Krieg as co-producer, Amy McKenna as producer, and Sam Register as executive producer.

Initially launched in 2010, DC Showcase was originally comprised of four animated shorts produced by Bruce Timm and directed by Joaquim Dos Santos: The Spectre (released on 2/23/2010), Jonah Hex (7/27/2010), Green Arrow (9/28/2010) and Superman/Shazam: The Return of Black Adam (11/9/2010). An additional short, Catwoman (10/18/2011), was attached the following year to the release of Batman: Year One, and was directed by Lauren Montgomery and executive produced by Bruce Timm. Screenwriters on the initial quintet were Steve Niles (The Spectre), Joe Lansdale (Jonah Hex), Greg Weisman (Green Arrow), Michael Jelenic (Superman/Shazam: The Return of Black Adam) and Paul Dini (Catwoman).

Actors featured on the first five shorts were Malcolm McDowell, James Garner (in his final performance), Jerry O’Connell, Linda Hamilton, Gary Cole, Alyssa Milano, Thomas Jane, Michael Rooker, Eliza Dushku, Neal McDonough, Ariel Winter, Danica McKeller, George Newbern, Michelle Trachtenberg and Arnold Vosloo, as well as Jon Polito, Rob Paulsen, Jeff Bennett, Steve Blum, Grey Delisle, John DiMaggio, Josh Keaton, Zach Callison, Jason Marsden, Liliana Mumy, Tara Strong, Cree Summer and Kevin Michael Richardson.

C2E2 2018: Writer Tini Howard Talks Assassinistas, Euthanauts, and More

Tini Howard is one of comics’ most exciting new writers. She has worked on licensed properties like Rick and Morty: Pocket Like You Stole It and a series of Barbie graphic novels and has breathed new life into classic Image characters like Cassie Hack in Hack/Slash Resurrection and Magdalena in Magdalena Reformation. However, the main subject of this interview was Howard’s creator owned work for IDW’s Black Crown imprint where legendary editor Shelly Bond has kept the spirit of 1990s Vertigo alive in 2018.

Graphic Policy: So, you currently have two series at Black Crown. You’re sort of their flagship writer. Why has that imprint been such a good place for your recent projects?

Tini Howard: I’m a big fan of Shelly Bond’s work. I’m a huge fan of her sensibilities and taste. I’m a huge fan of Philip Bond. I was at a place in my career where I wasn’t sure what I was going to do next. Skeptics was my first creator owned work, and it was a gauntlet making that book so I learned a lot about making comics. I was like, “Man, when I do my next creator owned series, I wish someone would call me up on the phone that has experience and say, ‘I want to help you make this book.'”

Shelly Bond was that person. I couldn’t believe it. I couldn’t believe that she found my work independently of me begging her to like it. She reached out to me, and Black Crown is great. They have lot of support from IDW because the company very much trusts in Shelly’s sensibilities. So, I get to work with two of the all time greats in comics [with Bond] and Gilbert Hernandez as well.

One of the Black Crown sayings is that “We have an old guard and a new guard” so with Euthanauts, I’m part of the old guard so I get to bring someone new in with Nick [Robles].

GP: I love the philosophy that they have. Another thing I like about Black Crown is its intersection between music and comics. What have you been listening to while writing Assassinistas and Euthanauts?

TH: The Assassinistas playlist is a lot of grrrl punk. A lot of X-Ray Spex, a lot of The Go-Go’s, all the way up to Paramore and Natalia Kills. It’s angry girl music throughout the ages is the background of Assassinistas along with some little things. Like I’ve got some Pansy Division on there because Taylor’s super into queer punk.

Then, Euthanauts is Bowie, Bjork, Massive Attack. It’s dream pop, it’s weird, and death-y. Some VNV Nation going back to my Wax Trax! Goth kid days. It’s also got some weird meditative music on there, and then I’ve got “Rocket Man” by Elton John on there. That’s a song I connect a lot to Euthanauts. 

GP: When you’re writing Assassinistas, how do you find the balance and pacing between these super stylized action sequences (Especially the flashbacks.) and the tender mom/son, boyfriend/boyfriend kind of scenes?

TH: For me, everyone is multitudes. Even when I’m “on” at a con, I’m still internally feeling the things I have to deal with. As a writer, you’re like “A character is doing one thing”, but no one is ever really just doing one thing. We’re all doing one thing on the outside and feeling other things on the inside. For me, it’s remembering these people have experienced pain and are trying their best to connect while also doing really stressful things.

As anyone who’s ever done a comic convention, anyone who’s ever planned a wedding, anyone’s who done a move, stress heightens all your familial tensions. Moving is one of the most stressful things for a family. I think they only say that because most families aren’t assassins. Maybe doing an assassin job is one of the most stressful things. It’s also interesting because despite these women being contract killers, what they’re there to do isn’t murder. It’s not a bloody book full of people dying. That’s their past. This is their future.

GP: My personal favorite part of Assassinistas is this budding romance between Dominic and Taylor.  What do you have in store for them going into the second half of the miniseries?

TH: The thing I love about Dominic and Taylor is that Taylor, in a lot of ways, is like the audience character because Taylor was not raised in this world. He’s kind of curiously looking at it the same way that we as the audience are. So, Taylor’s really important to me. He’s got the heart of someone who was raised in a supportive, normal environment, and that’s part of why Dominic loves him. It’s like “Look at you. Look at how normal we can be.”

Dominic craves normalcy, and to a lot of people, dating a boy with a pink mohawk is not normal, but it is his normal. It’s who he is. He loves this kid, and when Dominic looks at Taylor, he sees a white picket fence and them having 2.5 kids together. He gets a business degree, and Taylor has his awesome gender studies degree. He gets a job teaching and is a professor like his parents. When Dominic sees Taylor, he sees normalcy and sees something that’s not like his life.

Having a person that is the normal oasis from crazy family life being brought into his crazy family life, and having that person think it’s really cool is a nightmare for Dominic.

GP: The fights in Assassinistas are really, I guess, funky is the best way to describe them. What is your process like plotting out the fights with Gilbert Hernandez?

TH: The Hernandez Bros can draw anything because they’re great, but they’re not exactly known for these superhero style action scenes. Frankly, I don’t love writing long fight scenes without a purpose. I’m not the person who gets off on writing 18 pages of gory punches. For me, a fight is a reason to do something else. It’s a way to get a character somewhere. It’s a way to start a conversation. I love the way that Beto and Rob Davis on colors are doing the art for these pages. They almost remind me of old Batman ’66 fights. Bam, pow, yeah! We’re there for the kinetic moment, and what it draws.

Beto really understands it. Neither of us are people that love violence and want to make a hyperviolent book. Beto is in Vegas. That’s a place that has seen a lot of trauma. We’ve had moments where we’ve talked about it before. We have these people walking around with automatic weapons and have had that talk. Neither of us are fans of violence for violence’s sake. That’s a big touchpoint.

GP: Moving on to Euthanauts, which I’m really excited for. So, I grew up a Protestant with Heaven, Hell, the afterlife being a big part of my upbringing. What is your vision of the afterlife in Euthanauts, and how does that connect to your own beliefs about death and the afterlife?

TH: I’ve always been scared of space. I’ve also always been scared of death. I think it’s for the same reason. There’s nothing out there. It’s formless and unfriendly. I grew up watching the same VHS copy of Apollo 13 a thousand times, and it terrified me every time because you have duct tape and Saran wrap, you’re in space, and you have to get home.

So, I kind of started of contextualizing it and asking, “What if there’s an afterlife, and it’s not heaven, it’s not hell, it’s not even populated.” When most of us die, we just die. You die, and your spirit goes to that unwelcoming cold place and just fizzes out. Back before we knew what happened to you in space, we used to think people would explode in space or something. We didn’t know what happened to you out there.

That’s what I’m working with in Euthanauts. That’s a frontier. These people are pioneers. But death only goes one way for most of us. It gets into that Egyptian, or in some ways that Christian idea, of living life for the afterlife. Living your whole life just to prepare for the afterlife. For a Euthanaut, that’s what it takes. It takes a massive amount of preparation.

The three main characters we have all view the afterlife in different ways. [There’s] Natalia, our main character, who works in a funeral home. The way I describe her, if you’re a Six Feet Under fan, is she’s a Fisher. She’s very normal. She doesn’t talk about her feelings. She works at a funeral home. She’s a recovering Goth girl. She’s got a lot of anxiety about death and the afterlife, but she buries it deep down and has a very American view of the funeral. When death happens, we shunt it out of our vision and look at someone who’s made up and put them in a box in the ground.

Then, we have Mercy, who is kind of her foil and the lead Euthanaut. Mercy is very scientific. It’s true that in the beginning of the 20th century, you can look at college grants to study the afterlife. Because to this day, we don’t have understanding of if something is there. Mercy is a researcher of that. She’s very much [into] the 21 grams of the soul, moment of death, and trying to understand consciousness and maintain that consciousness into the beyond. That’s really what the core is about.

Then, we have Indi, or Indigo Hanover, who is Nick’s favorite, and was supposed to be a tertiary character, but then became our third protagonist because we loved him so much. Indi is a radical fairy. He was raised by two lesbian witches. He grew up in that whole world. The book opens on him preparing his mother for her funeral, which is a beautiful, joyous event. He believes in reincarnation and the cycle of life and death. Indi doesn’t like the idea of going somewhere else and breaking that cycle. To him, that’s a little upsetting. He kind of gets conscripted into the Euthanauts.

GP: How did you end up working with Nick Robles on Euthanauts, and how does his vision of the afterlife mesh with yours?

TH: Nick is an artist that everyone in comics has their eyes on right now. He did Alien Bounty Hunter at Vault and is so talented. His first Black Crown work was that he drew a piece of Kid Lobotomy fan art, and Tess Fowler saw it was good that she gave up a cover so he could do a cover. (They already had a variant cover.) So, Nick’s fan art of the titular character from Kid Lobotomy became the cover for issue 6. From that, he was just on our radar hardcore. Shelly suggested him, and I said, “Absolutely”. I’m just a big fan of Nick’s work.

Nick loves pretty boys and loves drawing them. A lot of reason for Indi as a character is because of Nick’s instant affection for him. Nick draws him so beautifully and all the characters so beautifully, which is great too because we have some characters, like Mercy, who are not conventionally beautiful. Mercy is sick. Her appearance is that sh’es clearly dying in public. We first see her because she looks so unnerving and scary. But everything is beautifully rendered for Nick even the scary stuff.

GP: Yeah, I saw the first preview, and there were all these blood and guts and viscera going around.

TH: He’s very talented with that. He’s coloring the first issue too. Every time I post art, everyone is like, “Who is the colorist?” And I’m like, “It’s Nick.” He’s a legend in the making.

GP: I actually have a quick Rick and Morty question. How does the fandom missing the whole point of the show with the whole Szechuan sauce debacle affect your writing and working on it as a licensed property?

TH: I was very lucky to engage with the show before I was aware of the fandom at all. I have a really personal connection with the show. It touched me in a lot of ways. I grew up reading hard sci-fi so a lot of tropes they use are ones I’ve thought about. Humor aside, Rick and Morty is some of the best sci-fi around because it takes those tropes and makes them personal. That was good sci-fi does.

Rick and Morty does that while at the same time being gut bustingly hilarious. I always try and engage and touch what I like about the show rather than trying to please any part of the fanbase. I’ve been really pleased with how people respond.

GP: I have one last question, and it has to do with death. What does the Tarot card, Death, mean to you?

TH: That is such a good question, but I can’t really tell you why yet… Death is about change, death is a transference of energy. That is something I say in Euthanauts again and again. Death is not just a transference energy, it’s a state change. So, to the Euthanauts, death is the equivalent of boiling water and making steam. The only difference is that they haven’t figured out how to put the steam back in the water.

With death, it’s one way. And the whole thing about the Euthanauts is let’s say you die, and there’s something you want to write home about, how do you write home from the afterlife. And that’s where our tethers, Natalia, Mercy, and Indi, come up, and that’s their importance in the story.

 

Assassinistas #4 is currently out, and you can buy it here. Rick and Morty: Pocket Like You Stole It is available here. Euthanauts #1 is set to be released in July 2018

Follow Tini Howard on Twitter.

 

Captain America: Civil War to Kill this Character

With each and every Marvel, or any comic book movie for that matter, there are consistent ramblings about how someone major will die. This happened earlier this year with Avengers: Age Of Ultron; rumour had it that Black Widow will die, then Hawkeye, then others. In the end a character did die, indeed. Now it’s Captain America: Civil War who is to start killing off characters. A big problem lies within the Marvel Cinematic Universe–nobody ever dies, for good anyways. In The Avengers it was Coulson, then Loki, then Bucky Barnes, then Pepper Pots, then Nick Fury… the list goes endlessly.

With the subtitle for Captain America being Civil War, there cannot be such a conflict without any major losses, it needs to have atrocious death–or deaths, otherwise there will be a lack of tension and stakes. Now, it all depends on what one defines as major. A while back, it was announced that Black Panther–T’Challa–will be making his first appearance in the MCU. Apparently, his father, T’Chaka, will be in the film as well. It is precisely the latter who is allegedly going to axed.

In Age of Ultron we already caught a glimpse of the magical Wakanda with Ulysses Klaw (Andy Serkis), who is an enemy of T’Challa’s in the comics. What’s more, back in May, the same site, Heroic Holywood, also teased that Black Panther will be after the Winter Soldier. Is Bucky who kills, is framed for killing, T’Chaka? Only time will tell.

What is your opinion? Who do you think will die in Captain America: Civil War? Make sure to let us know in the comment section.